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{{short description|Regional subgenre of hip-hop}} | |||
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{{Infobox |
{{Infobox music genre | ||
| name = West Coast hip |
| name = West Coast hip-hop | ||
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| stylistic_origins = {{hlist|]|]|]|]|]}} | |||
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⚫ | | cultural_origins = Late 1970s, ], U.S. | ||
| stylistic_origins = ] | |||
⚫ | | derivatives = | ||
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| instruments = ] - ] - ] - ] - ] | |||
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| subgenres = ] - ] - ] - ] | |||
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'''West Coast hip hop''' is a style of ] that originated in ] in the early ]. {{Fact|date=March 2009}} It has since grown into a major force in hip hop and has developed several creative centers. | |||
'''West Coast hip-hop''' is a regional genre of ] that encompasses any artists or music that originated in the ]. West Coast hip-hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of ] and the emergence of ]s such as ] and ]'s ], ]'s ], the continued success of ]'s ], Dr. Dre's ], 50 Cent's ] and many others. | |||
==History== | |||
African American communities of the Bay Area and southern California emerged as new bases of hip-hop culture in the 1980s.<ref>{{cite book|title= The Garland Encyclopedia of World Music: The United States and Canada| isbn=9781317934431 |url=https://books.google.com/books?id=sldWBQAAQBAJ&pg=PA368 | last1=Burnim | first1=Mellonee V. | last2=Maultsby | first2=Portia K. | date=November 13, 2014 | publisher=Routledge }}</ref> Hispanics in the Los Angeles area have played a significant role in West Coast hip-hop culture.<ref>{{cite book|title= Hip Hop in America: A Regional Guide: |page=239|isbn=9780313343216 |url= https://books.google.com/books?id=XkCncJ7j744C&pg=PA239 |last1=Hess |first1=Mickey |date=November 25, 2009 |publisher=Abc-Clio }}</ref> | |||
=== Bay Area hip-hop === | |||
The ] has vastly contributed to the ] genre seen in today's modern music industry. While its significance may be lesser known to the general public, since the establishment of hip-hop, the Bay solidified itself as an instrumental building block in the genre's development. Throughout the 1960s and 70s, political and social justice movements put in place a potential blueprint of what local artists could rap about, and showcased how the counter-hegemonic culture of hip-hop was already embedded into the roots of the Bay Area.<ref>{{Cite web |last=Arnold |first=Eric |date=February 1, 2023 |title=The Bay Area Was Hip-Hop Before There Was Hip-Hop |url=https://www.kqed.org/arts/13924126/the-bay-area-was-hip-hop-before-there-was-hip-hop |access-date=December 7, 2023 |website=kqed.org}}</ref> Coming out of the Bay was a unique style of break dancing that was exhibited at local shows, and a representation of ] sprayed along city streets and buildings, similar to what was expressed in ] on subway cars and abandoned structures. From the inspiration of ], to the political and social movements that were energized by the ], Hip-Hop in the Bay was a newfound outlet, and proved to be ingrained in the region's identity. Founded in ] in 1966, the Black Panthers surge for change and alterations of the systemic racism entangled in society resonated with the residents of the blue collar city. Many of the organization's ideologies became well represented in the area's rap scene, and triggered an explosion of black identity and frustration with the ]. | |||
Despite artists like ] claiming that the Bay rap scene doesn't receive the respect it deserves, this hasn't prevented its artists and style from influencing hip-hop's sound and dance.<ref>{{Cite web |last=Nosnitsky |first=Andrew |date=August 9, 2023 |title=How the Bay Area became a rap incubator with a chip on its shoulder |url=https://www.npr.org/2023/08/09/1192465852/hip-hop-50-bay-area |access-date=December 7, 2023 |website=npr.org}}</ref> Laid out in the 1960s and 70s through activism and the hybridity of funk music, the Bay Area was able to gain serious traction from the 1980s to mid 90s, which saw local artists popularize Pimp rap. Artists across the region began harnessing the sound of the Bay and slowly saw their rhythmic funky beats slowed down and reused in later hits that would intersect genres.<ref>{{Cite web |last=Schumacher |first=Alexandra |title=2018 |url=https://scholar.dominican.edu/cgi/viewcontent.cgi?article=1126&context=senior-theses |access-date=December 7, 2023 |website=scholar.dominican.edu}}</ref> Freestyle samples of electro funky beats provided listeners with a sound that they didn't know the genre needed. The Bay Area isn't often viewed as one of the prominent hip-hop hubs in the U.S., but its rich history and extensive range of diverse artists prove that many of the original characteristics of early hip-hop can be traced back to the major metropolitan areas and cities of ], ], and ].<ref>{{Cite web |last=Palmer |first=Tamara |date=August 21, 2023 |title=A Guide To Bay Area Hip-Hop: Definitive Releases, Artists & Subgenres From Northern California |url=https://www.grammy.com/news/guide-to-bay-area-hip-hop-northern-california-major-releases-artists-labels-history-playlist |access-date=December 7, 2023 |website=grammy.com}}</ref> | |||
===Early years=== | |||
Several events laid the foundations for West Coast hip-hop, long before the emergence of West Coast rappers such as ], ], ], ] and ]—or even before the emergence of rap itself. According to Syd Caesar, "a cataclysmic event helped give rise to it out West: the ] of 1965."<ref>{{cite web|last=Caesar|first=Syd|title=Westside Story: The History of West Coast Hip-Hop|url=http://geniusrap.com/rap-articles/westside-story-the-history-of-west-coast-hip-hop.html|access-date=April 17, 2013}}</ref> In 1967, ] founded a creative space in ] entitled ], intended to help the people of the ] neighborhood and provide a place for them to express themselves freely; one group to emerge from the workshop was the proto-rap group ].<ref name="WaitingSun341">{{cite book|last=Hoskyns|first=Barney|date=2009|title=Waiting for the Sun: A Rock 'n' Roll History of Los Angeles|url=https://books.google.com/books?id=w7oB2UKVxgQC&q=%22kraftwerk+meets+pacman%22&pg=PA341|location=New York|publisher=Backbeat Books|page=341|isbn=9780879309435}}</ref> | |||
In the late 1970s in Los Angeles, ], a young ] from ] formed a partnership with another DJ named ] from ] who created a promotion company called Unique Dreams that would hire Williams to DJ at local events.<ref name="Payback">{{cite book|last=Charnas|first=Dan|date=2010|title=The Big Payback: The History of the Business of Hip-Hop|url=https://books.google.com/books?id=idYFcmXcRm4C&q=unknown+dj+andre+manuel&pg=PT182|location=New York|publisher=New American Library|isbn=9781101445822}}</ref> The two eventually went their separate ways: Williams started a group called the ] and became the house DJs at a local nightclub called Eve's After Dark while Clayton launched what would perhaps be the foremost successful mobile DJ crew in the region by the name of ] that would host parties by top DJs for thousands of people at large venues.<ref name="Payback"/><ref name=ArabianPrinceEight>{{Cite AV media notes |title=Innovative Life: The Anthology, 1984-1989 |title-link=Innovative Life: The Anthology, 1984-1989 |others=] |year=2008 |editor-last = Egon |first=Amin |last=Eshaiker |page=8 |type=Liner notes |publisher=Stones Throw Records |location=Los Angeles }}</ref> Other smaller DJ and party crews emerged around this time, hoping to establish themselves in the area.<ref name=ArabianPrinceEight/> Unlike their East Coast counterparts, the Hip-Hop sound emerging from Southern California was more fast-paced and influenced by ].<ref name=ArabianPrinceSix>{{Cite AV media notes |title=Innovative Life: The Anthology, 1984-1989 |title-link=Innovative Life: The Anthology, 1984-1989 |others=] |year=2008 |editor-last = Egon |first=Amin |last=Eshaiker |page=6 |type=Liner notes |publisher=Stones Throw Records |location=Los Angeles }}</ref> This could be largely credited to the fact that the local West Coast hip-hop scene revolved more around DJing than rapping.<ref name=ArabianPrinceSix/> A localized dance sub-culture later came out of this party scene, which was highlighted on a national scale on such motion pictures as '']''.<ref name="WaitingSun341"/> ], ] and ] gave the Los Angeles music scene some of its earliest credibility outside the region.<ref name="WaitingSun341"/> Further attention came to the West Coast as Uncle Jamm's Army began inviting such well-known East Coast Hip-Hop acts such as ] and ] to their functions.<ref name="WaitingSun341" /> | |||
], leader of ], one of the first gangster rap groups based in Compton]] | |||
Another early landmark occurred in 1981, when Duffy Hooks launched the first West Coast rap label, ], inspired by ] in New York.<ref name="WaitingSun341" /> Its first act was the duo of Disco Daddy and ], whose debut single was "The Gigolo Rapp" which was also released in 1981. The song became a minor success but failed to gain much radio play. Many other Hip-Hop songs recorded in California were released during the early 1980s, but many of them received little or no radio play.<ref name="WaitingSun341" /> ] created the classic West Coast song released in 1983 called, "Bad Times (I Can't Stand It)", which is a politically conscious response to Grandmaster Flash's "The Message" arranged by the legendary production duo of ] and Rich Cason.<ref>{{cite web|url=https://hiphopbebop.com/2015/10/captain-rapp-bad-times-i-cant-stand-it-2.html|title=Captain Rapp – Bad Times (I Can't Stand It)|publisher=Hip-Hop Be Bop|date=October 23, 2015|access-date=June 14, 2019}}</ref> Clayton's group, Uncle Jamm's Army, released their first single, "Dial-a-Freak", and in 1984 ] released his ''On the Nile'' album, which includes the popular 12" single "Egypt Egypt". Members of Uncle Jamm's Army and the World Class Wreckin' Cru, including ], ], ], ] and ] would later go on to help define the early West Coast hip-hop sound throughout the 1980s. | |||
] rapper Too Short|241x241px]] | |||
During this period, one of the most significant factors in the spread of West Coast hip-hop was the radio station 1580 ] AM, which was the first radio station in the world to play rap/hip-hop music 24 hours a day because of Assistant Program Director/Music Director and Radio Personality Greg "Mack Attack" Mack.<ref>{{Cite web |date=2023-08-07 |title=When L.A. invented rap radio: The rise of KDAY |url=https://www.latimes.com/entertainment-arts/music/story/2023-08-07/kday-hip-hop-50th-anniversary-radio-la-dr-dre-dj-yella |access-date=2023-11-03 |website=Los Angeles Times |language=en-US}}</ref><ref>{{Cite web |last=Coleman |first=Brian |date=2016-01-07 |title=1580 KDAY — AND THE BEAT GOES ON |url=https://medium.com/@briancoleman/1580-kday-and-the-beat-goes-on-9dab5b6c55e6 |access-date=2023-11-03 |website=Medium |language=en}}</ref> | |||
===Late 1980s and 1990s=== | |||
Ice-T is known as one of the pioneers of West Coast hip-hop and gangsta rap, with songs such as "]", released in 1986, demonstrating the unique style of the west coast.<ref>{{Cite web|title=West Coast Rap Music Genre Overview|url=https://www.allmusic.com/style/west-coast-rap-ma0000002932|access-date=February 17, 2022|website=AllMusic|language=en}}</ref> In 1988, Ice-T released the R&B hit ], and Too Short released album '']''.<ref>{{cite web |url=http://www.starpulse.com/Music/Too_Short/Biography/ |title=Too Short Biography |publisher=Starpulse.com |access-date=November 22, 2011 |archive-date=March 4, 2016 |archive-url=https://web.archive.org/web/20160304042830/http://www.starpulse.com/Music/Too_Short/Biography/ |url-status=dead }}</ref><ref>{{cite web|last=Bush |first=John |url=http://www.allmusic.com/artist/too-short-p132295/biography |title=Too $hort: Biography |publisher=AllMusic | access-date=November 22, 2011}}</ref> | |||
In 1988, ]'s landmark album '']'' was released.<ref>{{cite web|url=http://www.allmusic.com/subgenre/west-coast-rap-ma0000002932 |title=West Coast Rap Music Genre Overview |publisher=AllMusic |quote=set the stage for a more identifiable West Coast style}}</ref> Focusing on life and adversities in ], a notoriously rough area which had gained a reputation for gang violence, it was released by group member ]'s record label ]. As well as establishing a basis for the popularity of ], the album drew much attention to West Coast hip-hop, especially the Los Angeles scene. In particular, the controversial "]" and the ensuing censorship attracted substantial media coverage and public attention. Following the dissolution of N.W.A due to in-fighting, the group's members Eazy-E, Dr. Dre, Ice Cube and ] would later become platinum-selling solo artists in the 1990s. Ice Cube released some of the West Coast's most critically acclaimed albums, such as 1990's '']'' and 1991's '']'', as well as making film and television appearances such as in ]'s '']'' in 1991. | |||
]]] | |||
The early 1990s was a period in which Hip-Hop went from strength to strength. ]'s debut album '']'' was released in 1991, demonstrating a social awareness, with attacks on social injustice such as ], ], ], crime, drug and ]. This album featured 3 singles: "]", "]" and "]". ''2Pacalypse Now'' was certified Gold by the ] (RIAA) on April 19, 1995.<ref>{{Cite web |title=Gold & Platinum |url=https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=2+pac&ti=&lab=&genre=&format=&date_option=release&from=&to=&award=&type=&category=&adv=SEARCH# |access-date=2023-09-02 |website=RIAA |language=en-US}}</ref> Shakur's music and philosophy was rooted in various philosophies and approaches, including the ], ], egalitarianism and liberty. Tupac sold over 75 million records, being regarded as one of the greatest rappers of all time and a pioneer of West Coast rap.<ref>{{Cite web|last=Greenburg|first=Zack O'Malley|title=Tupac Shakur Earning Like He's Still Alive|url=https://www.forbes.com/sites/zackomalleygreenburg/2011/05/31/tupac-shakur-earning-like-hes-still-alive/|access-date=February 17, 2022|website=Forbes|language=en}}</ref> | |||
] rapper and producer Dr. Dre|238x238px]]Also in 1991, ] founded ] which became a record label powerhouse throughout the 1990s. In 1992, Dr. Dre released his solo debut, '']''; this marked the birth of the G-funk sound that became a hallmark of the West Coast sound in the 1990s, with the album's lead single "]" peaking at #2 on the US ].<ref>{{cite journal |last=Anderson |first=Errol |url=http://www.clashmusic.com/features/classic-albums-dr-dre-the-chronic |title=Classic Albums: Dr Dre - The Chronic |journal=] |date=January 11, 2013 | access-date=11 June 2024}}</ref> | |||
The city of ] arrived to the hip-hop scene in the early 1990s with artists such as ] and ], both signed to Death Row, with releases such as '']'' (1993) and '']'' (1995). Both albums becoming huge sellers and being critically acclaimed and helped make a mark in establishing Long Beach in the hip-hop scene.<ref name="Hundreds">{{cite web|author=Senay Kenfe|url=https://thehundreds.com/blogs/content/the-true-home-of-g-funk-long-beach|title=LONG BEACH :: THE TRUE HOME OF G-FUNK|publisher=]|date=August 24, 2014|accessdate=January 5, 2024}}</ref> Another artist who helped establish Long Beach was ] with his release '']'' (1994). He founded his record label ] in 1995 and helped promote artists also from Long Beach such as the ] and ].<ref name="Hundreds"/> | |||
As for Death Row, success kept coming throughout the 1990s with 2Pac's '']'' (1996) also becoming a huge seller and becoming critically acclaimed. 2Pac gained hits California Love" and "Live and Die in LA". Also in the early-to-mid 1990s, the group ] made a big impact on the scene with their albums such as their ] and ]. They are considered to be among the main progenitors of West Coast rap and hip-hop. Other popular artists and groups from this period include ] (known for their albums '']'' and '']''), ] (known for their album '']''), ] (known for his song ]), ] (known for his album '']'') and ] (known for his album '']''). | |||
=== 2000s and 2010s === | |||
] rapper Kendrick Lamar|228x228px]] | |||
West Coast hip-hop's position in the mainstream dwindled greatly in the late 1990s and 2000s, with a few notable exceptions such as Dr. Dre's '']'', ]'s '']'', ]'s '']'' and '']'' albums. However, the trend soon changed. Although ] was still popular on the West Coast in the 2000s, the West Coast sound became more designed for nightclubs with the rise of the Bay Area's ] scene, featuring flamboyant raps and explicit references to sex and drugs. A key artist in the genre was ], who found a substantial audience with his 1995 album ''In a Major Way''; he found even greater success with the song "]" in 2006, featuring Oakland rapper ].<ref>{{Cite web |title=Snoop Dogg - Biography and Facts |url=https://www.famousafricanamericans.org/snoop-dogg |access-date=2023-12-12 |website=FAMOUS AFRICAN AMERICANS |language=en-US}}</ref> | |||
Bay area rapper ], already well known for his collaborations with artists such as ] and ], found a new lease on life with the hyphy scene, his 16th studio album '']'' in 2006 debuting at number 14 on the ''Billboard'' 200. ] also brought attention back to the West Coast with his double platinum album, '']'', as did ]'s platinum certified '']'' album, and gold certified albums '']'' and '']''. Artists from the 1990s such as ] and ] and groups such as the ] and ] continued to release albums throughout the 2000s and had success but did not garner the same level of fame as they had experienced in the 1990s. Throughout the 2000s, a number of peripheral West Coast hip-hop artists such as ], ], ], SKG (Suge Knight Girl) Helecia Choyce, ], ], ], ] and ] collaborated with big-name artists such as Dr. Dre, ], ], The Game, E-40 and Snoop Dogg. | |||
In the early to mid-2010s, the West Coast had also seen a resurgence with hyphy as well as a transition to an uptempo and club-oriented type of Pop Rap.<ref>{{Cite web |title=History of Rap & Hip-Hop |url=https://timeline.carnegiehall.org/genres/rap-hip-hop |access-date=2023-12-07 |website=Timeline of African American Music |language=en}}</ref> | |||
Producer ] had pioneered the "ratchet" music movement, a production style that has snowballed into the mainstream.<ref name="swaysuniverse1">{{cite web|title=DJ Mustard talks Ratchet Movement|url=http://www.swaysuniverse.com/music-news-2/dj-mustard-talks-ratchet-movement|publisher=Sway's Universe|url-status=dead|archive-url=https://web.archive.org/web/20131001104426/http://www.swaysuniverse.com/music-news-2/dj-mustard-talks-ratchet-movement|archive-date=October 1, 2013}}</ref><ref>{{cite web | url=http://www.complexmag.ca/music/2012/10/25-new-producers-to-watch-out-for/dj-mustard | title=DJ Mustard | publisher=Complex | date=November 5, 2012 | access-date=August 28, 2013}}</ref><ref>{{cite web | url=http://www.thefader.com/2012/08/20/beat-construction-dj-mustard/ | title=Beat Construction: DJ Mustard | publisher=Fader | access-date=August 28, 2013 | first=Andrew| last=Noz}}</ref><ref>{{cite web | url=http://www.hiphopdx.com/index/interviews/id.1931/title.producers-corner-dj-mustard-explains-the-ratchet-movement-the-weirdest-place-hes-heard-rack-city | title=Producer's Corner: DJ Mustard Explains The Ratchet Movement, The Weirdest Place He's Heard "Rack City" | publisher=HipHopDX | date=July 19, 2012 | access-date=August 28, 2013 | first=William E. III | last=Ketchum}}</ref> DJ Mustard played a role in bringing West Coast hip-hop back to national attention through the 2010s. He gained huge popularity throughout 2011 to 2014, producing a number of popular artists' singles, including ]'s "]", ]'s "]", ]'s "]", ]'s "]", ]'s "]" and "]", ]'s "]", ]'s "]" and ]'s "]". Mustard also released his debut mixtape, ''Ketchup'', in 2013, further solidifying his ratchet sound, which follows its G-funk and ] predecessors.<ref>{{cite web | url=http://www.xxlmag.com/rap-music/reviews/2013/06/dj-mustard-ketchup-mixtape-review/ | title=DJ Mustard – 'Ketchup' Mixtape Review | publisher=XXL | date=June 5, 2013 | access-date=March 27, 2014}}</ref><ref>{{cite web | url=http://www.laweekly.com/westcoastsound/2014/03/25/how-west-coast-rap-came-to-dominate-radio-again | title=How West Coast Rap Came to Dominate Radio Again | publisher=LA Weekly | date=March 25, 2014 | access-date=March 27, 2014 | first=Max| last=Bell}}</ref> | |||
Other more peripheral acts that achieved moderate, ] success in the mainstream include ], who built a strong fan base via social media outlets such as ], ], and ], and has recorded both solo and with ].<ref>{{Cite web |date=2022-01-20 |title=Lil B: "Motivation" |url=https://dean-magazine.ghost.io/archive/lil-b-motivation/ |access-date=2023-12-07 |website=DEAN MAGAZINE |language=en}}</ref> | |||
That same year, Black Hippy's own ] 2012 release, '']'', was met with rave reviews and was featured on many critics' end-of-year lists.<ref>{{cite web|url=http://www.complex.com/music/2013/08/the-king-of-the-city-the-best-rapper-in-13-hip-hop-meccas/los-angeles|title=The King of the City: The Best Rapper in 13 Hip-Hop MeccasLos Angeles|website=Complex}}</ref> The album was nominated ] at the ], marking the first time any West Coast hip-hop was nominated for award.<ref>{{cite web|url=https://www.telegraph.co.uk/culture/grammys/10574287/Grammys-nominations-2014-full-list.html |archive-url=https://ghostarchive.org/archive/20220112/https://www.telegraph.co.uk/culture/grammys/10574287/Grammys-nominations-2014-full-list.html |archive-date=January 12, 2022 |url-access=subscription |url-status=live|title=Grammys nominations 2014: full list|date=August 1, 2018|work=The Telegraph}}{{cbignore}}</ref> In 2014, '']'' debuted at no.1 on the ] with 139,000 copies sold. YG's '']'' debuted at #2 on the US ''Billboard 200'' with 61,000 copies sold. | |||
=== 2020s === | |||
On June 19, 2024, ], Kendrick Lamar hosted the ] concert following his highly publicized ], noted as a celebration of the West Coast.<ref>{{Cite web |last=Ju |first=Shirley |date=2024-06-20 |title=Kendrick Lamar Really Popped Out: The West Coast Is Back On Top |url=https://www.hotnewhiphop.com/817849-kendrick-lamar-pop-out-ken-friends-review-hip-hop-news |access-date=2024-06-22 |website=HotNewHipHop |language=en}}</ref> | |||
==See also== | ==See also== | ||
* ] | * ] | ||
* ] | * ] | ||
* ] | * ] | ||
* ] | |||
* ] | |||
* ] | |||
⚫ | * ] | ||
⚫ | * ] | ||
== References == | |||
{{reflist}} | |||
{{hiphop}} | {{hiphop}} | ||
{{Regional hip-hop in the United States}} | |||
] | ] | ||
] | ] | ||
] | |||
] | ] | ||
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] | ] | ||
] | ] | ||
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Latest revision as of 05:32, 9 January 2025
Regional subgenre of hip-hop
West Coast hip-hop | |
---|---|
Stylistic origins | |
Cultural origins | Late 1970s, Los Angeles, California, U.S. |
Fusion genres | |
Regional scenes | |
Other topics | |
West Coast hip-hop is a regional genre of hip-hop music that encompasses any artists or music that originated in the West Coast of the United States. West Coast hip-hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-funk and the emergence of record labels such as Suge Knight and Dr. Dre's Death Row Records, Ice Cube's Lench Mob Records, the continued success of Eazy-E's Ruthless Records, Dr. Dre's Aftermath Entertainment, 50 Cent's Get Rich or Die Tryin' and many others.
History
African American communities of the Bay Area and southern California emerged as new bases of hip-hop culture in the 1980s. Hispanics in the Los Angeles area have played a significant role in West Coast hip-hop culture.
Bay Area hip-hop
The Bay Area has vastly contributed to the hip-hop genre seen in today's modern music industry. While its significance may be lesser known to the general public, since the establishment of hip-hop, the Bay solidified itself as an instrumental building block in the genre's development. Throughout the 1960s and 70s, political and social justice movements put in place a potential blueprint of what local artists could rap about, and showcased how the counter-hegemonic culture of hip-hop was already embedded into the roots of the Bay Area. Coming out of the Bay was a unique style of break dancing that was exhibited at local shows, and a representation of graffiti sprayed along city streets and buildings, similar to what was expressed in The Bronx on subway cars and abandoned structures. From the inspiration of funk music, to the political and social movements that were energized by the Black Panther Party, Hip-Hop in the Bay was a newfound outlet, and proved to be ingrained in the region's identity. Founded in Oakland in 1966, the Black Panthers surge for change and alterations of the systemic racism entangled in society resonated with the residents of the blue collar city. Many of the organization's ideologies became well represented in the area's rap scene, and triggered an explosion of black identity and frustration with the SFPD.
Despite artists like E-40 claiming that the Bay rap scene doesn't receive the respect it deserves, this hasn't prevented its artists and style from influencing hip-hop's sound and dance. Laid out in the 1960s and 70s through activism and the hybridity of funk music, the Bay Area was able to gain serious traction from the 1980s to mid 90s, which saw local artists popularize Pimp rap. Artists across the region began harnessing the sound of the Bay and slowly saw their rhythmic funky beats slowed down and reused in later hits that would intersect genres. Freestyle samples of electro funky beats provided listeners with a sound that they didn't know the genre needed. The Bay Area isn't often viewed as one of the prominent hip-hop hubs in the U.S., but its rich history and extensive range of diverse artists prove that many of the original characteristics of early hip-hop can be traced back to the major metropolitan areas and cities of San Francisco, Oakland, and San Jose.
Early years
Several events laid the foundations for West Coast hip-hop, long before the emergence of West Coast rappers such as Mellow Man Ace, Too Short, Kid Frost, Ice-T and Eazy-E—or even before the emergence of rap itself. According to Syd Caesar, "a cataclysmic event helped give rise to it out West: the Watts riots of 1965." In 1967, Budd Schulberg founded a creative space in Los Angeles entitled Watts Writers Workshop, intended to help the people of the Watts neighborhood and provide a place for them to express themselves freely; one group to emerge from the workshop was the proto-rap group Watts Prophets.
In the late 1970s in Los Angeles, Alonzo Williams, a young disc jockey from Compton, California formed a partnership with another DJ named Rodger Clayton from Los Angeles, California who created a promotion company called Unique Dreams that would hire Williams to DJ at local events. The two eventually went their separate ways: Williams started a group called the World Class Wreckin' Cru and became the house DJs at a local nightclub called Eve's After Dark while Clayton launched what would perhaps be the foremost successful mobile DJ crew in the region by the name of Uncle Jamm's Army that would host parties by top DJs for thousands of people at large venues. Other smaller DJ and party crews emerged around this time, hoping to establish themselves in the area. Unlike their East Coast counterparts, the Hip-Hop sound emerging from Southern California was more fast-paced and influenced by electronic music. This could be largely credited to the fact that the local West Coast hip-hop scene revolved more around DJing than rapping. A localized dance sub-culture later came out of this party scene, which was highlighted on a national scale on such motion pictures as Breakin'. Breakdancing, popping and locking gave the Los Angeles music scene some of its earliest credibility outside the region. Further attention came to the West Coast as Uncle Jamm's Army began inviting such well-known East Coast Hip-Hop acts such as Whodini and Run-DMC to their functions.
Another early landmark occurred in 1981, when Duffy Hooks launched the first West Coast rap label, Rappers Rapp Records, inspired by Sugar Hill Records in New York. Its first act was the duo of Disco Daddy and Captain Rapp, whose debut single was "The Gigolo Rapp" which was also released in 1981. The song became a minor success but failed to gain much radio play. Many other Hip-Hop songs recorded in California were released during the early 1980s, but many of them received little or no radio play. Captain Rapp created the classic West Coast song released in 1983 called, "Bad Times (I Can't Stand It)", which is a politically conscious response to Grandmaster Flash's "The Message" arranged by the legendary production duo of Jimmy Jam & Terry Lewis and Rich Cason. Clayton's group, Uncle Jamm's Army, released their first single, "Dial-a-Freak", and in 1984 Egyptian Lover released his On the Nile album, which includes the popular 12" single "Egypt Egypt". Members of Uncle Jamm's Army and the World Class Wreckin' Cru, including Dr. Dre, The Unknown DJ, Egyptian Lover, Ice-T and Kid Frost would later go on to help define the early West Coast hip-hop sound throughout the 1980s.
During this period, one of the most significant factors in the spread of West Coast hip-hop was the radio station 1580 KDAY AM, which was the first radio station in the world to play rap/hip-hop music 24 hours a day because of Assistant Program Director/Music Director and Radio Personality Greg "Mack Attack" Mack.
Late 1980s and 1990s
Ice-T is known as one of the pioneers of West Coast hip-hop and gangsta rap, with songs such as "6 in the Mornin", released in 1986, demonstrating the unique style of the west coast. In 1988, Ice-T released the R&B hit I'm Your Pusher, and Too Short released album Life is... Too Short. In 1988, N.W.A's landmark album Straight Outta Compton was released. Focusing on life and adversities in Compton, California, a notoriously rough area which had gained a reputation for gang violence, it was released by group member Eazy-E's record label Ruthless Records. As well as establishing a basis for the popularity of gangsta rap, the album drew much attention to West Coast hip-hop, especially the Los Angeles scene. In particular, the controversial "Fuck tha Police" and the ensuing censorship attracted substantial media coverage and public attention. Following the dissolution of N.W.A due to in-fighting, the group's members Eazy-E, Dr. Dre, Ice Cube and MC Ren would later become platinum-selling solo artists in the 1990s. Ice Cube released some of the West Coast's most critically acclaimed albums, such as 1990's AmeriKKKa's Most Wanted and 1991's Death Certificate, as well as making film and television appearances such as in John Singleton's Boyz n the Hood in 1991.
The early 1990s was a period in which Hip-Hop went from strength to strength. Tupac Shakur's debut album 2Pacalypse Now was released in 1991, demonstrating a social awareness, with attacks on social injustice such as racism, police brutality, poverty, crime, drug and teenage pregnancy. This album featured 3 singles: "Brenda's Got a Baby", "Trapped" and "If My Homie Calls". 2Pacalypse Now was certified Gold by the Recording Industry Association of America (RIAA) on April 19, 1995. Shakur's music and philosophy was rooted in various philosophies and approaches, including the Black Panther Party, Black nationalism, egalitarianism and liberty. Tupac sold over 75 million records, being regarded as one of the greatest rappers of all time and a pioneer of West Coast rap.
Also in 1991, Suge Knight founded Death Row Records which became a record label powerhouse throughout the 1990s. In 1992, Dr. Dre released his solo debut, The Chronic; this marked the birth of the G-funk sound that became a hallmark of the West Coast sound in the 1990s, with the album's lead single "Nuthin' but a 'G' Thang" peaking at #2 on the US Billboard Hot 100.
The city of Long Beach arrived to the hip-hop scene in the early 1990s with artists such as Snoop Doggy Dogg and Tha Dogg Pound, both signed to Death Row, with releases such as Doggystyle (1993) and Dogg Food (1995). Both albums becoming huge sellers and being critically acclaimed and helped make a mark in establishing Long Beach in the hip-hop scene. Another artist who helped establish Long Beach was Warren G with his release Regulate... G Funk Era (1994). He founded his record label G-Funk Entertainment in 1995 and helped promote artists also from Long Beach such as the Twinz and The Dove Shack.
As for Death Row, success kept coming throughout the 1990s with 2Pac's All Eyez on Me (1996) also becoming a huge seller and becoming critically acclaimed. 2Pac gained hits California Love" and "Live and Die in LA". Also in the early-to-mid 1990s, the group Cypress Hill made a big impact on the scene with their albums such as their debut studio album of the same name and Black Sunday. They are considered to be among the main progenitors of West Coast rap and hip-hop. Other popular artists and groups from this period include The Pharcyde (known for their albums Bizarre Ride II the Pharcyde and Labcabincalifornia), Souls of Mischief (known for their album 93 'til Infinity), Ahmad (known for his song Back in the Day), Xzibit (known for his album At the Speed of Life) and Ras Kass (known for his album Soul on Ice).
2000s and 2010s
West Coast hip-hop's position in the mainstream dwindled greatly in the late 1990s and 2000s, with a few notable exceptions such as Dr. Dre's 2001, Xzibit's Restless, Snoop Dogg's No Limit Top Dogg and Tha Last Meal albums. However, the trend soon changed. Although gangsta rap was still popular on the West Coast in the 2000s, the West Coast sound became more designed for nightclubs with the rise of the Bay Area's hyphy scene, featuring flamboyant raps and explicit references to sex and drugs. A key artist in the genre was E-40, who found a substantial audience with his 1995 album In a Major Way; he found even greater success with the song "Tell Me When to Go" in 2006, featuring Oakland rapper Keak da Sneak.
Bay area rapper Too Short, already well known for his collaborations with artists such as Tupac Shakur and The Notorious B.I.G, found a new lease on life with the hyphy scene, his 16th studio album Blow the Whistle in 2006 debuting at number 14 on the Billboard 200. The Game also brought attention back to the West Coast with his double platinum album, The Documentary, as did Xzibit's platinum certified Restless album, and gold certified albums Man vs. Machine and Weapons of Mass Destruction. Artists from the 1990s such as Snoop Dogg and Ice Cube and groups such as the Tha Dogg Pound and Westside Connection continued to release albums throughout the 2000s and had success but did not garner the same level of fame as they had experienced in the 1990s. Throughout the 2000s, a number of peripheral West Coast hip-hop artists such as Ya Boy, Glasses Malone, Juice, SKG (Suge Knight Girl) Helecia Choyce, Crooked I, 40 Glocc, Slim the Mobster, Bishop Lamont and Mistah F.A.B. collaborated with big-name artists such as Dr. Dre, Kurupt, Daz Dillinger, The Game, E-40 and Snoop Dogg.
In the early to mid-2010s, the West Coast had also seen a resurgence with hyphy as well as a transition to an uptempo and club-oriented type of Pop Rap.
Producer DJ Mustard had pioneered the "ratchet" music movement, a production style that has snowballed into the mainstream. DJ Mustard played a role in bringing West Coast hip-hop back to national attention through the 2010s. He gained huge popularity throughout 2011 to 2014, producing a number of popular artists' singles, including Tyga's "Rack City", 2 Chainz's "I'm Different", Young Jeezy's "R.I.P.", B.o.B's "HeadBand", YG's "My Nigga" and "Who Do You Love?", Ty Dolla Sign's "Paranoid", Kid Ink's "Show Me" and Trey Songz's "Na Na". Mustard also released his debut mixtape, Ketchup, in 2013, further solidifying his ratchet sound, which follows its G-funk and hyphy predecessors.
Other more peripheral acts that achieved moderate, cult following success in the mainstream include Lil B, who built a strong fan base via social media outlets such as Twitter, YouTube, and MySpace, and has recorded both solo and with The Pack.
That same year, Black Hippy's own Kendrick Lamar 2012 release, Good Kid, M.A.A.D City, was met with rave reviews and was featured on many critics' end-of-year lists. The album was nominated Album of the Year at the 56th Annual Grammy Awards, marking the first time any West Coast hip-hop was nominated for award. In 2014, Schoolboy Q debuted at no.1 on the Billboard 200 with 139,000 copies sold. YG's My Krazy Life debuted at #2 on the US Billboard 200 with 61,000 copies sold.
2020s
On June 19, 2024, Juneteenth, Kendrick Lamar hosted the The Pop Out: Ken & Friends concert following his highly publicized feud with Drake, noted as a celebration of the West Coast.
See also
- List of Los Angeles rappers
- List of northern California rappers
- Culture of California
- Music of California
- East Coast–West Coast hip-hop rivalry
- hip-hop music in the Pacific Northwest
- List of West Coast hip-hop artists
- List of West Coast hip-hop record labels
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