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===Season 2===<!-- Since there is no indication at this time what the following's status in the series will be, this section is temporary. It will be removed once the second season airs and the following cast can be placed in either the "Main" or "Recurring" section above as appropriate. --> | ===Season 2===<!-- Since there is no indication at this time what the following's status in the series will be, this section is temporary. It will be removed once the second season airs and the following cast can be placed in either the "Main" or "Recurring" section above as appropriate. --> | ||
* ] as ], a society photographer who marries Princess Margaret.<ref name="GoodeCast">{{cite web |url=http://www.digitalspy.com/tv/downton-abbey/news/a819685/downton-abbey-matthew-goode-joins-netflix-the-crown-lord-snowdon/ |title=Downton Abbey's Matthew Goode is joining the cast of Netflix's The Crown |publisher=DigitalSpy |first=Ian |last=Sandwell |date=January 23, 2017 |accessdate=January 25, 2017}}</ref> | * ] as ], a society photographer who marries Princess Margaret.<ref name="GoodeCast">{{cite web |url=http://www.digitalspy.com/tv/downton-abbey/news/a819685/downton-abbey-matthew-goode-joins-netflix-the-crown-lord-snowdon/ |title=Downton Abbey's Matthew Goode is joining the cast of Netflix's The Crown |publisher=DigitalSpy |first=Ian |last=Sandwell |date=January 23, 2017 |accessdate=January 25, 2017}}</ref> | ||
* ] as ], |
* ] as ], the 35th ].<ref name="KennedysCast">{{cite web|url=http://deadline.com/2017/02/the-crown-cast-michael-c-hall-jodi-balfour-kennedy-matthew-goode-netflix-1201906364/|title=‘The Crown’ Adds Michael C Hall & Jodi Balfour As Jack & Jackie Kennedy|last=Tartaglione|first=Nancy|publisher=]|date=February 9, 2017|accessdate=February 9, 2017}}</ref><ref>http://www.hollywoodreporter.com/live-feed/crown-enlists-michael-c-hall-season-2-973829</ref> | ||
* ] as ], the ] of the United States.<ref name="KennedysCast" /> | * ] as ], the ] of the United States.<ref name="KennedysCast" /> | ||
* ] as Prime Minister ], who followed ] as Prime Minister.<ref name="LesserCast">{{cite web|url=https://www.theguardian.com/tv-and-radio/ng-interactive/2016/nov/01/filming-the-crown-on-the-set-of-the-netflix-blockbuster-in-pictures|title=Filming The Crown: on the set of the lavish Netflix series – in pictures|website=Final ReelThe Guardian|date=November 1, 2016|accessdate=February 11, 2017}}</ref> | * ] as Prime Minister ], who followed ] as Prime Minister.<ref name="LesserCast">{{cite web|url=https://www.theguardian.com/tv-and-radio/ng-interactive/2016/nov/01/filming-the-crown-on-the-set-of-the-netflix-blockbuster-in-pictures|title=Filming The Crown: on the set of the lavish Netflix series – in pictures|website=Final ReelThe Guardian|date=November 1, 2016|accessdate=February 11, 2017}}</ref> | ||
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'']''{{'}}s TV critic ] praised the series and said, "Netflix can rest assured that its £100m gamble has paid off. This first series, about good old British phlegm from first to last, is the service's crowning achievement so far."<ref>{{cite web|title=Netflix’s ‘The Crown’ bows to the queen|first=Lucy|last=Mangan|url= https://www.theguardian.com/tv-and-radio/2016/nov/04/the-crown-review-netflix-100m-gamble-on-the-queen-pays-off-royally|publisher='']'' |date=November 4, 2016|accessdate=November 7, 2016}}</ref> Writing for '']'', Ben Lawrence said, "''The Crown'' is a PR triumph for the ], a compassionate piece of work that humanises them in a way that has never been seen before. It is a portrait of an extraordinary family, an intelligent comment on the effects of the constitution on their personal lives and a fascinating account of postwar Britain all rolled into one."<ref>{{cite web|title=The Crown, spoiler-free review: Netflix's astonishing £100 million gamble pays off|first=Ben|last= Lawrence |url=http://www.telegraph.co.uk/on-demand/0/the-crown-review-netflixs-astonishing-100-million-gamble-pays-of/|publisher='']'' |date=November 2, 2016|accessdate=November 7, 2016}}</ref> Chief television critic ] of '']'' lauded the series and said, "Faultless is the only word for ''The Crown'' with its exquisite writing and magnificent acting."<ref>{{cite web|title=A royal feast... now just watch me binge! Faultless is the only word for The Crown with its exquisite writing and magnificent acting|first=Jaci|last=Stephen|url= http://www.dailymail.co.uk/home/event/article-3898458/Faultless-word-Crown-exquisite-writing-magnificent-acting.html|work=]| publisher='']'' |date=November 2, 2016|accessdate=November 7, 2016}}</ref> Writing for '']'', Matthew Gilbert lauded the series saying, "The show, created and written by Peter Morgan of '']'' and '']'' is thoroughly engaging, gorgeously shot, beautifully acted, rich in the historical events of postwar England, and designed with a sharp eye to psychological nuance."<ref>{{cite web|title=Netflix’s ‘The Crown’ bows to the queen|first=Matthew|last=Gilbert|url= https://www.bostonglobe.com/arts/television/2016/11/02/netflix-the-crown-bows-queen/bL6EPY2JcAbY8k1py5AJhO/story.html|publisher='']''|date=November 3, 2016|accessdate=November 7, 2016}}</ref> Vicki Hyman of '']'' said, "A sumptuous, stately but never dull look inside the life of Queen Elizabeth (Claire Foy)."<ref>{{cite web|title='The Crown' review: 'Downton Abbey' fans, meet your new (and better) obsession |publisher='']''|url=http://www.nj.com/entertainment/tv/index.ssf/2016/11/the_crown_netflix_review.html|first =Vicki |last= Hyman|date=November 3, 2016|accessdate=November 7, 2016}}</ref> '']''{{'}}s Gwen Ihnat said, "''The Crown'' easily rises far above, adding a cinematic quality to a complex and intricate time for an intimate family. The performers and creators are seemingly up for the task."<ref>{{cite web|title=The Crown is a visually sumptuous family drama fit for a queen|url=http://www.avclub.com/review/crown-offers-intimate-look-famously-private-family-245152| publisher ='']''|first=Gwen|last=Ihnat|date=November 2, 2016|accessdate=November 7, 2016}}</ref> | '']''{{'}}s TV critic ] praised the series and said, "Netflix can rest assured that its £100m gamble has paid off. This first series, about good old British phlegm from first to last, is the service's crowning achievement so far."<ref>{{cite web|title=Netflix’s ‘The Crown’ bows to the queen|first=Lucy|last=Mangan|url= https://www.theguardian.com/tv-and-radio/2016/nov/04/the-crown-review-netflix-100m-gamble-on-the-queen-pays-off-royally|publisher='']'' |date=November 4, 2016|accessdate=November 7, 2016}}</ref> Writing for '']'', Ben Lawrence said, "''The Crown'' is a PR triumph for the ], a compassionate piece of work that humanises them in a way that has never been seen before. It is a portrait of an extraordinary family, an intelligent comment on the effects of the constitution on their personal lives and a fascinating account of postwar Britain all rolled into one."<ref>{{cite web|title=The Crown, spoiler-free review: Netflix's astonishing £100 million gamble pays off|first=Ben|last= Lawrence |url=http://www.telegraph.co.uk/on-demand/0/the-crown-review-netflixs-astonishing-100-million-gamble-pays-of/|publisher='']'' |date=November 2, 2016|accessdate=November 7, 2016}}</ref> Chief television critic ] of '']'' lauded the series and said, "Faultless is the only word for ''The Crown'' with its exquisite writing and magnificent acting."<ref>{{cite web|title=A royal feast... now just watch me binge! Faultless is the only word for The Crown with its exquisite writing and magnificent acting|first=Jaci|last=Stephen|url= http://www.dailymail.co.uk/home/event/article-3898458/Faultless-word-Crown-exquisite-writing-magnificent-acting.html|work=]| publisher='']'' |date=November 2, 2016|accessdate=November 7, 2016}}</ref> Writing for '']'', Matthew Gilbert lauded the series saying, "The show, created and written by Peter Morgan of '']'' and '']'' is thoroughly engaging, gorgeously shot, beautifully acted, rich in the historical events of postwar England, and designed with a sharp eye to psychological nuance."<ref>{{cite web|title=Netflix’s ‘The Crown’ bows to the queen|first=Matthew|last=Gilbert|url= https://www.bostonglobe.com/arts/television/2016/11/02/netflix-the-crown-bows-queen/bL6EPY2JcAbY8k1py5AJhO/story.html|publisher='']''|date=November 3, 2016|accessdate=November 7, 2016}}</ref> Vicki Hyman of '']'' said, "A sumptuous, stately but never dull look inside the life of Queen Elizabeth (Claire Foy)."<ref>{{cite web|title='The Crown' review: 'Downton Abbey' fans, meet your new (and better) obsession |publisher='']''|url=http://www.nj.com/entertainment/tv/index.ssf/2016/11/the_crown_netflix_review.html|first =Vicki |last= Hyman|date=November 3, 2016|accessdate=November 7, 2016}}</ref> '']''{{'}}s Gwen Ihnat said, "''The Crown'' easily rises far above, adding a cinematic quality to a complex and intricate time for an intimate family. The performers and creators are seemingly up for the task."<ref>{{cite web|title=The Crown is a visually sumptuous family drama fit for a queen|url=http://www.avclub.com/review/crown-offers-intimate-look-famously-private-family-245152| publisher ='']''|first=Gwen|last=Ihnat|date=November 2, 2016|accessdate=November 7, 2016}}</ref> | ||
'']'' critic ] said, "We're clearly meant to see the duke as a wastrel with heart. It doesn’t quite come off—Mr. Jennings is far too convincing as an empty-hearted scoundrel—but it's a minor flaw in this superbly sustained work."<ref>{{cite web|title=‘The Crown’ Review: The Making of Elizabeth II|url=http://www.wsj.com/articles/the-crown-review-the-making-of-elizabeth-ii-1478211156| publisher ='']''|first=Dorothy|last=Rabinowitz|date=November 3, 2016|accessdate=November 7, 2016}}</ref> Television critic Robert Lloyd writing for '']'' said, "As television it's excellent—beautifully mounted, movingly played and only mildly melodramatic."<ref>{{cite web|title=Netflix’s ‘The Crown’ is a winning tale of royals and the weight of tradition|url=http://www.latimes.com/entertainment/tv/la-et-st-the-crown-review-20161103-snap-story.html|first=Robert|last=LIoyd| publisher='']''| date=September 20, 2016|accessdate=September 21, 2016}}</ref> ] of '']'' also reviewed the series positively: "Pieces of ''The Crown'' are more brilliant on their own than they are as a series, taken in as shorter, intently focused films like '']'' and another Morgan achievement, the play and film versions of '']''."<ref>{{cite web|title=Netflix’s ‘The Crown’ is best when viewed like separate little movies|publisher='']''|first=Hank |last=Stuever|date=November 2, 2016|accessdate=November 7, 2016|url= https://www.washingtonpost.com/entertainment/tv/netflixs-the-crown-is-best-when-viewed-like-separate-little-movies/2016/11/02/fe45c9aa-9fba-11e6-8832-23a007c77bb4_story.html}}</ref> ] of '']'' said, "This is a thoughtful series that lingers over death rather than using it for shock value; one that finds its story lines in small power struggles rather than gruesome palace coups.".<ref>{{cite web|title=Review: Netflix Does Queen Elizabeth II in ‘The Crown,’ No Expense Spared|url= |
'']'' critic ] said, "We're clearly meant to see the duke as a wastrel with heart. It doesn’t quite come off—Mr. Jennings is far too convincing as an empty-hearted scoundrel—but it's a minor flaw in this superbly sustained work."<ref>{{cite web|title=‘The Crown’ Review: The Making of Elizabeth II|url=http://www.wsj.com/articles/the-crown-review-the-making-of-elizabeth-ii-1478211156| publisher ='']''|first=Dorothy|last=Rabinowitz|date=November 3, 2016|accessdate=November 7, 2016}}</ref> Television critic Robert Lloyd writing for '']'' said, "As television it's excellent—beautifully mounted, movingly played and only mildly melodramatic."<ref>{{cite web|title=Netflix’s ‘The Crown’ is a winning tale of royals and the weight of tradition|url=http://www.latimes.com/entertainment/tv/la-et-st-the-crown-review-20161103-snap-story.html|first=Robert|last=LIoyd| publisher='']''| date=September 20, 2016|accessdate=September 21, 2016}}</ref> ] of '']'' also reviewed the series positively: "Pieces of ''The Crown'' are more brilliant on their own than they are as a series, taken in as shorter, intently focused films like '']'' and another Morgan achievement, the play and film versions of '']''."<ref>{{cite web|title=Netflix’s ‘The Crown’ is best when viewed like separate little movies|publisher='']''|first=Hank |last=Stuever|date=November 2, 2016|accessdate=November 7, 2016|url= https://www.washingtonpost.com/entertainment/tv/netflixs-the-crown-is-best-when-viewed-like-separate-little-movies/2016/11/02/fe45c9aa-9fba-11e6-8832-23a007c77bb4_story.html}}</ref> ] of '']'' said, "This is a thoughtful series that lingers over death rather than using it for shock value; one that finds its story lines in small power struggles rather than gruesome palace coups.".<ref>{{cite web|title=Review: Netflix Does Queen Elizabeth II in ‘The Crown,’ No Expense Spared|url=http://www.nytimes.com/2016/11/04/arts/television/review-netflix-crown-queen-elizabeth-ii.html?_r=0|first=Neil|last=Neil| publisher='']''| date=November 2, 2016|accessdate=November 7, 2016}}</ref> '']''{{'}}s Daniel Fienberg reviewed the series positively and said, "The first chapter of Peter Morgan's chronicle of the rule of Queen Elizabeth II remains gripping across the entirety of the 10 episodes made available to critics, finding both emotional heft in Elizabeth's youthful ascension and unexpected suspense in matters of courtly protocol and etiquette."<ref>{{cite web|title='The Crown': TV Review||first=Daniel|last= Fienberg|publisher='']'' |url=http://www.hollywoodreporter.com/review/crown-review-941772| date=November 1, 2016|accessdate=November 5, 2016}}</ref> Other publications such as '']'',<ref>{{cite web|title=Review: 'The Crown' is sumptuous miniseries with stellar cast|url=http://www.usatoday.com/story/life/tv/2016/11/03/netflix-the-crown-review-robert-bianco/93188616/ |first=Robert|last=Bianco| publisher='']''| date=November 4, 2016|accessdate=November 7, 2016}}</ref> '']'',<ref>{{cite web|title=‘The Crown’ Review: Netflix Period Drama Came to Reign in Made-To-Order Emmys Contender |first=Ben|last=Travers|publisher='']'' | date=November 2, 2016 |accessdate=November 7, 2016|url=http://www.indiewire.com/2016/11/the-crown-review-netflix-season-1-emmys-gold-digger-1201743299/}}</ref> '']'',<ref>{{cite web|title=The Crown Is a Sweeping, Sumptuous History Lesson|first=David|last=Sims| publisher='']''| date=November 2, 2016 |accessdate=November 7, 2016|url=http://www.theatlantic.com/entertainment/archive/2016/11/the-crown-netflix-review/506522/?utm_source=feed}}</ref> '']''<ref>{{cite web|title='The Crown' regally explores reign of Queen Elizabeth|first=Brian|last=Lowry |publisher='']''| date=November 2, 2016 |accessdate=November 7, 2016|url= http://edition.cnn.com/2016/11/02/entertainment/the-crown-review/index.html}}</ref>and '']''<ref>{{cite web|title=TV Review: 'The Crown'|first=Maureen|last=Ryan |publisher='']'' | date=November 2, 2016 |accessdate=November 7, 2016|url=http://variety.com/2016/tv/reviews/the-crown-netflix-claire-foy-peter-morgan-matt-smith-elizabeth-queen-1201900396/}}</ref> all reviewed the series positively. | ||
Some were more critical towards the show. In a less enthusiastic review for '']'' magazine, Daniel D'Addario wrote, "The show will be compared to '']'', but that late soap opera was able to invent ahistorical or at least unexpected notes, Foy struggles mightily, but she's given little: Avoiding her children, her husband, and her subjects in favor of meetings at which she either acquiesces to her advisors or puts off acquiescing until fifteen minutes later, ''The Crown''{{'}}s Elizabeth is more than unknowable. She's a bore".<ref>{{cite web|title=Review: Netflix’s The Crown Makes the Most of an Unknowable Queen|url=http://time.com/4557482/the-crown-review-netflix-queen-elizabeth/|first=Daniel |last=D'Addario|publisher='']''| date=November 4, 2016 |accessdate=November 7, 2016}}</ref> '']''{{'}}s Matt Zoller Seitz quipped, "''The Crown'' never entirely figures out how to make the political and domestic drama genuinely dramatic, much less bestow complexity on characters outside England’s innermost circle."<ref>{{cite web|title=Netflix’s The Crown Is Tedious, But Anglophiles Will Like It|first=Matt Zoller|last=Seitz|work=]|publisher='']''| date=November 2, 2016 |accessdate=November 7, 2016|url= http://www.vulture.com/2016/11/netflix-the-crown-is-tedious-but-anglophiles-will-like-it.html}}</ref> Verne Gay of '']'' said, "Sumptuously produced but glacially told, ''The Crown'' is the TV equivalent of a long drive through the English countryside. The scenery keeps changing, but remains the same."<ref>{{cite web|title=The Crown Review: Queen Elizabeth Story Falls Flat|first=Verne |last=Gay|publisher='']'' | date=November 4, 2016 |accessdate=November 7, 2016|url= http://www.newsday.com/entertainment/tv/the-crown-review-queen-elizabeth-s-story-falls-flat-1.12551516}}</ref> '']'' magazine's Willa Paskin, expressed "It will scratch your period drama itch—and leave you itchy for action."<ref>{{cite web|title= Netflix’s sumptuous $100 million drama about the British monarchy delivers exactly what it promises. That isn’t enough.|first=Willa|last=Paskin|publisher='']''|url= http://www.slate.com/articles/arts/television/2016/11/netflix_s_100_million_period_drama_the_crown_reviewed.html|date=November 3, 2016 |accessdate= November 7, 2016}}</ref> Writing for '']'', ], an English biographer of the Royal Family, was of the opinion that "while certainly holds the attention, it is marred by a series of sensationalist errors and some quite remarkable lapses into vulgarity."<ref>{{cite news|url=http://www.dailymail.co.uk/news/article-3840165/With-100million-budget-Netflix-s-eagerly-anticipated-new-Crown-lavish-biopic-says-royal-expert-HUGO-VICKERS-s-marred-sensationalist-errors-remarkable-lapses-vulgarity.html|title=With a £100million budget Netflix's eagerly-anticipated new show The Crown is the most lavish biopic ever, says royal expert HUGO VICKERS, but it's marred by sensationalist errors and some remarkable lapses into vulgarity|newspaper=The Mail on Sunday|location=London|date=October 16, 2016|accessdate=November 7, 2016|author=Hugo Vickers}}</ref> | Some were more critical towards the show. In a less enthusiastic review for '']'' magazine, Daniel D'Addario wrote, "The show will be compared to '']'', but that late soap opera was able to invent ahistorical or at least unexpected notes, Foy struggles mightily, but she's given little: Avoiding her children, her husband, and her subjects in favor of meetings at which she either acquiesces to her advisors or puts off acquiescing until fifteen minutes later, ''The Crown''{{'}}s Elizabeth is more than unknowable. She's a bore".<ref>{{cite web|title=Review: Netflix’s The Crown Makes the Most of an Unknowable Queen|url=http://time.com/4557482/the-crown-review-netflix-queen-elizabeth/|first=Daniel |last=D'Addario|publisher='']''| date=November 4, 2016 |accessdate=November 7, 2016}}</ref> '']''{{'}}s Matt Zoller Seitz quipped, "''The Crown'' never entirely figures out how to make the political and domestic drama genuinely dramatic, much less bestow complexity on characters outside England’s innermost circle."<ref>{{cite web|title=Netflix’s The Crown Is Tedious, But Anglophiles Will Like It|first=Matt Zoller|last=Seitz|work=]|publisher='']''| date=November 2, 2016 |accessdate=November 7, 2016|url= http://www.vulture.com/2016/11/netflix-the-crown-is-tedious-but-anglophiles-will-like-it.html}}</ref> Verne Gay of '']'' said, "Sumptuously produced but glacially told, ''The Crown'' is the TV equivalent of a long drive through the English countryside. The scenery keeps changing, but remains the same."<ref>{{cite web|title=The Crown Review: Queen Elizabeth Story Falls Flat|first=Verne |last=Gay|publisher='']'' | date=November 4, 2016 |accessdate=November 7, 2016|url= http://www.newsday.com/entertainment/tv/the-crown-review-queen-elizabeth-s-story-falls-flat-1.12551516}}</ref> '']'' magazine's Willa Paskin, expressed "It will scratch your period drama itch—and leave you itchy for action."<ref>{{cite web|title= Netflix’s sumptuous $100 million drama about the British monarchy delivers exactly what it promises. That isn’t enough.|first=Willa|last=Paskin|publisher='']''|url= http://www.slate.com/articles/arts/television/2016/11/netflix_s_100_million_period_drama_the_crown_reviewed.html|date=November 3, 2016 |accessdate= November 7, 2016}}</ref> Writing for '']'', ], an English biographer of the Royal Family, was of the opinion that "while certainly holds the attention, it is marred by a series of sensationalist errors and some quite remarkable lapses into vulgarity."<ref>{{cite news|url=http://www.dailymail.co.uk/news/article-3840165/With-100million-budget-Netflix-s-eagerly-anticipated-new-Crown-lavish-biopic-says-royal-expert-HUGO-VICKERS-s-marred-sensationalist-errors-remarkable-lapses-vulgarity.html|title=With a £100million budget Netflix's eagerly-anticipated new show The Crown is the most lavish biopic ever, says royal expert HUGO VICKERS, but it's marred by sensationalist errors and some remarkable lapses into vulgarity|newspaper=The Mail on Sunday|location=London|date=October 16, 2016|accessdate=November 7, 2016|author=Hugo Vickers}}</ref> |
Revision as of 17:34, 3 March 2017
2016 multi-national TV series or programThe Crown | |
---|---|
Genre | |
Created by | Peter Morgan |
Written by | Peter Morgan |
Starring | |
Theme music composer | Hans Zimmer |
Composer | Rupert Gregson-Williams |
Country of origin |
|
Original language | English |
No. of seasons | 1 |
No. of episodes | 10 (list of episodes) |
Production | |
Executive producers |
|
Producer | Andrew Eaton |
Production location | United Kingdom |
Running time | 54–61 minutes |
Production companies | |
Original release | |
Network | Netflix |
Release | November 4, 2016 (2016-11-04) – present (present) |
The Crown is a biographical drama television series, created and written by Peter Morgan and produced by Left Bank Pictures and Sony Pictures Television for Netflix. The show is a biographical story about the reign of Queen Elizabeth II of the United Kingdom. The first season covers the period between the Queen's marriage to Philip, Duke of Edinburgh in 1947 to the disintegration of her sister Princess Margaret's engagement to Peter Townsend in 1955. A second season has been commissioned, which is intended to cover from the Suez Crisis in 1956 through the retirement of the Queen's third Prime Minister, Harold Macmillan, in 1963 following the Profumo affair political scandal.
The Crown evolved out of Morgan's 2006 film The Queen and 2013 stage play The Audience. The series is intended to last 60 episodes over six seasons, with 10 one-hour episodes a season, covering the Queen's entire life, with new actors being cast every two seasons. Claire Foy portrays the Queen in the first two seasons, along with Matt Smith as Prince Philip and Vanessa Kirby as Princess Margaret. Filming for the series takes place at Elstree Studios in Borehamwood, Hertfordshire, with location shooting at various locations throughout the United Kingdom.
The first season released on Netflix in its entirety on November 4, 2016. Reception to the series was overwhelmingly positive, with critics praising cast performances, direction, writing, cinematography, production values, and relatively accurate historical accounts of Queen Elizabeth's reign. Significant praise was directed towards the performances of Foy in the leading role and John Lithgow as Winston Churchill; both actors were awarded the Screen Actors Guild Award for Best Actress and Best Actor at the 23rd Screen Actors Guild Awards, respectively, among other accolades, including the 74th Golden Globe Awards and the 7th Critics' Choice Television Awards.
Premise
The Crown traces the life of Queen Elizabeth II from her wedding in 1947 to the present day. The first season depicts events up to 1955, with Claire Foy portraying the Queen in the early part of her reign. The second season is intended to cover from the Suez Crisis in 1956 through the retirement of the Queen's third Prime Minister, Harold Macmillan, in 1963 following the Profumo affair political scandal. A third season will include Princess Margaret's five-year affair with baronet and gardening expert Roddy Llewellyn.
Cast
Main
- Claire Foy as Princess Elizabeth and later Queen Elizabeth II
- Matt Smith as Prince Philip, Duke of Edinburgh, Elizabeth's husband
- Vanessa Kirby as Princess Margaret, Elizabeth's younger sister
- Eileen Atkins as Queen Mary, Elizabeth's grandmother
- Alex Jennings as Edward, Duke of Windsor, formerly King Edward VIII, who abdicated in favor of his younger brother Bertie to marry Wallis Simpson; also known as David
- Lia Williams as Wallis, Duchess of Windsor, the wife of Edward
- Jeremy Northam as Anthony Eden, the Foreign Secretary, who succeeds Churchill as Prime Minister
- Victoria Hamilton as Queen Elizabeth and later Queen Elizabeth The Queen Mother, to differentiate her from her daughter, Elizabeth, after her daughter became Queen; George VI's wife and Elizabeth's mother
- Ben Miles as Group Captain Peter Townsend, George VI's equerry, who hopes to marry Princess Margaret
- Greg Wise as Louis Mountbatten, 1st Earl Mountbatten of Burma, Philip's ambitious uncle and great-grandson of Queen Victoria
- Jared Harris as King George VI, Elizabeth's father, also known as Bertie
- Stephen Dillane as Graham Sutherland, a noted artist who paints a portrait of the aging Churchill
- John Lithgow as Winston Churchill, the Queen's first Prime Minister
Recurring
- Harry Hadden-Paton as Martin Charteris
- Andy Sanderson as Prince Henry
- Michael Culkin as Rab Butler
- Nicholas Rowe as Jock Colville
- Harriet Walter as Clementine Churchill
- Pip Torrens as Tommy Lascelles
- Simon Chandler as Clement Attlee
- Clive Francis as Lord Salisbury
- Patrick Ryecart as Duke of Norfolk
- Nicholas Jones as Lord Moran
- Paul Sheridan as Eden's Aide
- David Shields as Colin Tennant
- Kate Phillips as Venetia Scott
Season 2
- Matthew Goode as Anthony Armstrong-Jones, a society photographer who marries Princess Margaret.
- Michael C. Hall as John F. Kennedy, the 35th President of the United States.
- Jodi Balfour as Jacqueline Kennedy, the First Lady of the United States.
- Anton Lesser as Prime Minister Harold Macmillan, who followed Anthony Eden as Prime Minister.
Episodes
Season 1 (2016)
No. overall | No. in season | Title | Directed by | Written by | Original release date | |
---|---|---|---|---|---|---|
1 | 1 | "Wolferton Splash" | Stephen Daldry | Peter Morgan | November 4, 2016 (2016-11-04) | |
In 1947, Prince Philip of Greece and Denmark gives up his royal titles and all foreign relations in order to be allowed to marry Princess Elizabeth, heiress presumptive of King George VI. The couple have two children together, Charles and Anne, and live in Malta, where Philip serves as Lieutenant-Commander of the Royal Navy. In 1951, they return to London when George has to undergo lung surgery; soon after, he learns he has months to live due to a malignant tumour in his remaining lung. In the knowledge he has very little time left with his family and that Elizabeth will soon be Queen, George counsels Philip on how best to assist his wife in the challenge ahead. Meanwhile, Winston Churchill is re-elected after six years out of government, a move of which George approves. | ||||||
2 | 2 | "Hyde Park Corner" | Stephen Daldry | Peter Morgan | November 4, 2016 (2016-11-04) | |
Due to King George's ongoing ill health, Elizabeth and Philip tour the Commonwealth in his place. While they are in Kenya on safari, George is found dead in his bed to the devastation of his wife Queen Elizabeth The Queen Mother, his mother Queen Mary, and Elizabeth's sister Princess Margaret. In the African bush, Elizabeth is unreachable and the event is spread via radio to the world before she can be informed. Philip breaks the news to his wife, who then returns to the UK to unite with her family in their grief. | ||||||
3 | 3 | "Windsor" | Philip Martin | Peter Morgan | November 4, 2016 (2016-11-04) | |
Through flashbacks, the abdication of King Edward is explored. In 1952, Edward, now known by the title of Duke of Windsor, returns to the UK for his brother's funeral. There is deep animosity between the Duke and both his mother, Queen Mary, and sister-in-law Elizabeth, the Queen Mother, who he nicknames 'Cookie', in his letters to his wife Wallis. Elizabeth meets with Churchill and discusses two of Philip's demands: firstly, the family keeps his name of Mountbatten, and secondly, they remain living at Clarence House rather than moving to Buckingham Palace. Churchill is reluctant to bend to either demand, and the counsel of her uncle Edward convinces Elizabeth to drop the requests, to Philip's fury. Churchill also pushes back Elizabeth's coronation to over a year away, which Elizabeth recognises to be to secure his own power against his party, who believe him too old to be Prime Minister. | ||||||
4 | 4 | "Act of God" | Julian Jarrold | Peter Morgan | November 4, 2016 (2016-11-04) | |
A great smog covers London, which Churchill deems an 'Act of God' and mere weather. People begin dying from the suffocating air and from accidents caused by low visibility. Elizabeth is pressured to ask Churchill to step down, but is reluctant as royalty does not usually involve itself with the affairs of government. However, with Churchill blamed for the smog by the Opposition and for attempting to discuss Philip's flying lessons at his Cabinet meeting rather than the smog, she decides to call him to see her. However, the true nature of the Smog is brought home to Churchill when Venetia Scott (Kate Phillips), his favoured secretary, is hit and killed by a bus due to bad visibility. Deeply saddened, Churchill visits the hospital to see her body, where he sees the chaos and difficulty caused by the smog. The press arrive, and Churchill makes an impassioned speech promising more funding and a longer term approach to preventing future smog. Elizabeth changes her mind after the fog clears, moments before their meeting. Meanwhile, Philip carries on his flying lessons from the Royal Family's aide, Group Captain Peter Townsend. | ||||||
5 | 5 | "Smoke and Mirrors" | Philip Martin | Peter Morgan | November 4, 2016 (2016-11-04) | |
Queen Mary dies, prompting the Duke of Windsor to make another return trip. He clashes with Elizabeth's Private Secretary Tommy Lascelles when he asks Edward not to attend the upcoming coronation and informs him that his wife Wallis will not receive an invitation. Elizabeth places Philip in charge of her coronation, and he upsets most of the committee with his insistence that it should be a modern affair, notably deciding to televise the event. He also requests that he should not have to kneel to Elizabeth while she is being crowned, a request which she refuses, causing unrest between the couple about the line between Queen and wife. Elizabeth is crowned at Westminster Abbey, while Edward hosts a viewing of the coronation from his house in Paris. | ||||||
6 | 6 | "Gelignite" | Julian Jarrold | Peter Morgan | November 4, 2016 (2016-11-04) | |
Princess Margaret and Group Captain Peter Townsend ask the Queen's permission to marry, but Tommy Lascelles and the Queen Mother are against it. A newspaper gets wind of the story, and starts publishing articles about the relationship. The Queen originally promises to support Margaret, but on reflection explains that it must wait until Margaret is 25, thanks to the Royal Marriages Act 1772. Elizabeth and Philip take Peter with them on a trip to Northern Ireland to show their support, before he is due to head to Brussels on duty. But the popularity shown to Peter by the press and public causes Tommy Lascelles to recommend that the posting to Brussels happen early, before Margaret returns from a trip to Southern Rhodesia. This affects the Queen's relationship with her sister forever. | ||||||
7 | 7 | "Scientia Potentia Est" | Benjamin Caron | Peter Morgan | November 4, 2016 (2016-11-04) | |
The Soviet Union detonates their first hydrogen bomb, sparking an international crisis. With American President Dwight Eisenhower planning to visit Britain, Churchill urges an international summit to avert tension, but falls victim to a stroke which inhibits his ability to govern – and which his aides keep secret from the Queen. Elizabeth ponders whether to replace the retiring Tommy Lascelles with her preferred choice, Martin Charteris, or Michael Adeane, Lascelles's senior deputy, as her private secretary. She also engages a private tutor (Alan Williams) to improve her practical education in science and related subjects, with a positive relationship being formed so that she is encouraged to dress down both Lord Salisbury and Churchill for hiding his illness from her. | ||||||
8 | 8 | "Pride & Joy" | Philip Martin | Peter Morgan | November 4, 2016 (2016-11-04) | |
With Elizabeth and Philip away on a stressful tour of the Commonwealth, Margaret takes on more royal engagements, with mixed results. The Queen Mother goes to Scotland to reflect on her new position in the Royal Family, and ends up buying a castle. Elizabeth (King George's pride) and Margaret (King George's joy) declare their mutual envy. | ||||||
9 | 9 | "Assassins" | Benjamin Caron | Peter Morgan | November 4, 2016 (2016-11-04) | |
Philip begins spending more and more time out of the house, while Elizabeth begins to spend more and more time with her old friend Porchey, a horse manager and old friend of the Royal Family who many had expected and even arranged for Elizabeth to marry. As tension arises, including Elizabeth having a direct line put in for Porchey to call Buckingham Palace, Elizabeth and Philip have an angry confrontation. Afterwards, Elizabeth tells Philip that, although a marriage with Porchey had been more desired and perhaps would have even worked out better, the only person she had ever loved in her entire life was Philip. Following a moving speech at a dinner at Downing Street for Churchill's 80th birthday, Philip silently apologises to Elizabeth, but the tension continues. Graham Sutherland paints Churchill's portrait as an 80th birthday gift from Parliament, but Churchill hates it, because of its honesty, and after a confrontation with Sutherland, admits his pain at what his age has done to him. The painting is later destroyed on the instruction of his wife, Clementine. | ||||||
10 | 10 | "Gloriana" | Philip Martin | Peter Morgan | November 4, 2016 (2016-11-04) | |
Elizabeth faces a climax to Margaret's relationship with Peter Townsend. The Queen learns that, contrary to her expectation, Margaret's marriage requires consent of Parliament even after she reaches the age of 25, conflicting with Elizabeth's pledge to support their marriage. Torn between the public's support for Margaret, opposition from Parliament and the Church of England and her own conflicted feelings towards her sister, Elizabeth tries persuading Margaret to end the relationship. The Queen Mother complains to Elizabeth that Philip dominates and is too hard on Charles. Elizabeth, at the suggestion of Tommy Lascelles and the Queen Mother, asks Philip to open the 1956 Summer Olympics in Melbourne in order to adjust to life in Elizabeth's shadow. Anthony Eden becomes Prime Minister upon Churchill's resignation and becomes trapped in an escalating dispute with Egypt's Abdel Nasser (Amir Boutrous) over rights to the Suez Canal. A five month long royal tour is added to Philip's trip, Elizabeth suggests he be thankful that everyone is trying to help but Philip tells Elizabeth not to disguise a betrayal as a favour. |
Season 2
No. overall | No. in season | Title | Directed by | Written by | Original release date |
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11 | 1 | TBA | Philip Martin | TBD | November 2017 (2017-11) |
Production
Development
Peter Morgan, who wrote the 2006 film The Queen and the 2013 stage play The Audience, is the main scriptwriter for The Crown. The directors of the television series who were also involved in the stage production are Stephen Daldry, Philip Martin, Julian Jarrold, and Benjamin Caron. The first 10-part season was the most expensive drama produced by Netflix and Left Bank Pictures to date, costing at least £100 million. A second season has been commissioned, with the series intended to span 60 episodes over six seasons. The series is expected to recast each role with older actors every two seasons, as the series progresses to present day events.
Filming
Filming for the series takes place at Elstree Studios in Borehamwood, Hertfordshire. It was estimated that 25% of the first season was filmed at Elstree Studios, with the remaining 75% filmed on location, with the season filmed over 152 days. Sets for private quarters, the interior of a private jet, the cabinet room, and the exterior of 10 Downing Street were built at Elstree Studios, while Lancaster House, Wrotham Park and Wilton House were used for scenes to double as Buckingham Palace. Ely Cathedral stood in for Westminster Abbey, while filming in South Africa doubled as Kenya in the season. Additional filming locations in the United Kingdom included, Eltham Palace, the Royal Naval College, Goldsmiths' Hall, Shoreham Airport, New Slains Castle, Balmoral Castle, Cruden Bay, Lyceum Theatre, Loseley Park, Hatfield House, The Historic Dockyard Chatham, Southwark Cathedral, Ardverikie House, Englefield House, and Glenfeshie Estate. Filming on the second season began in early October 2016.
Historical accuracy
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The show has been interpreted by some as perpetuating the myth that the Queen and Prime Minister Sir Anthony Eden forced Princess Margaret to give up the idea of marrying Group Captain Peter Townsend. In reality, evidence shows they produced a plan to remove the hurdle holding up the marriage. In contradiction to the TV dramatization this plan would have allowed Princess Margaret to keep her royal title and her civil list allowance, stay in the country and even continue with her public duties. In the dramatization, the Queen is seen telling her sister that if she marries Townsend she will no longer be a member of the family because of the Royal Marriages Act 1772.
Release
The series' first two episodes were released theatrically in the United Kingdom on November 1, 2016. The first season was released worldwide in its entirety on November 4, 2016. The second season is expected to be released in November 2017.
Reception
The review aggregator website Rotten Tomatoes reported a 90% approval rating based on 51 reviews, with an average rating of 8.7/10. The website's critical consensus reads, "Powerful performances and lavish cinematography make The Crown a top-notch production worthy of its grand subject." On Metacritic, the series holds a score of 81 out of 100, based on 29 critics, indicating "universal acclaim".
The Guardian's TV critic Lucy Mangan praised the series and said, "Netflix can rest assured that its £100m gamble has paid off. This first series, about good old British phlegm from first to last, is the service's crowning achievement so far." Writing for The Daily Telegraph, Ben Lawrence said, "The Crown is a PR triumph for the Windsors, a compassionate piece of work that humanises them in a way that has never been seen before. It is a portrait of an extraordinary family, an intelligent comment on the effects of the constitution on their personal lives and a fascinating account of postwar Britain all rolled into one." Chief television critic Jaci Stephen of The Mail on Sunday lauded the series and said, "Faultless is the only word for The Crown with its exquisite writing and magnificent acting." Writing for The Boston Globe, Matthew Gilbert lauded the series saying, "The show, created and written by Peter Morgan of The Queen and Frost/Nixon is thoroughly engaging, gorgeously shot, beautifully acted, rich in the historical events of postwar England, and designed with a sharp eye to psychological nuance." Vicki Hyman of The Star-Ledger said, "A sumptuous, stately but never dull look inside the life of Queen Elizabeth (Claire Foy)." The A.V. Club's Gwen Ihnat said, "The Crown easily rises far above, adding a cinematic quality to a complex and intricate time for an intimate family. The performers and creators are seemingly up for the task."
The Wall Street Journal critic Dorothy Rabinowitz said, "We're clearly meant to see the duke as a wastrel with heart. It doesn’t quite come off—Mr. Jennings is far too convincing as an empty-hearted scoundrel—but it's a minor flaw in this superbly sustained work." Television critic Robert Lloyd writing for Los Angeles Times said, "As television it's excellent—beautifully mounted, movingly played and only mildly melodramatic." Hank Stuever of The Washington Post also reviewed the series positively: "Pieces of The Crown are more brilliant on their own than they are as a series, taken in as shorter, intently focused films like The Queen and another Morgan achievement, the play and film versions of Frost/Nixon." Neil Genzlinger of The New York Times said, "This is a thoughtful series that lingers over death rather than using it for shock value; one that finds its story lines in small power struggles rather than gruesome palace coups.". The Hollywood Reporter's Daniel Fienberg reviewed the series positively and said, "The first chapter of Peter Morgan's chronicle of the rule of Queen Elizabeth II remains gripping across the entirety of the 10 episodes made available to critics, finding both emotional heft in Elizabeth's youthful ascension and unexpected suspense in matters of courtly protocol and etiquette." Other publications such as USA Today, Indiewire, The Atlantic, CNNand Variety all reviewed the series positively.
Some were more critical towards the show. In a less enthusiastic review for Time magazine, Daniel D'Addario wrote, "The show will be compared to Downton Abbey, but that late soap opera was able to invent ahistorical or at least unexpected notes, Foy struggles mightily, but she's given little: Avoiding her children, her husband, and her subjects in favor of meetings at which she either acquiesces to her advisors or puts off acquiescing until fifteen minutes later, The Crown's Elizabeth is more than unknowable. She's a bore". Vulture's Matt Zoller Seitz quipped, "The Crown never entirely figures out how to make the political and domestic drama genuinely dramatic, much less bestow complexity on characters outside England’s innermost circle." Verne Gay of Newsday said, "Sumptuously produced but glacially told, The Crown is the TV equivalent of a long drive through the English countryside. The scenery keeps changing, but remains the same." Slate magazine's Willa Paskin, expressed "It will scratch your period drama itch—and leave you itchy for action." Writing for The Mail on Sunday, Hugo Vickers, an English biographer of the Royal Family, was of the opinion that "while certainly holds the attention, it is marred by a series of sensationalist errors and some quite remarkable lapses into vulgarity."
Accolades
See also
References
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(help) - Lawrence, Ben (November 2, 2016). "The Crown, spoiler-free review: Netflix's astonishing £100 million gamble pays off". The Daily Telegraph. Retrieved November 7, 2016.
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(help) - Stephen, Jaci (November 2, 2016). "A royal feast... now just watch me binge! Faultless is the only word for The Crown with its exquisite writing and magnificent acting". The Mail on Sunday. The Daily Mail. Retrieved November 7, 2016.
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(help) - Gilbert, Matthew (November 3, 2016). "Netflix's 'The Crown' bows to the queen". Boston Globe. Retrieved November 7, 2016.
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(help) - Hyman, Vicki (November 3, 2016). "'The Crown' review: 'Downton Abbey' fans, meet your new (and better) obsession". The Star-Ledger. Retrieved November 7, 2016.
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(help) - Ihnat, Gwen (November 2, 2016). "The Crown is a visually sumptuous family drama fit for a queen". The A.V. Club. Retrieved November 7, 2016.
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(help) - Rabinowitz, Dorothy (November 3, 2016). "'The Crown' Review: The Making of Elizabeth II". Wall Street Journal. Retrieved November 7, 2016.
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(help) - Stuever, Hank (November 2, 2016). "Netflix's 'The Crown' is best when viewed like separate little movies". The Washington Post. Retrieved November 7, 2016.
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(help) - Neil, Neil (November 2, 2016). "Review: Netflix Does Queen Elizabeth II in 'The Crown,' No Expense Spared". The New York Times. Retrieved November 7, 2016.
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(help) - Bianco, Robert (November 4, 2016). "Review: 'The Crown' is sumptuous miniseries with stellar cast". USA Today. Retrieved November 7, 2016.
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(help) - Gay, Verne (November 4, 2016). "The Crown Review: Queen Elizabeth Story Falls Flat". Newsday. Retrieved November 7, 2016.
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(help) - Hugo Vickers (October 16, 2016). "With a £100million budget Netflix's eagerly-anticipated new show The Crown is the most lavish biopic ever, says royal expert HUGO VICKERS, but it's marred by sensationalist errors and some remarkable lapses into vulgarity". The Mail on Sunday. London. Retrieved November 7, 2016.
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External links
- The Crown at IMDb
- The Crown at Rotten Tomatoes
- The Crown at Metacritic
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