Revision as of 17:50, 28 August 2020 editSankura (talk | contribs)Extended confirmed users1,806 edits Undid revision 975423837 by Melodia (talk)Tag: Undo← Previous edit | Revision as of 16:36, 29 August 2020 edit undoCurryTime7-24 (talk | contribs)Extended confirmed users21,277 edits Undid revision 975467303 by Sankura (talk) Not to jump into this debate, but is there a reason for replicating the header from the composer's article here? Scanning through various composition lists here (e.g. Beethoven, Franck, Messiaen, Granados, et al), I can find none which does similarly. Not unopposed, but it'd be nice to hear an explanation for why here.Tag: UndoNext edit → | ||
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{{short description|Misplaced Pages list article}} | {{short description|Misplaced Pages list article}} | ||
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This is a '''list of compositions by ]'''. | |||
'''Dmitri Dmitriyevich Shostakovich''' ({{lang-rus|{{audio|Ru-Dmitri Dmitrievich Shostakovich.ogg|Дмитрий Дмитриевич Шостакович}}|Dmitriy Dmitrievich Shostakovich}}, {{IPA-ru|ˈdmʲitrʲɪj ˈdmʲitrʲɪjɪvʲɪtɕ ʂəstɐˈkovʲɪtɕ|pron}}; ({{OldStyleDate|25 September|1906|12 September}}{{spaced ndash}}9 August 1975) was a Russian ] and ]. His orchestral works include 15 ] and six ]. His chamber output includes 15 ]s, a ], two ]s, and two pieces for ]. His solo piano works include two ]s, an early set of ], and a later set of ]. Other works include three ]s, several ]s, ]s, and a substantial quantity of ], including ''The Second Waltz'', Op. 99, music to the film '']'' (1955–1956),<ref>{{imdb title|0048482|Pervyy eshelon}}</ref> as well as the suites of music composed for '']''. | |||
==By genre== | ==By genre== | ||
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| 1960 | | 1960 | ||
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| Based off of Shostakovich's entry for the 1943 contest to determine the new ]. | ||
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Revision as of 16:36, 29 August 2020
Misplaced Pages list articleThis is a list of compositions by Dmitri Shostakovich.
By genre
Symphonies
- Op. 10: Symphony No. 1 in F minor (1923–1925)
- Op. 14: Symphony No. 2 in B major, To October, for mixed chorus and orchestra (1927)
- Op. 20: Symphony No. 3 in E♭ major, The First of May, for mixed chorus and orchestra (1929)
- Op. 43: Symphony No. 4 in C minor (1935–1936)
- Op. 47: Symphony No. 5 in D minor (1937); appeared subtitled A Soviet Artist’s Practical Creative Reply to Justified Criticism
- Op. 54: Symphony No. 6 in B minor (1939)
- Op. 60: Symphony No. 7 in C major, Leningrad (1941)
- Op. 65: Symphony No. 8 in C minor (1943)
- Op. 70: Symphony No. 9 in E♭ major (1945)
- Op. 93: Symphony No. 10 in E minor (1953)
- Op. 103: Symphony No. 11 in G minor, The Year 1905 (1957)
- Op. 112: Symphony No. 12 in D minor, The Year 1917 (1961)
- Op. 113: Symphony No. 13 in B♭ minor, Babi-Yar, for bass, bass chorus, and orchestra (1962)
- Op. 135: Symphony No. 14, for soprano, bass, string orchestra, and percussion (1969)
- Op. 141: Symphony No. 15 in A major (1971)
Concertos
- Op. 35: Piano Concerto No. 1 in C minor (1933); also known as the Concerto in C minor for Piano, Trumpet, and String Orchestra
- Op. 77: Violin Concerto No. 1 in A minor (1947–1948, originally published as Op. 99)
- Op. 102: Piano Concerto No. 2 in F major (1957)
- Op. 107: Cello Concerto No. 1 in E♭ major (1959)
- Op. 126: Cello Concerto No. 2 in G major (1966)
- Op. 129: Violin Concerto No. 2 in C♯ minor (1967)
Suites
- Op. 15a: Suite from The Nose, for tenor, baritone, and orchestra (1927–1928)
- Op. 22a: Suite from The Age of Gold, for orchestra (1929–1930)
- Op. 27a: Suite from The Bolt, for orchestra (1931)
- Op. 30a: Suite from Golden Mountains, for orchestra (1931)
- Op. 32a: Suite from Hamlet, for small orchestra (1932)
- Op. 36a: Suite from The Tale of the Priest and of His Workman Balda (1935)
- Suite for Jazz Orchestra No. 1 (1934)
- Op. 39a: Suite from The Limpid Stream, for orchestra (1934–1935)
- Op. 50a: Suite from The Maxim film-Trilogy for orchestra and chorus (1938)
- Suite for Jazz Orchestra No. 2 (3 movements) (1938)
- Op. 64a: Suite from Zoya, for chorus and orchestra (1944)
- Op. 75a: Suite from The Young Guard (1951)
- Op. 76a: Suite from Pirogov, for orchestra (1947)
- Op. 78a: Suite from Michurin, for chorus and orchestra (1964)
- Op. 80a: Suite from Meeting on the Elbe, for voices and orchestra (1948)
- Ballet Suite No. 1, for orchestra (1949, assembled by Levon Atovmyan)
- Ballet Suite No. 2, for orchestra (1951, assembled by L. Atovmyan)
- Ballet Suite No. 3, for orchestra (1953, assembled by L. Atovmyan)
- Ballet Suite No. 4, for orchestra (1953, assembled by L. Atovmyan)
- Op. 85a: Suite from Belinsky, for chorus and orchestra (1960, assembled by L. Atovmyan)
- Op. 89a: Suite from The Unforgettable Year 1919, for orchestra (1953, assembled by L. Atovmyan)
- Op. 97a: Suite from The Gadfly, for orchestra (1955)
- Op. 99a: Suite from The First Echelon, for chorus and orchestra (1956)
- Suite for Variety Orchestra (8 movements) (post-1956)
- Op. 111a: Suite from Five Days, Five Nights, for orchestra (1961)
- Op. 114a: Suite of Five Fragments from the Opera Katarina Izmailova, for orchestra (1963)
- Op. 116a: Suite from Hamlet, for orchestra (1964)
- Op. 120a: Suite from A Year Is Like a Lifetime, for orchestra (1965)
Miscellaneous symphonic works
- Op. 1: Scherzo in F♯ minor, for orchestra (1919)
- Op. 3: Theme and Variations in B♭ major, for orchestra (1921–1922)
- Op. 7: Scherzo in E♭ major, for orchestra (1923–1924)
- Op. 23: Two Pieces for Erwin Dressel's Opera Armer Columbus, for orchestra (1929)
- The Green Company, overture for orchestra (1931)
- Op. 42: Five Fragments, for small orchestra (1935)
- Solemn March, for military band/wind orchestra (1942)
- Three Pieces, for orchestra (1947–1948)
- Op. 96: Festive Overture in A major, for orchestra (1947)
- Op. 110a (or Op. 110bis): Chamber Symphony for Strings in C minor (arr. by Rudolf Barshai)
- Op. 111b: Novorossiisk Chimes, the Flame of Eternal Glory, for orchestra (1960)
- Op. 115: Overture on Russian and Kirghiz Folk Themes, for orchestra (1963)
- Op. 118a (or Op. 118bis): Chamber Symphony for Strings in A♭ major (arr. Barshai)
- Op. 130: Funeral-Triumphal Prelude, for orchestra (1967)
- Op. 131: October, symphonic poem in C minor for orchestra (1967)
- Op. 139: March of the Soviet Police, for military band/wind orchestra (1970)
String quartets
- Two Pieces, for string quartet (1931) – Elegy (arr. from Lady Macbeth of the Mtsensk District) and Polka (arr. from The Age of Gold)
- Op. 49: String Quartet No. 1 in C major (1938) (arranged as Chamber Symphony for Strings, Op. 49a, by Rudolf Barshai)
- Op. 68: String Quartet No. 2 in A major (1944) (arranged as Chamber Symphony for Small Orchestra by Michinori Bunya)
- Op. 73: String Quartet No. 3 in F major (1946) (arranged as Chamber Symphony for Strings, Woodwinds, Harp, and Celesta, Op. 73a, by Barshai)
- Op. 83: String Quartet No. 4 in D major (1949) (arranged as Chamber Symphony for Small Orchestra, Op. 83a, by Barshai)
- Op. 92: String Quartet No. 5 in B♭ major (1952)
- Op. 101: String Quartet No. 6 in G major (1956)
- Op. 108: String Quartet No. 7 in F♯ minor (1960) (arranged as Chamber Symphony for Small Orchestra by Hyuk-Jin Shin)
- Op. 110: String Quartet No. 8 in C minor (1960), dedicated to the victims of fascism and war (arranged as Chamber Symphony for Strings, Op. 110a, by Barshai with authorization from the composer)
- Quartet Movement in E♭ major (c. 1960); surviving movement of an early version of the String Quartet No. 9; also known as the Unfinished Quartet
- Op. 117: String Quartet No. 9 in E♭ major (1964)
- Op. 118: String Quartet No. 10 in A♭ major (1964) (arranged as Chamber Symphony for Strings, Op. 118a, by Barshai)
- Op. 122: String Quartet No. 11 in F minor (1966)
- Op. 133: String Quartet No. 12 in D♭ major (1968)
- Op. 138: String Quartet No. 13 in B♭ minor (1970) (arranged as Symphony for Viola and Strings by Alexander Tchaikovsky)
- Op. 142: String Quartet No. 14 in F♯ major (1972–1973)
- Op. 144: String Quartet No. 15 in E♭ minor (1974) (arranged as Requiem for Strings, Op. 144bis, by Misha Rachlevsky in 1991 with the approval of composer's widow)
Other chamber/instrumental works
- Op. 8: Piano Trio No. 1 in C minor (1923)
- Op. 9: Three Pieces, for cello and piano (1923–1924, lost; a fourth piece may have been destroyed by the composer)
- Op. 11: Two Pieces, for string octet (1924–1925)
- Op. 33 : Impromptu (Экспромт), for viola and piano (1931)
- Op. 40: Cello Sonata in D minor (1934)
- Op. 40a: Moderato, for cello and piano (1934)
- Op. 57: Piano Quintet in G minor (1940)
- Op. 58i: Polka in F♯ minor, for two harps (1941)
- Op. 67: Piano Trio No. 2 in E minor (1944)
- Op. 97c: Four Waltzes, for flute, clarinet and piano (1955) (arr. Levon Atovmyan)
- Op. 97d: Three Violin Duets from The Gadfly, for two violins and piano (1955) (arr. Levon Atovmyan)
- Op. 134: Violin Sonata (1968)
- Op. 147: Viola Sonata (1975)
Piano
- Op. 2: Eight Preludes (1919–1920)
- Minuet, Prelude and Intermezzo (1919–1920)
- "Murzilka" (1920)
- Five Preludes (1920–1921)
- Op. 5: Three Fantastic Dances (1922)
- Op. 6: Suite in F♯ minor, for two pianos (1922)
- Op. 12: Sonata No. 1 (1926)
- Op. 13: Aphorisms, ten pieces (1927)
- Op. 22: Polka from The Golden Age
- Op. 34: 24 Preludes (1932–1933)
- Op. 39: Nocturne – The Limpid Stream
- Op. 61: Sonata No. 2 in B minor (1943)
- Op. 69: Children's Notebook, six pieces (1944–1945)
- Merry March for two pianos (1949)
- Op. 87: Twenty-Four Preludes and Fugues (1950-1951)
- Dances of the Dolls (1952)
- Op. 94: Concertino in A minor, for two pianos (1953)
- Tarantella, for two pianos (1954)
- Op. 97a: Short piece
- Op. 97b: Spanish Dance, from The Gadfly
- Op. 104a: Eleven Variations on a Theme by Glinka (1957)
Operas
- The Gypsies, opera after Pushkin (1919–1920; partially destroyed)
- Op. 15: The Nose, satirical opera in three acts (and an epilogue) after Gogol (1927–1928); also a suite for orchestra (see Op. 15a)
- Op. 29: Lady Macbeth of the Mtsensk District, opera in four acts after Leskov (1930–1934); later revised as Katerina Ismailova (see Op. 114); also a suite for orchestra (see Op. 29a)
- The Great Lightning, comic opera (1932–1933; unfinished)
- Orango, saterial opera in three acts (and a prologue) (1932; unfinished)
- The Twelve Chairs, operetta (1939; unfinished sketches)
- Katyusha Maslova, opera after Tolstoy's novel Resurrection (1940–1941; unfinished sketches)
- The Gamblers, opera after Gogol (1941–1942; unfinished); completion in two acts by Krzysztof Meyer in 1978
- Op. 105: Moscow, Cheryomushki, operetta in three acts (1957–1958); also a film version (see Op. 105a)
- Op. 114: Katerina Ismailova, opera in four acts after Leskov (1956–1963); revision of Lady Macbeth of the Mtsensk District (see Op. 29); also a suite of five entr'actes (see Op. 114a) and a film version
Ballets
- Op. 22: The Golden Age, three acts (1929–1930)
- Op. 27: The Bolt, three acts (1930–1931)
- Op. 39: The Limpid Stream (a.k.a. The Bright Stream), three acts (1934–1935; some numbers recycled from Op. 27)
- The Lady and the Hooligan, one act (7 scenes) (1962; compiled from the scores of Ops. 27, 39, 40, 50a, 95, and 97 by Levon Atovmyan)
- The Dreamers, four acts (1975; compiled from the scores of Ops. 22 and 27 by the composer and Sergei Sapozhnikov)
Film scores
- Op. 18: Music to the silent film The New Babylon for small orchestra (1929)
- Op. 26: Music to the film Alone (1930–1931)
- Op. 30: Music to the film Golden Mountains (1931)
- Op. 33: Music to the film Counterplan (1932)
- Op. 36: Music to the animated film The Tale of the Priest and of His Workman Balda for chamber orchestra (1933–1934)
- Op. 38: Music to the film Love and Hate (Template:Lang-ru) (1934)
- Op. 41: Music to the film The Youth of Maxim (1934–1935)
- Op. 41a: Music to the film Girl Friends (1934–1935)
- Op. 45: Music to the film The Return of Maxim (1936–1937)
- Op. 48: Music to the film Volochayev Days (1936–1937)
- Op. 50: Music to the film The Vyborg Side (1938)
- Op. 51: Music to the film Friends (1938)
- Op. 52: Music to the film The Great Citizen, first part (1938)
- Op. 53: Music to the film The Man with the Gun (1938)
- Op. 55: Music to the film The Great Citizen, second part (1939)
- Op. 56: Music to the animated film The Silly Little Mouse (1939)
- Op. 59: Music to the film The Adventures of Korzinkina (1940)
- Op. 64: Music to the film Zoya (1944)
- Op. 71: Music to the film Simple People (1945)
- Op. 75: Music to the film The Young Guard (1947–1948)
- Op. 76: Music to the film Pirogov (1947)
- Op. 78: Music to the film Michurin (1948)
- Op. 80: Music to the film Meeting on the Elbe for voices and piano (1948)
- Op. 82: Music to the film The Fall of Berlin (1949)
- Op. 85: Music to the film Belinsky for orchestra and chorus (1950)
- Op. 89: Music to the film The Unforgettable Year 1919 (1951)
- Op. 95: Music to the film Song of the Great Rivers (1954)
- Op. 97: Music to the film The Gadfly (1955)
- Op. 99: Music to the film The First Echelon (1955–1956)
- Op. 105a: Music to the film Moscow, Cheryomushki(1962)
- Op. 111: Music to the film Five Days, Five Nights (1960)
- Op. 114b: Music to the film Katerina Izmailova (1966)
- Op. 116: Music to the film Hamlet after Shakespeare for orchestra (1963–1964)
- Op. 120: Music to the film A Year Is Like a Lifetime for orchestra (1965)
- Op. 132: Music to the film Sofiya Perovskaya (1967)
- Op. 137: Music to the film King Lear after Shakespeare (1970)
Incidental music
- Op. 19: Music to the comedy The Bedbug by Mayakovsky (1929)
- Op. 24: Music to the play The Gunshot by Bezymensky (1929)
- Op. 25: Music to the play Virgin Soil by Gorbenko and L'vov (1930)
- Op. 28: Music to the play Rule, Britannia! by Adrian Piotrovsky (1931)
- Op. 31: Music to the stage revue Hypothetically Murdered by Voyevodin and Riss (1931)
- Op. 32: Music to the play Hamlet by Shakespeare (1931–1932) (see also "Films" above)
- Op. 37: Music to the play The Human Comedy after Balzac for small orchestra (1933–1934)
- Op. 44: Music to the play Hail, Spain by Afinogenov (1936)
- Op. 58a: Music to the play King Lear by Shakespeare (1940) (see also "Films" above)
- Op. 63: Music to the spectacle Native Country, suite Native Leningrad (1942)
- Op. 66: Music to the spectacle Russian River for soloists, choir and orchestra (1944)
- Op. 72: Two Songs to the spectacle Victorious Spring after Svetlov for voices and orchestra (1945)
Choral
- The Oath to the People's Commissar for bass, chorus and piano (1941)
- Songs of a Guard's Division ("The Fearless Regiments Are On the Move"), marching song for bass and mixed chorus with simple accompaniment for bayan or piano (1941)
- Russian Folk Songs for chorus (1943)
- Three Russian Folk Songs for two soloists and chorus with piano accompaniment (1943)
- Op. 74: Poem of the Motherland, cantata for mezzosoprano, tenor, two baritones, chorus and orchestra (1947)
- Rayok (Little Paradise) for four voices, chorus and piano (1948)
- Op. 81: Song of the Forests, oratorio after Dolmatovsky for tenor, bass soli, mixed & boys' chorus and orchestra (1949)
- Op. 86a: The Homeland Hears for chorus and tenor soloist with wordless chorus (1951)
- Op. 88: Ten Poems on Texts by Revolutionary Poets for chorus and boys' chorus a cappella (1951)
- Op. 90: The Sun Shines over Our Motherland, cantata after Dolmatovsky for mixed & boys' chorus and orchestra (1952)
- Op. 104: Cultivation: Two Russian Folk Song Arrangements for chorus a cappella (1957)
- Op. 119: The Execution of Stepan Razin, cantata after Yevtushenko for bass, mixed chorus and orchestra (1964)
- Op. 124: Two Choruses after Davidenko for chorus and orchestra (1962)
- Op. 136: Loyalty, eight ballads after Dolmatovsky for unaccompanied male chorus (1970)
Vocal
- Op. 4: Two Fables of Krylov for mezzo-soprano, female chorus and chamber orchestra (1922)
- Op. 21: Six Romances on Texts by Japanese Poets for tenor and orchestra (1928–1932)
- From Karl Marx to Our Own Days, symphonic poem for solo voices, chorus and orchestra (1932)
- Op. 46: Four Romances on Verses by Pushkin for bass and piano (1936–1937)
- Seven Arrangements of Finnish Folk Songs for soloists (soprano and tenor) and chamber ensemble (1939)
- Op. 62: Six Romances on Verses by English Poets for bass and piano (1942)
- Patriotic Song after Dolmatovsky for voices (1943)
- "Song About the Red Army" after Golodny (1943)
- Op. 79: From Jewish Folk Poetry, song cycle for soprano, contralto, tenor and piano (1948)
- Op. 79a: From Jewish Folk Poetry, song cycle for soprano, contralto, tenor and orchestra (1948)
- Op. 80b: Three Songs from Meeting on the Elbe for voice and piano (1956)
- Op. 84: Two Romances on Verses by Lermontov for male voice and piano (1950)
- Op. 86: Four Songs to Words by Dolmatovsky for voice and piano (1951)
- Op. 91: Four Monologues on Verses by Pushkin for bass and piano (1952)
- Greek Songs for voice and piano (1952–1953)
- "Pendozalis", Greek Song for voice and piano (1954)
- "October Dawn", song for soloists and chorus (1954)
- Op. 98: Five Romances on Verses by Dolmatovsky for bass and piano (1954)
- Op. 98a: "There Were Kisses", song after Dolmatovsky for voice and piano (1954)
- Op. 100: Spanish Songs for (mezzo)soprano and piano (1956)
- Op. 109: Satires (Pictures of the Past), Five Romances on Verses by Sasha Chorny for soprano and piano (1960) (arranged for voice and orchestra by B. Tishchenko, 1980)
- Op. 121: Five Romances on Texts from the Magazine Krokodil for bass and piano (1965)
- Op. 123: "Preface to the Complete Collection of My Works and Brief Reflections on this Preface" for bass and piano (1966)
- Op. 127: Seven Romances on Poems by Alexander Blok for soprano, violin, cello and piano (1967)
- Op. 128: Romance "Spring, Spring" to Verses by Pushkin for bass and piano (1967)
- Op. 140: Six Romances on Verses by English Poets for bass and chamber orchestra (1971)
- Op. 143: Six Poems by Marina Tsvetayeva, suite for contralto and piano (1973)
- Op. 143a: Six Poems by Marina Tsvetayeva, suite for contralto and orchestra (1973)
- Op. 145: Suite on Verses of Michelangelo Buonarroti for bass and piano (1974)
- Op. 145a: Suite on Verses by Michelangelo Buonarroti for bass and orchestra (1975)
- Op. 146: Four Verses of Captain Lebyadkin to texts by Dostoevsky for bass and piano (1975)
Orchestrations
- Orchestration of I Waited in the Grotto by Rimsky-Korsakov for soprano and orchestra (1921)
- Op. 16: Tahiti-Trot for orchestra (1928)
- Op. 17: Pastorale and Capriccio: Two Pieces by D. Scarlatti for wind orchestra (1928)
- Op. 31a: Orchestration of Hypothetically Murdered (1932)
- Orchestration of Internationale by Degeyter (1937)
- Op. 58: Orchestration of the Opera Boris Godunov by Mussorgsky (1939–1940)
- Orchestration of "Wiener Blut" by Johann Strauss II (1940)
- Orchestration of "The Excursion Train Polka" by Johann Strauss II (1940)
- Orchestration of 27 Romances and Songs Arrangements (1941)
- Orchestration of Eight British and American Folk Songs for voice(s) and orchestra (1943)
- Orchestration of Fleishman's Chamber-Opera Rothschild's Violin after Chekhov (1944)
- Op. 106: Re-orchestration of Mussorgsky's Opera Khovanshchina (1959)
- Orchestration of Songs and Dances of Death by Mussorgsky (voice and piano) for voice and orchestra (1962)
- Op. 125: Re-scoring of orchestral accompaniment to Schumann's Cello Concerto in A minor (1963)
- Re-orchestration of Tishchenko's Cello Concerto No. 1 (1969)
- Orchestration of Beethoven's Arrangement (Op. 75 No. 3) of Mephistopheles's Song of the Flea (1975)
In chronological order
Op. number | Title | Instrumentation | Year | Notes |
---|---|---|---|---|
Hymn to Freedom | Piano | 1915-1916 | Same as The Soldier | |
The Soldier (Ode to Liberty) | Piano | 1915-1917 | Same as Hymn to Freedom | |
Funeral March in Memory of the Fallen Heroes of the Revolution | Piano | 1919 | ||
1 | Scherzo in F♯ minor | Orchestra | 1919 (or 1920–1921) | Transcribed for solo piano as Op. 1a |
The Gypsies, opera after Pushkin | Orchestra | 1919-1920 | Partially destroyed. | |
In the Forest, trilogy | Piano | 1919-1920 | ||
Two Marzurkas | Piano | 1919-1920 | ||
Polka | Piano | 1919-1920 | ||
Minuet, Prelude and Intermezzo | Piano | 1919-1920 | Incomplete. | |
2 | Eight Preludes | Piano | 1919–1920 | Three out of eight were lost. |
Murzilka | Piano | 1920 | ||
Piano Sonata in B minor | Piano | 1920–1921 | Partially lost. Slow movement reworked into Piano Trio No. 1 in C minor. Scherzo in F♯ minor orchestration of third movement. | |
Five Preludes | Piano | 1920-1921 | ||
3 | Theme and Variations in B♭ major | Orchestra | 1921-1922 | Transcribed for solo piano as Op. 3a |
4 | Two Fables of Krilov | Mezzo-soprano, female chorus and chamber orchestra | 1922 | Transcribed for mezzo-soprano and piano as Op. 4a |
5 | Three Fantastic Dances | Piano | 1922 | Shostakovich orchestrated the first dance for a class exercise (unpublished). |
6 | Suite in F♯ minor | Two pianos | 1922 | |
7 | Scherzo in E♭ major | Orchestra | 1923-1924 | Transcribed for solo piano as Op. 7a |
8 | Piano Trio No. 1 in C minor | Piano, violin, cello | 1923 | |
9 | Three Pieces | Cello and piano | 1923-1924 | Lost |
10 | Symphony No. 1 in F minor | Orchestra | 1924-1925 | |
11 | Two Pieces | String Octet | 1924-1925 | |
12 | Piano Sonata No. 1 | Piano | 1926 | |
13 | Aphorisms, ten pieces | Piano | 1927 | |
14 | Symphony No. 2 in B major To October | Orchestra and chorus | 1927 | Shostakovich made a reduction of the choral score for voices and piano |
15 | The Nose, opera in three acts after Gogol | Orchestra | 1927-1928 | Shostakovich assembled a suite from The Nose, for tenor, baritone and orchestra as Op. 15a Shostakovich made a reduction of the accompaniment of The Nose for piano |
16 | Tahiti Trot | Orchestra | 1928 | |
17 | Two Pieces by Scarlatti | Wind orchestra | 1928 | |
18 | Music to the silent film The New Babylon | Small orchestra | 1928-1929 | |
19 | Music to the comedy The Bedbug by Mayakovsky | Orchestra | 1928-1929 | Shostakovich assembled a suite from The Bedbug for orchestra as Op. 19a Shostakovich arranged the music to The Bedbug for piano as Op. 19b |
20 | Symphony No. 3 in E♭ major The First of May | Orchestra with chorus | 1929 | Shostakovich made a reduction of the score for solo piano, including the vocal score of the final chorus as Op. 20a |
21 | Six Romances on Texts by Japanese Poets | Tenor and orchestra | 1928-1932 | Arranged for tenor and piano as Op. 21a |
22 | The Golden Age, ballet in three acts | Orchestra | 1929-1930 | Shostakovich assembled a suite from The Golden Age for orchestra as Op. 22a Shostakovich extracted the polka from the suite for solo piano as Op. 22b Shostakovich later arranged the same piece for piano four hands in 1962 as Op. 22c |
23 | Two Pieces for Erwin Dressel's Opera Armer Columbus | Orchestra | 1929 | |
24 | Music to the play The Gunshot by Bezymensky | Orchestra | 1929 | |
25 | Music to the play Virgin Soil by Gorbenko and L'vov | Orchestra | 1930 | Lost |
26 | Music to the film Alone (Odna) | Orchestra | 1930-1931 | Shostakovich assembled a suite from the music for orchestra as Op. 26a |
27 | The Bolt, ballet in three acts | Orchestra | 1930-1931 | Shostakovich assembled a suite from the music for orchestra as Op. 27a |
28 | Music to the play Rule, Britannia! by Piotrovsky | Orchestra | 1931 | |
Two Pieces | String quartet | 1931 | The first movement is an arrangement of Katerina's aria The foal runs after the filly from Lady Macbeth of the Mtsensk District. The second movement is an arrangement of the Polka from the Golden Age. | |
Overture to The Green Company | Orchestra | 1931 | Possibly not composed by Shostakovich. | |
Prologue to Orango, an unfinished opera | Orchestra | 1932 | Some material incorporated from The Bolt. | |
29 | Lady Macbeth of the Mtsensk District, opera in four acts after Leskov | Orchestra | 1930-1932 | Shostakovich assembled a suite from the music for orchestra as Op. 29a Shostakovich extracted the Passacaglia from an Entr'acte to the music for organ Prompted the highly critical article 'Muddle Instead of Music', published in Pravda magazine, January 1936 |
From Karl Marx to our Own Days, a symphonic poem | Solo voices, chorus and orchestra | 1932 | ||
The Big Lightning, unfinished comic opera | Orchestra | 1932 | ||
30 | Music to the film Golden Mountains | Orchestra | 1931 | Shostakovich assembled a suite from the music for orchestra as Op. 30a. This suite contains an added number ("Fugue: Largo-Allegro") that is not included in the original film score. |
31 | Music to the stage revue Hypothetically Murdered by Voyevodin and Riss | Piano? | 1931 | Orchestration of Hypothetically Murdered as Op. 31a Reduction of Four Movements of the Music to Hypothetically Murdered for piano as Op. 31b |
32 | Music to the play Hamlet by Shakespeare | Orchestra | 1931-1932 | Suite from Hamlet for small orchestra as Op. 32a |
33 | Impromptu (Экспромт) | Viola and piano | 1931 | A previously unknown work for viola and piano by Shostakovich was discovered in 2017 among documents belonging to Vadim Borisovsky in the Moscow State Archives. The manuscript dated 2 May 1931 bears the title Impromptu Op. 33. |
33 | Music to the film Counterplan | Orchestra | 1932 | "Song about the Oncoming Train", "My Heart's Aching and Moaning" were arranged for voice and piano as Op. 33a "We meet this Morning (The Song of the Young Workers)" was arranged for voice and piano as Op. 33b |
34 | 24 Preludes | Piano | 1932-1933 | Transcribed for violin and piano as Op. 34a Transcribed for orchestra as Op. 34b |
35 | Piano Concerto No. 1 | Piano, trumpet and strings | 1933 | Shostakovich made a reduction of the concerto for two pianos as Op. 35a |
36 | Music to the animated film The Tale of the Priest and of his Workman Balda | Chamber orchestra | 1933-1934 | Unfinished and partially lost. Shostakovich compiled a suite from the music as Op. 36a. Sofia Khentova and Vadim Bibergan have each assembled completions of the original score. |
37 | Music to the play The Human Comedy after Balzac | Small orchestra | 1933-1934 | "Gavotte" later arranged for solo piano in Dances of the Dolls. |
38 | Music to the film Love and Hate | Orchestra? | 1934 | |
38a | Suite for Jazz Orchestra No. 1 | Jazz orchestra | 1934 | |
Symphonic Movement | Orchestra | 1934 | Incomplete draft of earlier version of Fourth Symphony. | |
39 | The Limpid Stream, ballet in three acts | Orchestra | 1934-1935 | Suite for orchestra from the music as Op. 39a Moderato from The Limpid Stream for Cello and Piano as Op. 39b |
40 | Sonata for Cello and Piano | Cello and piano | 1934 | Moderato for Cello and Piano as Op. 40a |
41 | Music to the film The Youth of Maxim | Orchestra | 1934-1935 | |
41a | Music to the film Girl Friends | Small orchestra | 1934-1935 | Credited thus |
42 | Five Fragments | Small Orchestra | 1935 | |
43 | Symphony No. 4 in C minor | Orchestra | 1935-1936 | Arrangement of Symphony No. 4 for two pianos as Op. 43a |
44 | Music to the play Hail, Spain by Alexander Afinogenov | Orchestra and chorus | 1935-1936 | |
45 | Music to the film The Return of Maxim | Orchestra | 1936-1937 | |
46 | Four Romances on Verses by Pushkin | Bass and piano | 1936-1937 | Orchestration (omitting the last song) for bass and orchestra as Op. 46a. |
47 | Symphony No. 5 in D minor | Orchestra | 1937 | Reduction of the second movement for solo piano as Op. 47b |
48 | Music to the film Volochayev Days | Orchestra | 1936-1937 | |
The Twelve Chairs, operetta | Orchestra | 1937-1938 | ||
49 | String Quartet No. 1 in C major | String quartet | 1938 | |
50 | Music to the film The Vyborg Side | Orchestra | 1938 | |
51 | Music to the film Friends | Orchestra | 1938 | Vocalise from the music arranged for unaccompanied chorus as Op. 51a |
52 | Music to the film The Great Citizen, first part | Orchestra? | 1938 | |
53 | Music to the film The Man with a Gun | Orchestra? | 1938 | |
Suite for Jazz Orchestra No. 2 | Jazz Orchestra | 1938 | Formerly confused with the Suite for Variety Orchestra. | |
54 | Symphony No. 6 in B minor | Orchestra | 1939 | |
55 | Music to the film The Great Citizen, second part | Orchestra? | 1939 | |
56 | Music to the animated film The Stupid Little Mouse | Orchestra | 1939 | |
Suite on Finnish Themes | Soloists, chorus, chamber orchestra, piano | 1939 | ||
Three Pieces | Solo Violin | 1940 | Lost? | |
57 | Piano Quintet in G minor | Piano quintet | 1940 | |
58 | Orchestration of the Opera Boris Godunov by Mussorgsky | Orchestra | 1939-1940 | |
59 | Music to the film The Adventures of Korzinkina | Orchestra? | 1940 | Assembled into a suite as Op. 59a |
Katyusha Maslova, opera after Tolstoy's novel Resurrection | Orchestra | 1940 | ||
58a | Music to the play King Lear by Shakespeare | Orchestra | 1940 | |
60 | Symphony No. 7 in C major Leningrad | Orchestra | 1941 | |
61 | Piano Sonata No. 2 in B minor | Piano | 1943 | |
"The Oath to the People's Commissar" | Bass, chorus and piano | 1941 | ||
"Songs of a Guard's Division" ("The Fearless Regiments Are On the Move"), marching song | Bass and mixed chorus with simple accompaniment for bayan or piano | 1941 | ||
Polka in F♯ minor | Harp duet | 1941 | ||
The Gamblers, unfinished opera after Gogol | Orchestra | 1941-1942 | Portions extensively quoted in second movement of Viola Sonata. | |
62 | Six Romances on Verse by English Poets | Bass and piano | 1942 | Arranged by Shostakovich for large orchestra and bass as Op. 62a; chamber orchestra and bass as Op. 140. |
63 | Music to the spectacle Native Country, suite Native Leningrad | Orchestra | 1942 | |
"Solemn March" | Military band | 1942 | ||
Patriotic Song after Dolmatovsky | Voices | 1943 | ||
"Song about the Red Army" after Golodny | Voices | 1943 | ||
Russian Folk Songs | Chorus | 1943 | ||
Three Russian Folk Songs | Two soloists, chorus, piano accompaniment | 1943 | ||
64 | Music to the film Zoya | Orchestra | 1944 | |
65 | Symphony No. 8 in C minor | Orchestra | 1943 | |
66 | Music to the spectacle Russian River | Soloists, choir and orchestra | 1944 | |
67 | Piano Trio No. 2 in E minor | Piano, violin, cello | 1944 | Dedicated to the memory of Ivan.I.Sollertinsky (1902-1944) |
68 | String Quartet No. 2 in A Major | String quartet | 1944 | |
69 | Children's Notebook, six pieces | Piano | 1944-1945 | |
Symphonic Fragment (first version of Symphony No. 9) | Orchestra | January 1945 | Incomplete. | |
Violin Sonata | Violin and piano | 1945 | Left incomplete after first movement's double exposition. | |
70 | Symphony No. 9 in E♭ major | Orchestra | 1945 | Reduction of the piece for piano four hands as Op. 70a |
71 | Music to the film Simple People | Orchestra? | 1945 | |
72 | Two Songs to the spectacle Victorious Spring after Svetlov | Voices and orchestra | 1945 | Arranged for piano as Op. 72a |
73 | String Quartet No. 3 in F major | String quartet | 1946 | |
74 | Poem of the Motherland, cantata | Mezzosoprano, tenor, two baritones, chorus and orchestra | 1947 | |
75 | Music to the film The Young Guard | Orchestra | 1947-1948 | |
76 | Music to the film Pirogov | Orchestra | 1947 | |
Three Pieces | Orchestra | 1947-1948 | ||
77 | Violin Concerto No. 1 in A minor | Violin and orchestra | 1947-1948 | |
78 | Music to the film Michurin | Orchestra | 1948 | |
79 | From Jewish Folk Poetry, song cycle | Soprano, contralto, tenor and piano | 1948 | Orchestration as Op.79a |
80 | Music to the film Encounter at the Elbe | Voices and piano | 1948 | |
Anti-Formalist Rayok (Peep Show) | Four voices, chorus and piano | 1948 | ||
81 | Song of the Forests, oratorio after Dolmatovsky | Tenor, bassoli, mixed & boys' chorus and orchestra | 1949 | |
82 | Music to the film The Fall of Berlin | Orchestra | 1949 | |
83 | String Quartet No. 4 in D major | String quartet | 1949 | |
Merry March | Two pianos | 1949 | ||
84 | Two Romances on Verses by Lermontov | Male voice and piano | 1950 | |
85 | Music to the film Belinsky | Orchestra and chorus | 1950 | |
86 | Four Songs to Words by Dolmatovsky | Voice and piano | 1951 | |
87 | Twenty-Four Preludes and Fugues | Piano | 1950-1951 | |
88 | Ten Poems on Texts by Revolutionary Poets | Chorus and boys' chorus a capella | 1951 | |
89 | Music to the film The Unforgettable Year 1919 | Orchestra | (1951) | |
The Homeland Hears | Chorus and tenor soloist with wordless chorus | 1951 | ||
Ten Russian Folk Song Arrangements | Soloists, mixed chorus and piano | 1951 | ||
90 | The Sun Shines on Our Motherland, cantata after Dolmatovsky | Mixed & boys' chorus and orchestra | 1952 | |
91 | Four Monologues on Verses by Pushkin | Bass and piano | 1952 | |
92 | String Quartet No. 5 in B♭ major | String quartet | 1952 | |
Dances of the Dolls | Piano | 1952 | ||
Greek Songs | Voice and piano | 1952-1953 | ||
93 | Symphony No. 10 in E minor | Orchestra | 1953 | |
94 | Concertino in A minor | Two pianos | 1953 | |
95 | Music to the film Song of the Great Rivers | Orchestra | 1954 | |
96 | Festive Overture in A major | Orchestra | 1954 | |
"Poem of Labour" from Unity | Mixed chorus and orchestra | 1954 | ||
Two Songs from Unity ("A Song of Unity" and "Peaceful Labour") | Voice and piano | 1954 | ||
Waltz from Unity | Orchestra | 1954 | ||
Music to the play Hamlet by Shakespeare | Orchestra | 1954 | Gigue and Finale added to the music from the 1932 production | |
Pendozalis, Greek song | Voice and piano | 1954 | ||
October Dawn | Soloists and chorus | 1954 | ||
Tarantella | Two pianos | 1954 | ||
97 | Music to the film The Gadfly, based on the novel by Voynich | Orchestra | 1955 | Assembled into The Gadfly Suite as Op. 97a |
98 | Five Romances on Verses by Dolmatovsky | Bass and piano | 1954 | |
99 | Music to the film The First Echelon | Orchestra | 1955-1956 | |
100 | Spanish Songs | (Mezzo)soprano and piano | 1956 | |
101 | String Quartet No. 6 in G major | String quartet | 1956 | |
Suite for Variety Orchestra | Variety orchestra | post-1956 | ||
102 | Piano Concerto No. 2 in F major | Orchestra | 1957 | |
103 | Symphony No. 11 in G minor The Year 1905 | Orchestra | 1957 | |
104 | Cultivation: Two Russian Folk Song Arrangements | Chorus a capella | 1957 | |
105 | Moscow, Cheryomushki, operetta in three acts | Orchestra | 1958 | |
106 | Re-orchestration of Mussorgsky's Opera Khovanshchina | Orchestra | 1959 | |
107 | Cello Concerto No. 1 in E♭ major | Cello and orchestra | 1959 | |
108 | String Quartet No. 7 in F♯ minor | String quartet | 1960 | |
109 | Satires (Pictures of the Past), Five Romances on Verses by Chorny | Soprano and piano | 1960 | |
110 | String Quartet No. 8 in C minor | String quartet | 1960 | |
111 | Music to the film Five Days, Five Nights | Orchestra | 1960 | |
Novorossiysk Chimes, the Flame of Eternal Glory | Orchestra | 1960 | Based off of Shostakovich's entry for the 1943 contest to determine the new national anthem of the Soviet Union. | |
Quartet Movement | String quartet | 1961 | Draft first movement of early version of String Quartet No. 9. Complete score possibly destroyed by the composer. | |
112 | Symphony No. 12 in D minor The Year 1917 | Orchestra | 1961 | |
113 | Symphony No. 13 in B♭ minor Babi-Yar | Bass, bass chorus and orchestra | 1962 | |
114 | Katerina Izamailova, opera in four acts after Leskov | Orchestra | 1956-1963 | |
115 | Overture on Russian and Kirghiz Folk Themes | Orchestra | 1963 | |
116 | Music to the film Hamlet | Orchestra | 1963-1964 | |
117 | String Quartet No. 9 in E♭ major | String quartet | 1964 | |
118 | String Quartet No. 10 in A♭ major | String quartet | 1964 | |
119 | The Execution of Stepan Razin, cantata after Yevgeny Yevtushenko | Bass, mixed chorus and orchestra | 1964 | |
120 | Music to the film A Year Is Like a Lifetime | Orchestra | 1965 | |
121 | Five Romances on Texts from the Magazine Krokodil | Bass and piano | 1965 | |
122 | String Quartet No. 11 in F minor | String quartet | 1966 | |
123 | Preface to the Complete Collection of My Works and Brief Reflections on this Preface | Bass and piano | 1966 | |
124 | Two Choruses after Davidenko | Chorus and orchestra | 1962 | |
125 | Re-scoring of orchestral accompaniment to Schumann's Cello Concerto in A minor | Cello and orchestra | 1963 | |
126 | Cello Concerto No. 2 in G minor | Cello and orchestra | 1966 | |
127 | Seven Songs on Poems by Alexander Blok | Soprano, violin, cello and piano | 1967 | |
128 | Romance "Spring, Spring" to Verses by Pushkin | Bass and piano | 1967 | |
129 | Violin Concerto No. 2 in C♯ minor | Violin and orchestra | 1967 | |
130 | Funeral-Triumphal Prelude | Orchestra | 1967 | |
131 | October, symphonic poem in C minor | Orchestra | 1967 | |
132 | Music to the film Sofiya Perovskaya | Orchestra | 1967 | |
133 | String Quartet No. 12 in D♭ major | String quartet | 1968 | |
134 | Sonata for Violin and Piano | Violin and piano | 1968 | |
135 | Symphony No. 14 | Soprano, bass, string orchestra and percussion | 1969 | |
136 | Loyalty, eight ballads after Dolmatovsky | Male chorus | 1970 | |
137 | Music to the film King Lear | Orchestra | 1970 | |
138 | String Quartet No. 13 in B♭ minor | String quartet | 1970 | |
139 | March of the Soviet Militia | Military band/Wind orchestra | 1970 | |
140 | Six Romances on Verses by English Poets | Bass and chamber orchestra | 1971 | |
Yelabuga Nail | Voice and piano | 1971 | Unpublished setting of poem by Yevtushenko. | |
141 | Symphony No. 15 in A major | Orchestra | 1971 | |
142 | String Quartet No. 14 in F♯ major | String quartet | 1972-1973 | |
143 | Six Poems by Marina Tsvetayeva | Contralto and piano | 1973 | Orchestration as Op.143a |
144 | String Quartet No. 15 in E♭ minor | String quartet | 1974 | |
145 | Suite on Verses of Michelangelo Buonarroti | Bass and piano | 1974 | Orchestration as Op.145a |
146 | Four Verses of Captain Lebyadkin to texts by Dostoevsky | Bass and piano | 1975 | |
147 | Sonata for Viola and Piano | Viola and piano | 1975 | Last completed composition by Shostakovich. |
Symphony No. 16, unfinished? | Orchestra | 1975 | Possibly a speculation. In Soviet Weekly, April 1976, they reported that Shostakovich's last work had been performed. However, during rehearsals of Op. 145, Shostakovich considered the work his sixteenth symphony. |
See also
References
Footnotes
- Kennedy, Michael; Percy Scholes (1980). The Concise Oxford Dictionary of Music (3rd ed.). London: Oxford University Press. p. 593. ISBN 0-19-311315-5.
- ^ Heyer, 2012. p.22
- ^ "A new work for viola by Shostakovich discovered in Moscow State Archives". The Strad. 26 September 2017. Retrieved 4 October 2017.
- ^ List of works by Shostakovich, sikorski.de
- Digonskaja, Ol'ga (2010). Fairclough, Pauline (ed.). Shostakovich Studies 2. Cambridge: Cambridge University Press. pp. 53–73. ISBN 978-0521111188.
- Digonskaja, Ol'ga (2010). Fairclough, Pauline (ed.). Shostakovich Studies 2. Cambridge: Cambridge University Press. pp. 53–73. ISBN 978-0521111188.
- Digonskaja, Ol'ga (2010). Fairclough, Pauline (ed.). Shostakovich Studies 2. Cambridge: Cambridge University Press. p. 67. ISBN 978-0521111188.
- Shostakovi.ch Film "Girl Friends" Overview, Retrieved 22 December 2014
- Fay, Laurel (1999). Shostakovich: A Life. Oxford: Oxford University Press. p. 209. ISBN 978-0195182514.
Bibliography
- Mark Heyer (2012). Dmitri Dmitrievich Shostakovich (1906-1975) – Catalog of Works (PDF). Sikorski Musikverlage.
- Onno van Rijen (2012). "Opus by Shostakovich". Retrieved 13 June 2015.