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'''Marc Blitzstein''' (], ] - ], ]) was an ] ]. '''Marc Blitzstein''' (], ] - ], ]) was an ] ].


Born in ] to Jewish parents, among his works were '']'', whose premiere was directed by ], the opera '']'', an adaptation of ]'s ''The Little Foxes'', the ] ] '']'' based on ]'s ''],'' ''No For An Answer'', and his off-Broadway translation/adaptation of ] and ]'s '']''. He also completed translation/adaptations of Brecht's and Weill's '']'' and Brecht's '']'', with music by ]. Born in ] to Jewish parents, among his works were '']'', whose premiere was directed by ], the opera '']'', an adaptation of ]'s ''The Little Foxes'', the ] ] '']'' based on ]'s ''],'' ''No For An Answer'', and his off-Broadway translation/adaptation of ] and ]'s '']''. He also completed translation/adaptations of Brecht's and Weill's '']'' and Brecht's '']'', with music by ].


The dramatic premiere of the pro-union ''The Cradle Will Rock'' was at the Venice Theater on ], ]. The cast had been locked out of the WPA Theater by government troops, and so an impromptu performance without sets or costumes took place, with actors and musicians performing from the audience and Blitzstein narrating at the piano. In ], Blitzstein's close friend ] led a revival of the play at ], narrating from the piano just as Blitzstein had done. The ] ] film '']'' was built around this somewhat-fictionalized historical event. The dramatic premiere of the pro-union ''The Cradle Will Rock'' was at the Venice Theater on ], ]. The cast had been locked out of the WPA Theater by government troops, and so an impromptu performance without sets or costumes took place, with actors and musicians performing from the audience and Blitzstein narrating at the piano. In ], Blitzstein's close friend ] led a revival of the play at ], narrating from the piano just as Blitzstein had done. The ] ] film '']'' was built around this somewhat-fictionalized historical event.


Additional major compositions include the autobiographical radio song play "]," ''],'' and '']''. At his death he was at work on "]," a one-act opera based on the eponymous story by Bernard Malamud - to be part of a set of one-acts called "]" - which ] has called "his best work"; and the piece Blitzstein said would be his "magnum opus," the three-act opera commissioned by the ] and optioned by the ], "]." Both "]" and "]" were completed, posthumously, with the approval of Blitzstein's estate, by composer ] (b. 1949). Additional major compositions include the autobiographical radio song play "]," ''],'' and '']''. At his death he was at work on "]," a one-act opera based on the eponymous story by Bernard Malamud - to be part of a set of one-acts called "]" - which ] has called "his best work"; and the piece Blitzstein said would be his "magnum opus," the three-act opera commissioned by the ] and optioned by the ], "]." Both "]" and "]" were completed, posthumously, with the approval of Blitzstein's estate, by composer ] (b. 1949).


Although Blitzstein married novelist Eva Goldbeck, he was openly ]. He cited his ] as the reason for discontinuing his membership in the ] (which did not consider homosexuality compatible with the party's ideals). Although Blitzstein married novelist Eva Goldbeck, he was openly ]. He cited his ] as the reason for discontinuing his membership in the ] (which did not consider homosexuality compatible with the party's ideals).
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In ] he was ]ed to appear before the ]. In closed session he admitted having been a member of the ] and then refused to "name names", and wound up not being called upon to testify publicly. However, he was ] by the ] ] bosses. In ] he was ]ed to appear before the ]. In closed session he admitted having been a member of the ] and then refused to "name names", and wound up not being called upon to testify publicly. However, he was ] by the ] ] bosses.


In ], Blitzstein was robbed and beaten in ], ] by three ] sailors after a sexual encounter. He identified his assailants, who were later convicted of manslaughter after he died of his wounds in the hospital. Leonard Bernstein and others deemed his legacy "incalculable." On September 30, 2005, Praeger published the long-awaited ] by ], at 645 pages, the longest published bio-bibliography of any American composer. It is available at http://www.greenwood.com/catalog/GR0027.aspx In ], Blitzstein was robbed and beaten in ], ] by three ] sailors after a sexual encounter. He identified his assailants, who were later convicted of manslaughter after he died of his wounds in the hospital. Leonard Bernstein and others deemed his legacy "incalculable." On September 30, 2005, Praeger published the long-awaited ] by ], at 645 pages, the longest published bio-bibliography of any American composer. It is available at http://www.greenwood.com/catalog/GR0027.aspx




Revision as of 17:58, 17 February 2006

Marc Blitzstein (March 2, 1905 - January 22, 1964) was an American composer.

Born in Philadelphia, Pennsylvania to Jewish parents, among his works were The Cradle Will Rock, whose premiere was directed by Orson Welles, the opera Regina, an adaptation of Lillian Hellman's The Little Foxes, the Broadway musical Juno based on Sean O'Casey's Juno and the Paycock, No For An Answer, and his off-Broadway translation/adaptation of Bertolt Brecht and Kurt Weill's Threepenny Opera. He also completed translation/adaptations of Brecht's and Weill's Mahagonny and Brecht's Mother Courage and Her Children, with music by Paul Dessau.

The dramatic premiere of the pro-union The Cradle Will Rock was at the Venice Theater on June 16, 1937. The cast had been locked out of the WPA Theater by government troops, and so an impromptu performance without sets or costumes took place, with actors and musicians performing from the audience and Blitzstein narrating at the piano. In 1939, Blitzstein's close friend Leonard Bernstein led a revival of the play at Harvard, narrating from the piano just as Blitzstein had done. The 1999 Tim Robbins film Cradle Will Rock was built around this somewhat-fictionalized historical event.

Additional major compositions include the autobiographical radio song play "I've Got the Tune," The Airborne Symphony, and Reuben Reuben. At his death he was at work on "Idiots First," a one-act opera based on the eponymous story by Bernard Malamud - to be part of a set of one-acts called "Tales of Malamud" - which Ned Rorem has called "his best work"; and the piece Blitzstein said would be his "magnum opus," the three-act opera commissioned by the Ford Foundation and optioned by the Metropolitan Opera, "Sacco and Vanzetti." Both "Tales of Malamud" and "Sacco and Vanzetti" were completed, posthumously, with the approval of Blitzstein's estate, by composer Leonard Lehrman (b. 1949).

Although Blitzstein married novelist Eva Goldbeck, he was openly gay. He cited his homosexuality as the reason for discontinuing his membership in the Communist Party (which did not consider homosexuality compatible with the party's ideals).

In 1951 he was subpoenaed to appear before the House Committee on Un-American Activities. In closed session he admitted having been a member of the Communist Party and then refused to "name names", and wound up not being called upon to testify publicly. However, he was blacklisted by the Hollywood movie studio bosses.

In 1964, Blitzstein was robbed and beaten in Fort-de-France, Martinique by three Portuguese sailors after a sexual encounter. He identified his assailants, who were later convicted of manslaughter after he died of his wounds in the hospital. Leonard Bernstein and others deemed his legacy "incalculable." On September 30, 2005, Praeger published the long-awaited Marc Blitzstein: A Bio-Bibliography, by Leonard Lehrman, at 645 pages, the longest published bio-bibliography of any American composer. It is available at http://www.greenwood.com/catalog/GR0027.aspx


Complete Works for Broadway

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