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{{expand German|Exergue – on documenta 14|date=January 2025}} {{expand German|Exergue – on documenta 14|date=January 2025}}
{{Infobox film {{Infobox film
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| alt = | alt =
| caption = 2024 film poster | caption = 2024 film poster
| director = Dimitris Athyridis | director = Dimitris Athiridis
| producer = Dimitris Athyridis | producer = Dimitris Athiridis
| writer = Adam Szymszyk<br />Dimitris Athiridis | writer = Adam Szymszyk<br />Dimitris Athiridis
| screenplay = Dimitris Athyridis | screenplay = Dimitris Athiridis
| story = Dimitris Athyridis | story = Dimitris Athiridis
| narrator = | narrator =
| starring = | starring =
| music = Ted Regklis<br />Paolo Thorsen-Nagel | music = Ted Regklis<br />Paolo Thorsen-Nagel
| cinematography = Dimitris Athyridis | cinematography = Dimitris Athiridis
| editing = Dimitris Athyridis<br />Vanessa Zeri<br />Giorgos Kravatis | editing = Dimitris Athiridis<br />Vanessa Zeri<br />Giorgos Kravatis
| studio = | studio =
| distributor = ]<br />Greek Film Centre | distributor = ]<br />Greek Film Centre
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| gross = | gross =
}} }}
'''Exergue – on documenta 14''' is a 2024 Greek documentary film with a runtime of 848 minutes (14 hours and 8 minutes), making it the ]. The documentary was directed by Dimitris Athyridis and had its world premiere in February 2024 at the ]. The film centers on ], the artistic director of ], and his team as they prepare the renowned contemporary art exhibition, which was held in Kassel and Athens in 2017.<ref>{{cite web |title=«Ελληνικό οικονομικό θαύμα αλλά όχι για όλους» |url=https://atticatimes.gr/2024/01/elliniko-oikonomiko-thayma-alla-ochi-gia-oloys/ |website=Attica Times |publisher=Natalie |access-date=16 January 2025 |language=Greek |date=17 January 2024}}</ref><ref name="TimDams2024">{{cite web |last1=Dams |first1=Tim |title=Why Greek art world doc ‘exergue’ is splitting 14-hour run-time for its Berlin screening |url=https://www.screendaily.com/news/why-greek-art-world-doc-exergue-is-splitting-14-hour-run-time-for-its-berlin-screening/5190581.article |website=Screen International |access-date=16 January 2025 |date=16 February 2024}}</ref> '''''Exergue – on documenta 14''''' is a 2024 Greek documentary film with a runtime of 848 minutes (14 hours and 8 minutes), making it the ]. The documentary was directed by Dimitris Athiridis and had its world premiere in February 2024 at the ]. The film centers on ], the artistic director of ], and his team as they prepare the contemporary art exhibition, which was held in Kassel and Athens in 2017.<ref>{{cite web |title=«Ελληνικό οικονομικό θαύμα αλλά όχι για όλους» |url=https://atticatimes.gr/2024/01/elliniko-oikonomiko-thayma-alla-ochi-gia-oloys/ |website=Attica Times |publisher=Natalie |access-date=16 January 2025 |language=Greek |date=17 January 2024}}</ref><ref name="TimDams2024">{{cite web |last1=Dams |first1=Tim |title=Why Greek art world doc ‘exergue’ is splitting 14-hour run-time for its Berlin screening |url=https://www.screendaily.com/news/why-greek-art-world-doc-exergue-is-splitting-14-hour-run-time-for-its-berlin-screening/5190581.article |website=Screen International |access-date=16 January 2025 |date=16 February 2024}}</ref>


== Plot == == Plot ==
The film documents how ], the artistic director of ], and his team of curators prepared the renowned art exhibition held in ] and ] in 2017.<ref>{{cite news |title=Berlinale zeigt 14-Stunden-Film über Documenta |work=Der Spiegel |date=2024-01-15 |issn=2195-1349 |url=https://www.spiegel.de/kultur/kino/berlinale-zeigt-14-stunden-film-exergue-on-documenta-14-a-437f846d-fcff-447b-95b5-a981964299b6 |access-date=2024-01-22}}</ref> This was the first time the quinquennial art exhibition was split between two locations, a decision that provoked controversy due to logistical challenges and the perceived impact on the exhibition's coherence.<ref>{{cite web |first=Andrea |last=Kasiske |url=https://www.dw.com/de/documenta-14-leiser-abschied-aus-athen/a-39701789 |title=Documenta 14: Quiet farewell from Athens |website=DW |date=2017-07-16 |access-date=22 January 2024}}</ref> The film is divided into 14 chapters, offering a ] view of the ] world, examining ]'s role in a changing global landscape, and exploring the politics and drama of staging exhibitions.<ref name="TimDams2024"/> The film documents how ], the artistic director of ], and his team of curators prepared the art exhibition held in ] and ] in 2017.<ref>{{cite news |title=Berlinale zeigt 14-Stunden-Film über Documenta |work=Der Spiegel |date=2024-01-15 |issn=2195-1349 |url=https://www.spiegel.de/kultur/kino/berlinale-zeigt-14-stunden-film-exergue-on-documenta-14-a-437f846d-fcff-447b-95b5-a981964299b6 |access-date=2024-01-22}}</ref> This was the first time the quinquennial art exhibition was split between two locations, a decision that provoked controversy due to logistical challenges and the perceived impact on the exhibition's coherence.<ref>{{cite web |first=Andrea |last=Kasiske |url=https://www.dw.com/de/documenta-14-leiser-abschied-aus-athen/a-39701789 |title=Documenta 14: Quiet farewell from Athens |website=DW |date=2017-07-16 |access-date=22 January 2024}}</ref> The film is divided into 14 chapters, offering a ] view of the ] world, examining ]'s role in a changing global landscape, and exploring the politics and drama of staging exhibitions.<ref name="TimDams2024"/>


== Production == == Production ==
In 2015, director Dimitris Athyridis began documenting Adam Szymczyk and his team, initially planning a two-hour runtime for the film. During the early editing process, Athyridis informed the film's producer, ], that the raw footage he had captured contained significantly more material than could be condensed into the initially planned two-hour runtime.<ref name="TimDams2024"/> In 2015, director Dimitris Athiridis began documenting Adam Szymczyk and his team, initially planning a two-hour runtime for the film. During the early editing process, Athyridis informed the film's producer, ], that the raw footage he had captured contained significantly more material than could be condensed into the initially planned two-hour runtime.<ref name="TimDams2024"/>


Upon its release, the film became the longest ever screened at the ], surpassing the previous Berlinale record for the longest film, held by '']'', directed by Filipino filmmaker ], which had a runtime of 485 minutes.<ref>{{cite web |title=Berlin steht vor einem Scherbenhaufen |url=https://www.monopol-magazin.de/medienschau23012024-berlin-steht-vor-einem-scherbenhaufen |website=Monopol Magazin |publisher=monopol |access-date=17 January 2025 |language=German |date=23 January 2024}}</ref> Upon its release, the film became the longest ever screened at the ], surpassing the previous Berlinale record for the longest film, held by '']'', directed by Filipino filmmaker ], which had a runtime of 485 minutes.<ref>{{cite web |title=Berlin steht vor einem Scherbenhaufen |url=https://www.monopol-magazin.de/medienschau23012024-berlin-steht-vor-einem-scherbenhaufen |website=Monopol Magazin |publisher=monopol |access-date=17 January 2025 |language=German |date=23 January 2024}}</ref>


== Reception == == Reception ==
Antoine Thirion of ] wrote, "Through its jumbled structure and precision in depicting the curatorial discourse, exergue – on documenta 14 is the opposite of the story of a shipwreck: it is a successful attempt to salvage what demagogy savagely tore down."<ref>{{cite web |last1=Thirion |first1=Antoine |title=From the Vision to the Nail in the Coffin, and the Resurrection: Dimitris Athiridis on “exergue – on documenta 14” |url=https://cinema-scope.com/cinema-scope-magazine/from-the-vision-to-the-nail-in-the-coffin-and-the-resurrection-dimitris-athiridis-on-exergue-on-documenta-14/ |website=Cinema Scope |access-date=17 January 2025}}</ref> Alissa Wilkinson of ] described the film as "A formidable survey of the challenges facing the contemporary art world as it wrestles with racism, colonialism, politics and power."<ref>{{cite web |last1=Wilkinson |first1=Alissa |title=At the New York Film Festival, the Most Innovative Work Is Nonfiction |url=https://www.nytimes.com/2024/10/07/movies/new-york-film-festival-documentaries-nonfiction.html |website=The New York Times |access-date=17 January 2025 |date=7 October 2024}}</ref> Antoine Thirion of '']'' wrote, "Through its jumbled structure and precision in depicting the curatorial discourse, exergue – on documenta 14 is the opposite of the story of a shipwreck: it is a successful attempt to salvage what demagogy savagely tore down."<ref>{{cite web |last1=Thirion |first1=Antoine |title=From the Vision to the Nail in the Coffin, and the Resurrection: Dimitris Athiridis on “exergue – on documenta 14” |url=https://cinema-scope.com/cinema-scope-magazine/from-the-vision-to-the-nail-in-the-coffin-and-the-resurrection-dimitris-athiridis-on-exergue-on-documenta-14/ |website=Cinema Scope |access-date=17 January 2025}}</ref> Alissa Wilkinson of '']'' described the film as "A formidable survey of the challenges facing the contemporary art world as it wrestles with racism, colonialism, politics and power."<ref>{{cite web |last1=Wilkinson |first1=Alissa |title=At the New York Film Festival, the Most Innovative Work Is Nonfiction |url=https://www.nytimes.com/2024/10/07/movies/new-york-film-festival-documentaries-nonfiction.html |website=The New York Times |access-date=17 January 2025 |date=7 October 2024}}</ref>


== References == == References ==
{{reflist}} {{reflist}}

]
]
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{{art-documentary-film-stub}}

Latest revision as of 05:08, 22 January 2025

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2024 Greek film
exergue – on documenta 14
2024 film poster
Directed byDimitris Athiridis
Written byAdam Szymszyk
Dimitris Athiridis
Screenplay byDimitris Athiridis
Story byDimitris Athiridis
Produced byDimitris Athiridis
CinematographyDimitris Athiridis
Edited byDimitris Athiridis
Vanessa Zeri
Giorgos Kravatis
Music byTed Regklis
Paolo Thorsen-Nagel
Distributed byFaliro House Productions
Greek Film Centre
Release date
  • 2024 (2024)
Running time848 minutes
CountryGreece
LanguagesEnglish
German
Greek

Exergue – on documenta 14 is a 2024 Greek documentary film with a runtime of 848 minutes (14 hours and 8 minutes), making it the second-longest non-experimental film ever made. The documentary was directed by Dimitris Athiridis and had its world premiere in February 2024 at the 74th Berlin International Film Festival. The film centers on Adam Szymczyk, the artistic director of Documenta 14, and his team as they prepare the contemporary art exhibition, which was held in Kassel and Athens in 2017.

Plot

The film documents how Adam Szymczyk, the artistic director of Documenta 14, and his team of curators prepared the art exhibition held in Kassel and Athens in 2017. This was the first time the quinquennial art exhibition was split between two locations, a decision that provoked controversy due to logistical challenges and the perceived impact on the exhibition's coherence. The film is divided into 14 chapters, offering a behind-the-scenes view of the institutional art world, examining contemporary art's role in a changing global landscape, and exploring the politics and drama of staging exhibitions.

Production

In 2015, director Dimitris Athiridis began documenting Adam Szymczyk and his team, initially planning a two-hour runtime for the film. During the early editing process, Athyridis informed the film's producer, Christos Konstantakopoulos, that the raw footage he had captured contained significantly more material than could be condensed into the initially planned two-hour runtime.

Upon its release, the film became the longest ever screened at the Berlin International Film Festival, surpassing the previous Berlinale record for the longest film, held by A Lullaby to the Sorrowful Mystery, directed by Filipino filmmaker Lav Diaz, which had a runtime of 485 minutes.

Reception

Antoine Thirion of Cinema Scope wrote, "Through its jumbled structure and precision in depicting the curatorial discourse, exergue – on documenta 14 is the opposite of the story of a shipwreck: it is a successful attempt to salvage what demagogy savagely tore down." Alissa Wilkinson of The New York Times described the film as "A formidable survey of the challenges facing the contemporary art world as it wrestles with racism, colonialism, politics and power."

References

  1. "«Ελληνικό οικονομικό θαύμα αλλά όχι για όλους»". Attica Times (in Greek). Natalie. 17 January 2024. Retrieved 16 January 2025.
  2. ^ Dams, Tim (16 February 2024). "Why Greek art world doc 'exergue' is splitting 14-hour run-time for its Berlin screening". Screen International. Retrieved 16 January 2025.
  3. "Berlinale zeigt 14-Stunden-Film über Documenta". Der Spiegel. 2024-01-15. ISSN 2195-1349. Retrieved 2024-01-22.
  4. Kasiske, Andrea (2017-07-16). "Documenta 14: Quiet farewell from Athens". DW. Retrieved 22 January 2024.
  5. "Berlin steht vor einem Scherbenhaufen". Monopol Magazin (in German). monopol. 23 January 2024. Retrieved 17 January 2025.
  6. Thirion, Antoine. "From the Vision to the Nail in the Coffin, and the Resurrection: Dimitris Athiridis on "exergue – on documenta 14"". Cinema Scope. Retrieved 17 January 2025.
  7. Wilkinson, Alissa (7 October 2024). "At the New York Film Festival, the Most Innovative Work Is Nonfiction". The New York Times. Retrieved 17 January 2025.
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