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Revision as of 13:00, 19 August 2017 editEl cid, el campeador (talk | contribs)Extended confirmed users, New page reviewers, Pending changes reviewers, Rollbackers27,962 edits Added tags to the page using Page Curation (more footnotes, prose, cleanup-reorganize, sections)← Previous edit Revision as of 05:15, 20 August 2017 edit undoBata via (talk | contribs)418 edits Zeit-EchoNext edit →
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|birth_place = ] |birth_place = ]
| death_date = {{Death date and age|1959|06|09|1879|12|16}} <!-- {{Death date and age|YYYY|MM|DD|YYYY|MM|DD}} (death date then birth date) --> | death_date = {{Death date and age|1959|06|09|1879|12|16}} <!-- {{Death date and age|YYYY|MM|DD|YYYY|MM|DD}} (death date then birth date) -->
|death_place = Germany |death_place =
|party = |party =
|citizenship = |citizenship =
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|net_worth = |net_worth =
|boards = |boards =
|spouse = *From 12 May 1909 in Liebenberg till 1921 he was married to Viktoria Ada Astrid Agnes Countess to Eulenburg, a daughter of ]. |spouse = *From 12 May 1909 in ] till 1921 he was married to Viktoria Ada Astrid Agnes Countess to Eulenburg, a daughter of ].
|children = ]<ref>Stefan Müller, Liebenberg - Ein verkauftes Dorf, </ref>, {{Ill|Johannes Haas-Heye|de}} and Ottora Maria Haas-Heye (1910-2001) Wife of the Swedish ambassador Carl Douglas (1908-1961) and mother of ], ] and ]. |children = ]<ref>Stefan Müller, Liebenberg - Ein verkauftes Dorf, </ref>, {{Ill|Johannes Haas-Heye|de}} and Ottora Maria Haas-Heye (1910-2001) Wife of the Swedish ambassador Carl Douglas (1908-1961) and mother of ], ] and ]. <ref>Genealogie-Zusammenstellung Eulenburg und Hertefeld Otto Haas-Heye, see 8d {{Webarchiv | url=https://web.archive.org/web/20081222014303/http://pages.prodigy.net/ptheroff/gotha/eulenburg.html|text=}}</ref>
|relatives = |relatives =
| mother = Hermanna Helene Heye (1857-1942) | mother = Hermanna Helene Heye (1857-1942)
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Otto Ludwig Haas-Heye headed the fashion department of the Kunstgewerbemuseum in Prinz-Albrecht-Straße 8. He was editor of the Graphische Modeblätter. Otto Ludwig Haas-Heye headed the fashion department of the Kunstgewerbemuseum in Prinz-Albrecht-Straße 8. He was editor of the Graphische Modeblätter.
==Zeit-Echo==
*On {{dts|1914|04|22}} he founded the '' Graphik-Verlag <ref>In Müllers Adreßbuch von 1916: Graphik-Verlag G.m.b.H Verlagsbuchhandlung, Kunstverlag, München Glückstr. 5 und Berlin NW 7, Pariser Platz 7, gegründet 22.4. 1914, Geschäftsführer: Otto Haas-Heye see Grötzinger, 1993, ''</ref>and edited from 1914 to December 1916 the ''Zeitecho, Ein Kriegstagebuch der Künstler'' (A warstage book of the artists) for Prose, lyric reviews and graphic. *On {{dts|1914|04|22}} he founded the '' Graphik-Verlag''<ref>In Müllers Adreßbuch von 1916: Graphik-Verlag G.m.b.H Verlagsbuchhandlung, Kunstverlag, München Glückstr. 5 und Berlin NW 7, Pariser Platz 7, gegründet 22.4. 1914, Geschäftsführer: Otto Haas-Heye see Grötzinger, 1993, </ref>and edited from 1914 to December 1916 the ''Zeit-Echo, Ein Kriegstagebuch der Künstler'' (A warstage book of the artists) for ], ], ]s and ].
⚫ *In 1889 when he was 10 years old, after his parents separated he moved with his mother to Heidelberg, where his mother came from.
*In 1914: Script Director: {{Ill|Friedrich Markus Huebner|de}}, Art Director: {{Ill|Otto Th. W. Stein|de}}.
*In 1915: Script Director {{Ill|Hans Siemsen|de}}
*In 1917: edited by {{Ill|Ludwig Rubiner|de}}<ref>{{Ill|Paul Raabe|de}}, Die Autoren und Bücher des literarischen Expressionismus: ein bibliographisches Handbuch, J.B. Metzlersche Verlagsbuchhandlung, 1985, 1002 pp. </ref>

==Biography==
⚫ *In 1889, when he was 10 years old, after his parents separated he moved with his mother to ], where his mother came from.
*He grew up in the Hanseatic patrician atmosphere of this town, where he first attended the Gymnasium, later the Real-Gymnasium and, contrary to his inclinations, a commercial school. *He grew up in the Hanseatic patrician atmosphere of this town, where he first attended the Gymnasium, later the Real-Gymnasium and, contrary to his inclinations, a commercial school.
*From 1895 to 1899 he studied painting at Academy of Arts in Düsseldorf. *From 1895 to 1899 he studied painting at ].
*From 1899-1900 he was a one-year volunteer at the Heavy Regiment in Munich *From 1899-1900 he was a one-year volunteer at the ] Regiment in ].
*In 1901 he continued his artistic training at the ]. *In 1901 he continued his artistic training at the ].
*In 1902 he inherited, as only son of his father, a considerable fortune. *In 1902 he inherited, as only son of his father, a considerable fortune.
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*In 1905 he lived in ]. *In 1905 he lived in ].
*In 1906 he traveled through Turkey, Egypt, Greece and Albania. *In 1906 he traveled through Turkey, Egypt, Greece and Albania.
*From 1907 to 1908 he was a student of the then director, ], at the Academy of Arts in Berlin. *From 1907 to 1908 he was a student of the then director, ], at the ].
*Through his marriage 1908 with the youngest daughter of the prince to Eulenburg and Herstefeld, Victoria Countess to Eulenburg, a godchild of ], Haas-Heye entered the circle of European aristocracy. *Through his marriage 1908 with the youngest daughter of the prince to Eulenburg and Herstefeld, Victoria Countess to Eulenburg, a godchild of ], Haas-Heye entered the circle of European aristocracy.
*In 1910 the couple went to Great Britain for a year. *In 1910 the couple went to Great Britain for a year.
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*Form 1917 to 1919 he lives in Switzerland designs costumes for mime and balls. *Form 1917 to 1919 he lives in Switzerland designs costumes for mime and balls.
*In 1920 ] called him as a teacher at the {{Ill|Unterrichtsanstalt des Kunstgewerbemuseums Berlin|de}}, where he founded and directed the fashion and costume class, and from then on devoted himself to designs of costumes and stage furnishing, and received the title of professor in 1921. *In 1920 ] called him as a teacher at the {{Ill|Unterrichtsanstalt des Kunstgewerbemuseums Berlin|de}}, where he founded and directed the fashion and costume class, and from then on devoted himself to designs of costumes and stage furnishing, and received the title of professor in 1921.
*Due to his good contacts with the stage circles, he provides numerous stage plays, mimes and balletts in the following years, In 1921, for instance, the stage of the Staatsoper Unter den Linden was given to the first constitution. From 1926 to 1929 he was a fashion consultant in Paris. *Due to his good contacts with the stage circles, he provides numerous stage plays, mimes and balletts in the following years, In 1921, for instance, the stage of the ] Unter den Linden was given to the first constitution. From 1926 to 1929 he was a fashion consultant in Paris.
*In 1930 Haas-Heye founded the school "Tracht und Mode", which he expanded in 1932 to the Zürcher Kunst- und Modeschule. Since Haas-Heye with Jewish ancestors in national socialist Germany as an artist all ways are blocked, he keeps up until 1936 in Switzerland *In 1930 Haas-Heye founded the school "Tracht und Mode", which he expanded in 1932 to the ''Zürcher Kunst- und Modeschule''. Since Haas-Heye with Jewish ancestors in national socialist Germany as an artist all ways are blocked, he keeps up until 1936 in Switzerland.
*From 1936 to January 1938 he lived Berlin - mostly with his children John and Libertas - and traveled early 1938 over the Netherlands to London. There he teaches at a School named after {{Ill|Albert Reimann|de}}, starting in 1939 at the '']''. *From 1936 to January 1938 he lived Berlin - mostly with his children John and Libertas - and traveled in early 1938 over the Netherlands to London. There he teaches at a School named after {{Ill|Albert Reimann|de}}, starting in 1939 at the '']''.
*From 1940 and 1941 he was interned on the ] and founded a school of good taste. *From 1940 and 1941 he was interned on the ] and founded a school of good taste.
*In 1953 he undertook a lecture tour through the Federal Republic of ], where he was celebrated as a fashion czar from the imperial period and the Weimar Republic. In 1958 he returned to Germany and settled down in Mannheim. He had plans for a Mannheim fashion museum but on 9 June 1959 he dies of the consequences of a traffic accident.<ref>Vera Grötzinger, Der Erste Weltkrieg im Widerhall des "Zeit-Echo" (1914-1917): zum Wandel im Selbstverständnis einer künstlerisch-politischen Literaturzeitschrift, Peter Lang, 1994 - 411 pp., ff</ref> *In 1953 he undertook a lecture tour through the Federal Republic of ], where he was celebrated as a fashion czar from the imperial period and the Weimar Republic. In 1958 he returned to Germany and settled down in Mannheim. He had plans for a Mannheim fashion museum but on 9 June 1959 he dies of the consequences of a traffic accident.<ref>Vera Grötzinger, Der Erste Weltkrieg im Widerhall des "Zeit-Echo" (1914-1917): zum Wandel im Selbstverständnis einer künstlerisch-politischen Literaturzeitschrift, Peter Lang, 1994 - 411 pp., ff</ref>

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Otto Ludwig Haas-Heye
Otto Ludwig Haas-Heye
BornDecember 16, 1879
Heidelberg
DiedJune 9, 1959(1959-06-09) (aged 79)
Spouse(s)
ChildrenLibertas Schulze-Boysen, Johannes Haas-Heye [de] and Ottora Maria Haas-Heye (1910-2001) Wife of the Swedish ambassador Carl Douglas (1908-1961) and mother of Princess Elisabeth, Duchess in Bavaria, Gustaf Douglas and Rosita Spencer-Churchill, Duchess of Marlborough.
Parents
  • Hermann Haas (1852-1902) was newspaper publisher of the Münchner Zeitung [de] and the 'Mannheimer Zeitung. He is regarded as the co-founder of German liberalism and belonged to the circle around Paul Lindau and Moritz von Egidy (Vater) [de], the fathers of liberalism in southern Germany. (father)
  • Hermanna Helene Heye (1857-1942) (mother)

Otto Ludwig Haas-Heye was a German fashion designer, professor at the Unterrichtsanstalt des Kunstgewerbemuseums Berlin [de] and owner of the Graphik-Verlag a publishing company.

Otto Ludwig Haas-Heye headed the fashion department of the Kunstgewerbemuseum in Prinz-Albrecht-Straße 8. He was editor of the Graphische Modeblätter.

Zeit-Echo

Biography

  • In 1889, when he was 10 years old, after his parents separated he moved with his mother to Bremen, where his mother came from.
  • He grew up in the Hanseatic patrician atmosphere of this town, where he first attended the Gymnasium, later the Real-Gymnasium and, contrary to his inclinations, a commercial school.
  • From 1895 to 1899 he studied painting at Kunstakademie Düsseldorf.
  • From 1899-1900 he was a one-year volunteer at the Schwere Reiter Regiment in Munich.
  • In 1901 he continued his artistic training at the Académie Julian.
  • In 1902 he inherited, as only son of his father, a considerable fortune.
  • From 1902 to 1903 he lived in Munich.
  • From 1904 to 1905 he lived in Rome.
  • In 1905 he lived in Paris.
  • In 1906 he traveled through Turkey, Egypt, Greece and Albania.
  • From 1907 to 1908 he was a student of the then director, Arthur Kampf, at the Berlin University of the Arts.
  • Through his marriage 1908 with the youngest daughter of the prince to Eulenburg and Herstefeld, Victoria Countess to Eulenburg, a godchild of Augusta Victoria of Schleswig-Holstein, Haas-Heye entered the circle of European aristocracy.
  • In 1910 the couple went to Great Britain for a year.
  • From 1912 to 1914 they lived in London and Paris. During his stay in France, Haas-Heye became acquainted with many couturiers, including Paul Poiret.
  • In 1914, the World War I forced him returned to Germany. His records show: When I had to leave Paris, and I had to be a soldier, I said I did not go against the country where I had acted The French had my house and things steal. Yet I never felt a hatred against them.
  • As a cosmopolitan he opposed the war: I always ha a strong feeling against war and his answer to this is an artistic-aesthetic one.
  • On April 22, 1914, he took over the Graphik-Verlag in Munich, after he had sold the shares of Münchner Zeitung and Mannheimer Zeitung, cofounded by his father.
  • From 1914 to 1916 he founded and directed the fashion house Alfred Marie in the Palais Hatzfeld Wilhelmplatz. As a protest against the war he named it after a longtime friend in Paris.
  • In World War I, the Berlin Haute couture was rated by the public as the first trend-setting model of German fashion on the film of the emancipation of German fashion, and his career as an outfit artist and fashion designer took its successful course.
  • Otto Haas-Heye was the artistic director of the fashion house Alfred-Marie.
  • The younger ladies of the distinguished society were particularly impressed by the creations of Haas-Heyes. The ladies of the aristocracy, who still held the necessary financial resources, as well as celebrated actresses, now ordered their wardrobe of a Berlin couturier like Gerson, Manheimer, and Alfred-Marie.

Haas-Heyses's further career is in the artistic-fashionable area, far from politics. He loved everything that was beautiful.

  • In 1916 he published graphic fashion sheets, capricious designs, which by Annie Offterdinger (* 1894 Hanau 1987) with loving empathy, transposed hand-colored woodcuts into their intentions and made accessible to the public in a fine equipped bookcase of the graphics publishing house. With Annie Offterdinger, he made the much-criticized fashion drawing in Germany an artificial product.
  • From April to August, 1916 he was drafted. He probably owes the relations of his father-in-law Philipp, Prince of Eulenburg, who effected for him an audience with Helmuth von Moltke the Younger, Chief of the German General Staff with the probably effect of his release.
  • In 1916 he assisted Hermann Muthesius in setting up the Deutscher Werkbund exhibition in Basel, where he organized a large fashion show in 1917 on a self-made stage.
  • Form 1917 to 1919 he lives in Switzerland designs costumes for mime and balls.
  • In 1920 Bruno Paul called him as a teacher at the Unterrichtsanstalt des Kunstgewerbemuseums Berlin [de], where he founded and directed the fashion and costume class, and from then on devoted himself to designs of costumes and stage furnishing, and received the title of professor in 1921.
  • Due to his good contacts with the stage circles, he provides numerous stage plays, mimes and balletts in the following years, In 1921, for instance, the stage of the Berlin State Opera Unter den Linden was given to the first constitution. From 1926 to 1929 he was a fashion consultant in Paris.
  • In 1930 Haas-Heye founded the school "Tracht und Mode", which he expanded in 1932 to the Zürcher Kunst- und Modeschule. Since Haas-Heye with Jewish ancestors in national socialist Germany as an artist all ways are blocked, he keeps up until 1936 in Switzerland.
  • From 1936 to January 1938 he lived Berlin - mostly with his children John and Libertas - and traveled in early 1938 over the Netherlands to London. There he teaches at a School named after Albert Reimann [de], starting in 1939 at the Royal School of Needlework.
  • From 1940 and 1941 he was interned on the Isle of Man and founded a school of good taste.
  • In 1953 he undertook a lecture tour through the Federal Republic of Germany, where he was celebrated as a fashion czar from the imperial period and the Weimar Republic. In 1958 he returned to Germany and settled down in Mannheim. He had plans for a Mannheim fashion museum but on 9 June 1959 he dies of the consequences of a traffic accident.

References

  1. Lili Baruch, 1920, Link to the phogography
  2. Stefan Müller, Liebenberg - Ein verkauftes Dorf, p. 47
  3. Genealogie-Zusammenstellung Eulenburg und Hertefeld Otto Haas-Heye, see 8d Archived 2008-12-22 at the Wayback Machine
  4. In Müllers Adreßbuch von 1916: Graphik-Verlag G.m.b.H Verlagsbuchhandlung, Kunstverlag, München Glückstr. 5 und Berlin NW 7, Pariser Platz 7, gegründet 22.4. 1914, Geschäftsführer: Otto Haas-Heye see Grötzinger, 1993, p. 88
  5. Paul Raabe [de], Die Autoren und Bücher des literarischen Expressionismus: ein bibliographisches Handbuch, J.B. Metzlersche Verlagsbuchhandlung, 1985, 1002 pp. p. 440
  6. Vera Grötzinger, Der Erste Weltkrieg im Widerhall des "Zeit-Echo" (1914-1917): zum Wandel im Selbstverständnis einer künstlerisch-politischen Literaturzeitschrift, Peter Lang, 1994 - 411 pp., p. 95 ff
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