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| ==History== | ==History== | ||
| The word "tectonic" comes from {{langx|grc|τεκτων}}, "carpenter, builder" that eventually led to ], {{langx|grc|ἀρχιτέκτων|label=none}} (now ]). First application to modern architecture belongs to ], in ''Handbuch der Archaologie der Kunst'' (Handbook of the Archeology of Art, 1830) he defined the art forms that combine art with utility (from utensils to dwellings) as {{langx|de|tektonische}}, with the architecture being the peak of this ''tectonic'' activities. ] in his ''Die Tektonik der Hellenen'' (The Tectonic of the Hellenes, 1843-1852) suggested splitting the design into a structural "core-form" ({{langx|de|Kernform}}) and decorative "art-form" ({{langx|de|Kunstform}}).{{sfn|Frampton|2001|pp=3-4}} Art-form was supposed to reflect the functionality of the core-form: for example, rounding and tapering of the column should suggest its load-bearing function.{{sfn | Mallgrave | 2009 | p=112}} ''Tectonic'' system was supposed to bind these multiple facets of a building (Greek temple) into a unified whole (for example, relief |
The word "tectonic" comes from {{langx|grc|τεκτων}}, "carpenter, builder" that eventually led to ], {{langx|grc|ἀρχιτέκτων|label=none}} (now ]). First application to modern architecture belongs to ], in ''Handbuch der Archaologie der Kunst'' (Handbook of the Archeology of Art, 1830) he defined the art forms that combine art with utility (from utensils to dwellings) as {{langx|de|tektonische}}, with the architecture being the peak of this ''tectonic'' activities. ] in his ''Die Tektonik der Hellenen'' (The Tectonic of the Hellenes, 1843-1852) suggested splitting the design into a structural "core-form" ({{langx|de|Kernform}}) and decorative "art-form" ({{langx|de|Kunstform}}).{{sfn|Frampton|2001|pp=3-4}} Art-form was supposed to reflect the functionality of the core-form: for example, rounding and tapering of the column should suggest its load-bearing function.{{sfn | Mallgrave | 2009 | p=112}} ''Tectonic'' system was supposed to bind these multiple facets of a building (Greek temple) into a unified whole (for example, through ]s using structural elements as framing).{{sfn|Frampton|2001|p=4}} | ||
| ==References== | ==References== | ||
Revision as of 09:19, 25 December 2024
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In modern architectural theory, the tectonics is an artistic way to express the corporeality of architectural form and construction through architecture. This "poetics of construction" has multiple related meanings.
Tectonics is inseparable from the actual buildings and thus counteracts external influences of other visual arts on architecture.
History
The word "tectonic" comes from Ancient Greek: τεκτων, "carpenter, builder" that eventually led to master builder, ἀρχιτέκτων (now architect). First application to modern architecture belongs to Karl Otfried Müller, in Handbuch der Archaologie der Kunst (Handbook of the Archeology of Art, 1830) he defined the art forms that combine art with utility (from utensils to dwellings) as German: tektonische, with the architecture being the peak of this tectonic activities. Karl Botticher in his Die Tektonik der Hellenen (The Tectonic of the Hellenes, 1843-1852) suggested splitting the design into a structural "core-form" (German: Kernform) and decorative "art-form" (German: Kunstform). Art-form was supposed to reflect the functionality of the core-form: for example, rounding and tapering of the column should suggest its load-bearing function. Tectonic system was supposed to bind these multiple facets of a building (Greek temple) into a unified whole (for example, through relief sculptures using structural elements as framing).
References
- ^ Yordanova 2019, p. 1056.
- Frampton 2001, pp. 3–4.
- Mallgrave 2009, p. 112.
- Frampton 2001, p. 4.
Sources
- Frampton, Kenneth (2001). Cava, John (ed.). Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture. MIT Press. ISBN 978-0-262-56149-5. Retrieved 2024-12-25.
- Mallgrave, H.F. (2009). Modern Architectural Theory: A Historical Survey, 1673–1968. Cambridge University Press. ISBN 978-1-139-44340-1. Retrieved 2024-05-26.
- Yordanova, N.S. (2019). "A new approach to the concept of tectonics". In Cruz, P.J.S. (ed.). Structures and Architecture - Bridging the Gap and Crossing Borders: Proceedings of the Fourth International Conference on Structures and Architecture (ICSA 2019), July 24-26, 2019, Lisbon, Portugal. Structures and Architecture. CRC Press. pp. 1056–1063. ISBN 978-1-351-85815-1. Retrieved 2024-12-25.
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