| Revision as of 16:27, 31 December 2015 editCyphoidbomb (talk | contribs)Autopatrolled, Extended confirmed users166,474 edits →Critical acclaim: Tweaks← Previous edit | Revision as of 18:37, 12 January 2016 edit undoFountains-of-Paris (talk | contribs)Extended confirmed users1,722 edits →Critical acclaim: Misplaced Pages Plot length limit.Next edit → | ||
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| :Carl, as NinjaRobotPirate notes above, we don't need editorials in our articles. "Universal acclaim" is hyperbolic fluff and doesn't belong in our articles, nor does similar wording like "nearly universal acclaim". The concept is not achievable. So long as there is one reliable critic in the entire universe who says something negative about the film, there will never be "universal acclaim", not even with 100% at RT and 100/100 at Metacritic. Same goes for language like "Universally panned" We also don't need the sharp POV language like "critically panned", "", etc. The WikiProject Film community also shuns language like "mixed to positive" and "mixed-to-negative", the latter being something you added . This phrasing constitutes ], since you appear to be combining both the Rotten Tomatoes score with the Metacritic score, and then making a statement about the information that neither source says explicitly. Frankly, I'm not a big fan of summarizing the critical response at all so long as we have aggregator data, which are already summaries of critical response. Why summarize a summary? Thanks. ] (]) 16:24, 31 December 2015 (UTC) | :Carl, as NinjaRobotPirate notes above, we don't need editorials in our articles. "Universal acclaim" is hyperbolic fluff and doesn't belong in our articles, nor does similar wording like "nearly universal acclaim". The concept is not achievable. So long as there is one reliable critic in the entire universe who says something negative about the film, there will never be "universal acclaim", not even with 100% at RT and 100/100 at Metacritic. Same goes for language like "Universally panned" We also don't need the sharp POV language like "critically panned", "", etc. The WikiProject Film community also shuns language like "mixed to positive" and "mixed-to-negative", the latter being something you added . This phrasing constitutes ], since you appear to be combining both the Rotten Tomatoes score with the Metacritic score, and then making a statement about the information that neither source says explicitly. Frankly, I'm not a big fan of summarizing the critical response at all so long as we have aggregator data, which are already summaries of critical response. Why summarize a summary? Thanks. ] (]) 16:24, 31 December 2015 (UTC) | ||
| ==Expansion of The Revenant past Plot length limit== | |||
| You are invited to look at the Talk page discussion on ] regarding the Plot length size limit. You have been expanding it past the limit twice. Cheers. ] (]) 18:36, 12 January 2016 (UTC) | |||
Revision as of 18:37, 12 January 2016
Carl Waxman, you are invited to the Teahouse!
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Hi Carl Waxman! Thanks for contributing to Misplaced Pages. Delivered by HostBot on behalf of the Teahouse hosts 16:20, 25 December 2015 (UTC) |
Critical acclaim
Hi there. I noticed you've been editing film articles. They often need a bit of help. However, I noticed that you're using what we call "puffery" or "peacock wording". This includes phrases like "widespread critical acclaim", "universal acclaim", etc. It's non-neutral wording and does not add to the reader's understanding beyond what the review aggregators tell them. If a film has a 90% approval rate on Rotten Tomatoes, just say that. You shouldn't use over-the-top wording to emphasize the rating, and you definitely shouldn't interpret the results as "critical acclaim". When you see something described as having "positive reviews", that's good enough, and it generally doesn't need to be "upgraded" to something more hyperbolic. NinjaRobotPirate (talk) 06:46, 27 December 2015 (UTC)
- Please stop adding peacock wording. I have explained to you above why this is problematic. If you continue to do so, you can be blocked from editing. NinjaRobotPirate (talk) 07:33, 30 December 2015 (UTC)
- Carl, as NinjaRobotPirate notes above, we don't need editorials in our articles. "Universal acclaim" is hyperbolic fluff and doesn't belong in our articles, nor does similar wording like "nearly universal acclaim". The concept is not achievable. So long as there is one reliable critic in the entire universe who says something negative about the film, there will never be "universal acclaim", not even with 100% at RT and 100/100 at Metacritic. Same goes for language like "Universally panned" We also don't need the sharp POV language like "critically panned", "box office bomb", etc. The WikiProject Film community also shuns language like "mixed to positive" and "mixed-to-negative", the latter being something you added here. This phrasing constitutes synthesis, since you appear to be combining both the Rotten Tomatoes score with the Metacritic score, and then making a statement about the information that neither source says explicitly. Frankly, I'm not a big fan of summarizing the critical response at all so long as we have aggregator data, which are already summaries of critical response. Why summarize a summary? Thanks. Cyphoidbomb (talk) 16:24, 31 December 2015 (UTC)
Expansion of The Revenant past Plot length limit
You are invited to look at the Talk page discussion on The Revenant (2015 film) regarding the Plot length size limit. You have been expanding it past the limit twice. Cheers. Fountains-of-Paris (talk) 18:36, 12 January 2016 (UTC)