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| {{Short description|Synthesizer}} | {{Short description|Synthesizer}} | ||
| {{Infobox synthesizer | {{Infobox synthesizer | ||
| | image = Korg M1 |
| image = Korg M1.png | ||
| | image_caption = The Korg M1 | | image_caption = The Korg M1 | ||
| | synth_name = M1 | | synth_name = M1 | ||
| Line 8: | Line 8: | ||
| | polyphony = 16 voices, 16 oscillators | | polyphony = 16 voices, 16 oscillators | ||
| | timbrality = 8 part | | timbrality = 8 part | ||
| | oscillator = 16 oscillators, 16 |
| oscillator = 16 oscillators, 16-bit 2 Mword (4 MB) PCM waveform ROM (100 multisounds + 44 drum sounds)<ref>Korg M1 Super Guide, The Next Generation in Sound Synthesis{{snd}} The AI Synthesis System, p. 13, Multisound List, Korg Inc. Japan.</ref> | ||
| | filter = |
| filter = VDF (variable digital filter), low-pass velocity-sensitive (non-resonant) | ||
| | attenuator = 3 independent AADBSSRR<ref>Korg M1 Super Guide, The Next Generation in Sound Synthesis |
| attenuator = 3 independent AADBSSRR<ref>Korg M1 Super Guide, The Next Generation in Sound Synthesis{{snd}} The AI Synthesis System, p. 14, VDF EG, Korg Inc. Japan.</ref> envelope generators | ||
| | left_control = Spring-return joystick (pitch and modulation) | | left_control = Spring-return joystick (pitch and modulation) | ||
| | lfo = | | lfo = | ||
| Line 16: | Line 16: | ||
| | velocity = Yes | | velocity = Yes | ||
| | aftertouch = Yes | | aftertouch = Yes | ||
| | memory = 100 programs / 100 combinations / 4400 sequencer notes or 50 programs / 50 combinations / 7700 sequencer notes depending on global settings, and 10 songs + 100 patterns<ref name="Super Guide p44">Korg M1 Super Guide, The Next Generation in Sound Synthesis |
| memory = 100 programs / 100 combinations / 4400 sequencer notes or 50 programs / 50 combinations / 7700 sequencer notes depending on global settings, and 10 songs + 100 patterns<ref name="Super Guide p44">Korg M1 Super Guide, The Next Generation in Sound Synthesis{{snd}} The AI Synthesis System, p. 44, Specifications, Korg Inc. Japan.</ref> | ||
| | ext_control = MIDI IN/OUT/THRU | | ext_control = MIDI IN/OUT/THRU | ||
| | connectors = Headphones (stereo jack 6. |
| connectors = Headphones (stereo jack 6.5 mm), 1/L, 2/R, 3, 4 (mono jack 6.5 mm), damper pedal, assignable footswitch pedals 1/2. | ||
| | display = Backlit LCD (40 |
| display = Backlit LCD (40 characters × 2 lines)<ref name="Super Guide p44">Korg M1 Super Guide, The Next Generation in Sound Synthesis{{snd}} The AI Synthesis System, p. 44, Specifications, Korg Inc. Japan.</ref> | ||
| | fx = Reverb, delay, phaser, tremolo, exciter, ensemble, overdrive, EQ, chorus, flanger, rotary speaker | | fx = Reverb, delay, phaser, tremolo, exciter, ensemble, overdrive, EQ, chorus, flanger, rotary speaker | ||
| | dimensions = 1058 |
| dimensions = 1058 × 356 × 110 mm | ||
| | mass = 13,5 kg | | mass = 13,5 kg | ||
| | power_consumption = 11W | | power_consumption = 11W | ||
| | dates = 1988–1995 | | dates = 1988–1995 | ||
| | price = $2,166 est. street (1988)/$2,749 MSRP (1990) |
| price = ]2,166 est. street (1988)/$2,749 MSRP (1990) <br /> ]1,499 <br /> ]248,000 | ||
| }} | }} | ||
| The '''Korg M1''' is a ] and ] manufactured by ] from 1988 to 1995. |
The '''Korg M1''' is a ] and ] manufactured by ] from 1988 to 1995. The M1 was advertised as a 'workstation' rather than a synthesizer, integrating composition and performance features into a single device. It features 16-voice polyphony, high-quality digital samples (including drum sounds), an integrated 8-track sequencer and digital effects processing. | ||
| The M1 is one of the bestselling synthesizers in history, selling an estimated 250,000 units.<ref name=":1">{{Cite book |last=Bjørn |first=Kim |title=Patch & Tweak with KORG |date=2022-01-01 |publisher=Bjooks |isbn=978-8799999552 |pages=180}}</ref><ref name="mz9345-hands-on-korg-m1">{{cite magazine |last=Mellor |first=David |date=Mar 1992 |title=Hands On: Korg M1 |url=https://www.muzines.co.uk/articles/hands-on-korg-m1/9345 |access-date=2024-04-09 |magazine=Sound On Sound |publisher=SOS Publications Ltd. |location=United Kingdom |pages=74-80}}</ref> | |||
| ==Development== | ==Development== | ||
| Line 42: | Line 44: | ||
| == Features == | == Features == | ||
| ⚫ | The M1 features a 61-note velocity- and ]-sensitive keyboard, 16-note ], a ] for ] and modulation control, an eight-track MIDI ], separate ] for ] and filter ], and ]. Data can be stored on RAM and PCM cards.<ref name=":0" /> | ||
| ] | |||
| ⚫ | The M1 features a 61-note velocity- and ]-sensitive keyboard, 16-note ] |
||
| The M1 has a ] with four megabytes of 16-bit ] tones |
The M1 has a ] with four megabytes of 16-bit ] tones — a large amount at the time — including instruments that had not been used extensively in mainstream music. The sounds include ] attack ], ], sustained ]s and percussive samples. The timbres include piano, strings, acoustic guitar, woodwinds, sitar, kalimba, wind chimes and drums. '']'' described the sounds as "wonderfully, endearingly wonky ... each one managed to sound simultaneously realistic and synthetic all at once".<ref name=":0" /><ref name="Fact-2016">{{Cite news |last=Twells |first=John |date=2016-09-15 |title=The 14 most important synths in electronic music history – and the musicians who use them |url=http://www.factmag.com/2016/09/15/14-most-important-synths/ |access-date=2018-10-19 |work=] |language=en-US}}</ref> | ||
| The M1 also features effects including ], ], ], ], ], ], and ] simulation, an innovative inclusion at the time. |
The M1 also features effects, including ], ], ], ], ], ], and ] simulation, an innovative inclusion at the time. According to '']'', none of the M1's features were unique, but were implemented and combined in a new way.<ref name=":0" /> | ||
| == |
== Reception == | ||
| The |
The M1 was released in 1988 and was manufactured until 1995, selling an estimated 250,000 units.<ref name=":0" /> Reviewing it for ''Sound on Sound'' in 1988, Tony Hastings wrote that it was "destined to be big, very big", with "sensational" sounds and extensive features that outperformed its competitors.<ref>{{cite magazine |last=Hastings |first=Tony |date=August 1988 |title=Life In The Fast Lane |url=http://www.muzines.co.uk/articles/life-in-the-fast-lane/3955 |work=] |pages=40–46 |issn=0951-6816 |oclc=925234032}}</ref> It was widely used in popular music and ] in the late 80s and early 90s.<ref name="Fact-2016" /> The piano and organ presets were used in 1990s ], beginning with ] 1990 single "]".<ref name="Fact-2016" /> | ||
| In 2002, the ''Sound on Sound'' journalist Mark Vail wrote that the M1 was the bestselling synthesizer in history, though he noted that Korg had not verified the sales figures.<ref name=":0" /> Both ''Sound and Sound'' and ''Fact'' described it as the most popular synthesizer of all time.<ref name=":0" /><ref name="Fact-2016" /> ''Fact'' attributed the success to its sampling and sequencer features, which allowed musicians to produce entire tracks without a studio before the rise of ].<ref name="Fact-2016" /> | |||
| == Variants == | |||
| ] | |||
| Following the success of the M1, Korg expanded its lineup with several series of new workstations, including the T-series in 1989, the 01-series in 1991, the X-series in 1993, and the N-series in 1996. The ] built upon the M1’s AI synthesis with the enhanced AI2 system, which introduced additional effects and digital ]. Rack-mountable versions of the M1 include the M1R and the more affordable M3R. Additionally, Korg released the M1EX and the M1REX rackmount, both featuring sounds from the T-series.<ref name=":1" /><ref>{{Cite web |last=Douglas |first=Adam |date=2024-02-09 |title=Classic Gear: Korg M1 - The final nail in the analogue coffin? |url=https://www.gearnews.com/classic-gear-korg-m1-the-final-nail-in-the-analogue-coffin/ |access-date=2024-04-09 |website=Gearnews |language=en-GB}}</ref> | |||
| Korg released a software version of the M1 in 2006 as part of the ]. This digital version features 8-part multitimbrality, 256-note polyphony and presets from all 19 optional ROM cards.<ref>{{Cite web |last=Walker |first=Martin |date=February 2006 |title=Korg Legacy Digital Edition |url=https://www.soundonsound.com/reviews/korg-legacy-digital-edition |access-date=2024-04-04 |website=Sound On Sound}}</ref> A free update added the entire preset collection from the T-series workstations to the M1 plugin.<ref>{{Cite web |first= |date=2006-01-27 |title=Korg Offers Free Legacy Collection Update – Synthtopia |url=https://www.synthtopia.com/content/2006/01/27/korg-legacy-collection/ |access-date=2024-04-04 |language=en-US}}</ref> | |||
| ==References== | ==References== | ||
| {{Reflist}} | {{Reflist}} | ||
| ==Further reading== | |||
| *{{cite magazine|url=http://www.muzines.co.uk/articles/life-in-the-fast-lane/3955|title=Life In The Fast Lane|work=Sound On Sound|date=August 1988|pages=40–46|issn=0951-6816|oclc=925234032}} | |||
| ==External links== | ==External links== | ||
Latest revision as of 08:16, 13 December 2024
Synthesizer| M1 | |
|---|---|
 The Korg M1 | |
| Manufacturer | Korg |
| Dates | 1988–1995 |
| Price | US$2,166 est. street (1988)/$2,749 MSRP (1990) £1,499 ¥248,000 |
| Technical specifications | |
| Polyphony | 16 voices, 16 oscillators |
| Timbrality | 8 part |
| Oscillator | 16 oscillators, 16-bit 2 Mword (4 MB) PCM waveform ROM (100 multisounds + 44 drum sounds) |
| Synthesis type | Digital sample-based subtractive |
| Filter | VDF (variable digital filter), low-pass velocity-sensitive (non-resonant) |
| Attenuator | 3 independent AADBSSRR envelope generators |
| Aftertouch expression | Yes |
| Velocity expression | Yes |
| Storage memory | 100 programs / 100 combinations / 4400 sequencer notes or 50 programs / 50 combinations / 7700 sequencer notes depending on global settings, and 10 songs + 100 patterns |
| Effects | Reverb, delay, phaser, tremolo, exciter, ensemble, overdrive, EQ, chorus, flanger, rotary speaker |
| Input/output | |
| Keyboard | 61 keys (Yamaha FS keybed) |
| Left-hand control | Spring-return joystick (pitch and modulation) |
| External control | MIDI IN/OUT/THRU |
The Korg M1 is a synthesizer and music workstation manufactured by Korg from 1988 to 1995. The M1 was advertised as a 'workstation' rather than a synthesizer, integrating composition and performance features into a single device. It features 16-voice polyphony, high-quality digital samples (including drum sounds), an integrated 8-track sequencer and digital effects processing.
The M1 is one of the bestselling synthesizers in history, selling an estimated 250,000 units.
Development
Korg's chief engineer, Junichi Ikeuchi, led the hardware engineering design of the M1. Whereas previous synthesizers had shipped with sounds chosen for different markets, the Korg chairman, Tsutomu Kato, and his son Seiki decided that their synthesizers should use the same sounds internationally. Korg assembled an international team to develop the sounds for the M1. To create a deep blown bottle sound, the team played a pan flute over a large sake bottle.
Features
The M1 features a 61-note velocity- and aftertouch-sensitive keyboard, 16-note polyphony, a joystick for pitch-bend and modulation control, an eight-track MIDI sequencer, separate LFOs for vibrato and filter modulation, and ADSR envelopes. Data can be stored on RAM and PCM cards.
The M1 has a ROM with four megabytes of 16-bit PCM tones — a large amount at the time — including instruments that had not been used extensively in mainstream music. The sounds include sampled attack transients, loops, sustained waveforms and percussive samples. The timbres include piano, strings, acoustic guitar, woodwinds, sitar, kalimba, wind chimes and drums. Fact described the sounds as "wonderfully, endearingly wonky ... each one managed to sound simultaneously realistic and synthetic all at once".
The M1 also features effects, including reverb, delay, chorus, tremolo, EQ, distortion, and Leslie simulation, an innovative inclusion at the time. According to Sound on Sound, none of the M1's features were unique, but were implemented and combined in a new way.
Reception
The M1 was released in 1988 and was manufactured until 1995, selling an estimated 250,000 units. Reviewing it for Sound on Sound in 1988, Tony Hastings wrote that it was "destined to be big, very big", with "sensational" sounds and extensive features that outperformed its competitors. It was widely used in popular music and stock music in the late 80s and early 90s. The piano and organ presets were used in 1990s house music, beginning with Madonna's 1990 single "Vogue".
In 2002, the Sound on Sound journalist Mark Vail wrote that the M1 was the bestselling synthesizer in history, though he noted that Korg had not verified the sales figures. Both Sound and Sound and Fact described it as the most popular synthesizer of all time. Fact attributed the success to its sampling and sequencer features, which allowed musicians to produce entire tracks without a studio before the rise of digital audio workstations.
Variants
Following the success of the M1, Korg expanded its lineup with several series of new workstations, including the T-series in 1989, the 01-series in 1991, the X-series in 1993, and the N-series in 1996. The 01/W built upon the M1’s AI synthesis with the enhanced AI2 system, which introduced additional effects and digital waveshaping. Rack-mountable versions of the M1 include the M1R and the more affordable M3R. Additionally, Korg released the M1EX and the M1REX rackmount, both featuring sounds from the T-series.
Korg released a software version of the M1 in 2006 as part of the Korg Legacy Collection. This digital version features 8-part multitimbrality, 256-note polyphony and presets from all 19 optional ROM cards. A free update added the entire preset collection from the T-series workstations to the M1 plugin.
References
- Korg M1 Super Guide, The Next Generation in Sound Synthesis – The AI Synthesis System, p. 13, Multisound List, Korg Inc. Japan.
- Korg M1 Super Guide, The Next Generation in Sound Synthesis – The AI Synthesis System, p. 14, VDF EG, Korg Inc. Japan.
- Korg M1 Super Guide, The Next Generation in Sound Synthesis – The AI Synthesis System, p. 44, Specifications, Korg Inc. Japan.
- ^ Bjørn, Kim (2022-01-01). Patch & Tweak with KORG. Bjooks. p. 180. ISBN 978-8799999552.
- Mellor, David (Mar 1992). "Hands On: Korg M1". Sound On Sound. United Kingdom: SOS Publications Ltd. pp. 74–80. Retrieved 2024-04-09.
- Colbeck, Julian (June 2001). "Korg M1". Electronic Musician. Archived from the original on 23 Sep 2004.
- ^ Vail, Mark (February 2002). "Korg M1 (Retrozone)". Sound on Sound. Retrieved 6 November 2019.
- ^ Twells, John (2016-09-15). "The 14 most important synths in electronic music history – and the musicians who use them". Fact. Retrieved 2018-10-19.
- Hastings, Tony (August 1988). "Life In The Fast Lane". Sound on Sound. pp. 40–46. ISSN 0951-6816. OCLC 925234032.
- Douglas, Adam (2024-02-09). "Classic Gear: Korg M1 - The final nail in the analogue coffin?". Gearnews. Retrieved 2024-04-09.
- Walker, Martin (February 2006). "Korg Legacy Digital Edition". Sound On Sound. Retrieved 2024-04-04.
- "Korg Offers Free Legacy Collection Update – Synthtopia". 2006-01-27. Retrieved 2024-04-04.
External links
- Korg M1 video demo and review in Japanese
| Korg | ||
|---|---|---|
| Synthesizers |  | |
| Workstations | ||
| Drum machines | ||
| Samplers | ||
| Vocoder | ||
| Organs | ||
| Soundcards | ||
| Grooveboxes | ||
| MIDI controllers | ||
| Software | ||
| List of products | ||
