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{{Short description|Canadian artist and cartoonist (1852–1908)}} | |||
{{for|the motor sports team owner|Henri Julien (motor sports)}} | |||
{{Use Canadian English|date=September 2015}} | {{Use Canadian English|date=September 2015}} | ||
{{Use dmy dates|date=September 2015}} | {{Use dmy dates|date=September 2015}} | ||
{{for|the motor sports team owner|Henri Julien (motor sports)}} | |||
{{Infobox comics creator | {{Infobox comics creator | ||
|name = Henri Julien | |name = Henri Julien | ||
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|death_date = {{death date and age|1908|09|17|1852|05|14}} | |death_date = {{death date and age|1908|09|17|1852|05|14}} | ||
|death_place = ], ], Canada | |death_place = ], ], Canada | ||
|nationality = ] | |nationality = ] | ||
|cartoonist = Y | |cartoonist = Y | ||
|nonUS = Y | |nonUS = Y | ||
|sortkey = Julien, Henri | |||
|subcat = Canadian | |||
|alias = {{Plainlist| | |alias = {{Plainlist| | ||
* Octavo | * Octavo | ||
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] | ] | ||
'''Henri Julien''' |
'''Henri Julien''' (baptized '''Octave-Henri Julien'''; 14 May 1852 – 17 September 1908) was a Canadian ] and ] noted for his work for the '']'' and for his political cartoons in the '']''. His pseudonyms include '''Octavo''' and '''Crincrin'''. He was the first full-time newspaper editorial cartoonist in ]. | ||
==Personal history and career== | ==Personal history and career== | ||
Octave-Henri Julien was born in ] on 14 May 1852 to Henri and Zoé Julien and grew up in the ] neighbourhood.{{sfn|Guilbault|1994|pp=533–534}} His father worked as a turner for a mechanical press and his brothers Émile and Télesphore also went on to work in printing.{{sfn|Guilbault|1994|p=534}} Early influences on Julien include caricatures by the sculptor ],{{sfn|Karel|1992|p=425}} who lived nearby among the artisans of saint-Roche, and the country folk of nearby ] who inspired many of Julien's later drawings.{{sfn|Guilbault|1994|p=534}} | |||
After the elder Julien won work with the Queen's printer ] the family frequently moved as the capital of the ] moved: ] in 1855–59, Quebec City in 1859–65, and ] in 1866–68, where he attended the ].<!-- He attended the abbott {{illm|Joseph Chabert|fr|lt=Joseph Chabert's}} school in Montreal from 1860 to 1867{{sfn|Karel|1992|p=425}} --- sources conflict? --> He thereafter moved to Montreal where he apprenticed as an engraver at Leggo and Company, a partnership between ] and ], where he met cartoonists such as ] who worked for Desbarats's illustrated magazines '']'' and '']''.{{sfn|Guilbault|1994|p=534}} | |||
Octave-Henri Julien was born in ] on 14 May 1852 to Henri and Zoé Julien and grew up in the ] neighbourhood.{{sfn|Guilbault|1994|pp=533–534}} His father worked as a turner for a mechanical press and his brothers Émile and Télesphore also went on to work in printing. Early influences on the boy include the scupltor ], who lived nearby among the artisans of saint-Roche, and the country folk of nearby ] who inspired many of Julien's later drawings.{{sfn|Guilbault|1994|p=534}} | |||
Julien cartooned in Desbarats's employ until 1888; during this time he contributed to numerous other publications as well, including ''Le Canard'' and ''Le Violon'' published by ], sometimes under pseudonyms such as Crincrin{{sfn|Guilbault|1994|p=534}} (in ''Le Violon'' from 1878 to 1903){{sfn|Karel|1992|p=425}} and Octavo. His work included caricatures of politicians and illustrated journalism. In 1874 he accompanied ] and the ] on an expedition to the fork of the ] and ]s in ]; his drawings of the ] appeared in the '']'' and ''L'Opinion publique'' in 1874–75,{{sfn|Guilbault|1994|p=534}} including a report on combatting contraband alcohol sales in ].{{sfn|Karel|1992|p=425}} | |||
<!-- Commissioner ] of the ] appreciated the value of good public relations. He knew the Canadian public was interested in the new police force and thought that providing a visual record of the force would help maintain that interest. Since in 1873 photographs could not be reproduced in newspapers, French wrote to the manager of the Canadian Illustrated News inviting them to send an artist-journalist to accompany the expedition. The idea appealed to the newspaper as they would get an exclusive set of articles and pictures to publish. The young artist was immediately sent on his way. | |||
Nevertheless, Julien's western experience gave him a degree of self-assurance he had not previously possessed, and it was not long before he became a leading figure in the field of illustrative art in Canada. The 1870s and 1880s were the heyday of the engraver and lithographer, just before the machine replaced the artist, and Julien's illustrations were sought by magazines around the world. He is buried in Montreal's ]. His drawing '']'', depicting an old man going to fight the ], is one of his best known of his works and of the ] iconography today. --> | |||
Julien spent six months in New York in 1888; upon his return to Canada the same year he became artistic director at the '']'',{{sfn|Karel|1992|p=425}} which thus became the first Canadian newspaper to employ a full-time editorial cartoonist.{{sfn|Spencer|2013|p=57}} Julien stayed with the paper for 22 years and built his reputation illustrating historical even and journalistic pieces, as well as drawing caricatures of members of Parliament in the House of Commons in Ottawa. He drew notice in 1897–1900 when he had published a number of caricatures of ] and his cabinet as ] under the title "By-Town Coons". His best known work was of rural French Canadians which he started making about 1875 and continued for the rest of his life. From 1900 he took up painting, particularly commissions for scenes from French Canadian culture.{{sfn|Guilbault|1994|p=534}} His works appeared in exhibitions at the ] in 1899 and 1907 and at the Salon of the ] in 1908.{{sfn|Karel|1992|p=425}} | |||
] | ] | ||
Julien drew with speed and accuracy{{sfn|Guilbault|1994|p=535}} and attracted note for his skill at capturing expressions and gestures.{{sfn|Karel|1992|p=425}} He illustrated the annual {{illm|L'Almanach du peuple|fr|lt=''L'Almanach du peuple''}} and his work appeared in other Canadian publications such as ]'s ''Grip'', Desbarats's '']'', ''Favourite'', ''Jester'', ''Canard'', and ''Grelot'', as well as foreign publications such as the American '']'', the British '']'', and the French '']'' and '']''.{{sfn|Karel|1992|p=425}} | |||
After the elder Julien won work with the Queen's printer ] the family frequently moved as the capital of the ] moved: ] in 1855–59, Quebec City in 1859–65, and ] in 1866–68, where he attended the ]. He thereafter moved to Montreal where he apprenticed as an engraver at Leggo and Company, a partnership between ] and ], where he met cartoonists such as ] who worked for Desbarats's illustrated magazines '']'' and {{illm|L'Opinion publique|fr|L'Opinion publique (magazine canadien)|lt=''L'Opinion publique''}}.{{sfn|Guilbault|1994|p=534}} | |||
Julien married Marie-Louise Legault '']'' Deslauriers (d. 1924) in Montreal on 17 October 1876; of the couple's eighteen children, seven daughters and one son survived into adulthood. | |||
Julien cartooned in Desbarats's employ until 1888; during this time he contributed to numerous other publications as well, including ''Le Canard'' and ''Le Violon'' published by ], sometimes under pseudonyms such as '''Octavo''' and '''Crincrin'''. His work included caricatures of politicians and illustrated journalism. In 1874 he accompanied ] and the ] on an expedition to the fork of the ] and ]s in ]; his drawings of the ] appeared in the ''Canadian Illustrated News]]'' and ''L'Opinion publique'' in 1874–75.{{sfn|Guilbault|1994|p=534}} | |||
<!-- Commissioner ] of the ] appreciated the value of good public relations. He knew the Canadian public was interested in the new police force and thought that providing a visual record of the force would help maintain that interest. Since in 1873 photographs could not be reproduced in newspapers, French wrote to the manager of the Canadian Illustrated News inviting them to send an artist-journalist to accompany the expedition. The idea appealed to the newspaper as they would get an exclusive set of articles and pictures to publish. The young artist was immediately sent on his way. | |||
Julien died in Montreal on 17 September 1908.{{sfn|Guilbault|1994|p=534}} of a sudden stroke of ] on St. James Street across from the St. Lawrence Hall. He had just left the ''Montreal Star'' in apparent good health with his son.{{sfn|Montreal Gazette staff|1908|p=12}} At the time he was developing sketches for a parade to celebrate Quebec's 300th anniversary.{{sfn|Guilbault|1994|p=534}} | |||
Nevertheless, Julien's western experience gave him a degree of self-assurance he had not previously possessed, and it was not long before he became a leading figure in the field of illustrative art in Canada. The 1870s and 1880s were the heyday of the engraver and lithographer, just before the machine replaced the artist, and Julien's illustrations were sought by magazines around the world. He is buried in Montreal's ]. His drawing '']'', depicting an old man going to fight the ], is one of his best known of his works and of the ] iconography today. --> | |||
==Le Vieux de '37== | |||
The '']'' became the first Canadian newspaper to employ a full-time editorial cartoonist when it contracted Henri Julien in 1888.{{sfn|Spencer|2013|p=57}} Julien stayed with the paper for 22 years and built his reputation illustrating historical even and journalistic pieces, as well as drawing caricatures of members of Parliament in the House of Commons in Ottawa. He drew notice in 1897–1900 when he had published a number of caricatures of ] and his cabinet as ] under the title "By-Town Coons". His best known work was of rural French Canadians which he started making about 1875 and continued for the rest of his life. From 1900 he took up painting, particularly commissions for scenes from French Canadian culture.{{sfn|Guilbault|1994|p=534}} His work was noted for the speed and accuracy with which he drew it.{{sfn|Guilbault|1994|p=535}} | |||
] | |||
'''''Le Vieux de '37''''' (French for "The Old Man of '37") is the name under which is known an illustration by Julien created in approximately 1880 to illustrate ''Le vieux patriote'', a poem from ]. | |||
Julien married Marie-Louise Legault '']'' Deslauriers (d. 1924) in Montreal on 17 October 1876; of the couple's eighteen children, seven daughters and one son survived into adulthood. Julien died in Montreal on 17 September 1908. At the time he was developing sketches for a parade to celebrate Quebec's 300th anniversary.{{sfn|Guilbault|1994|p=534}} | |||
It depicts a participant of the ] of 1837 and 1838 which sought to make of ] (present-day ]) a democratic republic independent from the ]. It is nowadays one of the best known symbols of the Rebellion. It was used by the ] as an illustration for pamphlets and communiqués during the 1960s and the year 1970. Some contemporary ]s are flanked with them in their center. | |||
A print by Henri Julien of the "] Uniform of Cadets", which appeared in the ''Canadian Illustrated News'' is in the ] in ]. Accession Number: 19850291-004.<ref>http://www.pro.rcip-chin.gc.ca/bd-dl/artefacts-eng.jsp Artefacts Canada</ref> The gallery ] exhibited his works in 1968.<ref>Vie des arts, automne 1968, n°52, p. 73, "Galerie L'Art français, 370 ouest, rue Laurier, octobre: H. Julien" http://www.erudit.org/feuilletage/index.html?va1081917.va1201514@84</ref> | |||
== |
==Legacy== | ||
The sculptor ] eulogized Julien as "the most original talent in this country".{{efn|"le talent le plus original ... en ce pays"{{sfn|Karel|1992|p=425}} }} A posthumous collection of his cartoons appeared in the ''Album Henri Julien'' in 1916.{{sfn|Karel|1992|p=425}} | |||
The architect ] toured an exhibition of 125 unpublished works by Julien in 1936. The show visited Montreal, Toronto, Ottawa, and at the ]<ref>{{cite web|url=https://collections.mnbaq.org/fr/artiste/600000054|title=Henri Julien |website=www.collections.mnbaq.org|access-date=18 January 2020}}</ref> in Quebec City. The ] organized a retrospective of Julien's work in 1938, a unique event for a cartoonist in Canada.{{sfn|Karel|1992|p=425}} | |||
<gallery caption="Works by Henri Julien" heights="180px" mode="packed"> | |||
A print by Henri Julien of the "] Uniform of Cadets", which appeared in the ''Canadian Illustrated News'' is in the ] in ]. Accession Number: 19850291-004.<ref>{{cite web|url=https://app.pch.gc.ca/application/artefacts_hum/indice_index.app|title=Artefacts Canada|first=Ministère du Patrimoine canadien|last=Gouvernement du Canada|website=app.pch.gc.ca|date=January 1998 }}</ref> The gallery ] exhibited his works in 1968.<ref>{{cite web|url=http://retro.erudit.org/feuilletage/index.html?va1081917.va1201514@84|title=Erudit revues culturelles|website=retro.erudit.org|access-date=12 January 2019|archive-date=15 December 2019|archive-url=https://web.archive.org/web/20191215210440/http://retro.erudit.org/feuilletage/index.html?va1081917.va1201514@84|url-status=dead}}</ref> | |||
Julien Demenagement 1876.jpg|alt=|Moving scene, {{illm|L'Opinion publique|fr|L'Opinion publique (magazine canadien)|lt=''L'Opinion publique''}}, 18 May 1876 | |||
Six Months in the Wilds of the North-West.gif|alt=|''Six Months in the Wilds of the North-West'', '']'', 13 February 1875 | |||
Henri Julien 1904.jpg|alt=|''Le Patriote'', gouache on brown paper, 1904 | |||
La Chasse-galerie (1906).jpg|alt=|''La Chasse-galerie'', oil on canvas, 1906 | |||
The Musée national des beaux-arts du Québec holds the most important collection of Julien's work, including ''La Chasse-galerie'', Julien's best-known painting, inspired by a French-Canadian legend about a ].{{sfn|Karel|1992|p=425}} | |||
==List of books== | |||
* ''Sous les pins'' (1902) – written by Adolphe Poisson with illustrations by Julien{{sfn|Karel|1992|p=425}} | |||
* ''La légende d'un peuple'' (1908) – written by ] with illustrations by Julien{{sfn|Karel|1992|p=425}} | |||
* ''Album Henri Julien'' (1916){{sfn|Karel|1992|p=425}} | |||
==Gallery== | |||
<gallery heights="180px" mode="packed" caption="Works by Henri Julien"> | |||
File:Julien Demenagement 1876.jpg|Moving scene, '']'', 18 May 1876 | |||
File:Six Months in the Wilds of the North-West.gif|''Six Months in the Wilds of the North-West'', '']'', 13 February 1875 | |||
File:Le Patriote - Henri Julien 1904.jpg|''Le Patriote'', gouache on brown paper, 1904 | |||
File:La Chasse-galerie (1906).jpg|''La Chasse-galerie'', oil on canvas, 1906 | |||
</gallery> | </gallery> | ||
== |
==Notes== | ||
{{Notelist}} | |||
==References== | |||
{{Reflist}} | |||
], drawn for '']''.]] | ], drawn for '']''.]] | ||
{{Reflist}} | |||
==Works cited== | ==Works cited== | ||
{{Refbegin}} | {{Refbegin}} | ||
Line 71: | Line 89: | ||
|editor-last = Cook | |editor-last = Cook | ||
|editor-first = Ramsay | |editor-first = Ramsay | ||
| |
|editor-link = George Ramsay Cook | ||
|url = |
|chapter-url = https://books.google.com/books?id=cxK0A0FUvZgC&pg=PA533 | ||
|year = 1994 | |year = 1994 | ||
|publisher = Springer Science & Business Media | |publisher = Springer Science & Business Media | ||
Line 78: | Line 96: | ||
|pages = 533–535 | |pages = 533–535 | ||
|chapter = Julien Henri | |chapter = Julien Henri | ||
}} | |||
|ref = harv}} | |||
* {{cite book | |||
|editor-last = Karel | |||
|editor-first = David | |||
|title = Dictionnaire des artistes de langue française en Amérique du Nord: peintres, sculpteurs, dessinateurs, graveurs, photographes, et orfèvres | |||
|chapter-url = https://books.google.com/books?id=xojsRTC5ttcC&pg=PA425 | |||
|year = 1992 | |||
|publisher = Presses Université Laval | |||
|language = fr | |||
|isbn = 978-2-7637-7235-6 | |||
|page = 425 | |||
|chapter = Julien, Octave-Henri (Crincrin) | |||
}} | |||
* {{cite news | |||
|author = Montreal Gazette staff | |||
|title = Henri Julien Dead | |||
|newspaper = ] | |||
|date = 1908-09-18 | |||
|page = 12 | |||
|url = https://news.google.com/newspapers?nid=1946&dat=19080918&id=HqUjAAAAIBAJ&sjid=BIUFAAAAIBAJ&pg=3807,1698858&hl=en | |||
}} | |||
* {{cite book | * {{cite book | ||
|last = Spencer | |last = Spencer | ||
|first = David R. | |first = David R. | ||
|title = Drawing Borders: The American-Canadian Relationship during the Gilded Age | |title = Drawing Borders: The American-Canadian Relationship during the Gilded Age | ||
|url = |
|url = https://books.google.com/books?id=cIHFAgAAQBAJ | ||
|year = 2013 | |year = 2013 | ||
|publisher = ] | |publisher = ] | ||
|isbn = 978-1-4411-0912-5 | |isbn = 978-1-4411-0912-5 | ||
}} | |||
|ref = harv}} | |||
{{Refend}} | {{Refend}} | ||
==Further reading== | ==Further reading== | ||
{{Refbegin}} | {{Refbegin}} | ||
Line 98: | Line 135: | ||
|last = Barbeau | |last = Barbeau | ||
|first = Marius | |first = Marius | ||
| |
|author-link = Marius Barbeau | ||
|title = Henri Julien | |title = Henri Julien | ||
|year = 1941 | |year = 1941 | ||
Line 108: | Line 145: | ||
|editor-last = Cambron | |editor-last = Cambron | ||
|editor-first = Micheline | |editor-first = Micheline | ||
|url = |
|chapter-url = https://books.google.com/books?id=P7Z-17Hn6M8C&pg=PA157 | ||
|year = 2005 | |year = 2005 | ||
|publisher = Les Editions Fides | |publisher = Les Editions Fides | ||
|language = |
|language = fr | ||
|isbn = 978-2-7621-2222-0 | |isbn = 978-2-7621-2222-0 | ||
|pages = 157– | |pages = 157– | ||
|chapter = Henri Julien: Ce diable homme}} | |chapter = Henri Julien: Ce diable homme}} | ||
* {{cite book | |||
|editor-last = Karel | |||
|editor-first = David | |||
|title = Dictionnaire des artistes de langue française en Amérique du Nord: peintres, sculpteurs, dessinateurs, graveurs, photographes, et orfèvres | |||
|url = http://books.google.com/books?id=xojsRTC5ttcC&pg=PA425 | |||
|year = 1992 | |||
|publisher = Presses Université Laval | |||
|language = French | |||
|isbn = 978-2-7637-7235-6 | |||
|page = 425 | |||
|chapter = Julien, Octave-Henri (Crincrin)}} | |||
{{Refend}} | {{Refend}} | ||
==External links== | ==External links== | ||
* {{Commons-inline}} | * {{Commons-inline}} | ||
{{Portalbar|Biography|Canada|Comics|Visual arts}} | {{Portalbar|Biography|Canada|Comics|Visual arts}} | ||
{{Canadian cartoonists}} | {{Canadian cartoonists}} | ||
* | * | ||
* | * | ||
{{Authority control}} | {{Authority control}} | ||
{{Persondata <!-- Metadata: see ]. --> | |||
| NAME = Julien, Henri | |||
| ALTERNATIVE NAMES = Octavo, Crincrin | |||
| SHORT DESCRIPTION = Canadian cartoonist | |||
| DATE OF BIRTH = 14 May 1852 | |||
| PLACE OF BIRTH = ] | |||
| DATE OF DEATH = 17 September 1908 | |||
| PLACE OF DEATH = ] | |||
}} | |||
{{DEFAULTSORT:Julien, Henri}} | {{DEFAULTSORT:Julien, Henri}} | ||
] | ] | ||
] | ] | ||
] | ] | ||
] | |||
] | ] | ||
] | ] | ||
] | |||
] | |||
] | ] | ||
] | |||
] | |||
{{Canadian-comics-creator-stub}} |
Latest revision as of 05:05, 1 December 2024
Canadian artist and cartoonist (1852–1908) For the motor sports team owner, see Henri Julien (motor sports).
Henri Julien | |
---|---|
Photo of Henri Julien | |
Born | Octave-Henri Julien (1852-05-14)May 14, 1852 Quebec City, Province of Canada |
Died | September 17, 1908(1908-09-17) (aged 56) Montreal, Quebec, Canada |
Nationality | Canadian |
Area(s) | Cartoonist |
Pseudonym(s) |
|
Henri Julien (baptized Octave-Henri Julien; 14 May 1852 – 17 September 1908) was a Canadian artist and cartoonist noted for his work for the Canadian Illustrated News and for his political cartoons in the Montreal Daily Star. His pseudonyms include Octavo and Crincrin. He was the first full-time newspaper editorial cartoonist in Canada.
Personal history and career
Octave-Henri Julien was born in Quebec City on 14 May 1852 to Henri and Zoé Julien and grew up in the Saint-Roch neighbourhood. His father worked as a turner for a mechanical press and his brothers Émile and Télesphore also went on to work in printing. Early influences on Julien include caricatures by the sculptor Jean-Baptiste Côté, who lived nearby among the artisans of saint-Roche, and the country folk of nearby L'Ange-Gardien who inspired many of Julien's later drawings.
After the elder Julien won work with the Queen's printer George-Paschal Desbarats the family frequently moved as the capital of the Province of Canada moved: Toronto in 1855–59, Quebec City in 1859–65, and Ottawa in 1866–68, where he attended the College of Ottawa. He thereafter moved to Montreal where he apprenticed as an engraver at Leggo and Company, a partnership between William Leggo and George-Édouard Desbarats, where he met cartoonists such as Edward Jump who worked for Desbarats's illustrated magazines Canadian Illustrated News and L'Opinion publique.
Julien cartooned in Desbarats's employ until 1888; during this time he contributed to numerous other publications as well, including Le Canard and Le Violon published by Hector Berthelot, sometimes under pseudonyms such as Crincrin (in Le Violon from 1878 to 1903) and Octavo. His work included caricatures of politicians and illustrated journalism. In 1874 he accompanied George Arthur French and the North-West Mounted Police on an expedition to the fork of the Bow and Belly Rivers in Alberta; his drawings of the Canadian West appeared in the Canadian Illustrated News and L'Opinion publique in 1874–75, including a report on combatting contraband alcohol sales in Fort Whoop-Up.
Julien spent six months in New York in 1888; upon his return to Canada the same year he became artistic director at the Montreal Daily Star, which thus became the first Canadian newspaper to employ a full-time editorial cartoonist. Julien stayed with the paper for 22 years and built his reputation illustrating historical even and journalistic pieces, as well as drawing caricatures of members of Parliament in the House of Commons in Ottawa. He drew notice in 1897–1900 when he had published a number of caricatures of Wilfrid Laurier and his cabinet as blackface minstrels under the title "By-Town Coons". His best known work was of rural French Canadians which he started making about 1875 and continued for the rest of his life. From 1900 he took up painting, particularly commissions for scenes from French Canadian culture. His works appeared in exhibitions at the Royal Canadian Academy of Arts in 1899 and 1907 and at the Salon of the Art Association of Montreal in 1908.
Julien drew with speed and accuracy and attracted note for his skill at capturing expressions and gestures. He illustrated the annual L'Almanach du peuple [fr] and his work appeared in other Canadian publications such as John Wilson Bengough's Grip, Desbarats's Dominion Illustrated, Favourite, Jester, Canard, and Grelot, as well as foreign publications such as the American Harper's Weekly, the British The Graphic, and the French Le Monde illustré and L'Illustration.
Julien married Marie-Louise Legault dit Deslauriers (d. 1924) in Montreal on 17 October 1876; of the couple's eighteen children, seven daughters and one son survived into adulthood.
Julien died in Montreal on 17 September 1908. of a sudden stroke of apoplexy on St. James Street across from the St. Lawrence Hall. He had just left the Montreal Star in apparent good health with his son. At the time he was developing sketches for a parade to celebrate Quebec's 300th anniversary.
Le Vieux de '37
Le Vieux de '37 (French for "The Old Man of '37") is the name under which is known an illustration by Julien created in approximately 1880 to illustrate Le vieux patriote, a poem from Louis Fréchette.
It depicts a participant of the Lower Canada Rebellion of 1837 and 1838 which sought to make of Lower Canada (present-day Quebec) a democratic republic independent from the British Empire. It is nowadays one of the best known symbols of the Rebellion. It was used by the Front de libération du Québec as an illustration for pamphlets and communiqués during the 1960s and the year 1970. Some contemporary Patriote flags are flanked with them in their center.
Legacy
The sculptor Louis-Philippe Hébert eulogized Julien as "the most original talent in this country". A posthumous collection of his cartoons appeared in the Album Henri Julien in 1916.
The architect William Sutherland Maxwell toured an exhibition of 125 unpublished works by Julien in 1936. The show visited Montreal, Toronto, Ottawa, and at the Musée national des beaux-arts du Québec in Quebec City. The National Gallery of Canada organized a retrospective of Julien's work in 1938, a unique event for a cartoonist in Canada.
A print by Henri Julien of the "Royal Military College of Canada Uniform of Cadets", which appeared in the Canadian Illustrated News is in the Canadian War Museum in Ottawa, Ontario. Accession Number: 19850291-004. The gallery L'Art français exhibited his works in 1968.
The Musée national des beaux-arts du Québec holds the most important collection of Julien's work, including La Chasse-galerie, Julien's best-known painting, inspired by a French-Canadian legend about a flying canoe.
List of books
- Sous les pins (1902) – written by Adolphe Poisson with illustrations by Julien
- La légende d'un peuple (1908) – written by Louis-Honoré Fréchette with illustrations by Julien
- Album Henri Julien (1916)
Gallery
- Works by Henri Julien
- Moving scene, L'Opinion publique, 18 May 1876
- Six Months in the Wilds of the North-West, Canadian Illustrated News, 13 February 1875
- Le Patriote, gouache on brown paper, 1904
- La Chasse-galerie, oil on canvas, 1906
Notes
- "le talent le plus original ... en ce pays"
References
- Guilbault 1994, pp. 533–534.
- ^ Guilbault 1994, p. 534.
- ^ Karel 1992, p. 425.
- Spencer 2013, p. 57.
- Guilbault 1994, p. 535.
- Montreal Gazette staff 1908, p. 12.
- "Henri Julien". www.collections.mnbaq.org. Retrieved 18 January 2020.
- Gouvernement du Canada, Ministère du Patrimoine canadien (January 1998). "Artefacts Canada". app.pch.gc.ca.
- "Erudit revues culturelles". retro.erudit.org. Archived from the original on 15 December 2019. Retrieved 12 January 2019.
Works cited
- Guilbault, Nicole (1994). "Julien Henri". In Cook, Ramsay (ed.). Dictionary of Canadian Biography. Springer Science & Business Media. pp. 533–535. ISBN 978-0-8020-3998-9.
- Karel, David, ed. (1992). "Julien, Octave-Henri (Crincrin)". Dictionnaire des artistes de langue française en Amérique du Nord: peintres, sculpteurs, dessinateurs, graveurs, photographes, et orfèvres (in French). Presses Université Laval. p. 425. ISBN 978-2-7637-7235-6.
- Montreal Gazette staff (18 September 1908). "Henri Julien Dead". Montreal Gazette. p. 12.
- Spencer, David R. (2013). Drawing Borders: The American-Canadian Relationship during the Gilded Age. Bloomsbury Publishing. ISBN 978-1-4411-0912-5.
Further reading
- Barbeau, Marius (1941). Henri Julien. Ryerson Press.
- Hardy, Dominic (2005). "Henri Julien: Ce diable homme". In Cambron, Micheline (ed.). La vie culturelle à Montréal vers 1900 (in French). Les Editions Fides. pp. 157–. ISBN 978-2-7621-2222-0.
External links
- [REDACTED] Media related to Henri Julien at Wikimedia Commons