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*], “''American Dreaming: The Films of ] and the American Experience'',” (Berkeley and Los Angeles, California and London: ], 1985). | *], “''American Dreaming: The Films of ] and the American Experience'',” (Berkeley and Los Angeles, California and London: ], 1985). | ||
*Carney, Raymond Francis, Junior, “''The Films of John Cassavetes: Pragmatism, Modernism, and the Movies'',” (Photographs: {{ill|Shaw, Samuel|ar|سام شو (مصور)|arz|سام شو (مُصوِّر من امريكا)|de|Sam Shaw (Fotograf)|it|Sam Shaw}} and Shaw, Larry, Cambridge Film Classics, General Editor: Carney, Raymond Francis, Junior, Cambridge, New York, New York, Oakleigh, Melbourne, and Port Melbourne, Victoria, Madrid, Cape Town, Singapura, São Paulo, São Paulo, Delhi and New Delhi, National Capital Territory of Delhi, Dubai, Dubai, Tôkyô, and México, Distrito Federal: ], 1994). | *Carney, Raymond Francis, Junior, “''The Films of John Cassavetes: Pragmatism, Modernism, and the Movies'',” (Photographs: {{ill|Shaw, Samuel|ar|سام شو (مصور)|arz|سام شو (مُصوِّر من امريكا)|de|Sam Shaw (Fotograf)|it|Sam Shaw}} and Shaw, Larry, Cambridge Film Classics, General Editor: Carney, Raymond Francis, Junior, Cambridge, New York, New York, Oakleigh, Melbourne, and Port Melbourne, Victoria, Madrid, Cape Town, Singapura, São Paulo, São Paulo, Delhi and New Delhi, National Capital Territory of Delhi, Dubai, Dubai, Tôkyô, and México, Distrito Federal: ], 1994). | ||
*Carney, Raymond Francis, Junior, “Escape Velocity: Notes on Beat Film,” “The Beat Movement in Film: A Comprehensive Screening List,” and “No Exit: John Cassavetes’ ''Shadows'',” In: ], (Editor), “''Beat Culture and the New America: 1950–1965'',” (New York, New York and Paris: ] and ], 1995), Pp. 190–209, 210–214, and 235–243. | *Carney, Raymond Francis, Junior, “Escape Velocity: Notes on Beat Film,” “The Beat Movement in Film: A Comprehensive Screening List,” and “No Exit: John Cassavetes’ '']'',” In: ], (Editor), “''Beat Culture and the New America: 1950–1965'',” (New York, New York and Paris: ] and ], 1995), Pp. 190–209, 210–214, and 235–243. | ||
*Carney, Raymond Francis, Junior, “Two Forms of Cinematic Modernism: Notes Toward a Pragmatic Aesthetic,” In: Ludington, Charles Townsend, Junior, (Editor), and Fahy, Thomas Richard and Reuning, Sarah Patrick, (Assistant Editors), “''A Modern Mosaic: Art and Modernism in the United States'',” (Chapel Hill, North Carolina and London: ], 2000), Pp. 357–416. | *Carney, Raymond Francis, Junior, “Two Forms of Cinematic Modernism: Notes Toward a Pragmatic Aesthetic,” In: Ludington, Charles Townsend, Junior, (Editor), and Fahy, Thomas Richard and Reuning, Sarah Patrick, (Assistant Editors), “''A Modern Mosaic: Art and Modernism in the United States'',” (Chapel Hill, North Carolina and London: ], 2000), Pp. 357–416. | ||
*Carney, Raymond Francis, Junior, (Editor), “''Cassavetes on Cassavetes'',” (London and New York, New York: ] and ], 2001). | *Carney, Raymond Francis, Junior, (Editor), “''Cassavetes on Cassavetes'',” (London and New York, New York: ] and ], 2001). |
Revision as of 11:03, 30 July 2021
John Cassavetes began his career in film in 1953 and ended it in 1986, between which times he was involved in every aspect of the film, television, and stage arts, including acting, directing, scoring, shooting, editing, producing, and marketing.
As director
Year | Title | Credited as | Notes | |||
---|---|---|---|---|---|---|
Director | Writer | Producer | Other | |||
1959 | Shadows | Yes | Yes | Editor | Co-written with Robert Alan Aurthur | |
1961 | Too Late Blues | Yes | Yes | Yes | Co-written with Richard Carr | |
1963 | A Child Is Waiting | Yes | ||||
1968 | Faces | Yes | Yes | Yes | Editor | Uncredited as editor and producer, Academy Award nomination for Best Original Screenplay |
1970 | Husbands | Yes | Yes | Yes | Editor | Uncredited as editor, also actor |
1971 | Minnie and Moskowitz | Yes | Yes | Uncredited as actor | ||
1974 | A Woman Under the Influence | Yes | Yes | Academy Award nomination for Best Director | ||
1976 | The Killing of a Chinese Bookie | Yes | Yes | |||
1977 | Opening Night | Yes | Yes | Also actor | ||
1980 | Gloria | Yes | Yes | |||
1984 | Love Streams | Yes | Yes | Co-written with Ted Allan, also actor | ||
1986 | Big Trouble | Yes |
As actor
Year | Title | Credited as | Notes |
---|---|---|---|
Role | |||
1951 | Fourteen Hours | Bit Role | Uncredited |
1953 | Taxi | Bit Role | Uncredited |
You Are There | Plato | Episode: "The Death of Socrates (399 B.C.)" | |
1954 | Robert Montgomery Presents | Unknown | Episode: "Diary" |
1954–1955 | Danger | Various | 3 episodes |
1955 | Kraft Television Theatre | Unknown | Episode: "Judge Contain's Hotel" |
The Elgin Hour | Private Tommy Fitch / Frankie Dane | 2 episodes | |
Armstrong Circle Theatre | Arthur / Clay Cochran | 3 episodes | |
Pond's Theater | Unknown | Episode: "Coquette" | |
The Night Holds Terror | Robert Batsford | ||
Goodyear Television Playhouse | Paul Davis | Episode: "The Expendable House" | |
1956 | The United States Steel Hour | Johnny | Episode: "Bring Me a Dream" |
Alfred Hitchcock Presents | Sam Cobbett | Episode: "You Got to Have Luck" | |
Appointment with Adventure | Unknown | Episode: "All Through the Night" | |
Crime in the Streets | Frankie Dane | ||
The 20th Century Fox Hour | Max Markheim | Episode: "The Last Patriarch" | |
Climax! | Abel Wintery / McCloud | 2 episodes | |
1957 | Edge of the City | Axel Nordmann | |
O. Henry Playhouse | Unknown | Episode: "Two Renegades" | |
Playhouse 90 | Dexter Green | Episode: "Winter Dreams" | |
Affair in Havana | Nick | ||
1958 | Saddle the Wind | Tony Sinclair | |
Westinghouse Studio One | Private Paul Greco | Episode: "Kurishiki Incident" | |
Alcoa Theatre | Tony Benedetti | Episode: "The First Star" | |
Pursuit | Sam Caldwell | Episode: "Calculated Risk" | |
Virgin Island (US: Our Virgin Island) |
Evan | ||
1959 | General Electric Theater | Johnny | Episode: "Train for Tecumseh" |
Lux Video Theatre | Christo Sierra | Episode: "The Dreamer" | |
Decoy | Carl Walton | Episode: "Across the World" | |
Shadows | Pedestrian | Uncredited | |
1959–1960 | Johnny Staccato | Johnny Staccato / The Killer | 27 episodes |
1961 | Rawhide | Cal Fletcher | Episode: "Incident Near Gloomy River" |
Too Late Blues | Narrator | Uncredited | |
1962 | The Webster Boy | Vance Miller | |
The Lloyd Bridges Show | Castigo | Episode: "El Medico" | |
Dr. Kildare | Makin Saund | Episode: "The Visitors" | |
1963 | A Child Is Waiting | Mentally-challenged Adult Who Walks Toward Camera | Uncredited |
Channing | Lloyd Sullivan | Episode: "Message from the Tin Room" | |
Breaking Point | Evan Price | Episode: "There Are the Hip, and There Are the Square" | |
1964 | The Killers | Johnny North | |
The Alfred Hitchcock Hour | Rusty Connors / Lee Griffin | 2 episodes | |
1964–1965 | Burke's Law | Alfred Algeron / Various | 4 episodes |
1965 | Profiles in Courage | Parsons | Episode: "John Peter Altgeld" |
Kraft Suspense Theatre | Peter Chandler | Episode: "Won't It Ever Be Morning?" | |
Combat! | Kalb | Episode: "S.I.W." | |
The Legend of Jesse James | Blackie Dolan | Episode: "The Quest" | |
Voyage to the Bottom of the Sea | Everett Lang | Episode: "The Peacemaker" | |
1965–1967 | Bob Hope Presents the Chrysler Theatre | Various | 3 episodes |
1966 | The Virginian | Jonah MacIntosh | Episode: "Long Ride to Wind River" |
The Long, Hot Summer | Tim Demming | Episode: "The Intruders" | |
1967 | Devil's Angels | Cody | |
The Dirty Dozen | Victor Franko | Academy Award nomination for Best Supporting Actor | |
1968 | Off to See the Wizard | General Karonos | Episode: "Alexander the Great" |
Rosemary's Baby | Guy Woodhouse | ||
Rome Like Chicago (Bandits in Rome) | Mario Corda | ||
1969 | Machine Gun McCain | Hank McCain | |
If It's Tuesday, This Must Be Belgium | Steve | ||
1970 | Husbands | Gus Demetri | |
1971 | Minnie and Moskowitz | Jim | Uncredited |
1972 | Columbo | Alex Benedict | Episode: "Étude in Black" |
1973 | Nightside | Carmine Kelly | Television film |
1975 | Capone | Frankie Yale | |
1976 | Two-Minute Warning | Sgt. Button | |
Mikey and Nicky | Nicky Godalin | ||
1977 | Heroes | VA Doctor | Uncredited |
Opening Night | Maurice Aarons | ||
1978 | The Fury | Ben Childress | |
Brass Target | Maj. Joe De Lucca | ||
1979 | Flesh and Blood | Gus Caputo | Television film |
1981 | Whose Life Is It Anyway? | Dr. Michael Emerson | |
1982 | The Incubus | Sam Cordell | |
Tempest | Phillip Dimitrius | ||
The Haircut | Music Industry Executive | Short film | |
1983 | Marvin & Tige | Marvin Stewart | |
1984 | Love Streams | Robert Harmon | |
1984 | Fräulein Berlin | Himself | |
1985 | King Kongs Faust | Berlin Film Fest Footage | Uncredited |
1989 | I'm Almost Not Crazy: John Cassavetes, the Man and His Work |
Himself | Filmed in 1984 |
References
- Raymond Carney, The films of John Cassavetes, New York and London: Cambridge University Press, 1994: p. 28.
- Ray Carney, Cassavetes on Cassavetes, Macmillan, 2001: p. 254.
Further reading
- Carney, Raymond Francis, Junior, “American Dreaming: The Films of John Cassavetes and the American Experience,” (Berkeley and Los Angeles, California and London: University of California Press, 1985).
- Carney, Raymond Francis, Junior, “The Films of John Cassavetes: Pragmatism, Modernism, and the Movies,” (Photographs: Shaw, Samuel [ar; arz; de; it] and Shaw, Larry, Cambridge Film Classics, General Editor: Carney, Raymond Francis, Junior, Cambridge, New York, New York, Oakleigh, Melbourne, and Port Melbourne, Victoria, Madrid, Cape Town, Singapura, São Paulo, São Paulo, Delhi and New Delhi, National Capital Territory of Delhi, Dubai, Dubai, Tôkyô, and México, Distrito Federal: Cambridge University Press, 1994).
- Carney, Raymond Francis, Junior, “Escape Velocity: Notes on Beat Film,” “The Beat Movement in Film: A Comprehensive Screening List,” and “No Exit: John Cassavetes’ Shadows,” In: Phillips, Lisa, (Editor), “Beat Culture and the New America: 1950–1965,” (New York, New York and Paris: Whitney Museum of American Art and Éditions Flammarion, 1995), Pp. 190–209, 210–214, and 235–243.
- Carney, Raymond Francis, Junior, “Two Forms of Cinematic Modernism: Notes Toward a Pragmatic Aesthetic,” In: Ludington, Charles Townsend, Junior, (Editor), and Fahy, Thomas Richard and Reuning, Sarah Patrick, (Assistant Editors), “A Modern Mosaic: Art and Modernism in the United States,” (Chapel Hill, North Carolina and London: University of North Carolina Press, 2000), Pp. 357–416.
- Carney, Raymond Francis, Junior, (Editor), “Cassavetes on Cassavetes,” (London and New York, New York: Faber and Faber and Farrar, Straus, and Giroux, 2001).
- Carney, Raymond Francis, Junior, “Shadows,” (British Film Institute Film Classics, Series Editor: White, Robert Hanley Gregor, Series Consultants: Buscombe, Edward, MacCabe, Colin Myles Joseph, and Meeker, David, London, Basingstoke, Bloomington, Indiana, and Berkeley, California: British Film Institute Publishing, Palgrave Macmillan, Indiana University Press, and University of California Press, 2001).
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