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{{short description|none}} <!-- "none" is preferred when the title is sufficiently descriptive; see ] --> | |||
{{Indian literature}} | |||
{{See also| Indian English literature}} | |||
'''Indian literature''' refers to the literature produced on the ] until 1947 and in the ] thereafter. The ] has 22 officially recognized ]. | |||
{{For|the journal|Indian Literature (journal)}} | |||
{{Multiple issues| | |||
{{More footnotes needed|date=December 2015}} | |||
{{Cleanup|reason=Vaguely discursive prose without significant analysis or commentary, Cryptic references.|date=December 2015}} | |||
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{{Use Indian English|date=December 2015}} | |||
{{Use dmy dates|date=May 2024}} | |||
{{Culture of India}} | |||
The earliest works of Indian literature were ] transmitted. ] begins with the ] a collection of sacred hymns dating to the period 1500–1200 BCE. The Sanskrit epics '']'' and '']'' appeared towards the end of the first millennium BCE. ] literature flourished in the first few centuries of the first millennium CE, as did the ] ], and the ]. | |||
{{Indian literature}} | |||
{{History of literature by era}} | |||
'''Indian literature''' refers to the literature produced on the ] until 1947 and in the ] thereafter. The ] has ]. ], India's highest literary body, also has ]. | |||
In the medieval period, literature in ] and ] appeared in the 9th and 11th centuries respectively.<ref>"Kannada literature", ''Encyclopædia Britannica'', 2008. Quote: "The earliest literary work is the Kavirajamarga (c. AD 850), a treatise on poetics based on a Sanskrit model."</ref> Later, literature in ], ], various dialects of ], ] and ] began to appear as well. Early in the 20th century, Bengali poet ] became India's first Nobel laureate. In contemporary Indian literature, there are two major literary awards; these are the ] and the ]. Seven Jnanpith awards each have been awarded in Hindi and ], followed by five in ], four in ] and three in ], ] and Urdu.<ref name="jnanpith">{{cite web|url=http://jnanpith.net/laureates/index.html|title=Awardees detail for the Jnanpith Award|work=Official website of Bharatiya Jnanpith|publisher=Bharatiya Jnanpith|accessdate=2007-06-29}} {{Dead link|date=November 2010|bot=H3llBot}}</ref><ref name=award2008>{{cite news|url=http://www1.timesofindia.indiatimes.com/Delhi/Kunwar_Narayan_to_be_awarded_Jnanpith/articleshow/3752703.cms|title=Kunwar Narayan to be awarded Jnanpith|date=Nov 24, 2008|publisher=''Times of India''|accessdate=2008-11-25}}</ref> | |||
The earliest works of Indian literature were ] transmitted. ] begins with the ] of the ], a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics '']'' and '']'' were subsequently codified and appeared towards the end of the 2nd millennium BCE. ] literature developed rapidly during the first few centuries of the first millennium BCE,<ref>{{cite journal | title=A Brief on Indian Literature and Languages | author=Narayanrao, H.L. | journal=Journal of Education and Practice | volume=2 | issue=3 | pages=46 | issn=2222-288X}}</ref> as did the ] and ] ].{{citation needed|date=November 2023}} ] appeared in the 1st century CE with sacred musical compositions like the ],<ref name="Ayyappappanikkar 1997 326">—{{Cite book |last=Ayyappappanikkar |url=https://books.google.com/books?id=KYLpvaKJIMEC&pg=PA326 |title=Medieval Indian Literature: Surveys and selections |date=1997 |publisher=] |isbn=978-81-260-0365-5 |pages=326|author-link=Ayyappa Paniker}}<br >—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n81/mode/2up |title=History of Old Manipuri Literature |publisher=]; ] |others=] Library; North Eastern States Libraries |location=India |pages=81, 82, 83 |language=mni |chapter=Ougri |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Singh |first=Ch Manihar |url=https://books.google.com/books?id=yiBkAAAAMAAJ |title=A History of Manipuri Literature |publisher=] |year=1996 |isbn=978-81-260-0086-9 |location=India |pages=13, 14, mni |chapter=The Early Period (Ritual Songs) : Ougri |quote=Again from amongst the songs mentioned above, 'Ougri' and 'Khencho', in view of their more archaic diction and much advanced historical allusions, may be considered earlier than the rest. ... 'Ougri' is referred to as sung at the coronation of Nongdā Lāiren Pākhangbā, which took place in 33 A.D. ...}}<br />—{{Cite book |last=Ayyappappanikkar |url=https://books.google.com/books?id=KYLpvaKJIMEC&pg=PA329 |title=Medieval Indian Literature: Surveys and selections |date=1997 |publisher=] |isbn=978-81-260-0365-5 |pages=329|author-link=Ayyappa Paniker}}</ref> and heroic narratives like the ].<ref name="Taylor & Francis">—{{Cite book |last1=Wouters |first1=Jelle J. P. |url=https://books.google.com/books?id=YseEEAAAQBAJ&q=Numit+Kappa+1st&pg=PT473 |title=The Routledge Companion to Northeast India |last2=Subba |first2=Tanka B. |date=2022-09-30 |publisher=] |isbn=978-1-000-63699-4 |pages=473|quote=... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...}}<br />—{{Cite journal |date=2009-10-03 |title=Shooting the Sun: A Study of Death and Protest in Manipur |url=https://www.epw.in/journal/2009/40/special-articles/shooting-sun-study-death-and-protest-manipur.html |journal=]|publication-place=] |volume=44 |issue=40 |quote=... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD... |via=]}}<br />—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n95/mode/2up |title=History of Old Manipuri Literature |publisher=]; ] |others=] Library; North Eastern States Libraries |location=India |pages=95, 96 |language=mni |chapter=Numit Kappa |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite journal |last=Kshetrimayum |first=Jogendro |date=2009 |title=Shooting the Sun: A Study of Death and Protest in Manipur |url=https://www.jstor.org/stable/25663656 |journal=Economic and Political Weekly |volume=44 |issue=40 |pages=48–54 |jstor=25663656 |issn=0012-9976}}</ref> | |||
==Indian literature in archaic Indian languages== | |||
In the medieval period, literature in ] and ] appeared in the 9th and 10th centuries, respectively.<ref>"Kannada literature", ''Encyclopædia Britannica'', 2008. Quote: "The earliest literary work is the Kavirajamarga (c. AD 900), a treatise on poetics based on a Sanskrit model."</ref> Later, literature in ], ], ], ], ], and ] appeared. Thereafter literature in various dialects of ], ] and ] began to appear as well. In 1913, ] ] became ].<ref>{{Cite web |title=The Nobel Prize in Literature 1913 |url=https://www.nobelprize.org/prizes/literature/1913/summary/ |access-date=2024-02-23 |website=NobelPrize.org}}</ref>{{verify source|date=November 2023}} | |||
{{History of literature}} | |||
{{History of literature2}} | |||
==In archaic and ancient Indian languages== | |||
===Vedic literature=== | |||
{{History of literature by region or country}} | |||
=== Sanskrit literature === | |||
====Vedic literature==== | |||
{{main|Vedas}} | {{main|Vedas}} | ||
Examples of early works written in ] include |
Examples of early works written in ] include, the core ] and ]. Other examples include the ], which are some of the earliest texts on ].{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | ||
===Epic Sanskrit literature=== | ====Epic Sanskrit literature==== | ||
{{main|Indian epic poetry}} | {{main|Indian epic poetry}} | ||
]'s '']'' and ]'s '']'', written in Epic Sanskrit, are regarded as the greatest Sanskrit epics. | ]'s '']'' and ]'s '']'', written in Epic Sanskrit, are regarded as the greatest Sanskrit epics.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | ||
===Classical Sanskrit literature=== | ====Classical Sanskrit literature==== | ||
{{main|Sanskrit literature}} | {{main|Sanskrit literature}} | ||
The famous poet and playwright ] wrote |
The famous poet and playwright ] wrote one epic: '']'' (''Dynasty of Raghu''); it was written in Classical Sanskrit rather than Epic Sanskrit. Other examples of works written in Classical Sanskrit include the ]'s '']'', which standardised the grammar and phonetics of Classical Sanskrit. The '']'' (मनुस्मृति) is a famous text in Hinduism. ] is often considered to be the greatest playwright in Sanskrit literature and one of the greatest poets in Sanskrit literature; his '']'' (अभिज्ञानशाकुन्तलम्) and '']'' are Kalidasa's most famous play and poem respectively. Other famous plays include '']'' by ], '']'' by ], and ''Ratnavali'' by Sri Harsha. Later poetic works include '']'' by ]. Some other famous works are ]'s '']'' and ]'s '']''.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | ||
=== Ancient Meitei literature === | |||
{{Main|Ancient Meitei literature}} | |||
{{Quote box | |||
| quote = "The beginning of this ] (as in the case of ]) may go back to 1500 years, or even 2000 years, from now."<ref>—{{Cite book |title=] – Volume 14 – Page 20 |publisher=] |year=1971 |edition=Volume 14 – Page 20 |pages=20|quote= The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now.}}<br />—{{Cite book |last=Siṃha |first=Niṃthaukhoṃjama Khelacandra |url=https://books.google.com/books?id=EpAOAAAAMAAJ |title=Manipuri Language: Status and Importance |publisher=N. Tombi Raj Singh |year=1975 |pages=34, mni |quote=The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now... |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Sanajaoba |first=Naorem |url=https://books.google.com/books?id=-CzSQKVmveUC&dq=manipuri+court+language&pg=PA290 |title=Manipur, Past and Present: The Heritage and Ordeals of a Civilization |date=1988 |publisher=Mittal Publications |isbn=978-81-7099-853-2 |pages=290}}</ref> | |||
| source = —], ] awardee Indian scholar | |||
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Some of the ancient literature of ] (also known as ]) include the ] ({{circa|1st century CE}} musical composition),<ref name="Ayyappappanikkar 1997 326"/> the ] ({{circa|1st century CE}} narrative work),<ref name="Taylor & Francis"/> the ] ({{circa|3rd century CE}} narrative work),<ref>—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n121/mode/2up?view=theater |title=History of Old Manipuri Literature |publisher=] |others=] Library, Imphal |location=India |pages=121, 122, mni |chapter=Poireiton Khunthokpa |quote=The Poireiton Khunthokpa, is the most conspicuous one of all pre-Garibniwaz manuscripts. From a linguistic point of view, it seems to be much earlier than any of the books yet come under our view. Circumstantial and other incidental evidences would confirm that the book might have been of the time of the third century A. D. It describes the colonization of the valley by a band of people from the land of Death under Poireiton. They first established their colony near the Langol Hill; probably the vast area between the Koubru Hill and the Langol Hill was their kingdom. --Report on the Archaeological studies in Manipur Bulletin No. 1-by W. Yumjao Singh, pp 18-19. |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Bhaṭṭācāryya |first=Haridāsa |url=https://books.google.com/books?id=Wy88AAAAMAAJ&q=poireiton+Khunthok+century |title=The Cultural Heritage of India: Languages and literatures |publisher=] |others=] |year=1953 |location=India |pages=663|quote=... The beginnings of this Old Manipuri literature may go back to 1,500 years or even 2,000 years from now. ... Poireiton Khunthok, a prose work describing the settlement of some Meithei tribes, is the oldest work in Manipuri going back to the third century A.D. ... |author-link=Haridas Bhattacharya}}</ref> the ''Khencho'' (pre-7th century CE musical composition),<ref>—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n97/mode/2up |title=History of Old Manipuri Literature |publisher=]; ] |others=] Library; North Eastern States Libraries |location=India |pages=97, 98 |language=mni |chapter=Khencho |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Ayyappappanikkar |url=https://books.google.com/books?id=KYLpvaKJIMEC&pg=PA330 |title=Medieval Indian Literature: Surveys and selections |date=1997 |publisher=] |isbn=978-81-260-0365-5 |pages=330|author-link=Ayyappa Paniker}}<br />—{{Cite book |last=Singh |first=Ch Manihar |url=https://books.google.com/books?id=yiBkAAAAMAAJ |title=A History of Manipuri Literature |publisher=] |year=1996 |isbn=978-81-260-0086-9 |location=India |pages=14, 15, mni |chapter=The Early Period (Ritual Songs) |quote=... 'Khencho' is quite obscure and entirely unintelligible to the present generation though it forms an inseparable element of the daily proceedings of the festival. ...}}</ref> 6th-7th century CE copper plate inscriptions of king Khongtekcha,<ref>—{{Cite web |title=মণিপুরি ভাষা ও লিপি – এল বীরমঙ্গল সিংহ {{!}} আপনপাঠ ওয়েবজিন |date=16 September 2021 |url=https://aponpath.com/manipuri-bhasa-o-lipi-l-birmangal-singh/ |language=bn}}<br />—{{Cite book |last=Devi |first=Yumlembam Gopi |url=https://books.google.com/books?id=gxqeDwAAQBAJ&q=8th%20century%20copper%20plate%20inscription%20manipur&pg=PA25 |title=Glimpses of Manipuri Culture |date=16 June 2019 |isbn=978-0-359-72919-7 |pages=25 |publisher=Lulu.com}}<br />—{{Cite book |last=Paniker |first=K. Ayyappa |url=https://books.google.com/books?id=KYLpvaKJIMEC&q=8th%20century%20copper%20plate%20inscription%20manipur&pg=PA325 |title=Medieval Indian Literature: Surveys and selections (Assamese-Dogri) |date=1997 |publisher=] |isbn=978-81-260-0365-5 |pages=325}}<br />—{{Cite book |last=Sen |first=Sipra |url=https://books.google.com/books?id=bQQNCU-QWBAC&q=8th%20century%20copper%20plate%20inscription%20manipur&pg=PA28 |title=Tribes and Castes of Manipur: Description and Select Bibliography |date=1992 |publisher=Mittal Publications |isbn=978-81-7099-310-0 |pages=28}}</ref> the ] ({{circa|8th century CE}} narrative work),<ref>—{{Cite book |last=Devi |first=Dr Yumlembam Gopi |url=https://books.google.com/books?id=gxqeDwAAQBAJ&dq=panthoibi+khongul&pg=PA119 |title=Glimpses of Manipuri Culture |date=16 June 2019 |publisher= Lulu.com|isbn=978-0-359-72919-7 |pages=119|quote=... the text Panthoibi Khongul generally believed to have been written by Akoijam Tomboy during the reign of King Khongtekcha Yoiremba (763 A.D.) ...}}<br />—{{Cite book |last=Mukherjee |first=Sujit |url=https://books.google.com/books?id=YCJrUfVtZxoC&dq=panthoibi+khongul&pg=PA280 |title=A Dictionary of Indian Literature: Beginnings-1850 |publisher=] |year=1998 |isbn=978-81-250-1453-9 |pages=280|quote=Panthoibi khongul ( ? C ; Manipuri ) : prose narrative , the original of which was believed to have been composed in ancient Meitei language in first half of 8th century AD ... |author-link=Sujit Mukherjee}}<br />—{{Cite web |others=] |title=The relationship between Thang-Ta & Meitei Pung maintained by our Ancient ... |url=https://ccrtindia.gov.in/wp-content/fellowship_research_project/TherelationshipbetweenThangtaandMeiteiPungmaintainedbyourAncientGurus.pdf |website=ccrtindia.gov.in |publisher=] |page=4}}</ref> the ] (c. Written Constitution drafted in 429 CE, and finalised in 11th-12th century CE), etc.<ref>—{{Cite book |last=Sanajaoba |first=Naorem |url=https://books.google.com/books?id=vO-vtI8NuxIC&dq=loyumba+shinyen+final+document&pg=PP2 |title=Manipur: Treatise & Documents |date=1993 |publisher=Mittal Publications |isbn=978-81-7099-399-5 |pages=2|quote=Manipur, known as 'Meetei Leipak' or 'Kangleipak' in the two millennia old Meetei manuscripts had experienced some form of constitutional government under a proto-Constitution in 429 A.D. which was reduced to a final format in 1110 A.D. Constitution entitled 'Loiyamba Shinyen' during the regime of King Loyumba.}}<br />—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n142/mode/2up |title=History of Old Manipuri Literature |publisher=]; ] |others=] Library; North Eastern States Libraries |location=India |pages=142 |language=mni |chapter=Loiyumba Shinyen – Waayen Pathaap |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Sanajaoba |first=Naorem |url=https://books.google.com/books?id=9eYC4tjzyi4C&dq=loyumba+shinyen+written+constitution&pg=PA304 |title=Law and Society: Strategy for Public Choice, 2001 |date=1991 |publisher=Mittal Publications |isbn=978-81-7099-271-4 |pages=304|quote=The constitutionalism had developed with the adoption of a prototype of a constitution in 429 A.D. which was finally moulded into the written constitution in 1110 A.D., called 'Loyumba Shinyen' till it was substituted by Manipur State Constitution Act, 1947 which operated till Manipur's merger with India on 15 October 1949.}}</ref> | |||
===Prakrit literature=== | ===Prakrit literature=== | ||
The most notable ] languages were ], ] and ]. Many of ]'s plays were written in Shauraseni Prakrit. Another major work in Sauraseni was ''Karpuramanjari''. ], ] and ] used Maharashtrian Prakrit in some of their plays and poetry. Many ] ] works are also written in the Maharashtri Prakrit. Many plays (like those of ]) and Jain works were written in the Ardha ]. Canto 13 of the ] (Bhatti's Poem)<ref>Fallon, Oliver. 2009. Bhatti's Poem: The Death of Rávana (Bhaṭṭikāvya). New York: ]. ISBN 978-0-8147-2778-2 | ISBN 0-8147-2778-6 |</ref> is written in what is called "like the vernacular" ''bhāṣāsama'', that is, it can be read in two languages simultaneously: ] and ].<ref>Narang, Satya Pal. 2003. An Analysis of the Prākṛta of Bhāśā-sama of the Bhaṭṭi-kāvya (Canto XII). In: Prof. Mahapatra G.N., Vanijyotih: Felicitation Volume, Utkal University, *Bhuvaneshwar.</ref> | |||
Many of ]'s plays were written in Shauraseni as were a sizable number of Jain works and ]'s ''Karpuramanjari''. Canto 13 of the ]<ref>Fallon, Oliver. 2009. Bhatti's Poem: The Death of Rávana (Bhaṭṭikāvya). New York: ] {{Webarchive|url=https://web.archive.org/web/20190707040843/http://www.claysanskritlibrary.org/|date=7 July 2019}}. {{ISBN|978-0-8147-2778-2}} | {{ISBN|0-8147-2778-6}} |</ref> is written in what is called "like the vernacular" (''bhāṣāsama''), that is, it can be read in two languages simultaneously: Prakrit and ].<ref>Narang, Satya Pal. 2003. An Analysis of the Prākṛta of Bhāśā-sama of the Bhaṭṭi-kāvya (Canto XII). In: Prof. Mahapatra G.N., Vanijyotih: Felicitation Volume, Utkal University, *Bhuvaneshwar.</ref> | |||
One of the earliest extant works of Prakrit literature is ]'s anthology of Prakrit poems, the '']'' or ''Gaha Sattasai''', dating to the 3rd to 5th century CE. | |||
===Pali literature=== | ===Pali literature=== | ||
{{Main|Pali Canon}} | {{Main|Pali Canon|Pali literature}} | ||
The Pali Canon is mostly of Indian origin. Later ] literature however was mostly produced outside of the mainland ], particularly in ] and ]. | |||
The canonical Pali literature includes ] ] (''suttas''), ] works, poetry, works on monastic discipline ('']''), and the '']''.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
Pali literature includes ] philosophical works, poetry and some grammatical works. Major works in Pali are '']'', '']'', '']'', and '']''. Some of the major Pali grammarians were Kaccayana, Moggallana and ] (who wrote ''Prakrit Prakash''). | |||
== |
===Tamil literature=== | ||
=== |
====Sangam literature==== | ||
{{ |
{{Main|Sangam literature}} | ||
The ] (]: சங்க இலக்கியம், ''Sanga ilakkiyam)'' is the ancient ] of the period in the ] (known as the ] or the ]) spanning from {{Circa|300 BCE}} to 300 CE (] (1, 15, 31, 55, 61, 65, 91, 97, 101, 115, 127, 187, 197, 201, 211, 233, 251, 265, 281, 311, 325, 331, 347, 349, 359, 393, 281, 295), ] (11), ] (14, 75) are dated before 300 BCE).<ref>There are some who claim earlier dates (up to 600 BCE). Others cite as late as 2BCE. The date of 300 BCE may represent a middle-of-the road consensus view; e.g. see the well-received textbook ''Ancient India'', ], 2009, p. 15. However, it is quite likely that the songs existed in oral tradition well before this date.</ref><ref>Kamil Veith Zvelebil, ''Companion Studies to the History of Tamil Literature'', p. 12</ref><ref>K.A. Nilakanta Sastry, ''A History of South India,'' OUP (1955) p. 105</ref><ref> {{webarchive|url=https://web.archive.org/web/20100707000020/http://www.ciil-classicaltamil.org/project1.html |date=7 July 2010 }}</ref><ref>{{cite web|url=http://jainology.blogspot.com/2009/07/history-vandalised.html|title=Jain History of Tamil Nadu vandalised|author=T.S. Subramanian|date=2009-07-10|access-date=2011-06-03|quote=The six Tamil-Brahmi inscriptions of the 2nd century B.C. on the brow of five caverns on the Kazhugumalai hill near Mankulam, 38 km from Madurai, are the most ancient ones in Tamil Nadu and establish the historical facts that the Pandyan king Nedunchezhiyan ruled in the 2nd century B.C. and that Sangam literature dates back to the same period.}}</ref> This collection contains 2381 poems in ] composed by 473 poets, some 102 of whom remain anonymous.<ref>George L. Hart III, ''The Poems of Ancient Tamil,'' U of California P, 1975.</ref> | |||
The Charyapadas are often cited as the earliest example of Assamese literature. The Charyapadas are Buddhist songs composed in 8th-12th century. These writings bear similarities to Oriya and Bengali languages as well. The phonological and morphological traits of these songs bear very strong resemblance to Assamese some of which are extant. | |||
Most of the available Sangam literature is from the ],<ref>{{Cite book|url=https://books.google.com/books?id=Uu3QelRpmsgC&q=third+sangam&pg=PR8|title=Shilappadikaram: (The Ankle Bracelet)|last=Iḷaṅkōvaṭikaḷ|date=1965-01-01|publisher=New Directions Publishing|isbn=9780811200011}}</ref> this period is known as the ], which refers to the prevalent Sangam legends claiming literary academies lasting thousands of years, giving the name to the corpus of literature.<ref>''Irayanaar Agapporul'' dated to c. 750 CE first mentioned the Sangam legends. An inscription of the early tenth century CE mentions the achievements of the early ] kings of establishing a ''Sangam'' in ]. See K.A. Nilakanta Sastry, ''A History of South India'', OUP (1955) p. 105</ref><ref>"The latest limit of '']'' and '']'' may be placed around 700 AD...." – Vaiyapuri Pillai, ''History of Tamil language and literature'' p. 38.</ref><ref>"...the Tamil language of these brief records achieved a flowering during the first centuries of the Common Era, culminating in the emergence of a poetic corpus of very high quality To this corpus the name ''sangam poetry'' was added soon afterwards...." ], ''A History of India'' (1998), Blackwell p. 90.</ref> The Only religious poems among the shorter poems occur in '']''. The rest of the corpus of Sangam literature deals with human relationship and emotions.<ref>See K.A. Nilakanta Sastri, ''A History of South India, OUP (1955) pp. 330–335''</ref> | |||
After the Charyapadas, the period may again be split into (a) Pre-Vaishnavite and (b) Vaishnative sub-periods. The earliest known Assamese writer is Hema Saraswati, who wrote a small poem "Prahlada Charita". In the time of the King Indranarayana (1350–1365) of Kamatapur the two poets Harihara Vipra and Kaviratna Saraswati composed Asvamedha Parva and Jayadratha Vadha respectively. Another poet named Rudra Kandali translated Drona Parva into Assamese. But the most well-known poet of the Pre-Vaishnavite sub period is ], who rendered Valmiki's Ramayana into Assamese verse (], 11th century) under the patronage of Mahamanikya, a Kachari king of Jayantapura. | |||
Sangam literature deals with emotional and material topics such as love, war, governance, trade and bereavement.<ref>Chera, Chola, Pandya: Using Archaeological Evidence to Identify the Tamil Kingdoms of Early Historic South India – Abraham, Shinu Anna, Asian Perspectives – Volume 42, Number 2, Fall 2003, pp. 207–223 University of Hawaii Press</ref> Some of the greatest Tamil scholars, like ], who wrote on ethics, and on the various issues of life like virtue, wealth and love, or the Tamil poet ], who explored historical incidents that happened in India, lived during the Sangam period.<ref>Morality and Ethics in Public Life by Ravindra Kumar p.92</ref><ref>Essays on Indian Society by Raj Kumar p.71</ref> | |||
The most famous modern Assamese writers are ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ] etc. | |||
=== |
====Bhakti literature==== | ||
The ] was a significant religious movement in medieval ]<ref name="Schomer_McLeod1987">{{cite book |title=The Sants: Studies in a Devotional Tradition of India |editor1-first=Karine |editor1-last=Schomer |editor2-first=W. H. |editor2-last=McLeod |publisher=Motilal Banarsidass |year=1987 |isbn=9788120802773 }}</ref>{{Rp|p=1}} that sought to bring religious reforms to all strata of society by adopting the method of ] to achieve salvation.<ref name="cbseindiatoday">{{Cite web|url=https://www.indiatoday.in/education-today/gk-current-affairs/story/-crashcourse-cbse-class-12-history-bhakti-movement-s-emergence-and-influence-1438286-2019-01-24|title=CBSE Class 12 History #CrashCourse: Bhakti movement's emergence and influence|last1=India Today Web Desk New|date=24 January 2019|website=India Today}}</ref> Originating in ] during 6th century CE,<ref>{{Cite book |last=Pillai |first=P. Govinda |chapter-url=https://books.google.com/books?id=sep5EAAAQBAJ&dq=bhakti+movement+tamil+country&pg=PT46 |title=The Bhakti Movement: Renaissance or Revivalism? |date=2022-10-04 |publisher=Taylor & Francis |isbn=978-1-000-78039-0 |pages=Thirdly, the movement had blossomed first down south or the Tamil country|chapter=Chapter 11}}</ref><ref>{{cite book|first= John |last= Hawley |date= 2015 |title= A Storm of Songs: India and the Idea of the Bhakti Movement |publisher= Harvard University Press |isbn=978-0-674-18746-7 | page=87 }}</ref><ref>{{Cite book |last=Padmaja |first=T. |url=https://books.google.com/books?id=pzgaS1wRnl8C&dq=bhakti+movement+tamilakam&pg=RA1-PA37 |title=Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamil nāḍu |date=2002 |publisher=Abhinav Publications |isbn=978-81-7017-398-4}}</ref><ref>{{Cite book |last1=Nair |first1=Rukmini Bhaya |url=https://books.google.com/books?id=u6XFDwAAQBAJ&dq=bhakti+movement+tamilakam&pg=PT29 |title=Keywords for India: A Conceptual Lexicon for the 21st Century |last2=de Souza |first2=Peter Ronald |date=2020-02-20 |publisher=Bloomsbury Publishing |isbn=978-1-350-03925-4}}</ref> it gained prominence through the poems and teachings of the Vaishnava ] and Shaiva ] before spreading northwards.<ref name="Schomer_McLeod1987"/>{{Rp|p=1}} It swept over east and north India from the 15th century onwards, reaching its zenith between the 15th and 17th century CE.<ref name="Schomer_McLeod1987"/>{{Rp|pp=1–2}} From the 14th to the 18th centuries, India's literary traditions went through a period of drastic change because of the spread of the ] in the northern parts of India, resulting in the emergence of devotional poets like ], ], and ]. This period was characterised by a varied and wide spectrum of thought and expression; as a consequence, medieval Indian literary works differed significantly from classical traditions.{{sfn|Das|2005}} | |||
{{main|Bengali literature}} | |||
{{see also|Bengali novels|Bengali science fiction}} | |||
== In modern Indian languages {{anchor|In common Indian languages}} == | |||
The first evidence of Bengali literature is known as Charyapada or Charyageeti, which were Buddhist hymns from the 8th century. Charyapada is in the oldest known written form of Bengali. The famous Bengali linguist Harprashad Shastri discovered the palm leaf Charyapada manuscript in the Nepal Royal Court Library in 1907. | |||
=== Sahitya Akademi recognised & scheduled languages === | |||
The most internationally famous ] writer is Nobel laureate Rabindranath Tagore, who received the ] in 1913 for his work "Gitanjali". He wrote the national anthem of India and Bangladesh namely, "Jana Gana Mana" and "Amar Sonar Bangla", respectively. He was the first Asian who won the Nobel Prize. | |||
{{Further|Sahitya Akademi#Recognised literary languages|Scheduled languages of India}} | |||
Rabindranath has written enormous amount of Poems, Songs, Essays, Novels, Plays and Short-stories. | |||
His songs remain popular and are still widely sung in Bengal. | |||
====Assamese literature==== | |||
Another poet, one generation younger is equally popular, valuable, and influential | |||
{{unreferenced section|date=April 2013}} | |||
in his country, though virtually unknown in foreign countries: ]. | |||
{{main|Assamese literature}} | |||
Other famous Indian Bengali writers were ], ], | |||
{{see also|:Category:Assamese-language books|Buranjis|Assamese poetry}} | |||
and ]. Bengali is the second most commonly spoken language in India (after Hindi). | |||
], Assamese poet, novelist and playwright of modern ]}}]] | |||
As a result of the ] in the 19th and 20th centuries, many of India's most famous, and | |||
The Buddhist ]s are often cited as the earliest example of Assamese literature. The Charyapadas are ] Buddhist songs composed in the 8th to 12th centuries.<ref>{{Cite web|title=The writers of the Charyapada, the Mahasiddhas or Siddhacharyas, belonged to the various regions of Assam, Bengal, Orissa and Bihar.|url=https://sites.google.com/site/charyapada/|access-date=2020-07-14|website=sites.google.com}}</ref><ref>{{Cite book|last1=Shaw|first1=Miranda|title=Passionate Enlightenment::Women in Tantric Buddhism|last2=Shaw|first2=Miranda|date=1995|publisher=Princeton University Press|isbn=978-0-691-01090-8}}</ref> These writings bear similarities to Oriya and Bengali languages as well. The phonological and morphological traits of these songs, some of which are extant, bear very strong resemblance to Assamese.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
relatively recent, literature, poetry, and songs are in Bengali. | |||
A comprehensive introductory book ''Assamese Language-Literature & Sahityarathi Lakshminath Bezbaroa'' originally authored by leading Assamese littérateur of ''Awahon-Ramdhenu Era'' and pioneer Assam economist ] together with his three deputies, Parikshit Hazarika, Upendra Nath Goswami and Prabhat Chandra Sarma, was published in 1968. This book was officially released in New Delhi on 24 Nov 1968 by then President of India ] in commemoration of the birth centenary celebration of doyen of Assamese literature ]. After almost half a century, this historic book has been recovered and re-edited by Assamese award-winning short-story writer & novelist Arnab Jan Deka, which was published by Assam Foundation-India in 2014.<ref>{{cite news|last1=Sentinel|first1=The|title=Documentary film, books on Bhabananda–Nalini Prava|url=http://www.sentinelassam.com/ghy_city/story.php?sec=1&subsec=0&id=211080&dtP=2014-12-04&ppr=1#.VJpNfsAHI|access-date=24 December 2014|date=4 December 2014|url-status=dead|archive-url=https://web.archive.org/web/20150924100737/http://www.sentinelassam.com/ghy_city/story.php?sec=1&subsec=0&id=211080&dtP=2014-12-04&ppr=1#.VJpNfsAHI|archive-date=24 September 2015}}</ref> | |||
In the history of Bengali literature there has been only one path-breaking literary movement by a group of poets and artists who called themselves ] | |||
=== |
====Bengali literature==== | ||
{{main| |
{{main|Bengali literature}} | ||
{{see also|Bengali novels|Bengali poetry|Bengali science fiction}} | |||
], the author of many works, including ] and India's national anthem ']'. He was awarded the ] in 1913 for "his profoundly sensitive, fresh and beautiful verse, by which, with consummate skill, he has made his poetic thought, expressed in his own English words, a part of the literature of the West." He was the first person of non-European lineage to win a Nobel Prize.]] | |||
], the author of India's National Song ']'.]] | |||
The first evidence of Bengali literature is known as Charyapada or Charyageeti, which were Buddhist hymns from the 8th century. Charyapada is in the oldest known written form of Bengali. The famous Bengali linguist ] discovered the palm leaf Charyapada manuscript in the Nepal Royal Court Library in 1907. | |||
===Hindi literature=== | |||
The most internationally famous ] writer is Nobel laureate ], who received the ] in 1913 for his work "Gitanjali". He wrote the national anthem of India and Bangladesh namely, "Jana Gana Mana" and "Amar Sonar Bangla", respectively. He was the first Asian who won the Nobel Prize. | |||
Rabindranath has written an enormous number of poems, songs, essays, novels, plays and short stories. His songs remain popular and are still widely sung in Bengal.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
====Hindi literature==== | |||
{{main|Hindi literature}} | {{main|Hindi literature}} | ||
Hindi literature started as religious and philosophical poetry in medieval periods in dialects like ] and ]. The most famous figures from this period are ] and ]. In modern times, the |
Hindi literature started as religious and philosophical poetry in medieval periods in dialects like ] and ]. The most famous figures from this period are ] and ]. In modern times, the ] of the ] became more prominent than ].{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | ||
====Gujarati literature==== | |||
''Chandrakanta'', written by ], is considered to be the first work of prose in Hindi. ] was the most famous Hindi novelist. The ''chhayavadi'' poets include ], Prem Bajpai, ], ], and ]. Other renowned poets include ], ], ], ], and ]. | |||
===Gujarati literature=== | |||
{{main|Gujarati literature}} | {{main|Gujarati literature}} | ||
] is known as father of modern ] literature.]] | |||
Gujarati literature's history may be traced to 1000 CE.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
====Kannada literature==== | |||
] extensively wrote in ]]] | |||
] winner for the year 1994, ]]] | |||
Gujarati literature's history may be traced to the 1000 AD.Since then literature has flourished till date. Well known laureates of Gujarati literature are ], ], ], ], ], ], ], ], ], ], ], ], ], ], ] and ] . | |||
Gujarat Vidhya Sabha, Gujarat Sahitya Sabha, and Gujarati Sahitya Parishad are Ahmedabad based literary institutions promoting the spread of Gujarati literature. | |||
], ] and ] have won the ], the highest literary award in India. | |||
===Kannada literature=== | |||
] winner for the year 1994, ]]] | |||
{{main|Kannada literature}} | {{main|Kannada literature}} | ||
The oldest existing record of Kannada poetry in ''tripadi'' metre is the ] record of 700 CE. The folk form of literature began earlier than any other literature in Kannada. "Gajashtaka" of | |||
Shivamara, "Chudamani" of Thumbalacharya are examples of early literature. '']'' by King Nripatunga ] I (] CE) is the earliest existing literary work in Kannada. It is a writing on literary criticism and poetics meant to standardize various written Kannada dialects used in literature in previous centuries. The book makes reference to Kannada works by early writers such as King ] of the 6th century and Ravikirti, the author of the Aihole record of 636 CE. An early ] prose work, the ''Vaddaradhane'' by Shivakotiacharya of ] CE provides an elaborate description of the life of Bhadrabahu of ]. Since the earliest available Kannada work is one on grammar and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature in Kannada must have started several centuries earlier.<ref name="extinct_works5">{{cite web |title=History of the Kannada Literature-I |url=http://www.kamat.com/kalranga/kar/literature/history1.htm |author=Jyotsna Kamat |publisher=Kamat's Potpourri |work=Kamat's Potpourri, November 4, 2006 |accessdate=2006-11-25}}</ref> | |||
] who popularised ] style which is unique to Kannada wrote the epic "]". He also wrote "]". Other famous poets like Ponna and Ranna wrote "Shantipurana" and "Ghadayudha" respectively. The jain poet Nagavarma_2 wrote "Kavyavalokana", "Karnatabhashabhushana" and "Vardhamanapurana" . Janna was the author of "Yashodhara Charitha". Rudhrabhatta and Durgashima wrote "Jagannatha Vijaya" and "Panchatantra" respectively. The works of the medieval period are based on ] and ] principles. The ] tradition of the 12th century is purely native and unique in world literature.<ref name="classical">{{cite news|url=http://www.hindu.com/2005/05/27/stories/2005052703230500.htm|title=Declare Kannada a classical language|work=Online webpage of The Hindu|publisher=The Hindu|accessdate=2007-06-29|location=Chennai, India|date=2005-05-27}}</ref> It is the sum of contributions by all sections of society. Vachanas were pithy comments on that period's social, religious and economic conditions. More importantly, they held a mirror to the seed of social revolution, which caused a radical re-examination of the ideas of caste, creed and religion. Some of the important writers of Vachana literature include ], ] and ]. ], who wrote the ''Karnata Bharata Katamanjari'', has arguably been the most famous and most influential Kannada writer of the 15th century. The ] gave rise to ] around the 15th century which significantly contributed to the evolution of ] in its present form. This period witnessed great ]s like ] who has been aptly called the ''Pioneer of Carnatic music'', ], ] and ]. Modern Kannada in the 20th century has been influenced by many movements, notably ''Navodaya'', ''Navya'', ''Navyottara'', ''Dalita'' and ''Bandaya''. Contemporary Kannada literature has been highly successful in reaching people of all classes in society. Works of Kannada literature have received seven ], which is the highest number awarded for the literature in any Indian language. It has also received forty-seven ] awards. | |||
{{see also|Medieval Kannada literature|Kannada poetry}} | {{see also|Medieval Kannada literature|Kannada poetry}} | ||
The oldest existing record of Kannada prose is the ] of 450 CE, and poetry in ''tripadi'' metre is the ] record of 700 CE. The folk form of literature began earlier than any other literature in Kannada. ''Gajashtaka'' (800 CE) by King Shivamara II, ''Chudamani'' (650 CE) by Thumbalacharya are examples of early literature now considered extinct. '']'' by King Nripatunga ] I (850 CE) is the earliest existing literary work in Kannada. It is a writing on literary criticism and poetics meant to standardise various written Kannada dialects used in literature in previous centuries. The book makes reference to Kannada works by early writers such as King ] of the 6th century and Ravikirti, the author of the Aihole record of 636 CE. An early ] prose work, the ''Vaddaradhane'' by Shivakotiacharya of 900 CE provides an elaborate description of the life of Bhadrabahu of ]. Since the earliest available Kannada work is one on grammar and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature in Kannada must have started several centuries earlier.<ref name="extinct_works5">{{cite web |title=History of the Kannada Literature-I |url=http://www.kamat.com/kalranga/kar/literature/history1.htm |author=Jyotsna Kamat |publisher=Kamat's Potpourri |work=Kamat's Potpourri, 4 November 2006 |access-date=2006-11-25}}</ref> | |||
] who popularised ] style which is unique to Kannada wrote the epic "]". He also wrote "]". Other famous poets like Ponna wrote "shantinatapurana", "Bhuvanaikaramabhyudaya", "Jinaksharamale", and "gatapratyagata". Ranna wrote "Shantipurana" and "Ghadayudha". The Jain poet ] wrote "Kavyavalokana", "Karnatabhashabhushana" and "Vardhamanapurana" . Janna was the author of "Yashodhara Charitha". Rudhrabhatta and Durgashima wrote "Jagannatha Vijaya" and "Panchatantra" respectively. The works of the medieval period are based on ] and ] principles. The ] tradition of the 12th century is purely native and unique in world literature.<ref name="classical">{{cite news|url=http://www.hindu.com/2005/05/27/stories/2005052703230500.htm|archive-url=https://web.archive.org/web/20070105151817/http://www.hindu.com/2005/05/27/stories/2005052703230500.htm|url-status=dead|archive-date=5 January 2007|title=Declare Kannada a classical language|access-date=2007-06-29|location=Chennai, India|work=]|date=27 May 2005}}</ref> | |||
===Kashmiri literature=== | ====Kashmiri literature==== | ||
{{main|Kashmiri literature}} | {{main|Kashmiri literature}} | ||
=== |
====Konkani literature==== | ||
Konkani is a language with a complex and much-contested history. It is one of the few Indian languages to be written in five scripts—Roman, Nagari, Kannada, Persian-Arabic and Malayalam-and also has an extensive oral literature.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
====Malayalam literature==== | |||
{{main|Malayalam literature}} | {{main|Malayalam literature}} | ||
Even up to 500 years since the start of the ] which commenced in 825 |
Even up to 500 years since the start of the ] which commenced in 825 CE, Malayalam literature remained in preliminary stage. During this time, Malayalam literature consisted mainly of various genres of songs.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | ||
=== |
====Maithili literature==== | ||
{{main| |
{{main|Maithili literature}} | ||
Manipuri literature is the literature written in the Manipuri Language (Meeteilon), including literature composed in Manipuri Language by writers from Manipur, Assam, Tripura, Myanmar and Bangladesh .The history of Manipuri literature trace back to thousands of years with flourish of its civilization. The survival of Manipuri literature after passing through the massive devastation, the terror event of history, by burning of Meetei Scriptures, which is known as Puya Meithaba, was a miracle. The resilience that Meeteis could acquire in the event of devastation proved her ability to survive in history. Most of the early literary works found in Manipuri Literature were in Poetry and Prose . Some of the books were written with combination of both the Prose and Poetry. | |||
Maithili literature is the entire collection of poetry, novels, short stories, documents and other writings in the ]. | |||
===Marathi literature=== | |||
{{main|Marathi literature}} | |||
] literature began with saint-poets like ], ], ], and ]. Modern Marathi literature was marked by a theme of social reform. Well-known figures from this phase include ], ], and others. Prominent modern literary figures include ], ], ], ] and ] (''Kavi Kusumagraj''). | |||
din mor | |||
Early Marathi Literature (before 1800 CE) | |||
Though the earliest known Marathi inscription found at the foot of the statue at Shravanabelgola in Karnataka is dated c. 983 CE, the Marathi literature actually started with the religious writings by the saint-poets belonging to Mahanubhava and Warkari sects. Mahanubhava saints used prose as their main medium, while Warkari saints preferred poetry as the medium. The early saint-poets were Mukundaraj who wrote Vivekasindhu, Dnyaneshwar (1275–1296) (who wrote Amrutanubhav and Bhawarthadeepika, which is popularly known as Dnyaneshwari, a 9000-couplets long commentary on the Bhagavad Gita) and Namdev. They were followed by the Warkari saint-poet Eknath (1528–1599). Mukteswar translated the great epic Mahabharata into Marathi. Social reformers like saint-poet Tukaram transformed Marathi into an enriched literary language. Ramdas's (1608–1681) Dasbodh and Manache Shlok are well-known products of this tradition. | |||
The Maithili script, Mithilakshara or Tirhuta as it is popularly known, is of a great antiquity. The '']'' mentions the Vaidehi script. Early in the latter half of the 7th century CE, a marked change occurred in the northeastern alphabet, and the inscriptions of Adityasena exhibit this change for the first time. The eastern variety develops and becomes the Maithili script, which comes into use in Assam, Bengal, and Nepal. The earliest recorded epigraphic evidence of the script is found in the Mandar Hill Stone inscriptions of Adityasena in the 7th century CE, now fixed in the Baidyanath temple of ].<ref>Choudhary, R. (1976). . Ram Vilas Sahu.</ref> | |||
In the 18th century, some well-known works like Yatharthadeepika (by Vaman Pandit), Naladamayanti Swayamvara (by Raghunath Pandit), Pandava Pratap, Harivijay, Ramvijay (by Shridhar Pandit) and Mahabharata (by Moropant) were produced. However, the most versatile and voluminous writer among the poets was Moropanta (1729–1794) whose Mahabharata was the first epic poem in Marathi. The historical section of the old Marathi literature was unique as it contained both prose and poetry. The prose section contained the Bakhars that were written after the foundation of the Maratha kingdom by Shivaji. The poetry section contained the Povadas and the Katavas composed by the Shahirs. The period from 1794 to 1818 is regarded as the closing period of the Old Marathi literature and the beginning of the Modern Marathi literature. | |||
The language of the Buddhist ] is described as belonging to the mixed Maithili—Kamrupi language.<ref>{{cite book |author=Barua, K. L. |year=1933 |title=Early history of Kamarupa |location=Shillong |publisher=Published by the Author |url=https://archive.org/details/EarlyHistoryOfKamarupa}}</ref> | |||
Modern Period (after 1800) | |||
The period of the late 19th century in Maharashtra is the period of colonial modernity. Like the corresponding periods in the other Indian languages, this was the period dominated by the English educated intellectuals. It was the age of prose and reason. It was the period of reformist diadicticism and a great intellectual ferment. | |||
==== Modern Meitei literature {{anchor|Meitei literature}} ==== | |||
The first English Book was translated in Marathi in 1817. The first Marathi newspaper started in 1835. Many books on social reforms were written by Baba Padamji (Yamuna Paryatana, 1857), Mahatma Jyotiba Phule, Lokhitwadi, Justice Mahadev Govind Ranade, Hari Narayan Apte (1864–1919) etc. Lokmanya Tilak's newspaper Kesari, set up in 1880, provided a platform for sharing literary views. Marathi at this time was efficiently aided by Marathi Drama. Here, there also was a different genre called 'Sangit Natya' or Musicals. The first play was V.A. Bhave's Sita Swayamvar in 1843 Later Kirioskar (1843–85) and G.B. Deval (1854-19l6) brought a romantic aroma and social content. But Krishnaji Prabhakar Khadilkar (1872~1948) with his banned play Kichaka-Vadh (1910) set the trend of political playwriting. Later on this "stage" was ably served by stalwarts like Ram Ganesh Gadkari and Prahlad Keshav Atre.The Drama Flourished in 60s and 70s with few of the best Indian actors available to take on a variety of protagonists. Mohan Agashe, Sriram Lagoo, Kashinath Ghanekar, Prabhakar Panshikar playing many immortal characters penned by greats like Vasant Kanetkar, Kusumagraj, vijay Tendulkar to name a few. This Drama movement was ably supported by Marathi films which did not enjoy a continuous success. Starting with V.Shantaram and before him the pioneer DadaSaheb Phalke, Marathi cinema went on to influence contemporary Hindi cinema. Director Raja Paranjape, Music director Sudhir Phadke, lyricist G.Madgulkar and actor Raja Gosavi came together to give quiet a few hits in later period. Marathi Language as spoken by people here was throughout influenced by drama and cinema along with contemporary literature. Modern Marathi poetry began with Mahatma Jyotiba Phule's compositions. The later poets like Keshavsuta, Balakavi, Govindagraj, and the poets of Ravi Kiran Mandal like Madhav Julian wrote poetry which was influenced by the Romantic and Victorian English poetry. It was largely sentimental and lyrical.Prahlad Keshav Atre, the renowned satirist and a politician wrote a parody of this sort of poetry in his collection Jhenduchi Phule. Sane Guruji (1899–1950) contributed to the children's literature in Marathi. His major works are Shyamchi Aai (Shyam's Mother), Astik (Believer), Gode Shevat (The Sweet Ending) etc. He translated and simplified many Western Classics and published them in a book of stories titled Gode Goshti (Sweet Stories). Vishnu Sakharam Khandekar (1889–1976)'s Yayati won him the Jnanpith Award for 1975. He also wrote many other novels, short stories, essays etc. His major works are Don Dhruv (Two Poles), Ulka (Meteorite) , Krounchavadh, Jalalela Mohar, Amrutvel. | |||
{{Distinguish|#Ancient Meitei literature}} | |||
{{Main|Meitei literature{{!}}Modern Meitei literature}} | |||
{{Further|Meitei language in Bangladesh}} | |||
Modern Meitei literature, the descendant of ], is written in ] (also known as ]), composed by writers from Manipur, Assam, Tripura, Myanmar and Bangladesh. The history of Meitei literature can be traced back to thousands of years with the flourish of ]. {{Langnf|mni|]|Epic of ]}}, the ], next to the ] and the ], is a Meitei ], based on the classic tale of ],<ref>—{{Cite web |last=KanglaOnline |date=2011-04-04 |title=The great Meitei Reconciliation Process: Revisiting the classical folklore on "Emoinu Chakhong Ngahongbi" by Late Shri Ningomabam Angouton Meetei – KanglaOnline |url=https://kanglaonline.in/2011/04/the-great-meitei-reconciliation-process-revisiting-the-classical-folklore-on-emoinu-chakhong-ngahongbi/ |access-date=2023-11-12|quote=... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...}}<br />—{{Cite book |last=Delhi |first=All India Radio (AIR), New |chapter-url=https://books.google.com/books?id=xf_2DwAAQBAJ&dq=manipuri+classics&pg=PA7 |title=AKASHVANI: Vol. XXXIII, No. 12 ( 17 MARCH, 1968 ) |date=1968-03-17 |publisher=] (AIR), New Delhi |location=India |pages=7, 8|chapter=Some Classics of Manipur |author-link=All India Radio}}<br />—{{Cite book |last=Bond |first=Ruskin |chapter-url=https://books.google.com/books?id=NZv0AwAAQBAJ&pg=PT4 |title=The Penguin Book of Classical Indian Love Stories and Lyrics |date=2000-10-14 |publisher=] |isbn=978-93-5118-814-8 |pages=3, 4|chapter=The Story of Khamba and Thoibi |author-link=Ruskin Bond}}</ref> having 39,000 lines, is regarded as the ] of the ].<ref>—{{Cite book |last=George |first=K. M. |url=https://books.google.com/books?id=m1R2Pa3f7r0C&dq=Khamba+Thoibi+Sheireng&pg=PA258 |title=Modern Indian Literature, an Anthology: Surveys and poems |date=1992 |publisher=] |isbn=978-81-7201-324-0 |location=India |pages=258|quote=H. Anganghal Singh's Khamba Thoibi Sheireng (Poem on Khamba Thoibi, 1940) is a national epic of the Manipuris based on the story of Khamba and Thoibi of Moirang. The poet composes the whole epic in the Pena Saisak style of folk ballads sung by minstrels or bards popular in Manipur.}}<br />—{{Cite book |last=Datta |first=Amaresh |url=https://books.google.com/books?id=zB4n3MVozbUC&dq=Khamba+Thoibi+Sheireng&pg=PA1186 |title=Encyclopaedia of Indian Literature: Devraj to Jyoti |publisher=] |year=1988 |isbn=978-81-260-1194-0 |location=India |pages=1186}}<br />—{{Cite book |last=Das |first=Sisir Kumar |url=https://books.google.com/books?id=sqBjpV9OzcsC&dq=Khamba+Thoibi+Sheireng&pg=PA190 |title=A History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy |publisher=] |year=2005 |isbn=978-81-7201-798-9 |pages=190|quote=His epic Singel Indu was published in 1938 which was followed by his magnum opus Khamba Thoibi Sheireng (1940), a poem of 39000 lines, considered to be the 'national' epic of the Manipuris, written in the Pena Saisak style of folk ballads.}}</ref> | |||
====Marathi literature==== | |||
The major paradigm shift in sensibility began in the forties with the avant-garde modernist poetry of B.S. Mardhekar. In the mid fifties, the 'little magazine movement' gained momentum. It published writings which were non-conformist, radical and experimental. Dalit literary movement also gained strength due to the little magazine movement. This radical movement was influenced by the philosophy of Dr. Babasaheb Ambedkar and challenged the literary establishment which was largely middle class, urban, and upper caste people. The little magazine movement threw up many excellent writers. Bhalchandra Nemade is a well known novelist, critic and poet. Dr.Sharad Rane is a well known bal-sahityakar. The poetry of Arun Kolatkar, Dilip Chitre, Namdeo Dhasal, Vasant Abaji Dahake, Manohar Oak and many other modernist poets is complex, rich and provokative. Bhau Padhye, Vilas Sarang, Shyam Manohar, Suhas Shirvalkar and Visharm Bedekar are well known fiction writers. | |||
{{main|Marathi literature}} | |||
] literature began with saint-poets like ], ], ], and ]. Modern Marathi literature was marked by a theme of social reform.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
====Nepali literature==== | |||
The another major paradigm shift in Marathi sensibility began in the nineties with the another avant-garde modernist poetry of poets associated with Abhidhanantar and Shabadavedh. In the post nineties, this 'new little magazine movement' gained momentum and poets like Manya Joshi, Hemant Divate, Sachin Ketkar, Mangesh Narayanrao Kale, Saleel Wagh, Mohan Borse, Nitin Kulkarni, Nitin Arun Kulkarni, Varjesh Solanki, Sandeep Deshpande, Vasant Gurjar touched the new areas of post-modern life. The poetry collections broughtout by Abhidhanantar Prakashan and the regular issues of the magazine Abhidhanantar is taking Marathi poetry to the global standards. Another leading wave in contemporary Marathi poetry is the poetry of non-urban poets like Arun Kale, Bhujang Meshram, Pravin Bandekar, Shrikant Deshmukh, Veerdhaval Parab etc. They insist on native values in their poetry. | |||
Marathi is also the one of the few Indian languages (and possibly the only one) where there is a stream of science fiction literature. A few well known Marathi science fiction authors are Dr. Jayant Narlikar, Dr Bal Phondke, Subodh Javadekar, and Laxman Londhe. | |||
Many writers like Dnyaneshwar Mulay have added new dimensions and enriched Marathi with their literary talent. His autobiographical book 'Maati Pankh Aani Aakaash' was considered to be among the best ten autobiographies of last 100 years in Marathi by a survey conducted by Antarnaad, a respected martahi literary magazine. His other books are 'Russia Navya Dishanche Amantran' a book that captures post 1992 Russia. It is popular because it is probably the only work of its kind in Marathi. His recent poetry collection 'Swatahteel Awakash' won the state literary award of governmment of Maharashtra. He writes regular columns in Marathi dailies like Lokmat and Loksatta and Sadhana, weekly published from Pune. | |||
===Nepali literature=== | |||
{{main|Nepali literature}} | {{main|Nepali literature}} | ||
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====Odia literature==== | ||
{{main| |
{{main|Odia literature}} | ||
Odia language literary history started with the charyapadas written in the 8th century CE. Odia has a rich literary heritage, the medieval period dating back to the 13th century. ] who lived in the 14th century is known as the ] of Odisha. He translated the ] into Odia.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
====Punjabi literature==== | |||
In 19th century, ] (1843–1918), Gouri Shankar Ray, Gopal Chandra Praharaj, Pandit Nilmani Vidyaratna, Kabibar Radhanath Ray were prominent figure in prose and poetry writinga of ]. In 20th century Godabarish Mohapatra, Kalindi Charana Panigrahi, Kanhu Charan Mohanty (1906–1994), Gopinath Mohanty, Sachchidananda Routray, Surendra Mohanty, ], Kishori Charan Das, Sitakanta Mohapatra, ], Binapani Mohanty, ], ], Rajendra Kishore Panda, Padmaj Pal, Ramchandra Behera, Pratibha Satpathy are few names who made the ] and ] worthy. | |||
===Punjabi literature=== | |||
{{main|Punjabi literature}} | {{main|Punjabi literature}} | ||
{{citation needed|date=November 2023}}{{verify source|date=November 2023}}The first work considered to be Punjabi literature is <mark>the 16th century biography of Guru Nanak, Janam-sakhi, written by his companion Bhai Bala</mark>. However, some say that Punjabi literature may have evolved much earlier, perhaps in the 9th or 10th centuries, based on the high level of Punjabi poetry written by Baba Farid, Guru Nanak, and Bhai Gurdas. Baba Farid (1173–1266) is often considered the first major Punjabi poet, and his Sufi poetry was compiled after his death in the Adi Granth. | |||
The history of Punjabi literature starts with advent of Aryan in Punjab. | |||
Punjab provided them the perfect environment in which to compose the ancient texts. The Rig-Veda is first example in which references are made to the rivers, flora and fauna of Punjab. The Punjabi literary tradition is generally conceived to commence with Fariduddin Ganjshakar (1173–1266).. Farid's mostly spiritual and devotional verse were compiled after his death in the Adi Granth. | |||
Misplaced Pages | |||
The Janamsakhis, stories on the life and legend of Guru Nanak (1469–1539), are early examples of Punjabi prose literature. Nanak himself composed Punjabi verse incorporating vocabulary from Sanskrit, Arabic, Persian, and other Indic languages as characteristic of the Gurbani tradition. Sufi poetry developed under Shah Hussain (1538–1599), Sultan Bahu (1628–1691), Shah Sharaf (1640–1724), Ali Haider (1690–1785), and Bulleh Shah (1680–1757). In contrast to Persian poets who had preferred the ghazal for poetic expression, Punjabi Sufi poets tended to compose in the Kafi.. | |||
Punjabi Sufi poetry also influenced other Punjabi literary traditions particularly the Punjabi Qissa, a genre of romantic tragedy which also derived inspiration from Indic, Persian and Qur'anic sources. The Qissa of Heer Ranjha by Waris Shah (1706–1798) is among the most popular of Punjabi qisse. Other popular stories include Sohni Mahiwal by Fazal Shah, Mirza Sahiba by Hafiz Barkhudar (1658–1707), Sassi Punnun by Hashim Shah (1735?-1843?), and Qissa Puran Bhagat by Qadaryar (1802–1892). | |||
The Victorian novel, Elizabethan drama, free verse and Modernism entered Punjabi literature through the introduction of British education during colonial rule. The setting up of a Christian mission at Ludhiana in 1835 (where a printing press was installed for using Gurmukhi fonts, and which also issued the first Punjabi grammar in 1838), the publication of a Punjabi dictionary by Reverend J. Newton in 1854 and the ripple-down effect of the strengthening and modernizing the education system under the patronage of the Singh Sabha Movement in 1860s, were some of the developments that made it possible for ‘modernism’ to emerge in Punjabi literary culture. It needs to be pointed out here that ‘modernism’ is being used here as an umbrella term to cover a whole range of developments in the Punjabi literary culture, starting with the break from tradition or the past to a commitment to progressive ideology, from the experimental nature of the avant-garde to the newness of the forward-looking. | |||
===Rajasthani literature=== | |||
{{main|Rajasthani literature}} | |||
===Sanskrit literature=== | |||
{{main|Sanskrit literature}} | |||
===Sindhi literature=== | ====Sindhi literature==== | ||
{{main|Sindhi literature}} | {{main|Sindhi literature}} | ||
<!-- Sindhi literature after 1947 partition between India and Pakistan was in doldrums. The Sindhi's who have migrated from Sind, Pakistan were more involved in survival. However, post partition literature was mainly in demonstrating love for Sind, remembering the Sind and craving for the unification of India & Pakistan. | <!-- Sindhi literature after 1947 partition between India and Pakistan was in doldrums. The Sindhi's who have migrated from Sind, Pakistan were more involved in survival. However, post partition literature was mainly in demonstrating love for Sind, remembering the Sind and craving for the unification of India & Pakistan. | ||
The well |
The well-known writers in that era were like Gobind Malhi, G L Dodeja, Lakhmi Khilani, Kirat Babani, Vishnu Bhatia, Lokram Dodeja, Rekha Shahani, Sundri Utamchandani etc. | ||
Within 2 decades it became clear to all, that the Sindhi language written as well as spoken was gradually declining. Many Sindhi's specially in major cities, preferred to teach Hindi & English to their children, so that their financial future was secure. Therefore the main thrust and debate for all writers and thinkers was 'How to Keep Sindhi Literature Alive'. |
Within 2 decades it became clear to all, that the Sindhi language written as well as spoken was gradually declining. Many Sindhi's specially in major cities, preferred to teach Hindi & English to their children, so that their financial future was secure. Therefore the main thrust and debate for all writers and thinkers was 'How to Keep Sindhi Literature Alive'. | ||
By 90's all Sindhi Schools in Cities like Mumbai and Ahemdabad were closed. The only newspaper published from Mumbai, 'Hindvasi' was also closed, other weeklies and dailies in Sindhi have long back closed down. Old generation only read religious books like Ramayana - Mahabharat - Bhagwat etc. | |||
By 90's all Sindhi Schools in Cities like Mumbai and Ahemdabad were closed. The only newspaper published from Mumbai, 'Hindvasi' was also closed, other weeklies and dailies in Sindhi have long back closed down. Old generation only read religious books like Ramayana – Mahabharat – Bhagwat etc. | |||
Today, an attempt is made to keep Sindhi culture alive by few editors like Jairam Rupani, Shri Lakhmi Khilani by publishing magazine in English language.--> | Today, an attempt is made to keep Sindhi culture alive by few editors like Jairam Rupani, Shri Lakhmi Khilani by publishing magazine in English language.--> | ||
===Tamil literature=== | ====Tamil literature==== | ||
{{main|Tamil literature}} | {{main|Tamil literature}} | ||
] literature has a rich and long literary tradition spanning more than 2500 years (]: 5th century BCE-3rd century CE.) ] (3rd century BCE) has been credited as the oldest work in Tamil available today.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
] literature has a rich and long literary tradition spanning more than 2000 years. ] has been credited as the oldest work in Tamil available today. The history of Tamil literature follows the ], closely following the social and political trends of various periods. The ] nature of the early ] poetry gave way to works of religious and didactic nature during the Middle Ages. ] is a fine example of such work on human behaviour and political morals. A wave of religious revival helped generate a great volume of literary output by ] and ] authors. ] and ] authors during the medieval period and ] and European authors later also contributed to the growth of Tamil literature. | |||
====Telugu literature==== | |||
A revival of Tamil literature took place from the late 19th century when works of religious and philosophical nature were written in a style that made it easier for the common people to enjoy. Nationalist poets began to utilise the power of poetry in influencing the masses. Short stories and novels began to appear. The popularity of ] has also provided opportunities for modern Tamil poets to emerge. | |||
===Telugu literature=== | |||
{{main|Telugu literature}} | {{main|Telugu literature}} | ||
Telugu, the Indian language with the third largest number of speakers (after Hindi & Bengali), is rich in literary traditions. | Telugu, the Indian language with the third largest number of speakers (after Hindi & Bengali), is rich in literary traditions. Literature has existed from 300 BCE in the form of inscriptions. The earliest written literature dates back to the 7th century CE.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | ||
The earliest written literature dates back to the 7th century. The epic literary tradition started with ] who is acclaimed as Telugu's ''Aadikavi'' meaning the first poet. He belongs to the tenth or 11th century. | |||
====Urdu literature==== | |||
] was a prince, also called Pedakomati or Vemaa Reddy, who lived in the 14th century and wrote poems in the language of the common man. He questioned the prevailing values and conventions and religious practices in his poems. His philosophy made him a unique poet of the masses. | |||
] (''Veyipadagalu'') (1895–1976), a doyen of conventional yet creative literature, was the first to receive the ] for Telugu followed by ]. | |||
] or '''Sri Sri''' (born 1910) was a popular 20th century poet and lyricist. Srisri took the "Telugu literary band wagon that travelled in roads of kings and queens in to that of muddy roads of common man". | |||
Literary Movements: | |||
Old Era: | |||
Telugu literature has been enriched by many literary movements like Veera Shaiva movement which gave birth to dwipada kavitvam (couplets). Bhakti movement which gave us immortal compilations by Annamayya, ] and Tyagaraja and kancharla Gopanna (Ramadasu). The renaissance movement heralded by Vemana stand for the old Telugu literary movements. | |||
New era: | |||
Romantic Movemnet (led by Krishnasashtri, Rayaprolu, Vedula), Progressive Writers Movement, Digambara Kavitvam (Nagnamuni, Cherabanda Raju, Jwalamukhi, Nikhileswar, Bhairavayya and Mahaswapna Revolutionary Writers' Movement, Streevada Kavitvam and Dalita Kavitvam all flourished in Telugu Literature and in fact, Telugu Literature has been the standard bearer of Indian Literature in these respects. | |||
Fiction and Prose literature: | |||
Kadukuri Veeresalingam, is said to be the father of Modern Telugu fiction. Kodavatiganti Kutumba Rao laid foundation for the realistic modern Telugu Novel and Short Story, Rachakonda and Kalipatnam carried the flag in to excellency. | |||
], ], ], ], ], ] (''Malapalli''), ], ] and many more had a profound impact on Telugu literature. | |||
===Urdu literature=== | |||
{{main|Urdu literature}} | {{main|Urdu literature}} | ||
Among other traditions, Urdu poetry is a fine example of linguistic and cultural synthesis. ] and ] vocabulary based on the Hindi language resulted in a vast and |
Among other traditions, Urdu poetry is a fine example of linguistic and cultural synthesis. ] and ] vocabulary based on the Hindi language resulted in a vast and popular class of ghazal literature, usually written by Muslims in contexts ranging from romance and society to philosophy and Tassawuf (Sufism).{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | ||
In Urdu literature fiction has also flourished well. Umrao Jaan Ada of Mirza Hadi Ruswa is first significant Urdu novel. Premchand is treated as father of modern Urdu fiction with his novel Godan and short stories like Kafan. The art of short story was further taken ahead by Manto, Bedi, Krishn Chander and a host of highly acclaimed writers.Urdu novel reached further heights in 1960s with novels of Quratul Ain Haider and Abdullah Hussain. Towards the end of 20th century Urdu novel entered into a new phase with trend setter novel ] of ]. Urdu ghazal has also recently changed its colour with more and more penetration in and synchronization with modern and contemporary issues of life. | |||
==Indian literature in foreign languages== | |||
===Indian Persian literature=== | |||
{{main|Persian literature}} | |||
During the early Muslim period, Persian became the lingua franca of the subcontinent, used by most of the educated and the government. Although ] from ] itself was popular, several Indians became major Persian poets, the most notable being ] and in more modern times ]. Much of the older ] literature was also translated into Persian. For a time, it remained the court language of the ], soon to be replaced by Urdu. Persian still held its status, despite the spread of Urdu, well into the early years of the ] rule in India. Most British officials had to learn Persian on coming to India and concluded their conversations in Persian. In 1837, however, the British, in an effort to expand their influence, made a government ruling to discontinue the use of Persian and commence the use of English instead. Thus started the decline of Persian as the subcontinent's lingua franca, a position to be taken up by the new language of the ], English. Many modern Indian languages still show signs of heavy Persian influence, most notably Urdu and Hindi. | |||
=== Sahitya Akademi recognised but non scheduled languages === | |||
{{see also|Delhi Sultanate literature}} | |||
{{Further|Sahitya Akademi#Recognised literary languages|Scheduled languages of India}} | |||
===Indian English literature=== | ==== Indian English literature {{anchor|English literature}} ==== | ||
{{main|Indian English literature}} | {{main|Indian English literature}} | ||
{{further|Indian English}} | |||
In the 20th century, several Indian writers have distinguished themselves not only in traditional ] but also in English. India's only Nobel laureate in literature was the ] writer ], who wrote some of his work originally in English, and did some of his own English translations from Bengali. More recent major writers in English who are either Indian or of Indian origin and derive much inspiration from Indian themes are ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ], ] and ]. | |||
In the 20th century, several Indian writers have distinguished themselves not only in traditional ] but also in English, a language inherited from ]. As a result of British colonisation, India has developed its own unique dialect of English known as ].{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
====Rajasthani literature==== | |||
In the 1950s, the ] collective in Calcutta was founded by the poet and essayist ] to advocate and publish Indian writing in English. The press was the first to publish ], ], and others; it continues to this day to provide a forum for English writing in India.In modern times, Indian poetry in English was typified by two very different poets. ], winner of the ] at the age of 19 for his first book of poems ''A Beginning'' went on to occupy a pre-eminent position among Indian poets writing in English. ], who came from India's tiny ] Jewish community, created a voice and place for Indian poets writing in English and championed their work. | |||
{{main|Rajasthani literature}} | |||
=== Non Sahitya Akademi recognised & non scheduled languages {{anchor|In non Sahitya Akademi recognised & non scheduled languages}} === | |||
Their contemporaries in English poetry in India were ], ], ], ], ], ], ], ] and ] among several others. | |||
{{Further|Sahitya Akademi#Recognised literary languages|Scheduled languages of India}} | |||
Younger generation of poets writing in English include ],] ], ], ],], ]among others. | |||
====Bhojpuri literature==== | |||
A generation of exiles also sprang from the Indian diaspora. Among these are names like ], ], ], ] and ]. | |||
{{main|Bhojpuri literature}} | |||
====Chhattisgarhi literature==== | |||
In recent years, English-language writers of Indian origin are being published in the West at an increasing rate. | |||
Literature in Chhattisgarh reflects the regional consciousness and the evolution of an identity distinct from others in Central India.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
], ], ] and ] have won the prestigious ], with Salman Rushdie going on to win the Booker of Bookers. | |||
====Kodava literature==== | |||
===Literature from North East India=== | |||
When Kodava was written, it was usually with Kannada script, sometimes with minor modifications.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
{{main|Literature from North East India}} | |||
====Mizo literature==== | |||
] refers to literature of ], and also the body of work by English-language writers from this region. ] is an under-represented region in many ways. The troubled political climate, the beautiful landscape and the confluence of various ethnic groups perhaps have given rise to a body of writing that is completely different from Indian English Literature. ] was a colonial construct and continues to be one by virtue of having a historically difficult relationship with the Indian nation state. | |||
{{main|Mizo literature}} | |||
'''Mizo literature''' is the ] written in ], the principal language of the ], which has both ] and ]s. It has undergone a considerable change in the 20th century. The language developed mainly from the ], with significant influence from ], ] and ], especially at the literary level.<ref>{{Cite web|url=https://www.vanglaini.org/index.php?option=com_content&view=article&id=12917:mizo-tihin-tawng-a-nei-lo-tih-kha&catid=105:articles&Itemid=466/|title=Vanglaini|website=vanglaini.org|access-date=2019-07-31|archive-date=13 November 2020|archive-url=https://web.archive.org/web/20201113115510/https://www.vanglaini.org/index.php?option=com_content&view=article&id=12917%3Amizo-tihin-tawng-a-nei-lo-tih-kha&catid=105%3Aarticles&Itemid=466%2F|url-status=dead}}</ref> | |||
====Nagpuri literature==== | |||
== Journalism in India == | |||
{{Main|Nagpuri literature}} | |||
Nagpuri literature refers to literature in the ], the language of ], ] and ]. The earliest literature started in the nagpuri language when the ] king and king of ] started writing poetry in the 17th century. Since then, various literature has been written.<ref>{{Cite web|url=https://www.telegraphindia.com/jharkhand/giant-new-chapter-for-nagpuri-poetry/cid/362632|title=Giant new chapter for Nagpuri poetry|website=telegraphindia|date=5 November 2012|access-date=6 October 2022}}</ref> Although in the present century, Nagpuri was never considered worthy of literary development, a small but dedicated writers have engaged in writing short stories, plays and poetry.<ref>{{Cite web|url=https://www.researchgate.net/publication/342833425|title=JOURNAL OF CRITICAL REVIEWS A Study of the Special Features of Nagpuri Language of Jharkhand|publisher=research gate|date=July 2020|access-date=6 October 2022}}</ref> | |||
====Tripuri literature==== | |||
The first printing press arrived in India in the year 1556, through the efforts of Jesuit missionaries. It was brought from Portugal and installed at the ]. It was used mainly for printing religious literature like tracts, hymn books etc. | |||
{{main|Tripuri literature}} | |||
Tripuri(Kokborok/Tiprakok) is the native language of Tripuri people in present Tripura state in North East of India.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
The first printed newspaper of India was in English, and was called Hicky’s Bengal Gazette. It was edited and published by James Augustus Hicky, an ex-employee of the East India Company. The first issue of this newspaper came out in 1780 and carried only classified advertisements on its front page. It was a weekly newspaper and generally dealt with the arrival and departure of Europeans, timings of steamers, fashionable news from London, Paris and Vienna, and personal news. It attended to the needs of the small European community of Calcutta. Many other Anglo-Indian newspapers emerged after Hicky’s pattern- such as John Bull, Calcutta Journal, Bengal Harkaru. In the year 1781, Hicky’s Bengal Gazette was forced to close down after Hicky published a scandalous story about Warren Hastings, the then Governor-General and his wife. | |||
====Tulu literature==== | |||
Later on, another type of newspaper emerged- Indo-Anglian papers. They were English newspapers run by Indians primarily for English educated elite Indians. The first newspaper of this type was Bengal Gazette, started in 1816 by Gangadhar Bhattacharya, a disciple of Raja Rammohan Roy. Rammohan Roy also began his famous Brahmanical Magazine, English fortnightly. | |||
{{main|Tulu literature}} | |||
The written literature of Tulu is not as large as the literature of other literary Dravidian languages such as Tamil.{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
==In foreign languages== | |||
The early Indo-Anglian papers concentrated on drawing the attention of the British to the cultural and philosophical history of India. They did not openly attack social and political evils. | |||
===Indian Persian literature=== | |||
The first war of Independence was fought from 1857-59 in various parts of the country. Between 1860 and 1899, hundreds of newspapers came up demanding freedom of expression and criticizing the repressive measures taken by the British. Journalism played an important role in making educated Indians aware of their rights. Some newspapers of this period are The Hindu of Madras and Amrit Bazaar Patrika of Calcutta. Another significant factor was that during this period a large number of colleges imparting science and liberal arts education sprang up in the major towns of India. | |||
{{main|Persian language in the Indian subcontinent}} | |||
During the early Muslim period, Persian became the official language of the northern part of Indian subcontinent, used by most of the educated and the government. The language had, from its earliest days in the 11th century CE, been imported to the subcontinent by various culturally Persianised ]n ] and ] dynasties.<ref>Sigfried J. de Laet. UNESCO, 1994. {{ISBN|9231028138}} p 734</ref> | |||
==Literature from North East India== | |||
Digdarshan (World Vision) was the first Indian language newspaper, a Bengali religious weekly started in Sehrampur by Christian missionaries. Based on the pattern of Digdarshan, Raja Rammohan Roy brought out Bengali and Urdu weeklies like Bangadoota and Mirat-ul-Akhbar. The newspaper with the greatest longevity in India is the first Gujarati newspaper- Mumbai Samachar, established in 1822. Some of the early Hindi publications were Oodunt Martand, Banaras Akhbar, Shimla Akhbar and Samayadant Martand, the first Hindi daily. Mangaloora Samachar, published from Mangalore, was the first Kannada journal. Malayala Manorama, the second oldest newspaper in Kerala was started in 1890, and was the first newspaper to be published by a joint stock company formed solely for the purpose of publishing a newspaper. The first Marathi newspaper was Darpan- a bilingual fortnightly in Englisha and Marathi, started by a professor of the Elphinstone College of Bombay. The first all Marathi journal was Mumbai Akhbar. During the early part of the 20th century, Marathi journalism played an important role in the freedom movement. Bal Gangadhar Tilak, a renowned freedom fighter started two powerful journals- Kesari and Maratha. | |||
{{main|Literature from North East India}} | |||
{{Further|#Ancient Meitei literature|#Assamese literature|#Modern Meitei literature}} | |||
] included ], ], Naga literature, among others. Ancient India has many intensive examples, like that of the incredible verses translated from the ], named ''Saptakanda Ramayana''. Choral songs known as ],<ref>{{Cite web|title=Ojapali – A performing art form of Assam|url=https://www.oknortheast.com/2012/03/ojapali-performing-art-form-of-assam.html?m=1|access-date=2021-01-22|website=oknortheast.com}}</ref> and theater performances, known as ''Panchali'', were also an extensive part of ].<ref>{{Cite journal|last=Barua|first=Hem|date=1957|title=Assamese literature|url=https://www.jstor.org/stable/23328613|journal=Indian Literature|volume=1|issue=1|pages=65–68|jstor=23328613 |issn=0019-5804}}</ref> | |||
==Awards== | |||
Despite the numerous columns and articles demanding political and social reforms, journalism during the 19th century had little impact on the Indian masses, due to widespread illiteracy and poverty. | |||
In contemporary Indian literature, there are two major literary awards; these are the ] and the ]. Eight Jnanpith Awards each have been awarded in Hindi and ], followed by five in ] and ], four in ], ], ], ] and ],<ref>{{Cite web|url=http://jnanpith.net/|title=Jnanpith {{!}} Home|website=jnanpith.net|access-date=2019-07-31}}</ref><ref name=award2008>{{cite news|url=http://www1.timesofindia.indiatimes.com/Delhi/Kunwar_Narayan_to_be_awarded_Jnanpith/articleshow/3752703.cms|title=Kunwar Narayan to be awarded Jnanpith|date=24 November 2008|newspaper=The Times of India|access-date=2008-11-25|url-status=dead|archive-url=https://archive.today/20121205234801/http://www1.timesofindia.indiatimes.com/Delhi/Kunwar_Narayan_to_be_awarded_Jnanpith/articleshow/3752703.cms|archive-date=5 December 2012}}</ref> two each in ], ] and ], and one each in ] and Kashmiri۔{{citation needed|date=November 2023}}{{verify source|date=November 2023}} | |||
* ] | |||
In 1947, the major English newspaper in India were the Times of India (Bombay), Statesman (Calcutta), Hindu (Madras), Hindustan Times (New Delhi), Indian Express (Bombay & Madras) Amrita Bazaar Patrika (Calcutta). Of these, the Times of India, Statesman & Pioneer were under British ownership till 1964, when it came under a group of Indian business. | |||
During the long struggle for India’s Independence, the major English newspaper that served the national cause were the Hindu (1878), Amrita Bazaar Patrika (1868), & Hindustan Times (1924). Among the Indian language newspapers, the prominent ones were , Ananda bazaar Patrika (1922), Sakal (1931), Mumbai Samachar (1822), Malayala Manorama (1890) & Mathrubhumi (1930). | |||
During the 1950s 214 daily newspapers were published in the country. Out of these, 44 were English language dailies while the rest were published in various regional languages. This number rose to 2,856 dailies in 1990 with 209 English dailies. | |||
There are four major publishing groups in India, each of which controls national and regional English-language and vernacular publications. They are the Times of India Group, the Indian Express Group, the Hindustan Times Group, and the Anandabazar Patrika Group. The Times of India is India's largest English-language daily, with a circulation of 656,000 published in six cities. The Indian Express , with a daily circulation of 519,000, is published in seventeen cities. There also are seven other daily newspapers with circulations of between 134,000 and 477,000, all in English and all competitive with one another. Indian-language newspapers also enjoy large circulations but usually on a statewide or citywide basis. For example, the Malayalam-language daily Malayala Manorama circulates 673,000 copies in Kerala; the Hindi-language Dainik Jagran circulates widely in Uttar Pradesh and New Delhi, with 580,000 copies per day; Punjab Kesari , also published in Hindi and available throughout Punjab and New Delhi, has a daily circulation of 562,000; and the Anandabazar Patrika , published in Calcutta in Bengali, has a daily circulation of 435,000. There are also numerous smaller publications throughout the nation. The combined circulation of India's newspapers and periodicals is in the order of 60 million, published daily in more than ninety languages. | |||
=== Journalism During the Emergency Period === | |||
During the summer of 1975, as Indira Gandhi became increasingly threatened by the mounting criticisms of her government, she declared a state of emergency. The declaration of a national emergency lasted for about 19 months. The emergency was declared as a result of mounting political pressure exerted upon the government from opposing political parties which were striving to fight corruption, inflation and economic chaos in the country. Indira Gandhi's government, rather than taking this as a political challenge, resorted to declaring a national emergency and imprisoning the opposition party leaders, including all dissenting voices from the media. | |||
Immediately she took control of the press, prohibiting their reporting of all domestic and international news. The government expelled several foreign correspondents (mainly American and British) and withdrew accreditation from more than 40 Indian reporters who normally covered the capital. | |||
The fundamental rights of the Indian people were suspended, and strict controls were imposed on freedom of speech and press. According to the Right of Freedom-Article 19(1) of the Indian Constitution, Indians have the right (a) to freedom of speech and expression, (b) to assemble peacefully and without arms, (c) to form associations or unions, (d) to move freely across the length and breadth of the country, (e) to reside or settle in any part of India, (f) to own or dispose of property, and (g) to carry on any lawful trade of occupation.' | |||
It is obvious that, unlike the American Constitution or others In which freedom of the press is mentioned as one of the fundamental rights, the Indian Constitution doesn't specifically mention freedom of the press. However, the fundamental Rights Clause of the Indian Constitution treats freedom of the press as an integral part of the larger "freedom of expression." | |||
Indira Gandhi's government used the "security of the state" and "promotion of disaffection" as its defense for imposing strict control on the press. And with the airwaves already under government ownership, Indira Gandhi successfully controlled the mass communication system in India for over a year and a half. | |||
During censorship, most of the nation's domestic dailies gave up the battle for press freedom. Their pages were "filled with fawning accounts of national events, flattering pictures of Gandhi and her ambitious son, and not coincidentally, lucrative government advertising." But two tough, prominent publishers of English language dailies, The Indian Express and The Statesman, fought courageously against Indira Gandhi's opposition of the Indian press. Despite some bold fights and stubborn stands taken up by these publishers, its was quite clear that Indira Gandhi had as strong a grip on the Indian press as she had on Indian politics, at least during the government-imposed emergency. | |||
'''Methods of Press Control''' | |||
Like other dictators in history, Indira Gandhi's first attempt was to impose "thought control" on the populace. For her, this was to be effectuated not merely by controlling the Indian mass media but also by moulding the media to her own purpose. It has now become a well known fact that during the emergency Indira Gandhi had a firm grip on the Indian mass media. This was especially true since radio and television in India are government owned and operated; for Indira, there was the simple matter of controlling the newspapers in order to achieve a total control of the mass media. She used at least three methods in manipulating the newspapers: | |||
(1) allocation of government advertising; | |||
(2) shotgun merger of the news agencies; and | |||
(3) use of fear-arousal techniques on newspaper publishers, journalists and individual shareholders. | |||
The Indian newspapers depend a great deal on governmental advertising; without such revenues, it would be difficult for many Indian newspapers to stay in business. Unfortunately, this has kept many of them vulnerable to government manipulation. The large scale possibility of such manipulation, however, was not fully demonstrated until Indira Gandhi's government decided to take advantage of this unique circumstance. In the beginning of censorship, when a few leading newspapers such as The Indian Express and The Statesman refused to abide the governmental censorship, the government withdrew its advertising support from these newspapers. Later on, this type of financial castigation was used on several other rebellious newspapers. | |||
The second and perhaps more profound way of manipulating the news flow resulted from the governmental decision to bring about a shot-gun merger of the four privately-owned Indian news agencies; the main purpose behind this merger was to alter the management and control of the Indian news agencies and thus to control much of the content of the leading newspapers. Since these agencies had been acting as the gatekeepers of information, it was essential for Indira Gandhi and her Information and Broadcasting Minister, Mr. V.C. Shukla, to control the gatekeepers. To effect such a merger, the government carried through various successful tactics. First of all, pressure was put on the members of boards of these agencies. Then the financial squeeze was applied to the agencies themselves by withholding governmental subsidy. Thirdly, the government introduced the threat of cutting-off the teleprinter services, the lifelines of a news agency. For example, the government-owned Post and Telegraph Department was ordered to impose a suspension of services to the United News of India if it resisted the merger. The manipulation of these four news agencies was so effective that hardly a voice was raised to resist the governmental perfidy. Soon after this, Shukla reported to the Indian parliament that these four news agencies accepted the merger "voluntarily." | |||
A third and an equally effective method applied by Indira Gandhi was to use fear-arousal techniques on the newspaper publishers, editors, reporters and shareholders. Such techniques were imposed by making false charges with regard to tax arrears, possible reductions in newsprint quotas, imprisonment of publishers | |||
==Awards== | |||
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Latest revision as of 23:11, 18 January 2025
See also: Indian English literature For the journal, see Indian Literature (journal).
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Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, India's highest literary body, also has 24 recognised literary languages.
The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics Ramayana and Mahabharata were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE, as did the Pāli Canon and Tamil Sangam literature. Ancient Meitei appeared in the 1st century CE with sacred musical compositions like the Ougri, and heroic narratives like the Numit Kappa. In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries, respectively. Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as well. In 1913, Bengali poet Rabindranath Tagore became India's first Nobel laureate in literature.
In archaic and ancient Indian languages
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Sanskrit literature
Vedic literature
Main article: VedasExamples of early works written in Vedic Sanskrit include, the core Vedas and Upanishads. Other examples include the Sulba Sutras, which are some of the earliest texts on geometry.
Epic Sanskrit literature
Main article: Indian epic poetryVed Vyasa's Mahabharata and Valmiki's Ramayana, written in Epic Sanskrit, are regarded as the greatest Sanskrit epics.
Classical Sanskrit literature
Main article: Sanskrit literatureThe famous poet and playwright Kālidāsa wrote one epic: Raghuvamsha (Dynasty of Raghu); it was written in Classical Sanskrit rather than Epic Sanskrit. Other examples of works written in Classical Sanskrit include the Pāṇini's Ashtadhyayi, which standardised the grammar and phonetics of Classical Sanskrit. The Laws of Manu (मनुस्मृति) is a famous text in Hinduism. Kālidāsa is often considered to be the greatest playwright in Sanskrit literature and one of the greatest poets in Sanskrit literature; his Recognition of Shakuntala (अभिज्ञानशाकुन्तलम्) and Meghaduuta are Kalidasa's most famous play and poem respectively. Other famous plays include Mricchakatika by Shudraka, Svapna Vasavadattam by Bhasa, and Ratnavali by Sri Harsha. Later poetic works include Gita Govinda by Jayadeva. Some other famous works are Chanakya's Arthashastra and Vatsyayana's Kamasutra.
Ancient Meitei literature
Main article: Ancient Meitei literature—Suniti Kumar Chatterji, Padma Vibhushan awardee Indian scholar"The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now."
Some of the ancient literature of Meitei language (also known as Manipuri language) include the Ougri (c. 1st century CE musical composition), the Numit Kappa (c. 1st century CE narrative work), the Poireiton Khunthok (c. 3rd century CE narrative work), the Khencho (pre-7th century CE musical composition), 6th-7th century CE copper plate inscriptions of king Khongtekcha, the Panthoibi Khonggul (c. 8th century CE narrative work), the Loiyumpa Silyel (c. Written Constitution drafted in 429 CE, and finalised in 11th-12th century CE), etc.
Prakrit literature
Many of Aśvaghoṣa's plays were written in Shauraseni as were a sizable number of Jain works and Rajasekhara's Karpuramanjari. Canto 13 of the Bhaṭṭikāvya is written in what is called "like the vernacular" (bhāṣāsama), that is, it can be read in two languages simultaneously: Prakrit and Sanskrit.
Pali literature
Main articles: Pali Canon and Pali literatureThe canonical Pali literature includes Buddhist discourses (suttas), Abhidharma works, poetry, works on monastic discipline (vinaya), and the Jataka tales.
Tamil literature
Sangam literature
Main article: Sangam literatureThe Sangam literature (Tamil: சங்க இலக்கியம், Sanga ilakkiyam) is the ancient Tamil literature of the period in the history of south India (known as the Thamizhagam or the Tamilagam) spanning from c. 300 BCE to 300 CE (Akananuru (1, 15, 31, 55, 61, 65, 91, 97, 101, 115, 127, 187, 197, 201, 211, 233, 251, 265, 281, 311, 325, 331, 347, 349, 359, 393, 281, 295), Kurunthogai (11), Natrinai (14, 75) are dated before 300 BCE). This collection contains 2381 poems in Tamil composed by 473 poets, some 102 of whom remain anonymous.
Most of the available Sangam literature is from the Third Sangam, this period is known as the Sangam period, which refers to the prevalent Sangam legends claiming literary academies lasting thousands of years, giving the name to the corpus of literature. The Only religious poems among the shorter poems occur in paripaatal. The rest of the corpus of Sangam literature deals with human relationship and emotions.
Sangam literature deals with emotional and material topics such as love, war, governance, trade and bereavement. Some of the greatest Tamil scholars, like Thiruvalluvar, who wrote on ethics, and on the various issues of life like virtue, wealth and love, or the Tamil poet Mamulanar, who explored historical incidents that happened in India, lived during the Sangam period.
Bhakti literature
The Bhakti movement was a significant religious movement in medieval Hinduism that sought to bring religious reforms to all strata of society by adopting the method of devotion to achieve salvation. Originating in Tamilakam during 6th century CE, it gained prominence through the poems and teachings of the Vaishnava Alvars and Shaiva Nayanars before spreading northwards. It swept over east and north India from the 15th century onwards, reaching its zenith between the 15th and 17th century CE. From the 14th to the 18th centuries, India's literary traditions went through a period of drastic change because of the spread of the Bhakti movement in the northern parts of India, resulting in the emergence of devotional poets like Kabīr, Tulsīdās, and Guru Nānak. This period was characterised by a varied and wide spectrum of thought and expression; as a consequence, medieval Indian literary works differed significantly from classical traditions.
In modern Indian languages
Sahitya Akademi recognised & scheduled languages
Further information: Sahitya Akademi § Recognised literary languages, and Scheduled languages of IndiaAssamese literature
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The Buddhist Charyapadas are often cited as the earliest example of Assamese literature. The Charyapadas are Vajrayana Buddhist songs composed in the 8th to 12th centuries. These writings bear similarities to Oriya and Bengali languages as well. The phonological and morphological traits of these songs, some of which are extant, bear very strong resemblance to Assamese.
A comprehensive introductory book Assamese Language-Literature & Sahityarathi Lakshminath Bezbaroa originally authored by leading Assamese littérateur of Awahon-Ramdhenu Era and pioneer Assam economist Bhabananda Deka together with his three deputies, Parikshit Hazarika, Upendra Nath Goswami and Prabhat Chandra Sarma, was published in 1968. This book was officially released in New Delhi on 24 Nov 1968 by then President of India Zakir Husain in commemoration of the birth centenary celebration of doyen of Assamese literature Lakshminath Bezbaroa. After almost half a century, this historic book has been recovered and re-edited by Assamese award-winning short-story writer & novelist Arnab Jan Deka, which was published by Assam Foundation-India in 2014.
Bengali literature
Main article: Bengali literature See also: Bengali novels, Bengali poetry, and Bengali science fictionThe first evidence of Bengali literature is known as Charyapada or Charyageeti, which were Buddhist hymns from the 8th century. Charyapada is in the oldest known written form of Bengali. The famous Bengali linguist Hara Prasad Shastri discovered the palm leaf Charyapada manuscript in the Nepal Royal Court Library in 1907. The most internationally famous Bengali writer is Nobel laureate Rabindranath Tagore, who received the Nobel Prize for Literature in 1913 for his work "Gitanjali". He wrote the national anthem of India and Bangladesh namely, "Jana Gana Mana" and "Amar Sonar Bangla", respectively. He was the first Asian who won the Nobel Prize. Rabindranath has written an enormous number of poems, songs, essays, novels, plays and short stories. His songs remain popular and are still widely sung in Bengal.
Hindi literature
Main article: Hindi literatureHindi literature started as religious and philosophical poetry in medieval periods in dialects like Avadhi and Brij. The most famous figures from this period are Kabir and Tulsidas. In modern times, the Dehlavi dialect of the Hindi Belt became more prominent than Sanskrit.
Gujarati literature
Main article: Gujarati literatureGujarati literature's history may be traced to 1000 CE.
Kannada literature
Main article: Kannada literature See also: Medieval Kannada literature and Kannada poetryThe oldest existing record of Kannada prose is the Halmidi inscription of 450 CE, and poetry in tripadi metre is the Kappe Arabhatta record of 700 CE. The folk form of literature began earlier than any other literature in Kannada. Gajashtaka (800 CE) by King Shivamara II, Chudamani (650 CE) by Thumbalacharya are examples of early literature now considered extinct. Kavirajamarga by King Nripatunga Amoghavarsha I (850 CE) is the earliest existing literary work in Kannada. It is a writing on literary criticism and poetics meant to standardise various written Kannada dialects used in literature in previous centuries. The book makes reference to Kannada works by early writers such as King Durvinita of the 6th century and Ravikirti, the author of the Aihole record of 636 CE. An early extant prose work, the Vaddaradhane by Shivakotiacharya of 900 CE provides an elaborate description of the life of Bhadrabahu of Shravanabelagola. Since the earliest available Kannada work is one on grammar and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature in Kannada must have started several centuries earlier. Pampa who popularised Champu style which is unique to Kannada wrote the epic "Vikramarjuna Vijaya". He also wrote "Adipurana". Other famous poets like Ponna wrote "shantinatapurana", "Bhuvanaikaramabhyudaya", "Jinaksharamale", and "gatapratyagata". Ranna wrote "Shantipurana" and "Ghadayudha". The Jain poet Nagavarma II wrote "Kavyavalokana", "Karnatabhashabhushana" and "Vardhamanapurana" . Janna was the author of "Yashodhara Charitha". Rudhrabhatta and Durgashima wrote "Jagannatha Vijaya" and "Panchatantra" respectively. The works of the medieval period are based on Jain and Hindu principles. The Vachana Sahitya tradition of the 12th century is purely native and unique in world literature.
Kashmiri literature
Main article: Kashmiri literatureKonkani literature
Konkani is a language with a complex and much-contested history. It is one of the few Indian languages to be written in five scripts—Roman, Nagari, Kannada, Persian-Arabic and Malayalam-and also has an extensive oral literature.
Malayalam literature
Main article: Malayalam literatureEven up to 500 years since the start of the Malayalam calendar which commenced in 825 CE, Malayalam literature remained in preliminary stage. During this time, Malayalam literature consisted mainly of various genres of songs.
Maithili literature
Main article: Maithili literatureMaithili literature is the entire collection of poetry, novels, short stories, documents and other writings in the Maithili language.
The Maithili script, Mithilakshara or Tirhuta as it is popularly known, is of a great antiquity. The Lalitavistara mentions the Vaidehi script. Early in the latter half of the 7th century CE, a marked change occurred in the northeastern alphabet, and the inscriptions of Adityasena exhibit this change for the first time. The eastern variety develops and becomes the Maithili script, which comes into use in Assam, Bengal, and Nepal. The earliest recorded epigraphic evidence of the script is found in the Mandar Hill Stone inscriptions of Adityasena in the 7th century CE, now fixed in the Baidyanath temple of Deoghar.
The language of the Buddhist dohas is described as belonging to the mixed Maithili—Kamrupi language.
Modern Meitei literature
Not to be confused with § Ancient Meitei literature. Main article: Modern Meitei literature Further information: Meitei language in BangladeshModern Meitei literature, the descendant of Ancient Meitei literature, is written in modern Meitei language (also known as Manipuri language), composed by writers from Manipur, Assam, Tripura, Myanmar and Bangladesh. The history of Meitei literature can be traced back to thousands of years with the flourish of Meitei civilization. Khamba Thoibi Sheireng (Meitei for 'Epic of Khamba Thoibi'), the third longest Indian epic poem, next to the Mahabharata and the Ramayana, is a Meitei epic poem, based on the classic tale of Khamba and Thoibi, having 39,000 lines, is regarded as the national epic of the Manipuris.
Marathi literature
Main article: Marathi literatureMarathi literature began with saint-poets like Dnyaneshwar, Tukaram, Ramdas, and Eknath. Modern Marathi literature was marked by a theme of social reform.
Nepali literature
Main article: Nepali literatureOdia literature
Main article: Odia literatureOdia language literary history started with the charyapadas written in the 8th century CE. Odia has a rich literary heritage, the medieval period dating back to the 13th century. Sarala Das who lived in the 14th century is known as the Vyasa of Odisha. He translated the Mahabharata into Odia.
Punjabi literature
Main article: Punjabi literatureThe first work considered to be Punjabi literature is the 16th century biography of Guru Nanak, Janam-sakhi, written by his companion Bhai Bala. However, some say that Punjabi literature may have evolved much earlier, perhaps in the 9th or 10th centuries, based on the high level of Punjabi poetry written by Baba Farid, Guru Nanak, and Bhai Gurdas. Baba Farid (1173–1266) is often considered the first major Punjabi poet, and his Sufi poetry was compiled after his death in the Adi Granth.
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Sindhi literature
Main article: Sindhi literatureTamil literature
Main article: Tamil literatureTamil literature has a rich and long literary tradition spanning more than 2500 years (Sangam period: 5th century BCE-3rd century CE.) Tolkaappiyam (3rd century BCE) has been credited as the oldest work in Tamil available today.
Telugu literature
Main article: Telugu literatureTelugu, the Indian language with the third largest number of speakers (after Hindi & Bengali), is rich in literary traditions. Literature has existed from 300 BCE in the form of inscriptions. The earliest written literature dates back to the 7th century CE.
Urdu literature
Main article: Urdu literatureAmong other traditions, Urdu poetry is a fine example of linguistic and cultural synthesis. Arab and Persian vocabulary based on the Hindi language resulted in a vast and popular class of ghazal literature, usually written by Muslims in contexts ranging from romance and society to philosophy and Tassawuf (Sufism).
Sahitya Akademi recognised but non scheduled languages
Further information: Sahitya Akademi § Recognised literary languages, and Scheduled languages of IndiaIndian English literature
Main article: Indian English literature Further information: Indian EnglishIn the 20th century, several Indian writers have distinguished themselves not only in traditional Indian languages but also in English, a language inherited from the British. As a result of British colonisation, India has developed its own unique dialect of English known as Indian English.
Rajasthani literature
Main article: Rajasthani literatureNon Sahitya Akademi recognised & non scheduled languages
Further information: Sahitya Akademi § Recognised literary languages, and Scheduled languages of IndiaBhojpuri literature
Main article: Bhojpuri literatureChhattisgarhi literature
Literature in Chhattisgarh reflects the regional consciousness and the evolution of an identity distinct from others in Central India.
Kodava literature
When Kodava was written, it was usually with Kannada script, sometimes with minor modifications.
Mizo literature
Main article: Mizo literatureMizo literature is the literature written in Mizo ṭtawng, the principal language of the Mizo peoples, which has both written and oral traditions. It has undergone a considerable change in the 20th century. The language developed mainly from the Lushai language, with significant influence from Pawi language, Paite language and Hmar language, especially at the literary level.
Nagpuri literature
Main article: Nagpuri literatureNagpuri literature refers to literature in the Nagpuri language, the language of Jharkhand, Chhattisgarh and Odisha. The earliest literature started in the nagpuri language when the Nagvanshi king and king of Ramgarh Raj started writing poetry in the 17th century. Since then, various literature has been written. Although in the present century, Nagpuri was never considered worthy of literary development, a small but dedicated writers have engaged in writing short stories, plays and poetry.
Tripuri literature
Main article: Tripuri literatureTripuri(Kokborok/Tiprakok) is the native language of Tripuri people in present Tripura state in North East of India.
Tulu literature
Main article: Tulu literatureThe written literature of Tulu is not as large as the literature of other literary Dravidian languages such as Tamil.
In foreign languages
Indian Persian literature
Main article: Persian language in the Indian subcontinentDuring the early Muslim period, Persian became the official language of the northern part of Indian subcontinent, used by most of the educated and the government. The language had, from its earliest days in the 11th century CE, been imported to the subcontinent by various culturally Persianised Central Asian Turkic and Afghan dynasties.
Literature from North East India
Main article: Literature from North East India Further information: § Ancient Meitei literature, § Assamese literature, and § Modern Meitei literatureLiterature from North East India included Assamese literature, Meitei or Manipuri literature, Naga literature, among others. Ancient India has many intensive examples, like that of the incredible verses translated from the Ramayana, named Saptakanda Ramayana. Choral songs known as Oja-Pali, and theater performances, known as Panchali, were also an extensive part of Assamese literature.
Awards
In contemporary Indian literature, there are two major literary awards; these are the Sahitya Akademi Fellowship and the Jnanpith Award. Eight Jnanpith Awards each have been awarded in Hindi and Kannada, followed by five in Bengali and Malayalam, four in Odia, Gujarati, Marathi, Telugu and Urdu, two each in Assamese, Konkani and Tamil, and one each in Sanskrit and Kashmiri۔
See also
- Indian epic poetry
- Indian Literature (journal)
- Indian poetry
- List of ancient Indian writers
- Literature from North East India
- Stephanian school of literature
- List of countries and territories where Hindustani is an official language
Footnotes
- Narayanrao, H.L. "A Brief on Indian Literature and Languages". Journal of Education and Practice. 2 (3): 46. ISSN 2222-288X.
- ^ —Ayyappappanikkar (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 326. ISBN 978-81-260-0365-5.
—Singh, Khelchandra Ningthoukhongjam. "Ougri". History of Old Manipuri Literature (in Manipuri). Manipur University Library; North Eastern States Libraries. India: Digital Library of India; Internet Archive. pp. 81, 82, 83.
—Singh, Ch Manihar (1996). "The Early Period (Ritual Songs) : Ougri". A History of Manipuri Literature. India: Sahitya Akademi. pp. 13, 14, mni. ISBN 978-81-260-0086-9.Again from amongst the songs mentioned above, 'Ougri' and 'Khencho', in view of their more archaic diction and much advanced historical allusions, may be considered earlier than the rest. ... 'Ougri' is referred to as sung at the coronation of Nongdā Lāiren Pākhangbā, which took place in 33 A.D. ...
—Ayyappappanikkar (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 329. ISBN 978-81-260-0365-5. - ^ —Wouters, Jelle J. P.; Subba, Tanka B. (30 September 2022). The Routledge Companion to Northeast India. Taylor & Francis. p. 473. ISBN 978-1-000-63699-4.
... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...
—"Shooting the Sun: A Study of Death and Protest in Manipur". Economic and Political Weekly. 44 (40). Austin, USA. 3 October 2009 – via University of Texas.... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD...
—Singh, Khelchandra Ningthoukhongjam. "Numit Kappa". History of Old Manipuri Literature (in Manipuri). Manipur University Library; North Eastern States Libraries. India: Digital Library of India; Internet Archive. pp. 95, 96.
—Kshetrimayum, Jogendro (2009). "Shooting the Sun: A Study of Death and Protest in Manipur". Economic and Political Weekly. 44 (40): 48–54. ISSN 0012-9976. JSTOR 25663656. - "Kannada literature", Encyclopædia Britannica, 2008. Quote: "The earliest literary work is the Kavirajamarga (c. AD 900), a treatise on poetics based on a Sanskrit model."
- "The Nobel Prize in Literature 1913". NobelPrize.org. Retrieved 23 February 2024.
- —Indian Literature – Volume 14 – Page 20 (Volume 14 – Page 20 ed.). Sahitya Akademi. 1971. p. 20.
The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now.
—Siṃha, Niṃthaukhoṃjama Khelacandra (1975). Manipuri Language: Status and Importance. N. Tombi Raj Singh. pp. 34, mni.The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now...
—Sanajaoba, Naorem (1988). Manipur, Past and Present: The Heritage and Ordeals of a Civilization. Mittal Publications. p. 290. ISBN 978-81-7099-853-2. - —Singh, Khelchandra Ningthoukhongjam. "Poireiton Khunthokpa". History of Old Manipuri Literature. Manipur University Library, Imphal. India: Digital Library of India. pp. 121, 122, mni.
The Poireiton Khunthokpa, is the most conspicuous one of all pre-Garibniwaz manuscripts. From a linguistic point of view, it seems to be much earlier than any of the books yet come under our view. Circumstantial and other incidental evidences would confirm that the book might have been of the time of the third century A. D. It describes the colonization of the valley by a band of people from the land of Death under Poireiton. They first established their colony near the Langol Hill; probably the vast area between the Koubru Hill and the Langol Hill was their kingdom. --Report on the Archaeological studies in Manipur Bulletin No. 1-by W. Yumjao Singh, pp 18-19.
—Bhaṭṭācāryya, Haridāsa (1953). The Cultural Heritage of India: Languages and literatures. University of Michigan. India: Ramakrishna Mission, Institute of Culture. p. 663.... The beginnings of this Old Manipuri literature may go back to 1,500 years or even 2,000 years from now. ... Poireiton Khunthok, a prose work describing the settlement of some Meithei tribes, is the oldest work in Manipuri going back to the third century A.D. ...
- —Singh, Khelchandra Ningthoukhongjam. "Khencho". History of Old Manipuri Literature (in Manipuri). Manipur University Library; North Eastern States Libraries. India: Digital Library of India; Internet Archive. pp. 97, 98.
—Ayyappappanikkar (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 330. ISBN 978-81-260-0365-5.
—Singh, Ch Manihar (1996). "The Early Period (Ritual Songs)". A History of Manipuri Literature. India: Sahitya Akademi. pp. 14, 15, mni. ISBN 978-81-260-0086-9.... 'Khencho' is quite obscure and entirely unintelligible to the present generation though it forms an inseparable element of the daily proceedings of the festival. ...
- —"মণিপুরি ভাষা ও লিপি – এল বীরমঙ্গল সিংহ | আপনপাঠ ওয়েবজিন" (in Bengali). 16 September 2021.
—Devi, Yumlembam Gopi (16 June 2019). Glimpses of Manipuri Culture. Lulu.com. p. 25. ISBN 978-0-359-72919-7.
—Paniker, K. Ayyappa (1997). Medieval Indian Literature: Surveys and selections (Assamese-Dogri). Sahitya Akademi. p. 325. ISBN 978-81-260-0365-5.
—Sen, Sipra (1992). Tribes and Castes of Manipur: Description and Select Bibliography. Mittal Publications. p. 28. ISBN 978-81-7099-310-0. - —Devi, Dr Yumlembam Gopi (16 June 2019). Glimpses of Manipuri Culture. Lulu.com. p. 119. ISBN 978-0-359-72919-7.
... the text Panthoibi Khongul generally believed to have been written by Akoijam Tomboy during the reign of King Khongtekcha Yoiremba (763 A.D.) ...
—Mukherjee, Sujit (1998). A Dictionary of Indian Literature: Beginnings-1850. Orient Blackswan. p. 280. ISBN 978-81-250-1453-9.Panthoibi khongul ( ? C ; Manipuri ) : prose narrative , the original of which was believed to have been composed in ancient Meitei language in first half of 8th century AD ...
—"The relationship between Thang-Ta & Meitei Pung maintained by our Ancient ..." (PDF). ccrtindia.gov.in. Ministry of Culture, Government of India. Centre for Cultural Resources and Training. p. 4.{{cite web}}
: CS1 maint: others (link) - —Sanajaoba, Naorem (1993). Manipur: Treatise & Documents. Mittal Publications. p. 2. ISBN 978-81-7099-399-5.
Manipur, known as 'Meetei Leipak' or 'Kangleipak' in the two millennia old Meetei manuscripts had experienced some form of constitutional government under a proto-Constitution in 429 A.D. which was reduced to a final format in 1110 A.D. Constitution entitled 'Loiyamba Shinyen' during the regime of King Loyumba.
—Singh, Khelchandra Ningthoukhongjam. "Loiyumba Shinyen – Waayen Pathaap". History of Old Manipuri Literature (in Manipuri). Manipur University Library; North Eastern States Libraries. India: Digital Library of India; Internet Archive. p. 142.
—Sanajaoba, Naorem (1991). Law and Society: Strategy for Public Choice, 2001. Mittal Publications. p. 304. ISBN 978-81-7099-271-4.The constitutionalism had developed with the adoption of a prototype of a constitution in 429 A.D. which was finally moulded into the written constitution in 1110 A.D., called 'Loyumba Shinyen' till it was substituted by Manipur State Constitution Act, 1947 which operated till Manipur's merger with India on 15 October 1949.
- Fallon, Oliver. 2009. Bhatti's Poem: The Death of Rávana (Bhaṭṭikāvya). New York: Clay Sanskrit Library Archived 7 July 2019 at the Wayback Machine. ISBN 978-0-8147-2778-2 | ISBN 0-8147-2778-6 |
- Narang, Satya Pal. 2003. An Analysis of the Prākṛta of Bhāśā-sama of the Bhaṭṭi-kāvya (Canto XII). In: Prof. Mahapatra G.N., Vanijyotih: Felicitation Volume, Utkal University, *Bhuvaneshwar.
- There are some who claim earlier dates (up to 600 BCE). Others cite as late as 2BCE. The date of 300 BCE may represent a middle-of-the road consensus view; e.g. see the well-received textbook Ancient India, Upinder Singh, 2009, p. 15. However, it is quite likely that the songs existed in oral tradition well before this date.
- Kamil Veith Zvelebil, Companion Studies to the History of Tamil Literature, p. 12
- K.A. Nilakanta Sastry, A History of South India, OUP (1955) p. 105
- Classical Tamil Archived 7 July 2010 at the Wayback Machine
- T.S. Subramanian (10 July 2009). "Jain History of Tamil Nadu vandalised". Retrieved 3 June 2011.
The six Tamil-Brahmi inscriptions of the 2nd century B.C. on the brow of five caverns on the Kazhugumalai hill near Mankulam, 38 km from Madurai, are the most ancient ones in Tamil Nadu and establish the historical facts that the Pandyan king Nedunchezhiyan ruled in the 2nd century B.C. and that Sangam literature dates back to the same period.
- George L. Hart III, The Poems of Ancient Tamil, U of California P, 1975.
- Iḷaṅkōvaṭikaḷ (1 January 1965). Shilappadikaram: (The Ankle Bracelet). New Directions Publishing. ISBN 9780811200011.
- Irayanaar Agapporul dated to c. 750 CE first mentioned the Sangam legends. An inscription of the early tenth century CE mentions the achievements of the early Pandya kings of establishing a Sangam in Madurai. See K.A. Nilakanta Sastry, A History of South India, OUP (1955) p. 105
- "The latest limit of Ettutokai and Pattupattu may be placed around 700 AD...." – Vaiyapuri Pillai, History of Tamil language and literature p. 38.
- "...the Tamil language of these brief records achieved a flowering during the first centuries of the Common Era, culminating in the emergence of a poetic corpus of very high quality To this corpus the name sangam poetry was added soon afterwards...." Burton Stein, A History of India (1998), Blackwell p. 90.
- See K.A. Nilakanta Sastri, A History of South India, OUP (1955) pp. 330–335
- Chera, Chola, Pandya: Using Archaeological Evidence to Identify the Tamil Kingdoms of Early Historic South India – Abraham, Shinu Anna, Asian Perspectives – Volume 42, Number 2, Fall 2003, pp. 207–223 University of Hawaii Press
- Morality and Ethics in Public Life by Ravindra Kumar p.92
- Essays on Indian Society by Raj Kumar p.71
- ^ Schomer, Karine; McLeod, W. H., eds. (1987). The Sants: Studies in a Devotional Tradition of India. Motilal Banarsidass. ISBN 9788120802773.
- India Today Web Desk New (24 January 2019). "CBSE Class 12 History #CrashCourse: Bhakti movement's emergence and influence". India Today.
- Pillai, P. Govinda (4 October 2022). "Chapter 11". The Bhakti Movement: Renaissance or Revivalism?. Taylor & Francis. pp. Thirdly, the movement had blossomed first down south or the Tamil country. ISBN 978-1-000-78039-0.
- Hawley, John (2015). A Storm of Songs: India and the Idea of the Bhakti Movement. Harvard University Press. p. 87. ISBN 978-0-674-18746-7.
- Padmaja, T. (2002). Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamil nāḍu. Abhinav Publications. ISBN 978-81-7017-398-4.
- Nair, Rukmini Bhaya; de Souza, Peter Ronald (20 February 2020). Keywords for India: A Conceptual Lexicon for the 21st Century. Bloomsbury Publishing. ISBN 978-1-350-03925-4.
- Das 2005.
- "The writers of the Charyapada, the Mahasiddhas or Siddhacharyas, belonged to the various regions of Assam, Bengal, Orissa and Bihar". sites.google.com. Retrieved 14 July 2020.
- Shaw, Miranda; Shaw, Miranda (1995). Passionate Enlightenment::Women in Tantric Buddhism. Princeton University Press. ISBN 978-0-691-01090-8.
- Sentinel, The (4 December 2014). "Documentary film, books on Bhabananda–Nalini Prava". Archived from the original on 24 September 2015. Retrieved 24 December 2014.
- Jyotsna Kamat. "History of the Kannada Literature-I". Kamat's Potpourri, 4 November 2006. Kamat's Potpourri. Retrieved 25 November 2006.
- "Declare Kannada a classical language". The Hindu. Chennai, India. 27 May 2005. Archived from the original on 5 January 2007. Retrieved 29 June 2007.
- Choudhary, R. (1976). A survey of Maithili literature. Ram Vilas Sahu.
- Barua, K. L. (1933). Early history of Kamarupa. Shillong: Published by the Author.
- —KanglaOnline (4 April 2011). "The great Meitei Reconciliation Process: Revisiting the classical folklore on "Emoinu Chakhong Ngahongbi" by Late Shri Ningomabam Angouton Meetei – KanglaOnline". Retrieved 12 November 2023.
... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...
—Delhi, All India Radio (AIR), New (17 March 1968). "Some Classics of Manipur". AKASHVANI: Vol. XXXIII, No. 12 ( 17 MARCH, 1968 ). India: All India Radio (AIR), New Delhi. pp. 7, 8.{{cite book}}
: CS1 maint: multiple names: authors list (link)
—Bond, Ruskin (14 October 2000). "The Story of Khamba and Thoibi". The Penguin Book of Classical Indian Love Stories and Lyrics. Penguin UK. pp. 3, 4. ISBN 978-93-5118-814-8. - —George, K. M. (1992). Modern Indian Literature, an Anthology: Surveys and poems. India: Sahitya Akademi. p. 258. ISBN 978-81-7201-324-0.
H. Anganghal Singh's Khamba Thoibi Sheireng (Poem on Khamba Thoibi, 1940) is a national epic of the Manipuris based on the story of Khamba and Thoibi of Moirang. The poet composes the whole epic in the Pena Saisak style of folk ballads sung by minstrels or bards popular in Manipur.
—Datta, Amaresh (1988). Encyclopaedia of Indian Literature: Devraj to Jyoti. India: Sahitya Akademi. p. 1186. ISBN 978-81-260-1194-0.
—Das, Sisir Kumar (2005). A History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy. Sahitya Akademi. p. 190. ISBN 978-81-7201-798-9.His epic Singel Indu was published in 1938 which was followed by his magnum opus Khamba Thoibi Sheireng (1940), a poem of 39000 lines, considered to be the 'national' epic of the Manipuris, written in the Pena Saisak style of folk ballads.
- "Vanglaini". vanglaini.org. Archived from the original on 13 November 2020. Retrieved 31 July 2019.
- "Giant new chapter for Nagpuri poetry". telegraphindia. 5 November 2012. Retrieved 6 October 2022.
- "JOURNAL OF CRITICAL REVIEWS A Study of the Special Features of Nagpuri Language of Jharkhand". research gate. July 2020. Retrieved 6 October 2022.
- Sigfried J. de Laet. History of Humanity: From the seventh to the sixteenth century UNESCO, 1994. ISBN 9231028138 p 734
- "Ojapali – A performing art form of Assam". oknortheast.com. Retrieved 22 January 2021.
- Barua, Hem (1957). "Assamese literature". Indian Literature. 1 (1): 65–68. ISSN 0019-5804. JSTOR 23328613.
- "Jnanpith | Home". jnanpith.net. Retrieved 31 July 2019.
- "Kunwar Narayan to be awarded Jnanpith". The Times of India. 24 November 2008. Archived from the original on 5 December 2012. Retrieved 25 November 2008.
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