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'''Nguyễn Lưu Hải Đăng''' ({{zh|阮劉海燈}}, 1965 - ?) is the Vietnamese ] novelist<ref>Ưu Đàm Hoa on and </ref><ref>Theo báo Thanh Niên số ra tháng 12 năm 2010, nhà sách Nhân Văn công bố tác giả là người Việt Nam, cư trú tại Sài Gòn.</ref><ref></ref>. |
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'''Nguyễn Lưu Hải Đăng''' ({{zh|阮劉海燈}}, 1965 - ?) is the Vietnamese ] novelist.<ref>Ưu Đàm Hoa on and </ref><ref>Theo báo Thanh Niên số ra tháng 12 năm 2010, nhà sách Nhân Văn công bố tác giả là người Việt Nam, cư trú tại Sài Gòn.</ref><ref></ref> |
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==Biography== |
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==Biography== |
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Ưu Đàm Hoa's background remains a mistery that the ] fans have always wanted to uncover. He made his literary debut in the end of 1990s, but not until 2010 did some of the readers close to the publishing expose his real name as '''Nguyễn Lưu Hải Đăng''' (阮劉海燈), who resides in ] district (]). He was born on ] 1965 in ] of ], however his family fled to ] after the ]. |
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Ưu Đàm Hoa's background remains a mistery that the ] fans have always wanted to uncover. He made his literary debut in the end of 1990s, but not until 2010 did some of the readers close to the publishing expose his real name as '''Nguyễn Lưu Hải Đăng''' (阮劉海燈), who resides in ] district (]). He was born on ] 1965 in ] of ], however his family fled to ] after the ]. |
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Having been interested in ]'s ] stories growing up, he tried to write some stories when he was 17 but hardly achieved any accomplishment. Before seriously pursuing ], he has undertaken different jobs with unstable income. He considered adrift fates of characters in '']'' the reflection of his impoverished life, especially ]. |
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Having been interested in ]'s ] stories growing up, he tried to write some stories when he was 17 but hardly achieved any accomplishment. Before seriously pursuing ], he has undertaken different jobs with unstable income. He considered adrift fates of characters in '']'' the reflection of his impoverished life, especially ]. |
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Between 1992 and 1993, Nguyễn Lưu Hải Đăng listened to his friend and gave up his job at printing firm as well as the ] style to permanently move to another genre known as journey ]. In the beginning, he chose '''Cố Giang Tử''' (故江子), '''Thạnh Nhơn''' (盛人), '''Tam Mỹ''' (三美), '''Hải Nguyệt''' (海月), '''Đờ Ăng Đăng'''... as his ]s. Later on, he decided to use the name '''Ưu Đàm Hoa'''<ref></ref> (優曇花) when his first published ] was critically acclaimed<ref></ref>. |
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Between 1992 and 1993, Nguyễn Lưu Hải Đăng listened to his friend and gave up his job at printing firm as well as the ] style to permanently move to another genre known as journey ]. In the beginning, he chose '''Cố Giang Tử''' (故江子), '''Thạnh Nhơn''' (盛人), '''Tam Mỹ''' (三美), '''Hải Nguyệt''' (海月), '''Đờ Ăng Đăng'''... as his ]s. Later on, he decided to use the name '''Ưu Đàm Hoa'''<ref></ref> (優曇花) when his first published ] was critically acclaimed.<ref></ref> |
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Until 2015, there have been 30 literary works including ]s and purely ] ]s, most of which mention marvelous love affairs, classical references, the beauty of Chinese ] and ]. His works usually embedded with verses of ], ], ], ], ], ], ]... with accumulative narrative in the miraculous setting of ] : Sometimes presumptuous, sometimes spectacular yet terrified and thrilling during fighting. Sometimes remarkably wise during intelligence struggle, yet delightful in mischievous conversations.<ref></ref><ref></ref> |
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Until 2015, there have been 30 literary works including ]s and purely ] ]s, most of which mention marvelous love affairs, classical references, the beauty of Chinese ] and ]. His works usually embedded with verses of ], ], ], ], ], ], ]... with accumulative narrative in the miraculous setting of ] : Sometimes presumptuous, sometimes spectacular yet terrified and thrilling during fighting. Sometimes remarkably wise during intelligence struggle, yet delightful in mischievous conversations<ref></ref><ref></ref>. |
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==Works== |
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==Works== |
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] makes up the bulk of Nguyễn Lưu Hải Đăng's literary works, whereas ]s, ]s, ]s... written as a dedication to his ] and friends remains unprinted. However, there are some drafts that are not meant to be published and he never disclosed the reason. Those manuscripts are stored in a drawer in his son's room and he only opens them at the weekend. |
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] makes up the bulk of Nguyễn Lưu Hải Đăng's literary works, whereas ]s, ]s, ]s... written as a dedication to his ] and friends remains unprinted. However, there are some drafts that are not meant to be published and he never disclosed the reason. Those manuscripts are stored in a drawer in his son's room and he only opens them at the weekend. |
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===Poems=== |
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===Poems=== |
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* ''A memory for daisies'' (1993) |
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* ''A memory for daisies'' (1993) |
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===Novelette=== |
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===Novelette=== |
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* ''Remembering somebody'' (1993) |
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* ''Remembering somebody'' (1993) |
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===Novels=== |
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===Novels=== |
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* ''Ngu the beauty'' (虞美人) |
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* ''Ngu the beauty'' (虞美人) |
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===Essays=== |
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===Essays=== |
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* ''A short talk'' (1999) |
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* ''A short talk'' (1999) |
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* ''Beauty'' (2016) |
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* ''Beauty'' (2016) |
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==See also== |
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==See also== |
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* ] |
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* ] |
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{{reflist|4}} |
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{{reflist|4}} |
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{{DEFAULTSORT:Đăng, Nguyễn Lưu Hải}} |
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Between 1992 and 1993, Nguyễn Lưu Hải Đăng listened to his friend and gave up his job at printing firm as well as the eau de rose style to permanently move to another genre known as journey wuxia. In the beginning, he chose Cố Giang Tử (故江子), Thạnh Nhơn (盛人), Tam Mỹ (三美), Hải Nguyệt (海月), Đờ Ăng Đăng... as his pennames. Later on, he decided to use the name Ưu Đàm Hoa (優曇花) when his first published novel was critically acclaimed.