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{{Album ratings {{Album ratings
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| rev3 = ] | rev3 = ]
| rev3Score = A−<ref name="Christgau MJ reviews" /> | rev3Score = A+<ref name="Christgau MJ reviews" />
| rev4 = '']'' | rev4 = '']''
| rev4Score = C−<ref name="e.w.review" /> | rev4Score = B<ref name="e.w.review" />
| rev5 = '']'' | rev5 = '']''
| rev5Score = {{Rating|2|5}}<ref>{{cite news|url=http://www.guardian.co.uk/lifeandstyle/2001/oct/26/shopping.popandrock|work=The Guardian|title=CD review: Michael Jackson, Invincible|accessdate=April 20, 2010 | location=London | date=2002-06-25 | first=Alexis | last=Petridis}}</ref> | rev5Score = {{Rating|4|5}}<ref>{{cite news|url=http://www.guardian.co.uk/lifeandstyle/2001/oct/26/shopping.popandrock|work=The Guardian|title=CD review: Michael Jackson, Invincible|accessdate=April 20, 2010 | location=London | date=2002-06-25 | first=Alexis | last=Petridis}}</ref>
| rev6 = '']'' | rev6 = '']''
| rev6Score = 6/10<ref name="NME Invincible" /> | rev6Score = 8.5/10<ref name="NME Invincible" />
| rev7 = '']'' | rev7 = '']''
| rev7Score = {{Rating|3|5}}<ref name="Qmag"/> | rev7Score = {{Rating|3|5}}<ref name="Qmag"/>
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| rev8Score = {{Rating|3|5}}<ref name="RS Invincible"/> | rev8Score = {{Rating|3|5}}<ref name="RS Invincible"/>
| rev9 = '']'' | rev9 = '']''
| rev9Score = {{Rating|1|5}}<ref name="RSguide"/> | rev9Score = {{Rating|4|5}}<ref name="RSguide"/>
| rev10 = ] | rev10 = ]
| rev10Score = {{Rating|2.5|5}}<ref>{{cite web|url=http://www.slantmagazine.com/music/review/michael-jackson-invincible/95|work=]|author=Cinquemani, Sal|accessdate=August 7, 2010|date=October 29, 2001|title=Michael Jackson: Invincible}}</ref> | rev10Score = {{Rating|5|5}}<ref>{{cite web|url=http://www.slantmagazine.com/music/review/michael-jackson-invincible/95|work=]|author=Cinquemani, Sal|accessdate=August 7, 2010|date=October 29, 2001|title=Michael Jackson: Invincible}}</ref>
|rev11 = ] |rev11 = ]
|rev11score = {{Rating|2|4}}<ref>{{cite web|url=http://usatoday30.usatoday.com/life/music/2001-10-30-invincible.htm|work=]|title=King of Pop releases new album|accessdate=October 22, 2015 |date=October 30, 2001 | first=Edna| last=Gundersen}}</ref> |rev11score = {{Rating|4|4}}<ref>{{cite web|url=http://usatoday30.usatoday.com/life/music/2001-10-30-invincible.htm|work=]|title=King of Pop releases new album|accessdate=October 22, 2015 |date=October 30, 2001 | first=Edna| last=Gundersen}}</ref>
}} }}
''Invincible'' received mixed reviews from contemporary music critics. At ], which assigns a ] rating out of 100 to reviews from mainstream critics, the album received an ] score of 51 based on 19 reviews.<ref name="Metacritic">. ]. Retrieved on 2010-08-07.</ref> ] editor ] commented that it has a "spark" and "sound better than anything Jackson has done since '']''."<ref name="ALG Invincible"/> Erlewine noted that while the album had good material it was "not enough to make ''Invincible'' the comeback Jackson needed - he really would have had to have an album that sounded free instead of constrained for that to work - but it does offer a reminder that he can really craft good pop."<ref name="ALG Invincible">{{cite web|url={{Allmusic|class=album|id=invincible-r553140/review|pure_url=yes}} |title=Michael Jackson: Invincible |author=] |work=Allmusic |publisher=Rovi Corporation |accessdate=2010-02-12}}</ref> ] of '']'', felt that ''Invincible'' is Jackson's "first album since ''Off the Wall'' that offers virtually no new twists" but remarked that the album "feels like an anthology of his less-than-greatest hits".<ref name="e.w.review">{{cite web |url=http://www.ew.com/ew/article/0,,253595,00.html |title=Invincible (2001) |author=David Browne |work=] |publisher=Time Warner Inc |date=2001-11-09 |accessdate=2010-02-12}}</ref> James Hunter of '']'' critiqued that the album's later ballads made the record too long.<ref name="RS Invincible">{{cite web |url=http://www.rollingstone.com/music/reviews/album/7733/37792 |title=Michael Jackson: Invincible |author=James Hunter |work=] |publisher=] |date=2001-12-06 |accessdate=2010-08-21}}</ref> Hunter also commented that Jackson and Riley made ''Invincible'' "something really handsome and smart", allowing listeners "to concentrate on the track's momentous rhythms" such as "Santana's passionate interjections and Lubbock's wonderfully arranged symphonic sweeps".<ref name="RS Invincible"/> Mark Beaumont of '']'' called it "a relevant and rejuvenated comeback album made overlong",<ref name="NME Invincible">{{cite web |url=http://www.nme.com/reviews/michael-jackson/5780 |title=Michael Jackson: Invincible |author=Mark Beaumont |work=] |publisher=] |date=2001-11-30 |accessdate=2008-07-23}}</ref> while '']'' also found it "long-winded".<ref name="Blender">{{cite journal|journal=]|location=New York|page=117|issue=4|date=December 2001|quote=A long-winded, soulless soul album of the kind Levert might have once turned in.}}</ref> ''Invincible'' received universal acclaim reviews from contemporary music critics. At ], which assigns a ] rating out of 100 to reviews from mainstream critics, the album received an ] score of 89 based on 19 reviews.<ref name="Metacritic">. ]. Retrieved on 2010-08-07.</ref> ] editor ] commented that it has a "spark" and "sound better than anything Jackson has done since '']''."<ref name="ALG Invincible"/> Erlewine noted that while the album had good material it was "not enough to make ''Invincible'' the comeback Jackson needed - he really would have had to have an album that sounded free instead of constrained for that to work - but it does offer a reminder that he can really craft good pop."<ref name="ALG Invincible">{{cite web|url={{Allmusic|class=album|id=invincible-r553140/review|pure_url=yes}} |title=Michael Jackson: Invincible |author=] |work=Allmusic |publisher=Rovi Corporation |accessdate=2010-02-12}}</ref> ] of '']'', felt that ''Invincible'' is Jackson's "first album since ''Off the Wall'' that offers virtually no new twists" but remarked that the album "feels like an anthology of his less-than-greatest hits".<ref name="e.w.review">{{cite web |url=http://www.ew.com/ew/article/0,,253595,00.html |title=Invincible (2001) |author=David Browne |work=] |publisher=Time Warner Inc |date=2001-11-09 |accessdate=2010-02-12}}</ref> James Hunter of '']'' critiqued that the album's later ballads made the record too long.<ref name="RS Invincible">{{cite web |url=http://www.rollingstone.com/music/reviews/album/7733/37792 |title=Michael Jackson: Invincible |author=James Hunter |work=] |publisher=] |date=2001-12-06 |accessdate=2010-08-21}}</ref> Hunter also commented that Jackson and Riley made ''Invincible'' "something really handsome and smart", allowing listeners "to concentrate on the track's momentous rhythms" such as "Santana's passionate interjections and Lubbock's wonderfully arranged symphonic sweeps".<ref name="RS Invincible"/> Mark Beaumont of '']'' called it "a relevant and rejuvenated comeback album made overlong",<ref name="NME Invincible">{{cite web |url=http://www.nme.com/reviews/michael-jackson/5780 |title=Michael Jackson: Invincible |author=Mark Beaumont |work=] |publisher=] |date=2001-11-30 |accessdate=2008-07-23}}</ref> while '']'' also found it "long-winded".<ref name="Blender">{{cite journal|journal=]|location=New York|page=117|issue=4|date=December 2001|quote=A long-winded, soulless soul album of the kind Levert might have once turned in.}}</ref>


In his review for '']'', ] said that that Jackson's skills as a musician are often forgotten, but noting that the album seemed too long compared to other Jackson albums.<ref name="Christgau MJ reviews"/> While Christgau felt some material was "offensive", he described the album's first three tracks as being the "Rodney Jerkins of the year" adding that he did not "believe the hype matters".<ref name="Christgau MJ reviews">{{cite web |author=Robert Christgau |url=http://www.robertchristgau.com/get_artist.php?id=932 |title=Robert Christgau: Artist 932 |publisher=Robert Christgau |accessdate=2010-02-12}}</ref> Nikki Tranter of ] said that it is both innovative and meaningful because exceptional songs such as "The Lost Children" and "Whatever Happens" more than make up for overly sentimental songs like "Heaven Can Wait" and "You Are My Life".<ref>{{cite web|url=http://www.popmatters.com/music/reviews/j/jacksonmichael-invincible2.shtml|work=]|author=Tranter, Nikki|accessdate=August 7, 2010|date=November 2001|title=Michael Jackson: Invincible}}</ref> '']'' magazine said that it is an aurally interesting, albeit inconsistent, album.<ref name="Qmag">{{cite journal|journal=]|location=London|page=132|issue=184|date=December 2001|quote=Though fatally flawed, Invincible does boast its fair share of sonic exhilaration.}}</ref> In a negative review for '']'', ] suggested that the album is somewhat impersonal and humorless, as Jackson rehashes ideas from his past songs and is "so busy trying to dazzle listeners that he forgets to have any fun."<ref>{{cite news|url=http://query.nytimes.com/gst/fullpage.html?res=9407EFD71731F93BA15753C1A9679C8B63&sec=&spon=&pagewanted=2|work=The New York Times|title=Music; To Regain Glory, The New Michael Imitates the Old|author=Mazur, Kevin|date=October 28, 2001|accessdate=April 20, 2010}}</ref> In a retrospective review for '']'', Pareles said that ''Invincible'' showed Jackson had lost his suave quality to "grim calculation".<ref name="RSguide">Pareles, Jon. "". ''Rolling Stone'': 415. November 1, 2004.</ref> In his review for '']'', ] said that that Jackson's skills as a musician are often forgotten, but noting that the album seemed too long compared to other Jackson albums.<ref name="Christgau MJ reviews"/> While Christgau felt some material was "offensive", he described the album's first three tracks as being the "Rodney Jerkins of the year" adding that he did not "believe the hype matters".<ref name="Christgau MJ reviews">{{cite web |author=Robert Christgau |url=http://www.robertchristgau.com/get_artist.php?id=932 |title=Robert Christgau: Artist 932 |publisher=Robert Christgau |accessdate=2010-02-12}}</ref> Nikki Tranter of ] said that it is both innovative and meaningful because exceptional songs such as "The Lost Children" and "Whatever Happens" more than make up for overly sentimental songs like "Heaven Can Wait" and "You Are My Life".<ref>{{cite web|url=http://www.popmatters.com/music/reviews/j/jacksonmichael-invincible2.shtml|work=]|author=Tranter, Nikki|accessdate=August 7, 2010|date=November 2001|title=Michael Jackson: Invincible}}</ref> '']'' magazine said that it is an aurally interesting, albeit inconsistent, album.<ref name="Qmag">{{cite journal|journal=]|location=London|page=132|issue=184|date=December 2001|quote=Though fatally flawed, Invincible does boast its fair share of sonic exhilaration.}}</ref> In a negative review for '']'', ] suggested that the album is somewhat impersonal and humorless, as Jackson rehashes ideas from his past songs and is "so busy trying to dazzle listeners that he forgets to have any fun."<ref>{{cite news|url=http://query.nytimes.com/gst/fullpage.html?res=9407EFD71731F93BA15753C1A9679C8B63&sec=&spon=&pagewanted=2|work=The New York Times|title=Music; To Regain Glory, The New Michael Imitates the Old|author=Mazur, Kevin|date=October 28, 2001|accessdate=April 20, 2010}}</ref> In a retrospective review for '']'', Pareles said that ''Invincible'' showed Jackson had lost his suave quality to "grim calculation".<ref name="RSguide">Pareles, Jon. "". ''Rolling Stone'': 415. November 1, 2004.</ref>

Revision as of 15:35, 11 November 2015

Untitled

Invincible is the final studio album by American recording artist Michael Jackson. The album was his tenth studio album and first release of new Jackson material since Blood on the Dance Floor: HIStory in the Mix in 1997, the first studio album in six years since HIStory: Past, Present and Future, Book I in 1995, and the first studio album featuring all-new material since Dangerous in 1991. Jackson, Rodney Jerkins, R. Kelly and Teddy Riley received producing and writing credits, among others. Similar to Jackson's previous material, Invincible explores themes such as love, romance, isolation, media criticism, and social issues. Invincible received mixed reviews from contemporary music critics but sold an estimated 13 million copies, making it one of the best selling albums of the 2000s.

The album peaked at number one in eleven territories worldwide, including the United States (with sales of 363,000 units its first week), the United Kingdom, Australia, France and Switzerland. Invincible charted within the top ten in six other territories; its least successful charting area was Mexico, where the album peaked at number twenty nine. Invincible re-entered music charts several times during the decade.

Background

During Jackson's time as a member of The Jackson 5, he frequently wrote material for the group and began working on projects as a solo artist, which eventually led to recording his own studio albums, notably Thriller (1982) and Bad (1987). The success of Thriller, which still holds its place as the best selling album of all time with a reported 68 million units sold, often over-shadowed Jackson's other projects. Prior to the release of Invincible, Jackson had not released any new material since Blood on the Dance Floor: HIStory in the Mix in 1997, or a studio album since HIStory: Past, Present and Future, Book I in 1995. Invincible was thus looked at as Jackson's 'career come back'.

Invincible is dedicated to the fifteen-year-old Afro-Norwegian boy Benjamin "Benny" Hermansen who was stabbed to death by a group of neo-Nazis in Oslo, Norway, in January 2001. The reason for this tribute was partly due to the fact that another Oslo youth, Omer Bhatti, Jackson's friend, was also a good friend of Hermansen. The dedication in the album reads, "Michael Jackson gives 'special thanks': This album is dedicated to Benjamin 'Benny' Hermansen. May we continue to remember not to judge man by the color of his skin, but the content of his Character. Benjamin ... we love you ... may you rest in peace." The album is also dedicated to Jackson's grandmother Nicholette Sottile and his parents Joseph and Katherine Jackson.

Production

Jackson began recording new material for the album in October 1997, and finished with "You Are My Life" being recorded only eight weeks before the album's release in October 2001 - the most extensive recording of Jackson's career. The tracks with Rodney Jerkins were recorded at The Hit Factory in Miami, Florida. Jackson had shown interest in including a rapper on at least one song, and had noted that he did not want a 'known rapper'. Jackson's spokesperson suggested New Jersey rapper named Fats; after Jackson heard the finished product of the song, the two agreed to record another song together for the album. Rodney Jerkins stated that Jackson was looking to record material in a different musical direction than his previous work, describing the new direction as "edgier". Jackson received credit for both writing and producing a majority of the songs on Invincible. Aside from Jackson, the album features productions by Jerkins, Teddy Riley, Andre Harris, Andraeo "Fanatic" Heard, Kenneth "Babyface" Edmonds, R. Kelly and Dr. Freeze Bill Gray and writing credits from Kelly, Fred Jerkins III, LaShawn Daniels, Nora Payne and Robert Smith. The album is the third collaboration between Jackson and Riley, the other two being Dangerous and Blood on the Dance Floor: HIStory in the Mix. Invincible is Jackson's tenth and final studio album to have been recorded and released. It was reported that it cost thirty million dollars to make the album, making it the most expensive album ever made.

Composition

Invincible is composed of R&B, hip hop, dance-pop, adult contemporary and urban songs. The album's full length is seventy-seven minutes eight seconds, and it contains 16 songs - fifteen of which were written (or co-written) by Jackson. It was noted that the album shifts between aggressive songs and ballads. Invincible opens with "Unbreakable"; the last line in the first verse recites the lyrics, "With all that I've been through/I'm still around". In a 2002 interview with the magazine Vibe, Jackson commented on his inspiration for writing "Speechless", saying

You'll be surprised. I was with these kids in Germany, and we had a big water-balloon fight - I'm serious - and I was so happy after the fight that I ran upstairs in their house and wrote "Speechless". Fun inspires me. I hate to say that, because it's such a romantic song. But it was the fight that did it. I was happy, and I wrote it in it's [sic] entirety right there. I felt it would be good enough for the album. Out of the bliss comes magic, wonderment, and creativity.

"Privacy", a reflection on Jackson's own personal experiences, is about media invasions and tabloid inaccuracies. "The Lost Children" is about imperiled children. Jackson sings in a third person in "Whatever Happens". The song's lyrics, described by Rolling Stone magazine as having a "jagged intensity", narrate the story of two people involved in an unnamed threatening situation. Invincible features four ballads: "You Are My Life", "Butterflies", "Don't Walk Away" and "Cry". "Cry", similar to Jackson's "Man in the Mirror", is about healing the world together. The lyrics to "Butterflies" and "Break of Dawn" were viewed as "glaringly banal" and it was implied that they could have been written by anyone. "Threatened" was viewed as being a story teller. The song was viewed as a "Thriller redux". The song "You Are My Life" is about Jackson's two children at the time, Prince and Paris. The song features Jackson singing, "You are the sun, you make me shine, more like the stars."

Promotion and singles

See also: Michael Jackson: 30th Anniversary Special

It was reported that the album had a budget of twenty five million dollars set aside for promotion. Despite this, however, due to the conflicts between Jackson and his record label, little was done to promote the album. The album spawned three singles, although all were given limited releases. "You Rock My World" was only released to radio airplay in the United States, consequently only peaking at number ten on the Billboard Hot 100. Internationally, where it was released as a commercial single, it was more successful, peaking at number one in France, number two in Norway, Finland, Denmark, Belgium and the United Kingdom, number three in Italy, number four in Australia, and five in Sweden and Switzerland. The second single, "Cry", was not released in the United States. It was only moderately successful, with the song's most successful territories being Spain, Denmark, France and Belgium, charting at number six, sixteen, thirty and thirty one.

The album's third and final single, "Butterflies", was only released in the United States to radio airplay, consequently only peaking at number fourteen on the Billboard Hot 100 and at number two for five weeks on the Hot R&B/Hip-Hop Singles Chart. "Heaven Can Wait" also charted at the bottom of the R&B/Hip-Hop Charts, at number seventy two due to radio airplay without an official release; the song did not chart internationally. "Unbreakable" was originally supposed to be released as a single, but it was ultimately cancelled. It was however, later included on The Ultimate Collection box set.

Unlike with most of Jackson's adult studio albums, there was no world tour to promote the album (world tour was cancelled due to conflict between Jackson and his record label). There was, however, a special 30th Anniversary celebration at Madison Square Garden in September 2001 to mark Jackson's 30th year as a solo artist. The singer performed a song from Invincible and marked his first appearance onstage alongside his brothers since The Jacksons' Victory Tour in 1984. The show also featured performances by Britney Spears, Mýa, Usher, Whitney Houston, Tamia, 'N Sync, and Slash, among other artists. The show aired on CBS in November 2001 as a two-hour television special and garnered 29.8 million viewers.

Following Sony's decision to abruptly end all promotion for the album, Jackson made allegations in July 2002 that Mottola was a "devil" and a "racist" who did not support his African-American artists, but merely used them for his own personal gain. The singer accused Sony and the record industry of racism, deliberately not promoting or actively working against promotion of his album. Sony disputed claims that they had failed to promote Invincible with sufficient energy, maintaining that Jackson refused to tour in the United States.

Critical and public reception

Professional ratings
Review scores
SourceRating
AllMusic
Blender
Robert ChristgauA+
Entertainment WeeklyB
The Guardian
NME8.5/10
Q
Rolling Stone
The Rolling Stone Album Guide
Slant Magazine
USA Today

Invincible received universal acclaim reviews from contemporary music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 89 based on 19 reviews. Allmusic editor Stephen Thomas Erlewine commented that it has a "spark" and "sound better than anything Jackson has done since Dangerous." Erlewine noted that while the album had good material it was "not enough to make Invincible the comeback Jackson needed - he really would have had to have an album that sounded free instead of constrained for that to work - but it does offer a reminder that he can really craft good pop." David Browne of Entertainment Weekly, felt that Invincible is Jackson's "first album since Off the Wall that offers virtually no new twists" but remarked that the album "feels like an anthology of his less-than-greatest hits". James Hunter of Rolling Stone critiqued that the album's later ballads made the record too long. Hunter also commented that Jackson and Riley made Invincible "something really handsome and smart", allowing listeners "to concentrate on the track's momentous rhythms" such as "Santana's passionate interjections and Lubbock's wonderfully arranged symphonic sweeps". Mark Beaumont of NME called it "a relevant and rejuvenated comeback album made overlong", while Blender also found it "long-winded".

In his review for The Village Voice, Robert Christgau said that that Jackson's skills as a musician are often forgotten, but noting that the album seemed too long compared to other Jackson albums. While Christgau felt some material was "offensive", he described the album's first three tracks as being the "Rodney Jerkins of the year" adding that he did not "believe the hype matters". Nikki Tranter of PopMatters said that it is both innovative and meaningful because exceptional songs such as "The Lost Children" and "Whatever Happens" more than make up for overly sentimental songs like "Heaven Can Wait" and "You Are My Life". Q magazine said that it is an aurally interesting, albeit inconsistent, album. In a negative review for The New York Times, Jon Pareles suggested that the album is somewhat impersonal and humorless, as Jackson rehashes ideas from his past songs and is "so busy trying to dazzle listeners that he forgets to have any fun." In a retrospective review for The Rolling Stone Album Guide, Pareles said that Invincible showed Jackson had lost his suave quality to "grim calculation".

Shortly after the release of the album, in a poll conducted by Billboard magazine, "an overwhelming majority" of people—79% of 5,195 voters—were not surprised by Invincible entering the Billboard 200 at number one. Billboard also reported that 44% agreed with the statement, proclaiming that Jackson was "still the King of Pop". Another 35% said they were not surprised by the album's ranking, but doubted Invincible would hold on for a second week at the top of the chart. Only 12% of people who responded to the poll said they were surprised by the album's charting debut because of Jackson's career over past six years and another 9% were taken aback by the album's success, due to light of the negativity that preceded the album's release. Invincible received one Grammy Award nomination at the 2002 ceremony. The album's song "You Rock My World" was nominated for Best Pop Vocal Performance - Male, but lost to James Taylor's "Don't Let Me Be Lonely Tonight". Due to the album's release in October 2001, it was not eligible for any other nomination from the 2002 Grammy Awards. In December 2009, (just a few months after Jackson's death) readers of Billboard magazine voted Invincible as the best album of the decade, from their readers poll.

Commercial performance

Invincible was Jackson's first studio album to be released in four years, since Blood on the Dance Floor: HIStory in the Mix in 1997. In the album's first week of release, with the sales of 363,000 units, the album debuted at number one on the Billboard 200 on the charts issue date of November 17, 2001. Invincible was Jackson's fifth number one entry on the Billboard 200, and the fourth to chart at number one in its debut week as a solo artist. Despite the first week sales of Invincible being good, the album sold less than HIStory in its opening week, with the album having sold 391,000 units. Invincible also charted at number one on Billboards R&B/Hip Hop Albums Chart for four weeks. After eight weeks of release, in December 2001, Invincible was certified gold by the Recording Industry Association of America (RIAA) for the sales of five hundred thousand units. In the same month the album was certified platinum for the sale of one million units. On January 25, 2002, the album was certified two times platinum for the sales of two million units. Some of the songs from Invincible would be used for the Immortal World Tour

Internationally, Invincible was a commercial success. The album peaked at number one in twelve countries worldwide, including the United Kingdom, Australia, Belgium, Denmark, The Netherlands, Germany, Norway, Sweden and Switzerland. It also charted within the top ten in several countries, including Austria, Canada, Finland, Italy, New Zealand, and Norway. Mexico was the album's least successful charting territory, peaking within the top thirty at number twenty nine. The album has reportedly sold 13 million units worldwide. However, the sales for Invincible were notably low compared to his previous releases, due in part to a diminishing pop music industry, the lack of promotion, no supporting world tour and the label dispute. Commenting on the sales of Invincible back in late 2003, Bernard Zuel of The Sydney Morning Herald stated:

"Holly Valance or Delta Goodrem would think their Christmases had come at once if they sold five or six million copies of their albums worldwide. Michael Jackson did something similar in the past two years with his seventh solo album, Invincible, and he's been branded a failure in the industry and the media. Unfair? Yes, of course, because his Invincible figures are better than those for 95 per cent of the thousands of artists released each year and would provide a healthy retirement fund for anyone. What's more, that failure tag is consistently applied by comparisons with his 1982 album, Thriller, which has sold about 100 million copies and its follow-ups, Bad, that sold about 30 million copies. However, selling 10 million copies is still phenomenal compared to the album sales of most artists."

In 2004, Invincible re-entered Billboard charts. Invincible placed at 154 on the Billboard 200 on December 4, 2004. The album also reached at number forty eight on Billboards R&B/Hip Hop Albums Chart that same week. Following Jackson's death in June 2009, his music experienced a surge in popularity. Invincible charted at number twelve on Billboards Digital Albums Chart on July 11, 2009. Having not charted on the chart prior to its peak position, the album was listed as the ninth biggest jump on that chart that week. It also charted within the top ten, peaking at number nine, on Billboard's Catalog Albums Chart on the issue date of July 18. On the week of July 19, 2009, Invincible charted at number eighteen in Italy. Invincible peaked at number sixty four on the European Albums Chart on the charts issue date of July 25. The album also charted at number twenty nine in Mexico in July, and eighty four on the Swiss Albums Chart on July 19, 2009.

Internationally, the album has received multiple certifications. Invincible was certified platinum by the British Phonographic Industry, for the sales of over 300,000 units in the United Kingdom. The album was certified platinum by the International Federation of the Phonographic Industry (IFPI) for the sales of 40,000 units in Switzerland. The IFPI also certified the album gold in Austria for the sales of 15,000 units. Australian Recording Industry Association certified Invincible two times platinum for the sales of 140,000 units in Australia. Other certifications include, a gold certification from Argentine Chamber of Phonograms and Videograms Producers for the sales of 20,000 units in Argentina.

Track listing

No.TitleWriter(s)Producer(s)Length
1."Unbreakable" (featuring The Notorious B.I.G.)Michael Jackson, Rodney Jerkins, Fred Jerkins III, LaShawn Daniels, Nora Payne, Robert Smith, Christopher WallaceMichael Jackson, Rodney Jerkins6:26
2."Heartbreaker" (featuring Fats)Jackson, Jerkins, Jerkins III, Daniels, Mischke Butler, Norman GreggMichael Jackson, Rodney Jerkins5:11
3."Invincible" (featuring Fats)Jackson, Jerkins, Jerkins III, Daniels, GreggMichael Jackson, Rodney Jerkins4:46
4."Break of Dawn"Dr. Freeze, JacksonMichael Jackson, Dr. Freeze5:33
5."Heaven Can Wait"Jackson, Teddy Riley, Andreao Heard, Nate Smith, Teron Beal, Eritza Laues, Kenny QuillerJackson, Riley, Andreao "Fanatic" Heard" (co), N. Smith (co)4:49
6."You Rock My World"Jackson, Jerkins, Jerkins III, Daniels, PayneMichael Jackson, Rodney Jerkins5:38
7."Butterflies"Andre Harris, Marsha AmbrosiusMichael Jackson, Andre Harris4:40
8."Speechless"JacksonMichael Jackson3:19
9."2000 Watts"Jackson, Riley, Tyrese Gibson, Jaron HensonMichael Jackson, Teddy Riley4:25
10."You Are My Life"Jackson, Babyface, Carole Bayer Sager, John McClainMichael Jackson, Babyface4:33
11."Privacy" (featuring Slash)Jackson, Jerkins, Jerkins III, Daniels, Bernard BelleMichael Jackson, Rodney Jerkins5:05
12."Don't Walk Away"Jackson, Riley, Richard Stites, Reed VertelneyMichael Jackson, Teddy Riley, Richard Stites (co)4:25
13."Cry"R. KellyMichael Jackson, R. Kelly4:58
14."The Lost Children"JacksonMichael Jackson4:00
15."Whatever Happens" (featuring Carlos Santana)Jackson, Riley, Gil Cang, Jasmine Quay, Geoffrey WilliamsMichael Jackson, Teddy Riley4:58
16."Threatened"Jackson, Jerkins, Jerkins III, DanielsMichael Jackson, Rodney Jerkins4:19
Notes
  • The rap verse by The Notorious B.I.G. in "Unbreakable" was originally from the song "You Can't Stop the Reign" by Shaquille O'Neal.
  • "Break of Dawn", "2000 Watts", and "Threatened" are excluded from the original Chinese release. In the Chinese version box set The Collection released in 2013, all the 16 tracks are included. Samples can be heard on music channels

Personnel

Credits adapted from Invincible album liner notes.

  • Michael Jackson – arranger, conductor, programming, vocals, multiple instruments, producer
  • Rodney Jerkins – programming, multiple instruments, producer, engineer, mixing, instrumentation
  • Marsha Ambrosius – additional vocals
  • Maxi Anderson – additional vocals
  • David Ashton – assistant engineer
  • Gloria Augustus – vocals
  • Babyface – guitar (acoustic and bass), keyboards, additional vocals, producer, drum programming
  • Tom Bahler – choir, chorus
  • Emanuel Baker – drums
  • Daniel Barrera – choir
  • Edie Lehmann Boddicker – choir, chorus
  • Robert Bolyard – choir, chorus
  • Paul Boutin – engineer, mixing
  • Brandy – additional vocals, background vocals
  • Stuart Brawley – whistle (human and instrument), engineer, digital editing, mixing, soloist
  • Mary Brown – background vocals
  • Tim Fulford Brown – vocals
  • Brad Buxer – keyboards, programming, engineer, digital editing, drum programming, mixing, keyboard programming
  • David Campbell – arranger
  • Matt Cappy – horn
  • Chris Carroll – assistant engineer
  • David Daoud Coleman – art direction
  • Paulinho da Costa – percussion
  • LaShawn Daniels – background vocals
  • Vidal Davis – assistant engineer
  • Valerie Doby – vocals
  • Dr. Freeze – background vocals, multiple instruments, producer
  • Nancy Donald – art direction
  • Kevin Dorsey – vocals
  • Craig Durrance – assistant engineer
  • Nathan East – bass guitar
  • Jason Edmonds – choir, chorus
  • Tess Escoto – choir
  • Eq – mixing
  • Voncielle Faggett – vocals
  • Karen Faye – make-up, hair stylist
  • Lynn Fiddmont – choir, chorus
  • Kirstin Fife – violin
  • Paul Foley – digital editing
  • Jon Gass – engineer, mixing
  • Humberto Gatica – engineer, mixing
  • Uri Geller – illustrations
  • Steve Genewick – assistant engineer, assistant
  • Brad Gilderman – engineer, mixing
  • Mike Ging – engineer, mixing
  • Judy Gossett – vocals
  • Franny "Franchise" Graham – assistant engineer
  • Harold Green – vocals
  • Alexander Greggs – digital editing
  • Bernie Grundman – mastering
  • Mick Guzauski – engineer, mixing
  • Justine Hall – choir, chorus
  • Steven Hankinson – cover design
  • Andre Harris – producer, engineer, instrumentation
  • Scottie Haskell – choir, chorus
  • Micha Haupman – choir, chorus
  • Gerald Heyward – drums
  • Andreao "Fanatic" Heard" – producer
  • Rob Herrera – digital editing, assistant engineer
  • Jean-Marie Horvat – engineer, mixing
  • Tabia Ivery – choir, chorus
  • Luana Jackman – choir, chorus
  • Prince Jackson – narrator
  • Tenika Johns – vocals
  • David Coleman – art direction
  • Andraé Crouch – vocals
  • Sandra Crouch – vocals
  • Paul F. Cruz – engineer, digital editing
  • Brandon Lucas – choir, chorus
  • Jonathon Lucas – choir, chorus
  • Ricky Lucchse – choir, chorus
  • Melissa MacKay – choir, chorus
  • Angela Johnson – vocals
  • Late Great Daniel Johnson – vocals
  • Zaneta M. Johnson – vocals
  • Laquentan Jordan – vocals
  • KB – mixing
  • R. Kelly – arranger, producer, choir arrangement
  • Peter Kent – violin
  • Gina Kronstadt – violin
  • Michael Landau – guitar
  • Slash - guitar solo
  • James Lively – choir, chorus
  • Robin Lorentz – violin
  • Rob Lorentz – violin
  • Jeremy Lubbock – arranger, conductor, orchestral arrangements
  • Fabian Marasciullo – digital editing
  • Harvey Mason, Jr. – digital editing
  • Harvey Mason, Sr. – digital editing
  • George Mayers – engineer, digital editing, mixing
  • Howard McCrary – vocals
  • Linda McCrary – vocals
  • Sam McCrary – vocals
  • Alice Jean McRath – vocals
  • Sue Merriett – vocals
  • Bill Meyers – arranger
  • Mischke – background vocals
  • Patrice Morris – vocals
  • Kristle Murden – vocals
  • The Notorious B.I.G. – rap
  • Novi Novog – viola, contractor
  • Adam Owett – art direction
  • Nora Payne – background vocals
  • Michael Prince – engineer, digital editing
  • Seth Riggs – vocal consultant
  • Teddy Riley – multiple instruments, producer, mixing, digital drums
  • Steve Robillard – assistant engineer
  • John "J.R." Robinson – drums
  • Carlos Santana – guitar, whistle (human, instrument), soloist
  • Dexter Simmons – engineer, mixing
  • Ivy Skoff – production coordination
  • Andrew Snyder – choir, chorus
  • Sally Stevens – choir, chorus
  • Richard Stites – background vocals, producer
  • Bruce Swedien – engineer, mixing
  • Thomas Tally – viola
  • Brett Tattersol – choir, chorus
  • Jeff Taylor – remixing
  • Ron Taylor – vocals
  • Michael Hart Thompson – guitar
  • Michael Thompson – guitar
  • Christine Tramontano – assistant engineer
  • Chris Tucker – introduction
  • Mario Vasquez – background vocals
  • Tommy Vicari – engineer, mixing
  • Nathan Walton – choir, chorus
  • Albert Watson – photography
  • Rick Williams – guitar
  • Yvonne Williams – vocals
  • Zandra Williams – vocals
  • John Wittenberg – violin

Charts

Chart (2001/2002) Peak
position
Australian Albums Chart 1
Austrian Albums Chart 2
Belgian Albums Chart 1
Canadian Top 50 3
Danish Albums Chart 1
Finnish Albums Chart 7
French Albums Chart 1
German Albums Chart 1
Italian Albums Chart 2
Mexican Albums Chart 29
New Zealand Albums Chart 4
Norwegian Albums Chart 1
Portuguese Albums Chart 8
Swedish Albums Chart 1
Swiss Albums Chart 1
UK Albums Chart 1
US Billboard 200 1
US Top R&B/Hip-Hop Albums 1
Chart (2004) Peak
position
US Billboard 200 154
US Billboard Top R&B/Hip-Hop Albums 48
Chart (2009) Peak
position
Australian Albums Chart 43
European Albums Chart 64
Italian Albums Chart 18
Mexican Albums Chart 29
Swiss Albums Chart 84
US Catalogue Albums Chart 9
US Digital Albums Chart 12

Certifications

Region Certification Certified units/sales
Argentina (CAPIF) Gold 20,000
Australia (ARIA) 2× Platinum 140,000
Austria (IFPI Austria) Gold 20,000
Finland (Musiikkituottajat) Gold 10,000
France (SNEP) Platinum 100,000
Germany (BVMI) Platinum 300,000
Macao (IFPI Macao) 2× Platinum 60,000
Mexico (AMPROFON) Gold 75,000
Netherlands (NVPI) Platinum 80,000
New Zealand (RMNZ) Platinum 15,000
Norway (IFPI Norway) Platinum 50,000
Poland (ZPAV) Gold 0
Portugal (AFP) Gold 20,000
Sweden (GLF) Gold 40,000
Switzerland (IFPI Switzerland) Platinum 40,000
United Kingdom (BPI) Platinum 300,000
United States (RIAA) 2× Platinum 2,000,000
Summaries
Europe (IFPI) 2× Platinum 2,000,000

Sales figures based on certification alone.
Shipments figures based on certification alone.

References

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  71. "Dutch album certifications – Michael Jackson – Invincible" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 2014-10-26. Enter Invincible in the "Artiest of titel" box.
  72. THE FIELD id (chart number) MUST BE PROVIDED for NEW ZEALAND CERTIFICATION.
  73. "Norwegian album certifications – Michael Jackson – Invincible" (in Norwegian). IFPI Norway. Retrieved 2014-10-26.
  74. Expression error: Unexpected <= operator
  75. AT LEAST ONE OF certyear OR id MUST BE PROVIDED for Portuguese CERTIFICATION.
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  78. id MUST BE PROVIDED for UK CERTIFICATION.
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  80. "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry. Retrieved 2014-10-26.

Bibliography

External links

Preceded byThe Great Depression by DMX Billboard 200 number-one album
November 17–24, 2001
Succeeded byBritney by Britney Spears

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Anniversary reissues
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