Revision as of 22:02, 2 September 2024 editZefr (talk | contribs)Extended confirmed users, Pending changes reviewers69,637 edits OneClickArchived "Semi-Protected Edit Request in Jazz to include a link to Mike Danzi" to Talk:Jazz/Archive 5← Previous edit |
Revision as of 22:02, 2 September 2024 edit undoZefr (talk | contribs)Extended confirmed users, Pending changes reviewers69,637 edits OneClickArchived "Semi-protected Edit request" to Talk:Jazz/Archive 5Next edit → |
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== Semi-protected Edit request == |
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{{edit semi-protected|Jazz|answered=yes}} |
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Ciao fellow editors; Kindly consider including the following text at the start of the section '''The Jazz Age''' following the paragraph '''In 1924, Louis Armstrong joined the Fletcher Henderson dance band for a year...''' to include the text: |
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'''By 1924, one of ]'s favorite "Sweet Jazz" ] was also formed in Canada by ]. His Royal Canadians Orchestra specialized in performances of "the Sweetest music this side of Heaven" which remained popular with audiences for decades and transcended racial boundaries.<ref></ref><ref></ref> <ref name="Jazzonline">{{cite book|last1=Wald|first1=Elijah|editor1-last=Ake|editor1-first=David|editor2-last=Garret|editor2-first=Charles|editor3-last=Goldmark|editor3-first=Daniel|title=Jazz/Not Jazz: The Music and Its Boundaries|date=September 2012|publisher=University of California Press Online|isbn=9780520271036|page=31|url=http://california.universitypressscholarship.com/view/10.1525/california/9780520271036.001.0001/upso-9780520271036-chapter-3|chapter=Louis Armstrong Loves Guy Lombardo|quote=Louis Armstrong often referred to Guy Lombardo's Royal Canadians as his favorite band, but this fact is rarely cited and almost never pursued.Critics and historians who celebrate African American music tend to dismiss Lombardo's music as boring, mainstream pap, unworthy to be treated alongside the masterpieces of Armstrong or Duke Ellington. Thus, while celebrating Armstrong, they ignore his musical opinion—and that of the public, which made Lombardo's orchestra the most popular dance band not only of white America, but also at Harlem's Savoy Ballroom. How have such prejudices affected our views of the past? How has our understanding of black musicians been limited by an insistence that they fit modern definitions of hipness or authenticity?|doi=10.1525/california/9780520271036.003.0003}}</ref><ref></ref><ref></ref><ref></ref> |
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Enjoy] (]) 21:48, 27 November 2023 (UTC)GCL |
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{{reflist}} ] (]) 21:48, 27 November 2023 (UTC)] (]) 23:20, 30 November 2023 (UTC)NHPL |
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::Ciao Fellow editors--in the interests of simplicity, I've amended the proposed text as indicated above and included an additional reference citation for the academic distinction between "Sweet" and "hot" jazz during the 1920s-1930s era and the apparent irrelevance of this arbitrary distinction from the frame of reference enjoyed by leading jazz musicians of the time such as ] and ]. <ref></ref> {{reflist}} Enjoy!! ] (]) 18:55, 3 December 2023 (UTC)NHPL |
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:] '''Not done:'''<!-- Template:ESp --> Per ]. ] 23:39, 27 December 2023 (UTC) |
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::O.K.--This seems reasonable so perhaps only two of the numerous references shown above are required to support the proposed text as shown here <ref></ref><ref></ref> Any thoughts? Ciao] (]) 00:06, 5 January 2024 (UTC)NHPL |
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{{reflist-talk}} |
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:{{done}}<!-- Template:ESp --> ] (]) 17:21, 9 January 2024 (UTC) |
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== Semi-protected edit request on 13 February 2024 == |
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== Semi-protected edit request on 13 February 2024 == |
In the 5th paragraph of the Bebop section, can we add a wiki link and fix an incorrect chord from that link?