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{{Short description|American folk song}}
]
:: ''See ] for the American pro-life activist'' ] in 1904]]
]]


"'''Darling Nelly Gray'''" is a 19th c. popular song credited to ] as writer and composer. It is written as if spoken by an ] man whose sweetheart has been taken away by slave-owners. The male slave in Kentucky mourns his beloved, who has been sold South to Georgia (where the slave’s life was conventionally regarded as harsher). "'''Darling Nelly Gray'''" is a 19th century anti-slavery ballad written and composed by ] in 1856. It is written as from the point of view of an ] male slave in Kentucky whose sweetheart has been taken away by slave-owners. The man mourns his beloved, who has been sold South to Georgia (where the slave’s life was conventionally regarded as harsher). He eventually dies and joins her in heaven. The song became popular in the years preceding the Civil War and helped promote support for the abolitionist cause. <ref>{{Cite web|url=https://www.ohiohistory.org/learn/collections/history/history-blog/2011/july-2011/the-civil-war-in-sheet-music|title = The Civil War in Sheet Music|publisher=Ohio History Connection|accessdate=February 10, 2022}}</ref>


==History==
Hanby created the song while attending ] in ] in 1856, in response to the plight of a runaway slave named Joseph Selby or Shelby. Benjamin Hanby's father, Bishop William Hanby, a ] minister who was active in the ], was attempting to raise money to free Selby's beloved. Hanby composed the song while attending ] in ] in 1856 and was inspired by the Hanby family’s encounter with Joseph Selby, a runaway slave from Kentucky who died at the Hanby home in Rushville after relating the moving story of his escape to freedom and having to leave behind his lost love. Benjamin Hanby's father, Bishop William Hanby, a ] minister who was active in the ], was attempting to raise money to free Selby's beloved when Selby died of pneumonia.<ref>{{Cite web|url=https://www.westervillelibrary.org/underground-hanby|title = Benjamin Hanby and His Anti-Slavery Song |publisher=Westerville Public Library|accessdate=February 10, 2022}}</ref>


The relationship to the English folk song ], which has the same music and similar lyrics, is unclear.<ref>{{cite book |last1=Price |first1=Jeremy |editor1-last=Barrow |editor1-first=Logie |title=Keeping the Lid on: Urban Eruptions and Social Control since the 19th Century |date=2010 |publisher=Cambridge Scholars Publishing |location=Cambridge |isbn=9781443822060 |pages=82–3 |chapter=“From Nelly Ray to Maggie May”: Re-enacting the Past on the Streets of Liverpool'}}</ref>
The music and lyrics are closely related to the bawdy Liverpool sailor-song song ], though the historical relationship between the two is unclear. The Liverpool song may be a vulgarised version of ''Nelly Gray'', or alternatively Hanby may have transmuted the sailor's song into more genteel form.


The tune was subsequently used by ] ] singer ] to set his song '']'' and by ] activist and ] member ], to set ''The Commonwealth of Toil''.<ref>{{cite web|editor=Manfred H|title=The Commonwealth of Toil (Ralph Chaplin) (1910s)|website=www.folkarchive.de|url=http://www.folkarchive.de/commonw.html|accessdate=14 March 2017}}</ref>
Although author and origins of the song are known, and it may be seen in relation to the ] genre, its documented folk transmission and variation suggest that it may be legitimately regarded as having passed into African-American tradition.


A recording by ] and ] was popular in 1937 reaching the charts of the day.<ref>{{cite book|last1=Whitburn|first1=Joel|title=Joel Whitburn's Pop Memories 1890-1954|date=1986|publisher=Record Research Inc|location=Wisconsin, USA|isbn=0-89820-083-0|page=|url-access=registration|url=https://archive.org/details/joelwpopmemories00whit/page/490}}</ref> ] recorded the song for Vocalion on October 22, 1937<ref>{{cite web|title=The Online Discographical Project|url=http://www.78discography.com/VOC3500.htm|website=78discography.com|accessdate=July 26, 2017}}</ref> and ] recorded it for Decca Records on April 25, 1938.<ref>{{cite web|title=A Bing Crosby Discography|url=http://www.bingmagazine.co.uk/bingmagazine/crosby1bDecca.html|website=BING magazine|publisher=International Club Crosby|accessdate=July 26, 2017}}</ref>
Other titles include “Darlin’ Nelly Gray”, "Old Nelly Grey", “Oh My Darlin’ Nelly Gray”, “The Eumerella Shore (same melody)", and “Charming Nellie Ray”.


The melody of Darling Nelly Gray is the (nearly identical) basis for the melody of ], a 1950 hit for ].<ref>Wolff, ''Country Music'', p. 112: "It originated with western swing pioneer Bob Wills, who grew up in the 1910s and 1920s fiddling in rural Texas with his father, John Wills. They wrote the melody together when Bob was very young; it wasn't until 1950 that the song gained lyrics, courtesy of Bob's younger brother, Billy Jack."</ref><ref>McWhorter, ''Cowboy Fiddler'', p. 61: "And he played a tune called 'Forsaken Lover.' It's note-for-note the same as 'Faded Love.' Bob took that old tune and slowed it down and put in that long Bob Wills bow, and it became 'Faded Love'."</ref><ref> Note: user must type "Corcoran's top 50 into website search line.</ref>
==Lyrics==
As with all folksongs, there is considerable variation; one version runs thus:


==Lyrics==
<blockquote> <blockquote>
In a long green, valley on the old Kentucky shore<br/> There's a low, green valley, on the old Kentucky shore.<br/>
Sure I've whiled many happy hours away,<br/> Where I've whiled many happy hours away,<br/>
Just a sitting and a singing by the little cabin door<br/> A-sitting and a-singing by the little cottage door,<br/>
Where lived my darling Nellie Gray <br/> Where lived my darling Nelly Gray.<br/>

<br/>
Chorus<br/>
When the moon had climbed the mountain, and the stars were shining bright<br/>
I'd take my darling Nellie Gray<br/> Oh! my poor Nelly Gray, they have taken you away,<br/>
And we'd float down the river in my little red canoe<br/> And I'll never see my darling any more;<br/>
I'm sitting by the river and I'm weeping all the day.<br/>
While my banjo so sweetly I would play<br/>
For you've gone from the old Kentucky shore.<br/>
<br/>

One night I went to see her, but she's gone the neighbors say<br/>
And the white man had bound her with his chain<br/> When the moon had climbed the mountain and the stars were shining too.<br/>
Then I'd take my darling Nelly Gray,<br/>
They have taken her to Georgia for to wear her life away<br/>
As she toils in the cotton and the cane<br/> And we'd float down the river in my little red canoe,<br/>
While my banjo sweetly I would play.<br/>
<br/>

Oh, my darling Nellie Gray, they have taken you away<br/>
One night I went to see her, but "She's gone!" the neighbors say.<br/>
I'll never see my darling anymore<br/>
The white man bound her with his chain;<br/>
They have taken you to Georgia for to work your life away<br/>
They have taken her to Georgia for to wear her life away,<br/>
And you’re gone from that old Kentucky shore.<br/>
As she toils in the cotton and the cane.<br/>
<br/>

Now my canoe is under water, and my banjo is unstrung<br/> My canoe is under water, and my banjo is unstrung;<br/>
I am tired of living, anymore<br/> I'm tired of living any more;<br/>
My eyes shall be cast downward, and my songs will be unsung<br/> My eyes shall look downward, and my song shall be unsung<br/>
While I stay on the old Kentucky shore<br/> While I stay on the old Kentucky shore.<br/>
<br/>

Now my eyes are getting dimmer and I cannot see the light<br/>
Hark there’s someone a-knocking at my door<br/> My eyes are getting blinded, and I cannot see my way.<br/>
Hark! there's somebody knocking at the door.<br/>
Oh I hear the angels coming and I see my Nellie Gray<br/>
So farewell to the old Kentucky shore<br/> Oh! I hear the angels calling, and I see my Nelly Gray.<br/>
Farewell to the old Kentucky shore.<br/>
<br/>

Oh, my darling Nellie Gray, up in heaven, so they say<br/>
Chorus<br/>
And they'll never take you from me, anymore<br/>
Oh, my darling Nelly Gray, up in heaven
Oh I'm coming, coming, coming, as the angels clear the way<br/>
there they say,<br/>
So farewell to the old Kentucky shore<br/>
That they'll never take you from me any
more.<br/>
I'm a-coming-coming-coming, as the angels
clear the way,<br/>
Farewell to the old Kentucky shore!


</blockquote> </blockquote>
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==See also== ==See also==
*] *]

==Notes==
{{Reflist}}


==External links== ==External links==
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*Cat. #1097 (MFH #764) - As sung by Ollie Gilbert, Mountain View, Arkansas on June 9, 1970 *Cat. #1097 (MFH #764) - As sung by Ollie Gilbert, Mountain View, Arkansas on June 9, 1970


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Latest revision as of 08:09, 26 November 2023

American folk song
"My Darling Nelly Gray", sung by J. W. Myers in 1904
Benjamin Hanby
Darling Nelly Gray by Benjamin Hanby

"Darling Nelly Gray" is a 19th century anti-slavery ballad written and composed by Benjamin Hanby in 1856. It is written as from the point of view of an African-American male slave in Kentucky whose sweetheart has been taken away by slave-owners. The man mourns his beloved, who has been sold South to Georgia (where the slave’s life was conventionally regarded as harsher). He eventually dies and joins her in heaven. The song became popular in the years preceding the Civil War and helped promote support for the abolitionist cause.

History

Hanby composed the song while attending Otterbein University in Westerville, Ohio in 1856 and was inspired by the Hanby family’s encounter with Joseph Selby, a runaway slave from Kentucky who died at the Hanby home in Rushville after relating the moving story of his escape to freedom and having to leave behind his lost love. Benjamin Hanby's father, Bishop William Hanby, a United Brethren minister who was active in the Underground Railroad, was attempting to raise money to free Selby's beloved when Selby died of pneumonia.

The relationship to the English folk song Maggie May, which has the same music and similar lyrics, is unclear.

The tune was subsequently used by Geordie music hall singer Joe Wilson to set his song Keep yor feet still Geordie hinny and by trade union activist and Industrial Workers of the World member Ralph Chaplin, to set The Commonwealth of Toil.

A recording by Louis Armstrong and The Mills Brothers was popular in 1937 reaching the charts of the day. Maxine Sullivan recorded the song for Vocalion on October 22, 1937 and Bing Crosby recorded it for Decca Records on April 25, 1938.

The melody of Darling Nelly Gray is the (nearly identical) basis for the melody of Faded Love, a 1950 hit for Bob Wills.

Lyrics

There's a low, green valley, on the old Kentucky shore.
Where I've whiled many happy hours away,
A-sitting and a-singing by the little cottage door,
Where lived my darling Nelly Gray.

Chorus
Oh! my poor Nelly Gray, they have taken you away,
And I'll never see my darling any more;
I'm sitting by the river and I'm weeping all the day.
For you've gone from the old Kentucky shore.

When the moon had climbed the mountain and the stars were shining too.
Then I'd take my darling Nelly Gray,
And we'd float down the river in my little red canoe,
While my banjo sweetly I would play.

One night I went to see her, but "She's gone!" the neighbors say.
The white man bound her with his chain;
They have taken her to Georgia for to wear her life away,
As she toils in the cotton and the cane.

My canoe is under water, and my banjo is unstrung;
I'm tired of living any more;
My eyes shall look downward, and my song shall be unsung
While I stay on the old Kentucky shore.

My eyes are getting blinded, and I cannot see my way.
Hark! there's somebody knocking at the door.
Oh! I hear the angels calling, and I see my Nelly Gray.
Farewell to the old Kentucky shore.

Chorus
Oh, my darling Nelly Gray, up in heaven there they say,
That they'll never take you from me any more.
I'm a-coming-coming-coming, as the angels clear the way,
Farewell to the old Kentucky shore!

Gallery

  • Darling Nelly Gray, page two Darling Nelly Gray, page two
  • Darling Nelly Gray, page three Darling Nelly Gray, page three

See also

Notes

  1. "The Civil War in Sheet Music". Ohio History Connection. Retrieved February 10, 2022.
  2. "Benjamin Hanby and His Anti-Slavery Song". Westerville Public Library. Retrieved February 10, 2022.
  3. Price, Jeremy (2010). ""From Nelly Ray to Maggie May": Re-enacting the Past on the Streets of Liverpool'". In Barrow, Logie (ed.). Keeping the Lid on: Urban Eruptions and Social Control since the 19th Century. Cambridge: Cambridge Scholars Publishing. pp. 82–3. ISBN 9781443822060.
  4. Manfred H (ed.). "The Commonwealth of Toil (Ralph Chaplin) (1910s)". www.folkarchive.de. Retrieved 14 March 2017.
  5. Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954. Wisconsin, USA: Record Research Inc. p. 490. ISBN 0-89820-083-0.
  6. "The Online Discographical Project". 78discography.com. Retrieved July 26, 2017.
  7. "A Bing Crosby Discography". BING magazine. International Club Crosby. Retrieved July 26, 2017.
  8. Wolff, Country Music, p. 112: "It originated with western swing pioneer Bob Wills, who grew up in the 1910s and 1920s fiddling in rural Texas with his father, John Wills. They wrote the melody together when Bob was very young; it wasn't until 1950 that the song gained lyrics, courtesy of Bob's younger brother, Billy Jack."
  9. McWhorter, Cowboy Fiddler, p. 61: "And he played a tune called 'Forsaken Lover.' It's note-for-note the same as 'Faded Love.' Bob took that old tune and slowed it down and put in that long Bob Wills bow, and it became 'Faded Love'."
  10. Michael Corcoran's Texas Top 50", Lonestar Music Magazine, 29 July 2016 Note: user must type "Corcoran's top 50 into website search line.

External links

Text and RealAudio for versions collected in the field by Max Hunter:
  • Cat. #1440 (MFH #764) - As sung by Otis Williams, Wesley, Arkansas. (Fall), 1967
  • Cat. #1097 (MFH #764) - As sung by Ollie Gilbert, Mountain View, Arkansas on June 9, 1970
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