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| {{Short description|Portuguese artist (born 1973)}} | {{Short description|Portuguese artist (born 1973)}} | ||
| {{Infobox artist | {{Infobox artist | ||
| |name |
|name = Carla Filipe | ||
| |image |
|image = | ||
| |caption = | |caption = | ||
| |birth_name |
|birth_name = | ||
| |birth_date = 1973 | |birth_date = {{birth year and age|1973}} | ||
| |birth_place = ], Portugal |
|birth_place = ] | ||
| |nationality = | |nationality = | ||
| |death_date |
|death_date = | ||
| |death_place |
|death_place = | ||
| |occupation |
|occupation = Artist | ||
| |field |
|field = Sculpture, drawing, photography, collage | ||
| |awards |
|awards = 2023 FLAD drawing prize | ||
| |website |
|website = https://carlafilipenotcarlefelipe.com/}} | ||
| }} | |||
| '''Carla Filipe''' (born 1973) is a Portuguese multidisciplinary artist and photographer, whose work explores the relationship between art objects, popular culture, and activism. She was the winner of the 2023 FLAD (''Fundação Luso-Americana para o Desenvolvimento'') drawing prize.<ref name="Serralves">{{cite web |title=Carla Filipe: In my own language I am Independente |url=https://www.serralves.pt/ciclo-serralves/carla-filipe-in-my-own-language-i-am-independente/ |website=Serralves |access-date=27 December 2024}}</ref><ref name="Publico">{{cite news |title=Carla Filipe vence Prémio FLAD de Desenho 2023 |url=https://www.publico.pt/2023/10/28/culturaipsilon/noticia/carla-filipe-vence-premio-flad-desenho-2023-2068351 |access-date=27 December 2024 |publisher=Público |date=28 October 2023}}</ref> | '''Carla Filipe''' (born 1973) is a Portuguese multidisciplinary artist and photographer, whose work explores the relationship between art objects, popular culture, and activism. She was the winner of the 2023 FLAD (''Fundação Luso-Americana para o Desenvolvimento'') drawing prize.<ref name="Serralves">{{cite web |title=Carla Filipe: In my own language I am Independente |url=https://www.serralves.pt/ciclo-serralves/carla-filipe-in-my-own-language-i-am-independente/ |website=Serralves |access-date=27 December 2024}}</ref><ref name="Publico">{{cite news |title=Carla Filipe vence Prémio FLAD de Desenho 2023 |url=https://www.publico.pt/2023/10/28/culturaipsilon/noticia/carla-filipe-vence-premio-flad-desenho-2023-2068351 |access-date=27 December 2024 |publisher=Público |date=28 October 2023}}</ref> | ||
| ==Early life and education== | ==Early life and education== | ||
| Filipe was born in ] in 1973 and brought up in ], a small town in the centre of Portugal |
Filipe was born in ] in 1973 and brought up in ], a small town in the centre of Portugal. She lived in a house built by the ] for its staff and was to develop a strong interest in railways. She studied sculpture at the Faculty of Fine Arts of the ] and then obtained a master's degree in contemporary artistic practices from the same university.<ref name="EDP">{{cite web |title=Carla Filipe|url=https://www.fundacaoedp.pt/pt/artista/carla-filipe |website=EDP Foundation |access-date=27 December 2024}}</ref> | ||
| She was co-founder of artist-run spaces Salão Olímpico (2003-2005) and Projecto Apêndice (2006), both in Porto. She has undertaken residencies at Acme Studios , London, Uk (2009–10); AIR Antwerpen, Antwerp, Belgium (2014), the Robert Rauschenberg Foundation (Captiva, Florida) U.S.A, 2015; the Krinzinger Projekte, Vienna, Austria (2017); and Peacock & Warm, Aberdeen, Scotland, Uk, (2023). | |||
| ==Career== | ==Career== | ||
| She´s a multidisciplinary artist whose practice critically explores the relationship between art objects, culture and activism. Anchored in drawing, personal experiences and in the concept of autobiography as an experimental archive of contemporaneity, Filipe’s creative process is the outcome of appropriating artefacts and documents that build a singular form of social portrait and, simultaneously, self-portraiture. By applying anthropological methodologies, Filipe observes, collects, interviews and documents the traces of individual and collective narratives, questioning conventional discursivity on the recent past and on the present in an idiosyncratic way. In doing so, the artist investigates transversal concepts such as territory, property, memory, identity or representation. | |||
| Filipe's work often merges words and drawings. She also uses artefacts such as ] prints, printed and sewn cloth, banners and flags, posters and leaflets, ], written notebooks, and railway artifacts. She has said that she was influenced by the political propaganda in Portugal that she witnessed in her early years, most notably the image of ], Portugal'’s only female prime minister.<ref name=Contemp>{{cite web |title=Carla Filipe: In my own language I am independente |url=https://contemporanea.pt/edicoes/07-08-09-2023/carla-filipe-my-own-language-i-am-independente |website=Contemporânea |access-date=28 December 2024}}</ref> | |||
| Filipe's work often merges words and drawings. She also uses artefacts such as ] prints, printed and sewn cloth, banners and flags, posters and leaflets, ], written notebooks, and railway artifacts. She has said that she was influenced by the political propaganda in Portugal that she witnessed in her early years.<ref name=Contemp>{{cite web |title=Carla Filipe: In my own language I am independente |url=https://contemporanea.pt/edicoes/07-08-09-2023/carla-filipe-my-own-language-i-am-independente |website=Contemporânea |access-date=28 December 2024}}</ref> | |||
| In 2023 the '']'' in Porto organized a retrospective exhibition of her work, called ''In my own language I am Independente''.<ref name=Contemp/> | |||
| In 2014 Filipe had an artistic residency in ], Belgium. This resulted in an exhibition of collages, titled ''Harbour of Antwerp: historical crossovers'', which examine the ties between Portugal and the ] region over the last five centuries, following the lives of ] who were expelled from Portugal in the late fifteenth century. Many settled in Antwerp and made a significant contribution to the city's cultural and economic development.<ref name="CDN">{{cite web |title=Carla Filipe: Com a casa ás costas |url=https://cdn.bndlyr.com/nsa343pdfl/_assets/2408_brochura-mirandela-low-v3.pdf |website=cdn.bndlyr.com/ |publisher=Serralves |access-date=28 December 2024}}</ref> | |||
| ==Selected Exhibitions== | |||
| In 2023 the '']'' in Porto organized a retrospective exhibition of her work, called ''In my own language I am Independente''.<ref name=Contemp/> Also in 2023 she won the €20,000 FLAD drawing prize, for what the jury considered to be her "truly expansive practice that can be considered a landmark in contemporary drawing in Portugal".<ref name=Publico/> From September 2024 to the end of that year her work was exhibited at a new cultural space at the railway station in ], Portugal, as part of the Serralves Collection Touring Exhibitions Programme. Designed specifically for display at that location, the exhibition combined both her works of art and her interest in the subject of railways, also exhibiting historical artifacts from the station's collection. The exhibition was closely related to travel and her own itinerant nature, as reflected in the title, ''Com a casa às costas'' (With the house on your back).<ref name=Serralves2/><ref name=CDN/> | |||
| Selected solo shows: “ Expurgar Papel”, Galeria da Escola das Artes, Universidade Católica, Porto, Portugal, 2024;<ref>{{Cite web |last=Filipe |first=Carla |date=2025-01-13 |title=Expurgar papel - Carla Filipe |url=https://artes.porto.ucp.pt/pt-pt/art-center/exposicoes/expurgar-papel-carla-filipe/apresentacao}}</ref> “The Lizard (Sardão): The New Aberdeen Bestiary”, The Worm, Aberdeen, Scotland, UK, 2023; "In my own language I am independente" (anthology), Museu de Serralves, Porto, Portugal, 2023;<ref>{{Cite web |title=CARLA FILIPE |url=https://www.serralves.pt/ciclo-serralves/carla-filipe-in-my-own-language-i-am-independente/ |access-date=2025-01-13 |website=www.serralves.pt |language=pt}}</ref> “ Confissões de uma baptizada”, Centro de Artes do Arquipélago, S. Miguel, Azores, Portugal, 2022; “hóspede”( Guest), Galerie Carré, Villa de Arson, Nice, France, 2022; “Amanhã não há arte” Maat, Lisbon, Portugal, 2019;<ref>{{Cite web |date=2019-05-16 |title=Carla Filipe. Amanhã não há arte |url=https://maat.pt/pt/exhibition/carla-filipe-amanha-nao-ha-arte |access-date=2025-01-13 |website=MAAT |language=pt-pt}}</ref> “da cauda à cabeça”, Coleção Berardo, Lisbon, Portugal, 2014;<ref>{{Cite AV media |url=https://www.youtube.com/watch?v=v2R2tSvp6PY |title="da cauda à cabeça", a exposição de Carla Filipe {{!}} Museu Coleção Berardo |date=2014-03-06 |last=Museu Colecao Berardo |access-date=2025-01-13 |via=YouTube}}</ref><ref>{{Cite web |title=da cauda à cabeça / from tail to head – Carla Filipe |url=https://carlafilipenotcarlefelipe.com/da-cauda-a-cabeca/ |access-date=2025-01-13 |language=en-US}}</ref> “Deaf and Dumb archive", Tranzit.display, Prague, Czechia, 2011; “Precarious, Escape, Fascination”, Kunsthalle Lissabon, Lisbon, Portugal, 2010. | |||
| Selected Group Shows: “ O fantasma da liberdade”, Anozero´04 Coimbra Biennial, Portugal, 2024;<ref>{{Cite web |title=Anozero'24 Bienal de Coimbra |url=https://ofantasmadaliberdade.anozero-bienaldecoimbra.pt/pt/artista/carla-filipe |access-date=2025-01-13 |website=ofantasmadaliberdade.anozero-bienaldecoimbra.pt}}</ref> “ Echoes of the Brother Countries”, HKW, Berlim, Germany, 2024;“ Materialismo histórico”, La Oficina, Madrid, Spain, 2023; “FARSA. Linguagem, fratura, ficção: Brasil e Portugal", SECS Pompeia, S. Paulo, Brazil, 2022; “Tudo o que eu quero: artistas portuguesas de 1900 a 2020”, Centre de Création Contemporaine Olivier Debré, Tours, France, 2022 / Museu Calouste Gulbenkian, Lisbon, Portugal, 2021; “Insistir em lo mesmo: Volver uma presencia sugerida”, EACC, Castellón, Spain, 2029; “ New Literacy”, 4th Ural Industrial Biennial, Ekaterinburg and cities of Uralregion, Russian, 2017; “Incerteza Viva” 32º Bienal de S. Paulo, Brazil, 2016;<ref>{{Cite web |last= |date=2016-08-25 |title=Artistas da 32ª Bienal de SP - Carla Filipe |url=https://select.art.br/artistas-da-32a-bienal-de-sp-carla-filipe/ |access-date=2025-01-13 |website=Revista seLecT_ceLesTe |language=pt-BR}}</ref><ref>{{Cite web |last= |first=Bienal São Paulo |title=Carla Filipe - 32ª Bienal |url=http://www.32bienal.org.br/pt/participants/o/2537 |access-date=2025-01-13 |website=www.32bienal.org.br}}</ref> “ La Réplica Infiel”, CA2M, Madrid, Spain, 2016; “Pigs”, Artium (Vitoria-Gasteiz) and Galeria Municipal do Porto, Spain and Portugal, 2016; Re-Discover III, Autocenter, Berlin, Germany, 2015; “ The lynx knows no boundaries”, D´Entreprise Ricard Foundation, Paris, France, 2015; “Mom, am i barbarian?” 13th Istambul Biennial, Turkey, 2013;<ref>{{Cite web |last=Editor |first=News |date=2013-07-19 |title=The 13th Istanbul Biennial, titled "Mom, am I Barbarian?", curated by Fulya Erdemci and focusing on the theme of public space as a political forum will be free of charge. |url=https://www.biennialfoundation.org/2013/07/the-13th-istanbul-biennial-titled-mom-am-i-barbarian-curated-by-fulya-erdemci-and-focusing-on-the-theme-of-public-space-as-a-political-forum-will-be-free-of-charge/ |access-date=2025-01-13 |website=Biennial Foundation |language=en-US}}</ref> “1813: assedio, incendio y reconstrucción de Donostia”, Museo San Telmo, San Sebastián, Spain, 2013; “Art Situations: una mirada prospectiva” a selection by Teresa Blanch, María de Corral, Yolanda Romero and Vicente Todolí, Arts Santa Mónica, Barcelona, Spain, 2012; “ Les Praires”, Les Ateliers Biennale d´arte contemporain de Rennes, France, 2012; “ Gravity & Disgrace” CGAC, Santiago de Compostela, Spain, 2012; “ The Future”, V Biennial de Jafre, Spain, 2011; “ Region de Múrcia In dialogue with Nothen Africa”, Manifesta 8- the European biennial of contemporary art, Murcia and Cartagena, Spain, 2011.<ref>{{Cite web |title=Manifesta 8 :: Carla Filipe |url=https://arpa.carm.es/manifesta/manifesta8.artist?nombre=&codigo=91 |access-date=2025-01-13 |website=arpa.carm.es}}</ref> | |||
| ==Publication== | ==Publication== | ||
| In 2022, Filipe published ''Há Gente Na Via'' (There are people on the track), the first volume of her photographs of Portuguese railways, shot between 2005 and 2022.<ref>{{cite web |title=Há Gente Na Via (Vol. I) Carla Filipe |url=https://www.pierrevonkleist.com/products/ha-gente-na-via-volume-i |website=Pierre von Kleist |publisher=Pierre von Kleist/ MAAT |access-date=29 December 2024}}</ref> | |||
| {{Empty section|date=January 2025}} | |||
| ==References== | ==References== | ||
| {{Reflist}} | {{Reflist}} | ||
| {{authority control}} | {{authority control}} | ||
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Latest revision as of 16:26, 14 January 2025
Portuguese artist (born 1973)| Carla Filipe | |
|---|---|
| Born | 1973 (age 51–52) Aveiro, Portugal |
| Occupation | Artist |
| Known for | Sculpture, drawing, photography, collage |
| Awards | 2023 FLAD drawing prize |
| Website | https://carlafilipenotcarlefelipe.com/ |
Carla Filipe (born 1973) is a Portuguese multidisciplinary artist and photographer, whose work explores the relationship between art objects, popular culture, and activism. She was the winner of the 2023 FLAD (Fundação Luso-Americana para o Desenvolvimento) drawing prize.
Early life and education
Filipe was born in Aveiro in 1973 and brought up in Vila Nova da Barquinha, a small town in the centre of Portugal. She lived in a house built by the state railway company for its staff and was to develop a strong interest in railways. She studied sculpture at the Faculty of Fine Arts of the University of Porto and then obtained a master's degree in contemporary artistic practices from the same university.
She was co-founder of artist-run spaces Salão Olímpico (2003-2005) and Projecto Apêndice (2006), both in Porto. She has undertaken residencies at Acme Studios , London, Uk (2009–10); AIR Antwerpen, Antwerp, Belgium (2014), the Robert Rauschenberg Foundation (Captiva, Florida) U.S.A, 2015; the Krinzinger Projekte, Vienna, Austria (2017); and Peacock & Warm, Aberdeen, Scotland, Uk, (2023).
Career
She´s a multidisciplinary artist whose practice critically explores the relationship between art objects, culture and activism. Anchored in drawing, personal experiences and in the concept of autobiography as an experimental archive of contemporaneity, Filipe’s creative process is the outcome of appropriating artefacts and documents that build a singular form of social portrait and, simultaneously, self-portraiture. By applying anthropological methodologies, Filipe observes, collects, interviews and documents the traces of individual and collective narratives, questioning conventional discursivity on the recent past and on the present in an idiosyncratic way. In doing so, the artist investigates transversal concepts such as territory, property, memory, identity or representation.
Filipe's work often merges words and drawings. She also uses artefacts such as silkscreen prints, printed and sewn cloth, banners and flags, posters and leaflets, collages, written notebooks, and railway artifacts. She has said that she was influenced by the political propaganda in Portugal that she witnessed in her early years.
In 2023 the Museu de Arte Contemporânea de Serralves in Porto organized a retrospective exhibition of her work, called In my own language I am Independente.
Selected Exhibitions
Selected solo shows: “ Expurgar Papel”, Galeria da Escola das Artes, Universidade Católica, Porto, Portugal, 2024; “The Lizard (Sardão): The New Aberdeen Bestiary”, The Worm, Aberdeen, Scotland, UK, 2023; "In my own language I am independente" (anthology), Museu de Serralves, Porto, Portugal, 2023; “ Confissões de uma baptizada”, Centro de Artes do Arquipélago, S. Miguel, Azores, Portugal, 2022; “hóspede”( Guest), Galerie Carré, Villa de Arson, Nice, France, 2022; “Amanhã não há arte” Maat, Lisbon, Portugal, 2019; “da cauda à cabeça”, Coleção Berardo, Lisbon, Portugal, 2014; “Deaf and Dumb archive", Tranzit.display, Prague, Czechia, 2011; “Precarious, Escape, Fascination”, Kunsthalle Lissabon, Lisbon, Portugal, 2010.
Selected Group Shows: “ O fantasma da liberdade”, Anozero´04 Coimbra Biennial, Portugal, 2024; “ Echoes of the Brother Countries”, HKW, Berlim, Germany, 2024;“ Materialismo histórico”, La Oficina, Madrid, Spain, 2023; “FARSA. Linguagem, fratura, ficção: Brasil e Portugal", SECS Pompeia, S. Paulo, Brazil, 2022; “Tudo o que eu quero: artistas portuguesas de 1900 a 2020”, Centre de Création Contemporaine Olivier Debré, Tours, France, 2022 / Museu Calouste Gulbenkian, Lisbon, Portugal, 2021; “Insistir em lo mesmo: Volver uma presencia sugerida”, EACC, Castellón, Spain, 2029; “ New Literacy”, 4th Ural Industrial Biennial, Ekaterinburg and cities of Uralregion, Russian, 2017; “Incerteza Viva” 32º Bienal de S. Paulo, Brazil, 2016; “ La Réplica Infiel”, CA2M, Madrid, Spain, 2016; “Pigs”, Artium (Vitoria-Gasteiz) and Galeria Municipal do Porto, Spain and Portugal, 2016; Re-Discover III, Autocenter, Berlin, Germany, 2015; “ The lynx knows no boundaries”, D´Entreprise Ricard Foundation, Paris, France, 2015; “Mom, am i barbarian?” 13th Istambul Biennial, Turkey, 2013; “1813: assedio, incendio y reconstrucción de Donostia”, Museo San Telmo, San Sebastián, Spain, 2013; “Art Situations: una mirada prospectiva” a selection by Teresa Blanch, María de Corral, Yolanda Romero and Vicente Todolí, Arts Santa Mónica, Barcelona, Spain, 2012; “ Les Praires”, Les Ateliers Biennale d´arte contemporain de Rennes, France, 2012; “ Gravity & Disgrace” CGAC, Santiago de Compostela, Spain, 2012; “ The Future”, V Biennial de Jafre, Spain, 2011; “ Region de Múrcia In dialogue with Nothen Africa”, Manifesta 8- the European biennial of contemporary art, Murcia and Cartagena, Spain, 2011.
Publication
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References
- "Carla Filipe: In my own language I am Independente". Serralves. Retrieved 27 December 2024.
- "Carla Filipe vence Prémio FLAD de Desenho 2023". Público. 28 October 2023. Retrieved 27 December 2024.
- "Carla Filipe". EDP Foundation. Retrieved 27 December 2024.
- ^ "Carla Filipe: In my own language I am independente". Contemporânea. Retrieved 28 December 2024.
- Filipe, Carla (2025-01-13). "Expurgar papel - Carla Filipe".
- "CARLA FILIPE". www.serralves.pt (in Portuguese). Retrieved 2025-01-13.
- "Carla Filipe. Amanhã não há arte". MAAT (in European Portuguese). 2019-05-16. Retrieved 2025-01-13.
- Museu Colecao Berardo (2014-03-06). "da cauda à cabeça", a exposição de Carla Filipe | Museu Coleção Berardo. Retrieved 2025-01-13 – via YouTube.
- "da cauda à cabeça / from tail to head – Carla Filipe". Retrieved 2025-01-13.
- "Anozero'24 Bienal de Coimbra". ofantasmadaliberdade.anozero-bienaldecoimbra.pt. Retrieved 2025-01-13.
- "Artistas da 32ª Bienal de SP - Carla Filipe". Revista seLecT_ceLesTe (in Brazilian Portuguese). 2016-08-25. Retrieved 2025-01-13.
- "Carla Filipe - 32ª Bienal". www.32bienal.org.br. Retrieved 2025-01-13.
{{cite web}}:|first=missing|last=(help) - Editor, News (2013-07-19). "The 13th Istanbul Biennial, titled "Mom, am I Barbarian?", curated by Fulya Erdemci and focusing on the theme of public space as a political forum will be free of charge". Biennial Foundation. Retrieved 2025-01-13.
{{cite web}}:|last=has generic name (help) - "Manifesta 8 :: Carla Filipe". arpa.carm.es. Retrieved 2025-01-13.