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| {{short description|American record producer and recording engineer}} | |||
| {{Infobox musical artist <!-- For individuals; see Misplaced Pages:WikiProject_Musicians --> | |||
| '''Martin J. Munsch''' (August 12, 1967) is an American ] and ] from ], who is known for his innovative recording practices and ]. | |||
| | name = Marty Munsch | |||
| Predominantly working with ], gothic, ] as well as sub genre bands. His career has spanned over four decades. | |||
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| | background = non_performing_personnel | |||
| | birth_name = Martin Munsch | |||
| | alias = | |||
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| | origin = | |||
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| | genre = ] | |||
| | occupation = Record producer, sound engineer | |||
| | years_active = 1982–present | |||
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| | website = | |||
| }} | |||
| '''Marty Munsch''' is an American music ] and ] who worked extensively with ] and ] as well as subgenre bands. His career has spanned over four decades.{{cn|date=February 2024}} | |||
| ==Record production== | |||
| Munsch founded Punk Rock Records in 1983 and Northern Front as well as Eastern Front Records in 1987. Noted for work with The Ny-Relx ''She's Got A Gun'', ] ''You Can't Hear A Picture'' and Violent Society's ''Not Enjoyin' It'', that gained the ranking in top 10 punk albums of the 1990's and 2000's. Violent Society's "The Rise of Punk" received similar acclaim, along with many other singles and multiple reissued items. Munsch has noted mastering credits with ], "]", and ].<ref>The Encyclopedia of Punk {{cite book|last=Cogan|first=Brian|title=The Encyclopedia of Punk|publisher=Sterling|year=2008|isbn=1-4027-5960-6}}</ref><ref>{{cite web|title=US chaos|url=http://www.sugarbuzzmagazine.com/bands/uschaos/uschaos.html|website=Sugarbuzzmagazine.com|accessdate=26 January 2021}}</ref> Munsch has operated from Twain Recording, W. Milford, New Jersey, Jackpot Recording, Portland Oregon, Inner Ear Studios, Arlington Virginia, Clearcut Recording, Saddle Brook NJ, The Power Station NY, TOY Format Recording NYC, Max Tracks Albany, Electric Lady NY, CBGB, and Creep Records in Pennsylvania. | |||
| ==Record production and film work== | |||
| == Innovative Recording Practices == | |||
| Munsch founded ] in 1981, Northern Front Records in 1987, and Eastern Front Records in 1988, respectively.{{cn|date=June 2024}} Munsch has produced and mastered over 45 LP albums and singles alongside material by pioneers ] "Live At CBGB", ] "You Can't Hear A Picture", ''The Rise Of Punk''<ref>The Encyclopedia of Punk {{cite book | last=Cogan | first=Brian | title=The Encyclopedia of Punk | publisher=Sterling | year=2008 | isbn=978-1-4027-5960-4}}</ref><ref>Sugar Buzz Magazine http://www.sugarbuzzmagazine.com/bands/uschaos/uschaos.html</ref><ref name=sw>{{Cite web |url=http://shanecooleymusic.com/pdf/07-16Shoreworld.pdf |title=shoreworld |access-date=2017-10-10 |archive-date=2017-10-10 |archive-url=https://web.archive.org/web/20171010055633/http://shanecooleymusic.com/pdf/07-16Shoreworld.pdf |url-status=dead }}</ref> | |||
| As a producer alwsys in the role working double as engineer, Marty Munsch would use many different ideas, that involved heavy ambush style type techniques that would range from antiquated to archaic. His insistence on equipment and microphone placement scenarios would drive both engineers and musicians to the brink and sometimes physical exhaustion. He would ultimately achieve his out of the ordinary analogue sounds and overall coloring of his productions exactly as he needed. Some involved, some very basic. For instance; an entire three flights of stairs, in an old telephone switching office building. Noted for solid reflective terrazzo flooring, this echo and delay effect overlapped naturally, akin to room to room convolution, due to many rooms that were on lower floors, used as powerful reflective reverb and delay. This was projected by mid sized guitar amplifiers and later captured and blended into the mix, although involved and time consuming, it made it's mark. It was a very archaic science. This couldn't be found even with the top shelf, modern and very expensive Lexicon or metal plate type reverb units. Sometimes even building his own condenser mics, from torn down parts that would be used and destroyed, during one session. Dynamic mics, Boundary Mics, Shotgun Mics, Bass Mics and Multi-Pattern Mics. Even using worn out wrapped Ribbon mics for heavy underside drum frequencies. Double mic on certain top and bottom patterns were exclusive. Munch was fond of <ref>{{cite web |last1=SVT |first1=AMPEG |title=Super Valve Technology |url=https://ampeg.com/products/classic/svtvr/ |website=ampeg.com}}</ref> head and 8x10 coffin combo and often used kick drum mics with AKG 414-C doubled up with Rolled off high and mid frequencies, to catch the low wavelength rattle and distortion that one combined to cause third and fourth harmonics. They were crushed through the quirky and very infamous URI 1176 limiting amplifiers to create a suffocating gel of bass signals. | |||
| Munsch appears in the 2008 film ''All Grown Up: The Movie'' by Andrea Witting.<ref name="allgrownup">{{Cite web |last=Boudreau |first=Mark |date=2007-09-20 |title=A Preview of the Upcoming Film "All Grown Up" |url=http://rockandrollreport.com/a-preview-of-the-upcoming-film-all-grown-up/ |url-status=dead |archive-url=https://web.archive.org/web/20201130140851/http://rockandrollreport.com/a-preview-of-the-upcoming-film-all-grown-up/ |archive-date=2020-11-30 |website=The Rock and Roll Report}}</ref> | |||
| Being committed, and very obsessed with very fine tuned drum kits, instruments and transport deck calibrations. This employed extremely tight Dunnett ''titanium snares''<ref>{{Cite web|title=Dunnett Product - Classic Titanium|url=https://www.dunnett.com/products/titanium-t1.php|access-date=2021-05-05|website=www.dunnett.com}}</ref> and mostly metal snares absolutely avoiding wooden shells, these were tightened to breaking limits. Furthermore these snare wires were literally duct tapped with gelatin to the bottom and top heads to obtain distinct drum kit sounds on 1960's era "Slingerland Sparkle", Pearl, and Ludwig kits<ref>{{Cite web|title=About|url=https://www.ludwig-drums.com/en-us/ludwig/about|access-date=2021-05-16|website=Ludwig Drums|language=en}}</ref>. While other kit types that have very unique applications were stripped down do the bare minimum that were used abnormally, to gain highly accurate and drummer play-ability. Influenced by Keith Moons' quick cat like, tight machine gun snares, ] and ] style mic placement. Gaining valuable influences from Johnny Thunders (John Anthony Genzale) and Walter Lure who he had worked with over the years in and out of music. Thunders Playing for The New York Dolls and Lure, The Heartbreakers and Waldos. The key sound that was achieved would be The Violent Society kit played by Kelly Green on the The Rise Of Punk. Studio tracking with the over and under placement of AKG 414 / SM57 combination on a heavy wide snare was immortalized, on the very rare disputed 45 single; "A Shot In The Crowd". | |||
| ==References== | |||
| Much influence and very evident takeaways from his style of microphone rigging. Munsch who would often say ], had a lazed style with the Beatles although they were massive in sales history, they had a horrible sound. Touting that ], was the ] key, to their entire career success. Then, to go on about "You are either fond of ] or fanatics about the Rolling Stones; because the Beatles just suck and are mediocre at best". While working on the infamous ECA single, with Violent Society and engineer Scott Stedford, in a typical run down cramped basement, the session was impromptu. Reduced to 1/2 inch reels and very limited mixing desk and outboard equipment, 8 track Tascam equipment. An old mattress, was used to dampen the drum room standing lows of bass waves then to choke out 8 and 5 kHz silence. A simple cardboard box was placed in-between; to tune the speaker and actually "aim" sound at the SM48 microphone from the guitar amplifiers speaker. Bass was Direct signal, AKG C-414 or XLII<ref>{{Cite web|title=C414 XLII {{!}} Reference multipattern condenser microphone|url=https://www.akg.com/Microphones/Condenser%20Microphones/C414+XLII.html?dwvar_C414%20XLII_color=Black-GLOBAL-Current&cgid=Condenser%20Microphones#start=1|access-date=2021-05-16|website=www.akg.com}}</ref> and 2 Sure SM 56,57or 58<ref>{{Cite web|title=SM58® - Dynamic Vocal Microphone|url=https://www.shure.com/en-US/products/microphones/sm58|access-date=2021-05-16|website=www.shure.com|language=en-US}}</ref>, Electro-Voice RE20<ref>{{Cite web|title=Music by Electro-Voice|url=https://products.electrovoice.com/na/en/music-performance/|access-date=2021-05-16|website=products.electrovoice.com}}</ref> bass drum mic and a beat up Electro-Voice<ref>{{Cite web|title=Music by Electro-Voice|url=https://products.electrovoice.com/na/en/music-performance/|access-date=2021-05-16|website=products.electrovoice.com}}</ref> overhead mic. The single was released and sold multiple pressings and is considered iconic. Munsch who was also incessant with slaving the infamous <nowiki>'''</nowiki>Evil Twin<nowiki>'''</nowiki> Fender 1965 Twin Reverb <ref>{{Cite web|title=A History of the ''Fender Twin Amplifier'' {{!}} Fender Guitars|url=https://www.fender.com/articles/gear/pristine-cleans-aggressive-overdrive-the-fender-twin-story|access-date=2021-05-16|website=www.fender.com|language=en-US}}</ref> 2x12-inch 85-watt output; into the ''Marshal 100-Watt'' 4x12 rig. It would produce a tremendous ripping mid range power, coloring all of his recordings as they rolled onto tape. Constantly complaining about the sound of most '''Marshal''' models, such as 2245, 1959, ''JCM800'', and the ''JMP Super Lead'' that were just to muddy, that had either on or off settings with no valuable no in between sounds only good as a secondary bottom end output amplifier. The Fender twin, Injecting the high-mid's as well as some of the value of coloring coupled with ''complex harmonics'' created by it's circuitry, ultimately gave a venomous bite. Apparently, these maneuvers confused many musicians, engineers and caused quite a few tense moments in the production process. Munsch was into severe and very serious studio time efficiency and did not like to waste anything. This was abundantly clear on tracking full albums in much less time than was typical. Always threatening, and acting on his words, to pull the project if the studio owner, artist or key engineer didn't work to their fullest potentials and was a noted slave driver at the least. The job was completed and the sound was slammed onto tape. | |||
| <references/> | |||
| == External links == | |||
| ==Production, post-production, engineering, and mastering== | |||
| * {{AllMusic|id=marty-munsch-mn0001840265|title=Marty Munsch}} | |||
| * 2018 "A Better Tomorrow", Dysfunctional Youth (CD, EP) Producer Mastering Engineer<ref>{{Citation|title=Dysfunctional Youth – A Better Tomorrow (2018, CD)|url=https://www.discogs.com/Dysfunctional-Youth-A-Better-Tomorrow/release/11599825|language=en|access-date=2021-04-19}}</ref> | |||
| * {{Discogs_artist|425149-Marty-Munsch|Marty Munsch}} | |||
| *2015 "On The Beach", The Accelerators, Producer, Mastering Engineer, Studio Engineer Robert Both<ref>{{Citation|title=On the Beach - EP by The Accelerators|url=https://music.apple.com/us/album/on-the-beach-ep/1152004174|language=en-us|access-date=2021-04-19}}</ref> | |||
| * 2015 "When I'm Alone", The Antics Producer, Engineer<ref>{{Cite web|url=http://speakimge.com/nj-post-punkers-the-antics-return-with-new-single-when-im-alone/|title=NJ Post-Punkers The Antics Return With New Single "When I'm Alone"|website=Speakimge.com|accessdate=26 January 2021}}</ref><ref>{{Cite web|url=http://www.groundsounds.com/2015/01/16/antics-when-alone/|title=The Antics – “When I’m Alone”|website=Groundsounds.com|date=16 January 2015|accessdate=26 January 2021}}</ref><ref>{{Cite web|url=https://top40-charts.com/news.php?nid=105994|title=Post-Punk Band, The Antics Celebrate With New Double-Sided Release "When I'm Alone/Transmission"|website=Top40-charts.com|accessdate=26 January 2021}}</ref> | |||
| * 2014 "Send It Out", The Antics Producer, Engineer<ref> {{dead link|date=January 2021}}</ref><ref>{{Cite web|url=https://rothnroll.blogspot.com/2014/08/i-antics-send-it-out.html|title=Palace of Rock: I The Antics - Send it out|website=Rothnroll.blogspot.com|date=29 August 2014|accessdate=26 January 2021}}</ref> | |||
| *2013 "The Skinhead Shake" Dysfunctional Youth Producer, Mastering Engineer<ref>{{Citation|title=The Skinhead Shake - Single by Dysfunctional Youth|url=https://music.apple.com/us/album/the-skinhead-shake-single/614243688|language=en-us|access-date=2021-04-19}}</ref> | |||
| *2011 "Insides" Pazz Kluger Producer, Mastering<ref>{{cite news |last1=Kluger |first1=Pazz |title=Pazz Kluger - Insides - A Marty Munsch Production |url=https://www.prlog.org/11385783-post-punk-splash-of-goth-and-two-servings-of-depression-pazz-kluger-releases-ep.html |access-date=20 April 2021 |publisher=Pazz Kluger |date=2011}}</ref> | |||
| *2010 "Stopping Evolution Dead In It's Tracks" U.S. Chaos Producer Engineer Mastering Engineer<ref>{{Citation|title=Stopping Evolution Dead In It's Tracks - Single by U.S. Chaos|url=https://music.apple.com/us/album/stopping-evolution-dead-in-its-tracks-single/397078747|language=en-us|access-date=2021-04-20}}</ref><ref>{{Citation|title=Stopping Evolution Dead In It's Tracks|url=https://open.spotify.com/album/7xCeEZJxPOkLckYVlmYbDD|language=en|access-date=2021-04-20}}</ref> | |||
| * 2010 "A Marty Munsch Production" 20 Years of Punk Rock Records<ref>{{cite web |last1=20 Years of Punk Rock Records |first1=20 Years of Punk Rock Records |title=20 Years of Punk Rock Records |url=https://open.spotify.com/album/5rcxkPYkCgTtteMMfmDMeV |website=Spotify |publisher=Spotify |access-date=20 April 2021}}</ref> | |||
| * 2008 "Way To Loud For Rock n Roll" The Flair Up's Producer, Mastering Engineer <ref>{{Cite web|url=https://open.spotify.com/album/3xnmM9Lhl49ZMCMHCoLrze|title=The Flair Up's: The Flair Up's - Way To Loud For Rock n Roll|website= www.spotify.com|date=2 July 2008|accessdate=2 April 2021}}</ref> | |||
| * 2007 "The Girls Can't Get Enough" LP, The Stun Gunz Producer Mix Engineer<ref>{{Cite web|title=Band Profile - Punk Rock n Roll, Psychobilly, Hardcore, Alternative Music Community - Band and Personal Profiles, Free Mohawk Internet Radio, Free Mp3s, Podcasts and Forums|url=http://www.mohawkradio.com/band_profile.php?bandid=12971|access-date=2021-04-18|website=www.mohawkradio.com}}</ref> | |||
| * 2006 "Busy Signal" Single, The Stun Gunz Producer Mix Engineer | |||
| * 2006 "Live at CBGB's", ]: Producer, Engineer <ref name="auto"> </ref> | |||
| * 2005 "Smashing Hippies" Broken Heroes Producer, Mastering (Cert. YouTube 100,000 digital release)<ref>{{Citation|title=Broken heroes - Smashing Hippies|url=https://www.youtube.com/watch?v=RdbK2KsoM9c|language=en|access-date=2021-04-18}}</ref> | |||
| * 2005 "I Told You Once" Broken Heroes Producer, Mastering<ref>{{cite web |last1=Heroes |first1=Broken |title=I Told You Once - LP, CD Release - Producer Marty Munsch |url=https://www.allmusic.com/album/i-told-you-once-mw0000346244/credits |website=Almusic.com |access-date=20 April 2021}}</ref> | |||
| * 2005 "Broken Bones And Power Chords" Vol.1: New York's Finest (CD, Comp) Various Crosscheck Records | |||
| * 2004 "Unreachable" Single EP The Dead Heroes <ref>{{Cite web|url=https://genius.com/artists/Marty-munsch|title=The Dead Heroes: The Dead Heroes - Unreachable|website= https://genius.com/artists/Marty-Munsch|date=1 January 2003|accessdate=26 March 2021}}</ref> | |||
| * 2003 "Getting High in Glen Rock High School" Above All Hope Producer Mastering Engineer<ref>{{cite web |last1=Above All Hope |title=Above All Hope |url=https://open.spotify.com/album/48S9lS95zq1GNiMnC5cIlm |website=Spotify |publisher=Eastern Pront Records |access-date=20 April 2021}}</ref> | |||
| * 2002 "She's Got a Gun/Paranoia" New York Rel-X Producer <ref>{{Cite web|url=https://www.allmusic.com/artist/marty-munsch-mn0000858549|title=NY Rel-X: NY Rel-X - She's Got a Gun/Paranoia|website= www.allmusic.com|date=29 June 2002|accessdate=24 March 2021}}</ref> | |||
| * 2002 "She's Got a Gun" New York Rel-X Producer <ref>{{Cite web|url=https://www.allmusic.com/artist/marty-munsch-mn0000858549|title=NY Rel-X: NY Rel-X - She's Got a Gun|website= www.allmusic.com|date=29 June 2002|accessdate=24 March 2021}}</ref> | |||
| * 2001 "DDSM's" Dean Dean and The Sex Machines 7", EP Producer, Mastering Engineer<ref>{{cite web |last1=Dean Dean |first1=ean Dean and the Sex Machines |title=Dean Dean and the Sex Machines |url=https://open.spotify.com/artist/7kO9vivAZ6YXy8dc8z7GLc |website=Spotify |publisher=Punk Rock Records |access-date=20 April 2021}}</ref> | |||
| * 1999 "Crawl Into Your Nightmare" Ritchie Murder And The Guilloteens Producer Mastering <ref>{{Cite web|url=https://music.apple.com/us/album/crawl-into-your-nightmare-ep/386578975|title=Ritchie Murder And The Guilloteens: Ritchie Murder And The Guilloteens|website= music.apple.com|date=29 August 1999|accessdate=5 August 2010 }}</ref> | |||
| * 1999 "Shaddow Traffic" When In Roam, Producer | |||
| * 1999 "You Cant Hear A Picture" ], Producer, Engineer, Mastering<ref>{{Citation|title=U.S. Chaos|date=2021-01-30|url=https://en.wikipedia.org/search/?title=U.S._Chaos&oldid=1003732768|work=Misplaced Pages|language=en|access-date=2021-04-18}}</ref> | |||
| * 1998 "East Coast Assholes" Violent Society Reissue Schuylkill Records Producer | |||
| *1998 "Down The Drain" "Parasite" L.E.S. Stitches<ref>{{Cite web|title=L.E.S. Stitches - Down The Drain b/w Parasite|url=https://www.discogs.com/LES-Stitches-Down-The-Drain-bw-Parasite/master/463688|access-date=2021-04-20|website=Discogs|language=en}}</ref><ref>{{Cite web|title=Various - Victory Singles Volume 3|url=https://www.discogs.com/Various-Victory-Singles-Volume-3/master/1447753|access-date=2021-04-20|website=Discogs|language=en}}</ref> 3 Vers. Ea. Co-Producer | |||
| * 1997 "Live at The Pipeline Club", "]" Newark, New Jersey, US <ref> {{dead link|date=January 2021}}</ref> | |||
| * 1997 "New Dawn in 21st Century" The Suspects Engineer | |||
| * 1996 "Scene and Heard" The Mishaps Producer, Mastering Engineer<ref>{{cite web |last1=The |first1=Mishaps |title=The Mishaps |url=https://www.songcastmusic.com/promotealbum?AlbumId=63593 |website=Applemusic.com |publisher=Punk Rock Records BMI |access-date=20 April 2021}}</ref> | |||
| * 1996 "This City Sucks" Traumaschool Drop Out's Identity Crisis Producer Engineer | |||
| * 1996 "The Rise of Punk" Violent Society Producer | |||
| * 1996 "Live At CBGB" Peter and The Test Tube Babies Engineer, Producer, Mastering | |||
| * 1996 "Punk Dwellings" Post Producer Advisory | |||
| * 1996 "Yes, I Am Talking To you" Terabithia Producer<ref>{{Citation|title=Terabithia – Yes, I Am Talking To You (CD)|url=https://www.discogs.com/Terabithia-Yes-I-Am-Talking-To-You/release/8006587|language=en|access-date=2021-04-19}}</ref> | |||
| * 1996 "A !@#$ Scared Government" Basic Skills Producer Mastering Engineer | |||
| * 1996 "For Being Young / Last call For Alcohol EP" ] Producer, Mastering, Engineer | |||
| * 1995 "You're A Punk Slave" The Rash Producer, Engineer Mastering Engineer<ref>{{cite web |last1=The |first1=Rash |title=You're A Punk Slave |url=https://open.spotify.com/album/6d0lB1hy4ZiDL300NE6kVN |website=Spotify |publisher=Punk Rock Records |access-date=20 April 2021}}</ref> | |||
| *1995 "A Shot in The Crowd" Violent Society, Producer, Mastering | |||
| * 1995 "Some More East Coast Assholes" Various<ref>{{Citation|title=Some More East Coast Assholes (1996, CD)|url=https://www.discogs.com/Various-Some-More-East-Coast-Assholes/release/13570608|language=en|access-date=2021-04-19}}</ref> | |||
| *1995 "Bang Bang Lu-Lu / England Belongs To Me" Traumaschool Dropouts Producer | |||
| *1995 "Negative Attention" Violent Society Vinyl, 7", 33 ⅓ RPM originally released on "Not Enjoyin' It" Producer<ref>{{Citation|title=Violent Society – Negative Attention (1999, Vinyl)|url=https://www.discogs.com/Violent-Society-Negative-Attention/release/2449500|language=en|access-date=2021-04-20}}</ref> | |||
| * 1995 "Not Enjoyin' It" Violent Society Producer<ref>{{cite web |last1=Violent |first1=Society |title=Violent Society - Not Enjoyin' It - A Marty Munsch Production |url=https://www.discogs.com/Violent-Society-Not-Enjoyin-It/release/5397047 |website=Discogs |publisher=Rot'en Roll Records |access-date=20 April 2021}}</ref> | |||
| * 1995 "Another Generation Lost" Bomb Squadron, Mastering | |||
| * 1995 "East Coast Assholes" Violent Society Reissue Schuylkill Records Producer | |||
| * 1994 "East Coast Assholes" Violent Society Release Punk Rock Records Producer | |||
| * 1991 "A Better Tomorrow" Dysfunctional Youth Producer, Mastering Engineer<ref>{{Citation|title=A Better Tomorrow by Dysfunctional Youth|url=https://music.apple.com/us/album/a-better-tomorrow/386258933|language=en-us|access-date=2021-04-19}}</ref> | |||
| * 1988 "Revolution in the Classroom" Sex Pistols, Mastering | |||
| * 1985 "Revolution Rock Edits and Dubs" The Clash Engineer Producer | |||
| * 1983 "With Sympathy" Ministry QC Post Mastering | |||
| ==Film work== | |||
| Munsch appears in the 2008 film ''All Grown Up: The Movie'' by Andrea Witting.<ref>{{cite news |last1=All Grown Up The Movi |first1=All Grown Up The Movie |title=All Grown Up The Movie - Marty Munsch |url=http://www.njpunkonline.com/njpo_013.htm |access-date=20 April 2021 |work=YES |agency=NJPUNKONLINE |publisher=Best NJ Film in the 2007 NJ Film Festival)}}</ref> | |||
| Munsch produced and mastered the U.S. Chaos song "For Being Young" which appears on the soundtrack of film ''Pariah''.{{Citation needed|date=February 2021}} | |||
| ==References== | |||
| {{Reflist}} | |||
| {{authority control}} | |||
| ==External links== | |||
| * https://www.songcastmusic.com/profiles/PUNKROCKRECORDS | |||
| *{{AllMusic|id=marty-munsch-mn0001840265|title=Marty Munsch}} | |||
| *Punk Rock Records | |||
| * {{Discogs_artist|https://www.discogs.com/artist/425149-Marty-Munsch=https://www.discogs.com/artist/425149-Marty-Munsch}} | |||
| {{DEFAULTSORT:Munsch, Marty}} | {{DEFAULTSORT:Munsch, Marty}} | ||
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Latest revision as of 20:00, 21 November 2024
American record producer and recording engineer
| Marty Munsch | |
|---|---|
| Birth name | Martin Munsch |
| Genres | Punk rock |
| Occupation(s) | Record producer, sound engineer |
| Years active | 1982–present |
| Website | www.punkrockrecords.com |
Marty Munsch is an American music producer and recording engineer who worked extensively with punk rock and post-punk as well as subgenre bands. His career has spanned over four decades.
Record production and film work
Munsch founded Punk Rock Records in 1981, Northern Front Records in 1987, and Eastern Front Records in 1988, respectively. Munsch has produced and mastered over 45 LP albums and singles alongside material by pioneers TSOL "Live At CBGB", U.S. Chaos "You Can't Hear A Picture", The Rise Of Punk
Munsch appears in the 2008 film All Grown Up: The Movie by Andrea Witting.
References
- The Encyclopedia of Punk Cogan, Brian (2008). The Encyclopedia of Punk. Sterling. ISBN 978-1-4027-5960-4.
- Sugar Buzz Magazine http://www.sugarbuzzmagazine.com/bands/uschaos/uschaos.html
- "shoreworld" (PDF). Archived from the original (PDF) on 2017-10-10. Retrieved 2017-10-10.
- Boudreau, Mark (2007-09-20). "A Preview of the Upcoming Film "All Grown Up"". The Rock and Roll Report. Archived from the original on 2020-11-30.
External links
- Marty Munsch at AllMusic
- Marty Munsch discography at Discogs