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Dr. '''Srinivasa Iyer''' (] - ] ]) was one of the great Carnatic vocalists of the twentieth century. He was the youngest recipient of the Sangeetha Kalanidhi awarded by the Music Academy in ], has received many awards including ] and ] from the government of India. He is also known as the "Pitamaha" or the grand old man of Carnatic Music. | |||
{{Use dmy dates|date=September 2014}} | |||
{{Infobox musical artist | |||
| name = Semmangudi R. Srinivasa Iyer | |||
| native_name = செம்மங்குடி ஸ்ரீநிவாஸ ஐயர் | |||
| native_name_lang = tam | |||
| background = solo_singer | |||
| image = Semmangudi Srinivasa Iyer.jpg | |||
| image_size = | |||
| birth_date = {{birth date|df=yes|1908|07|25}} | |||
| origin = | |||
| occupation = Singer | |||
| birth_place = Tirukkodikaval, ], ], ] (now ],<br/>], India) | |||
| death_date = {{Death date and age|df=yes|2003|10|31|1908|07|25}} | |||
| death_place = ] (now ]),<br/>], India | |||
| genre = ] | |||
| label = | |||
}} | |||
] in 1953]] | |||
'''Semmangudi Radhakrishna Srinivasa Iyer''' (25 July 1908 – 31 October 2003) was an Indian ] vocalist. He was the youngest recipient of the ] awarded by the Music Academy in 1947,<ref>{{Cite web|url=http://www.carnaticcorner.com/articles/semmangudi.html|title=Semmangudi R Srinivasier|website=www.carnaticcorner.com|access-date=15 April 2008|archive-date=23 September 2015|archive-url=https://web.archive.org/web/20150923200546/http://www.carnaticcorner.com/articles/semmangudi.html|url-status=live}}</ref> a distinction he holds to this day as of 2024, probably the only musician to receive that honour before reaching 40. He had received many other awards as well, including ] and ] from the ],<ref name="Padma Awards">{{cite web | url=http://mha.nic.in/sites/upload_files/mha/files/LST-PDAWD-2013.pdf | title=Padma Awards | publisher=Ministry of Home Affairs, Government of India | date=2015 | access-date=July 21, 2015 | archive-date=15 October 2015 | archive-url=https://web.archive.org/web/20151015193758/http://mha.nic.in/sites/upload_files/mha/files/LST-PDAWD-2013.pdf | url-status=live }}</ref> Rajyasevanirata title from Travancore's erstwhile ruling family,<ref>{{Cite web |title=Traditional Music of Tanjore, Singapore |url=https://traditionalmusicoftanjoresg.webs.com/ |access-date=2023-06-28 |website=Traditional Music of Tanjore, Singapore |archive-date=21 June 2023 |archive-url=https://web.archive.org/web/20230621053013/https://traditionalmusicoftanjoresg.webs.com/ |url-status=live }}</ref> ] (1953), ''Isai Perarignar'' from Government of ] and ] from Government of ]. He was affectionately addressed as "Semmangudi Maama" (Semmangudi Uncle) by his disciples.<ref>{{Cite web|url=http://www.hindu.com/fr/2003/11/07/stories/2003110701170400.htm|title=The Hindu : He strode like a colossus|date=20 November 2003|archive-url=https://web.archive.org/web/20031120173647/http://www.hindu.com/fr/2003/11/07/stories/2003110701170400.htm |archive-date=20 November 2003 }}</ref> He was also considered the "Pitamaha" or the grand sire of modern ].<ref name="The Hindu-Article">{{usurped|}}</ref> He was conferred with an honorary doctorate by ] in 1979.<ref>{{cite news|url=http://hindu.com/2003/03/29/stories/2003032903810400.htm|archive-url=https://web.archive.org/web/20121004163817/http://hindu.com/2003/03/29/stories/2003032903810400.htm|url-status=dead|archive-date=4 October 2012|title=D.Litt for Yesudas after Muthia and Semmangudi from Kerala University | location=Chennai, India |work=]|date=29 March 2003}}</ref> | |||
==Early life and training== | |||
He was born on July 25, ] in ], ] as the third son of Radhakrishna Iyer and Dharmasamvardhini Ammal. At the age of eight he started learning music from Narayanaswamy Iyer, and underwent musical apprenticeship with Maharajapuram Viswanatha Iyer. In ], he performed his first music recital at ]. He was known for producing soulful music, highly creative and yet very orthodox, despite a recalcitrant voice. He was instrumental, along with Harikesanallur Muthiah Bhagavathar, for popularising and perfecting many ]s of Swathi Tirunal. His singing style has been widely followed and his prominent disciples include at least three Sangeetha Kalanidhis, ], ] and Prof. ]. | |||
He was born in ], ] as the third son of Radhakrishna ] and Dharmasamvardhini Ammal into a Tamil ] family.<ref>{{Cite web |title=Semmangudi Srinivasa Iyer {{!}} Brahmin For Society |url=https://brahminsforsociety.com/tamil/2016/08/05/semmangudi-srinivasa-iyer/ |access-date=2023-04-15 |website=brahminsforsociety.com |archive-date=15 April 2023 |archive-url=https://web.archive.org/web/20230415091721/https://brahminsforsociety.com/tamil/2016/08/05/semmangudi-srinivasa-iyer/ |url-status=live }}</ref><ref>{{Cite web |title=His Life |url=https://www.abhijaanaathi.com/his-life |access-date=2023-04-15 |website=Abhijaanaathi |language=en |archive-date=15 April 2023 |archive-url=https://web.archive.org/web/20230415091719/https://www.abhijaanaathi.com/his-life |url-status=live }}</ref><ref>{{Cite web |title=Semmangudi R Srinivasier |url=http://www.carnaticcorner.com/articles/semmangudi.html#:~:text=Srinivasa%20Iyer%20was%20born%20in,,%20Tanj%C4%81vur%20District,%20South%20India. |access-date=2023-04-15 |website=www.carnaticcorner.com |archive-date=23 September 2015 |archive-url=https://web.archive.org/web/20150923200546/http://www.carnaticcorner.com/articles/semmangudi.html#:~:text=Srinivasa%20Iyer%20was%20born%20in,,%20Tanj%C4%81vur%20District,%20South%20India. |url-status=live }}</ref> He lived with his maternal uncle ], a violin maestro, until the age of four and after his death, moved back to his parents' home in ], ]. At the age of eight he started learning music from his cousin Semmangudi Narayanaswamy Iyer. This was followed by some rigorous training under Thiruvadaimaruthur Sakharama Rao, a famous ] exponent, an event considered by Semmangudi as a turning point in his life. This was followed by another training stint with Narayanaswamy Iyer, during which time he learnt a lot of ]s and ]. He also learned under vocalist Umayalpuram Swaminatha Iyer.<ref>{{cite web | url=http://www.carnaticcorner.com/articles/semmangudi.html | title=Semmangudi R Srinivasier | access-date=15 April 2008 | archive-date=23 September 2015 | archive-url=https://web.archive.org/web/20150923200546/http://www.carnaticcorner.com/articles/semmangudi.html | url-status=live }}</ref> Then he had a musical apprenticeship with ]. In 1926, he performed his first music recital at ].<ref>{{usurped|}}</ref> In 1927 he gave a concert in the ] session of ], another event considered by Semmangudi as a turning point in his life, as it catapulted him into the big league of vidwans at that time. He was known for producing soulful music, highly creative and yet very orthodox, despite a recalcitrant voice. | |||
He was instrumental, along with ], for the work on the ]s of ] ].<ref name="The Hindu-Article"/> After attending one of his concerts in 1934, ] Sethu Parvati Bai of ] was so impressed by his talent and scholarship that she invited him to come to ] to edit and popularise the compositions of Swati Tirunal. He succeeded Harikesanallur Muthiah Bhagavathar as Principal of the Swathi Thirunal College of Music at Thiruvananthapuram, a post he held for 23 years, until the age of 55. At this age, he handed over his responsibilities to another Carnatic legend, ] and at the behest of the Government of India, became the Chief Producer of Carnatic music at ], ] from 1957 to 1960. In later life, he concentrated on concert performances and tutoring youngsters. He gave public concerts even after the age of 90. | |||
He was the one who popularised rare ] among people. | |||
==Concert performances== | |||
''See also:'' ], | |||
{{Fan POV|date=October 2015}} | |||
Semmangudi was widely renowned for his virtuosity as a concert performer. He was famous for the meticulous planning that he put into every concert, including the choice of ]s, ] and duration.{{Citation needed|date=February 2007}} He was also widely acknowledged as a master of improvisation, particularly in the form of ]s.{{Citation needed|date=February 2007}} | |||
Semmangudi was noted for his choice of songs, speed in rendering swarams and his ability to combine choice and speed with Bhakti. Some most memorable concerts over the years had geniuses in accompaniment, including Pudukottai ], ], Mysore T ], ], ], ], ], ], ], ], Nagercoil S Harihara Iyer, ], ], ], ], ]. Some of his very famous renditions of kritis included ] in ] raga, ] in ], etc. | |||
{{india-bio-stub}} | |||
==Voice== | |||
Semmangudi was well known for his uncharacteristically nasal voice in an era when practically every prominent Carnatic singer had an impeccable voice.<ref>{{usurped|}}</ref> In his youth, famous ] performer, Dhakshinamurti Pillai commented to his brother and teacher, "His voice is as melodious as the noise created when a coconut shell is scraped on a rock. Don't bother to give him vocal training. Let him learn to play the violin."<ref>{{usurped|}}</ref> Despite such criticism, Semmangudi worked hard to improve his voice through practice and rigorous training. In the end, his natural talent for music emerged victorious over his deficient voice and he became a phenomenon in the ] world.{{Citation needed|date=February 2007}} | |||
His singing style has been widely followed, and his most prominent disciples include ]s, ] and her stepdaughter ], ], and violinist Prof. ]. His senior disciples include ], Sri K. R. Kedaranathan, Smt. Seetha Rajan, V. Subramaniam (a.k.a. Rajamani),], ], ], Trivandrum G Seethalakshmi Ammal, ], Mavelikkara Prabhakara Varma, Prof. Kumara Kerala Varma, Vaigal S.Gnanaskandhan, Smt. Meera Kedaranathan, Kadayanallur Venkataraman, V. R. Krishnan, Smt. Seethalakshmi Venkatesan, , Smt. Visalakshi Ramachandran. | |||
==Family== | |||
{{unreferencedsect|date=November 2024}} | |||
At a very young age, he was married to Thayyu ammal. Thayyu ammal, he always acknowledged, was a pivotal factor in the success of his career. The entire family was run with stream line precision by Thayyu ammal, when he had to frequently travel for concerts and also spend most of his time involved in music. | |||
* Sons – Swaminathan, Gopalaswamy, Radhakrishnan | |||
* Daughters – Shantha, Dharma. | |||
* Grand Children – Jayaraman, Hariharan, Sreeraman, Lakshmanan, Yoga, Bala, Padma, Anandhi, Sankar, Jayashree, Srinivas, Vivekanandan, Vidya, Jagannath | |||
==References== | |||
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{{Padma Vibhushan Awards}} | |||
{{PadmaBhushanAwardRecipients 1960–69}} | |||
{{SangeetNatakAkademiFellowship}} | |||
{{Authority control}} | |||
{{DEFAULTSORT:Iyer, Semmangudi Srinivasa}} | |||
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Latest revision as of 07:20, 22 December 2024
Semmangudi R. Srinivasa Iyerசெம்மங்குடி ஸ்ரீநிவாஸ ஐயர் | |
---|---|
Background information | |
Born | (1908-07-25)25 July 1908 Tirukkodikaval, Tanjore District, Madras Presidency, British India (now Thanjavur District, Tamil Nadu, India) |
Died | 31 October 2003(2003-10-31) (aged 95) Madras (now Chennai), Tamil Nadu, India |
Genres | Carnatic music |
Occupation | Singer |
Semmangudi Radhakrishna Srinivasa Iyer (25 July 1908 – 31 October 2003) was an Indian Carnatic vocalist. He was the youngest recipient of the Sangeetha Kalanidhi awarded by the Music Academy in 1947, a distinction he holds to this day as of 2024, probably the only musician to receive that honour before reaching 40. He had received many other awards as well, including Padma Bhushan and Padma Vibhushan from the Government of India, Rajyasevanirata title from Travancore's erstwhile ruling family, Sangeet Natak Academy award (1953), Isai Perarignar from Government of Tamil Nadu and Kalidas Samman from Government of Madhya Pradesh. He was affectionately addressed as "Semmangudi Maama" (Semmangudi Uncle) by his disciples. He was also considered the "Pitamaha" or the grand sire of modern Carnatic Music. He was conferred with an honorary doctorate by University of Kerala in 1979.
Early life and training
He was born in Tirukkodikaval, Tanjore district as the third son of Radhakrishna Iyer and Dharmasamvardhini Ammal into a Tamil Iyer Brahmin family. He lived with his maternal uncle Tirukkodikaval Krishna Iyer, a violin maestro, until the age of four and after his death, moved back to his parents' home in Semmangudi, Tiruvarur District. At the age of eight he started learning music from his cousin Semmangudi Narayanaswamy Iyer. This was followed by some rigorous training under Thiruvadaimaruthur Sakharama Rao, a famous Gottuvadhyam exponent, an event considered by Semmangudi as a turning point in his life. This was followed by another training stint with Narayanaswamy Iyer, during which time he learnt a lot of varnams and keerthanams. He also learned under vocalist Umayalpuram Swaminatha Iyer. Then he had a musical apprenticeship with Maharajapuram Viswanatha Iyer. In 1926, he performed his first music recital at Kumbakonam. In 1927 he gave a concert in the Madras session of Indian National Congress, another event considered by Semmangudi as a turning point in his life, as it catapulted him into the big league of vidwans at that time. He was known for producing soulful music, highly creative and yet very orthodox, despite a recalcitrant voice.
He was instrumental, along with Harikesanallur Muthiah Bhagavathar, for the work on the krithis of Maharaja Swathi Thirunal Rama Varma. After attending one of his concerts in 1934, Maharani Sethu Parvati Bai of Travancore was so impressed by his talent and scholarship that she invited him to come to Thiruvananthapuram to edit and popularise the compositions of Swati Tirunal. He succeeded Harikesanallur Muthiah Bhagavathar as Principal of the Swathi Thirunal College of Music at Thiruvananthapuram, a post he held for 23 years, until the age of 55. At this age, he handed over his responsibilities to another Carnatic legend, G. N. Balasubramaniam and at the behest of the Government of India, became the Chief Producer of Carnatic music at All India Radio, Madras from 1957 to 1960. In later life, he concentrated on concert performances and tutoring youngsters. He gave public concerts even after the age of 90.
Concert performances
This article may be written from a fan's point of view, rather than a neutral point of view. Please clean it up to conform to a higher standard of quality, and to make it neutral in tone. (October 2015) (Learn how and when to remove this message) |
Semmangudi was widely renowned for his virtuosity as a concert performer. He was famous for the meticulous planning that he put into every concert, including the choice of krithis, raagas and duration. He was also widely acknowledged as a master of improvisation, particularly in the form of niravals.
Semmangudi was noted for his choice of songs, speed in rendering swarams and his ability to combine choice and speed with Bhakti. Some most memorable concerts over the years had geniuses in accompaniment, including Pudukottai Dakshinamurthy Pillai, Kumbakonam Rajamanickam Pillai, Mysore T Chowdiah, Palghat Mani Iyer, Palani Subramaniam Pillai, Palghat R Raghu, Mavelikkara Velukkutty Nair, Karaikudi Mani, Umayalpuram K. Sivaraman, Lalgudi Jayaraman, Nagercoil S Harihara Iyer, T. N. Krishnan, Nagercoil S.Ganesa Iyer, Trichy Sankaran, Guruvayur Dorai, Vellore G. Ramabhadran. Some of his very famous renditions of kritis included Marubalka in Sri Ranjani raga, Chakkani Raja Margamu in Kharaharapriya, etc.
Voice
Semmangudi was well known for his uncharacteristically nasal voice in an era when practically every prominent Carnatic singer had an impeccable voice. In his youth, famous kanjira performer, Dhakshinamurti Pillai commented to his brother and teacher, "His voice is as melodious as the noise created when a coconut shell is scraped on a rock. Don't bother to give him vocal training. Let him learn to play the violin." Despite such criticism, Semmangudi worked hard to improve his voice through practice and rigorous training. In the end, his natural talent for music emerged victorious over his deficient voice and he became a phenomenon in the Carnatic world.
His singing style has been widely followed, and his most prominent disciples include Sangeetha Kalanidhis, M. S. Subbulakshmi and her stepdaughter Radha Viswanathan, T. M. Thiagarajan, and violinist Prof. T. N. Krishnan. His senior disciples include P. S. Narayanaswamy, Sri K. R. Kedaranathan, Smt. Seetha Rajan, V. Subramaniam (a.k.a. Rajamani),Smt Parassala Ponnammal, K.J.Yesudas, T.M.Krishna, Trivandrum G Seethalakshmi Ammal, Palai C. K. Ramachandran, Mavelikkara Prabhakara Varma, Prof. Kumara Kerala Varma, Vaigal S.Gnanaskandhan, Smt. Meera Kedaranathan, Kadayanallur Venkataraman, V. R. Krishnan, Smt. Seethalakshmi Venkatesan, Smt. Radha Namboodri, Smt. Visalakshi Ramachandran.
Family
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2024) (Learn how and when to remove this message) |
At a very young age, he was married to Thayyu ammal. Thayyu ammal, he always acknowledged, was a pivotal factor in the success of his career. The entire family was run with stream line precision by Thayyu ammal, when he had to frequently travel for concerts and also spend most of his time involved in music.
- Sons – Swaminathan, Gopalaswamy, Radhakrishnan
- Daughters – Shantha, Dharma.
- Grand Children – Jayaraman, Hariharan, Sreeraman, Lakshmanan, Yoga, Bala, Padma, Anandhi, Sankar, Jayashree, Srinivas, Vivekanandan, Vidya, Jagannath
References
- "Semmangudi R Srinivasier". www.carnaticcorner.com. Archived from the original on 23 September 2015. Retrieved 15 April 2008.
- "Padma Awards" (PDF). Ministry of Home Affairs, Government of India. 2015. Archived (PDF) from the original on 15 October 2015. Retrieved 21 July 2015.
- "Traditional Music of Tanjore, Singapore". Traditional Music of Tanjore, Singapore. Archived from the original on 21 June 2023. Retrieved 28 June 2023.
- "The Hindu : He strode like a colossus". 20 November 2003. Archived from the original on 20 November 2003.
- ^ The Hindu-Article
- "D.Litt for Yesudas after Muthia and Semmangudi from Kerala University". The Hindu. Chennai, India. 29 March 2003. Archived from the original on 4 October 2012.
- "Semmangudi Srinivasa Iyer | Brahmin For Society". brahminsforsociety.com. Archived from the original on 15 April 2023. Retrieved 15 April 2023.
- "His Life". Abhijaanaathi. Archived from the original on 15 April 2023. Retrieved 15 April 2023.
- "Semmangudi R Srinivasier". www.carnaticcorner.com. Archived from the original on 23 September 2015. Retrieved 15 April 2023.
- "Semmangudi R Srinivasier". Archived from the original on 23 September 2015. Retrieved 15 April 2008.
- Article-The Hindu
- Interview in Frontline, Issue Dated 24-Oct-1998
- Article -The Hindu
- 1908 births
- 2003 deaths
- Male Carnatic singers
- Carnatic singers
- Tamil singers
- Recipients of the Padma Vibhushan in arts
- Recipients of the Padma Bhushan in arts
- Recipients of the Sangeet Natak Akademi Award
- People from Thanjavur district
- Recipients of the Sangeet Natak Akademi Fellowship
- 20th-century Indian male classical singers
- Singers from Tamil Nadu
- Recipients of Kalidas Samman