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| Borges' "review" describes this 20th century French writer who has made an effort to go further than mere "translation" of ], but to immerse himself so thoroughly as to be able to actually "re-create" it, line for line, in the original ] Spanish. Thus, Pierre Menard is often used to raise questions and discussion about the nature of accurate ]. | Borges' "review" describes this 20th century French writer who has made an effort to go further than mere "translation" of ], but to immerse himself so thoroughly as to be able to actually "re-create" it, line for line, in the original ] Spanish. Thus, Pierre Menard is often used to raise questions and discussion about the nature of accurate ]. | ||
| Borges' work is indeed ], but through the medium of fantasy, irony, and humor. Borges's ]/reviewer considers Menard's fragmentary ''Quixote'' (which is line-for-line identical to portions of the original) to be much richer than ]'s "original" work, because Menard's work must be considered in light of world events since 1602, and thus is richer in allusion. Cervantes "...indulges in a rather coarse opposition between tales of knighthood and the meager, provincial reality of his country." Menard writes of the, to him, distant past, "the land of Carmen during the century of Lepanto and Lope," but "in his work there are neither bands of gypsies, conquistadors, ... nor ''autos de fe''." |
Borges' work is indeed ], but through the medium of fantasy, irony, and humor. Borges's ]/reviewer considers Menard's fragmentary ''Quixote'' (which is line-for-line identical to portions of the original) to be much richer than ]'s "original" work, because Menard's work must be considered in light of world events since 1602, and thus is richer in allusion. Cervantes "...indulges in a rather coarse opposition between tales of knighthood and the meager, provincial reality of his country." Menard writes of the, to him, distant past, "the land of Carmen during the century of Lepanto and Lope," but "in his work there are neither bands of gypsies, conquistadors, ... nor ''autos de fe''." In this, Borges anticipates the ] theory that gives centrality to ]. | ||
| Borges wrote this story while recovering from a head injury. If it is to be counted as a work of fiction, then it was the first such published under his own name. (The 1933 "Hombre de la esquina rosada" was published under the pseudonym ]). As so often in his writings, the story abounds in clever references and subtle jokes. His narrator/reviewer is an arch-Catholic who remarks of the readers of a rival journal that they are "few and ], if not ] and ]". According to ] and ] (''Borges, a Reader'', p. 346) Menard is in part "a caricature of ] and ] ... or ] and ]." | Borges wrote this story while recovering from a head injury. If it is to be counted as a work of fiction, then it was the first such published under his own name. (The 1933 "Hombre de la esquina rosada" was published under the pseudonym ]). As so often in his writings, the story abounds in clever references and subtle jokes. His narrator/reviewer is an arch-Catholic who remarks of the readers of a rival journal that they are "few and ], if not ] and ]". According to ] and ] (''Borges, a Reader'', p. 346) Menard is in part "a caricature of ] and ] ... or ] and ]." | ||
| There was a historical ], the first Lieutenant Governor of ]. Given Borges's extensive reading, it is likely that he was aware that he was using the name of a real person for his fictional character. | |||
| ==See also== | ==See also== | ||
Revision as of 00:51, 29 October 2005
Pierre Menard is a fictional 20th century writer, created by Jorge Luis Borges.
Borges's story "Pierre Menard, Author of The Quixote" ("Pierre Menard, autor del Quixote") originally appeared in Spanish in the Argentine journal Sur, May 1939. The Spanish-language original was first published in book form in Borges's 1941 collection El Jardín de senderos que se bifurcan (The Garden of Forking Paths). That entire book was, in turn, included within his much-reprinted Ficciones (1944). Two English-language translations were published more or less simultaneously in 1962, one by James E. Irby in a diverse collection of Borges works entitled Labyrinths, the other by Anthony Bonner as part of a collaborative translation of the entirety of Ficciones published in 1962. The Bonner translation is reprinted in Borges, a Reader (1981, ISBN 0525466547). Quotations in this article follow that translation.
Plot summary
Template:Spoiler "Pierre Menard, Author of The Quixote" is written in the form of a review or literary critical piece about the (non-existent) Pierre Menard. Borges' "review" describes this 20th century French writer who has made an effort to go further than mere "translation" of Don Quixote, but to immerse himself so thoroughly as to be able to actually "re-create" it, line for line, in the original 16th century Spanish. Thus, Pierre Menard is often used to raise questions and discussion about the nature of accurate translation.
Borges' work is indeed literary criticism, but through the medium of fantasy, irony, and humor. Borges's narrator/reviewer considers Menard's fragmentary Quixote (which is line-for-line identical to portions of the original) to be much richer than Cervantes's "original" work, because Menard's work must be considered in light of world events since 1602, and thus is richer in allusion. Cervantes "...indulges in a rather coarse opposition between tales of knighthood and the meager, provincial reality of his country." Menard writes of the, to him, distant past, "the land of Carmen during the century of Lepanto and Lope," but "in his work there are neither bands of gypsies, conquistadors, ... nor autos de fe." In this, Borges anticipates the post-modern theory that gives centrality to reader response.
Borges wrote this story while recovering from a head injury. If it is to be counted as a work of fiction, then it was the first such published under his own name. (The 1933 "Hombre de la esquina rosada" was published under the pseudonym F. Bustos). As so often in his writings, the story abounds in clever references and subtle jokes. His narrator/reviewer is an arch-Catholic who remarks of the readers of a rival journal that they are "few and Calvinist, if not Masonic and circumcised". According to Emir Rodriguez Monegal and Alastair Reed (Borges, a Reader, p. 346) Menard is in part "a caricature of (Stéphane) Mallarmé and (Paul) Valéry ... or (Miguel de) Unamuno and Enrique Larreta."
See also
External links
- Complete Spanish-language text of "Pierre Menard, autor del Quixote".
- Commentary on "Pierre Menard, Author of The Quixote" from Beatriz Sarlo's "Borges: a Writer on the Edge".
- James E. Irby translation (English) of "Pierre Menard, Author of The Quixote".