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===Untitled Protest Performance=== ===Untitled Protest Performance===


On January 30, 2018, Sulkowicz was documented protesting at two New York City museums and a subway station. During the protest, Sulkowicz posed for several photographs in front of Chuck Close ] at ] and ], a Close ] in ], as well as in front of Picasso's '']''. Sulkowicz wore black lingerie, with home-made ] made of tape, and covered their body with drawn-on ]. Sulkowicz stated that the protest was a response to a ''New York Times'' article from 28 January, in which members of the art world, responding to ] towards artist ], debated over the future of art created by individuals accused of improper behavior. Among the people quoted in the article was Jock Reynolds, the then-director of the ], who stated, "] was one of the worst offenders of the 20th century in terms of his history with women. Are we going to take his work out of the galleries? At some point you have to ask yourself, is the art going to stand alone as something that needs to be seen?" <ref>{{cite news | last1=Sopan| first1=Deb | first2=Robin| last2=Jennifer | date=28 January 2018|url=https://www.nytimes.com/2018/01/28/arts/design/chuck-close-exhibit-harassment-accusations.html |title=''Chuck Close Is Accused of Harassment. Should His Artwork Carry an Asterisk?''}}</ref> Sulkowitz was reportedly "appalled" by the comments, asking, "are you only showing work by ]?"<ref name=SCascone/> The protes was described as a "performance" in the media,<ref>{{cite news | last1=Pogrebin| first1=Robin| first2=Jennifer| last2=Schuessler| date=28 January 2018|url=https://www.nytimes.com/2018/01/28/arts/design/chuck-close-exhibit-harassment-accusations.html|title=''Museums and a Performance Artist Grapple With Chuck Close’s Work''}}</ref><ref name="SCascone"/>, and as "performative action" by the artist,<ref>{{cite web| last=Mahoney|first=Maggie|url=http://www.amlitmag.com/blog/amlit/2018/04/profile-emma|title=Emma Sulkowicz: Life Post Mattress Performance|archive-url=https://web.archive.org/web/20180703061208/http://www.amlitmag.com/blog/amlit/2018/04/profile-emma|archive-date=3 July 2018}}</ref> On January 30, 2018, Sulkowicz was documented protesting at two New York City museums and a subway station. During the protest, Sulkowicz posed for several photographs in front of Chuck Close ] at ] and ], a Close ] in ], as well as in front of Picasso's '']''. Sulkowicz wore black lingerie, with home-made ] made of tape, and covered their body with drawn-on ]. Sulkowicz stated that the protest was a response to a ''New York Times'' article from 28 January, in which members of the art world, responding to ] towards artist ], debated over the future of art created by individuals accused of improper behavior. Among the people quoted in the article was Jock Reynolds, the then-director of the ], who stated, "] was one of the worst offenders of the 20th century in terms of his history with women. Are we going to take his work out of the galleries? At some point you have to ask yourself, is the art going to stand alone as something that needs to be seen?" <ref>{{cite news | last1=Sopan| first1=Deb | first2=Robin| last2=Jennifer | date=28 January 2018|url=https://www.nytimes.com/2018/01/28/arts/design/chuck-close-exhibit-harassment-accusations.html |title=''Chuck Close Is Accused of Harassment. Should His Artwork Carry an Asterisk?''}}</ref> Sulkowitz was reportedly "appalled" by the comments, asking, "are you only showing work by ]?"<ref name=SCascone/> The protest was described as a "performance" in the media,<ref>{{cite news | last1=Pogrebin| first1=Robin| first2=Jennifer| last2=Schuessler| date=28 January 2018|url=https://www.nytimes.com/2018/01/28/arts/design/chuck-close-exhibit-harassment-accusations.html|title=''Museums and a Performance Artist Grapple With Chuck Close’s Work''}}</ref><ref name="SCascone"/>, and as "performative action" by the artist,<ref>{{cite web| last=Mahoney|first=Maggie|url=http://www.amlitmag.com/blog/amlit/2018/04/profile-emma|title=Emma Sulkowicz: Life Post Mattress Performance|archive-url=https://web.archive.org/web/20180703061208/http://www.amlitmag.com/blog/amlit/2018/04/profile-emma|archive-date=3 July 2018}}</ref>


=== ''The Floating World'' === === ''The Floating World'' ===

Revision as of 03:01, 24 September 2018

Emma Sulkowicz
Sulkowicz in 2014
Born (1992-03-10) March 10, 1992 (age 32)
New York City
Occupation(s)Performance artist, anti-rape activist
Known forMattress Performance (Carry That Weight), Ceci N'est Pas Un Viol

Emma Sulkowicz (born October 3, 1992) is an American artist and anti-rape activist. The child of Sandra Leong and Kerry Sulkowicz (both psychiatrists from Manhattan), Sulkowicz is of Chinese-Japanese-Jewish descent. The non-binary artist attended Dalton School on the Upper East Side, where they were an A student and competitive fencer, and Columbia University, where they obtained a degree in visual arts in 2015. Their senior thesis at Columbia and first notable artwork was Mattress Performance (Carry That Weight) (2014–2015), which consisted of Sulkowicz carrying a mattress wherever they went on campus during their final year, in protest against campus sexual assault and the university's handling of a complaint they filed against a student they said had anally raped them. The university cleared the student of responsibility; the district attorney's office declined to pursue criminal charges, citing lack of reasonable suspicion.

Works

Mattress Performance (Carry That Weight)

Main article: Mattress Performance (Carry That Weight)
Sulkowicz (center right) carrying the mattress at graduation

Sulkowicz created Mattress Performance (Carry That Weight) in the summer of 2014 for their senior thesis while at Yale University Summer School of Art and Music. Their first effort was a video of them dismantling a bed, accompanied by the audio of them filing the police report, which they had recorded on their cellphone. The mattress later became the sole focus of the piece. Sulkowicz told New York magazine:

I thought about how ... the mattress represents a private place where a lot of your intimate life happens; and how I have brought my life out in front for the public to see; and the act of bringing something private and intimate out into the public mirrors the way my life has been. Also the mattress as a burden, because of what has happened there, that has turned my own relationship with my bed into something fraught.

The 50-pound (23 kg), dark-blue, extra-long twin mattress used in the performance art piece is of the kind Columbia places in its dorms, similar to the one on which they allege they were raped. Sulkowicz spent the summer of 2014 creating the rules of engagement: written on the walls of their studio in the university's Watson Hall, these stated that they must carry the mattress whenever they were on university property; that it must remain on campus even when Sulkowicz was not there; and that they were not allowed to ask for help in carrying it, but if help was offered they may accept it. In September that year they began carrying it on campus, which they said was a physically painful experience.

Newspaper Bodies (Look, Mom, I'm on the Front Page!)

Sulkowicz's final thesis show, the week before graduation in May 2015, included depictions of a naked man with an obscenity and a couple having sex, printed onto a New York Times article about the student they accused. Sulkowicz said that the images were cartoons, and asked: "what are the functions of cartoons? Do they depict the people themselves (a feat which, if you've done enough reading on art theory, you will realize is impossible), or do they illustrate the stories that have circulated about a person?" This work was later shown under the title Newspaper Bodies (Look, Mom, I'm on the Front Page!) as part of a group exhibition at the Southampton Arts Center, Southampton, New York.

Ceci N'est Pas Un Viol

Main article: Ceci N'est Pas Un Viol

On June 3, 2015, Sulkowicz, working with artist Ted Lawson, released Ceci N'est Pas Un Viol ("This is not a rape"), an eight-minute video of Sulkowicz having sex with an anonymous actor in a Columbia dorm room. The title of the piece is a reference to the caption in René Magritte's The Treachery of Images: "Ceci n'est pas une pipe". Introductory text by Sulkowicz stresses that the sex was consensual throughout, though toward the end it portrays resistance, violence and force. When the video was first posted, each screen displayed the timestamp of August 27, 2012, the night of the alleged assault, but later the date was blurred. Sulkowicz wrote that the work, which examines the nature of sexual consent, was not a reenactment of the alleged rape and later stated that it was a separate piece from Mattress Performance.

Self-Portrait

From February to March 2016 at Coagula Curatorial in Los Angeles, Sulkowicz exhibited a piece, Self-Portrait. For the first three weeks of the exhibition, Sulkowicz stood on a pedestal in the gallery, and had one-on-one conversations with visitors who would stand on an identical pedestal in front of them. The exhibition also featured a life size robotic replica of the artist that was called "Emmatron". Emmatron plays prerecorded answers to several questions Sulkowicz has been repeatedly asked that they will no longer respond to. A few examples of questions Emmatron had answers to included "Tell me about the night you were assaulted", "Is this art piece a part of Mattress Performance (Carry That Weight)?" and "What do your parents think of all this?" If audience members asked these questions to Sulkowicz during their conversation, the artist would send them to Emmatron for the answers.

Untitled Protest Performance

On January 30, 2018, Sulkowicz was documented protesting at two New York City museums and a subway station. During the protest, Sulkowicz posed for several photographs in front of Chuck Close paintings at The Museum of Modern Art and The Metropolitan Museum of Art, a Close mosaic in a subway station, as well as in front of Picasso's Les Demoiselles d'Avignon. Sulkowicz wore black lingerie, with home-made pasties made of tape, and covered their body with drawn-on asterisks. Sulkowicz stated that the protest was a response to a New York Times article from 28 January, in which members of the art world, responding to allegations of sexual harassment towards artist Chuck Close, debated over the future of art created by individuals accused of improper behavior. Among the people quoted in the article was Jock Reynolds, the then-director of the Yale University Art Gallery, who stated, "Pablo Picasso was one of the worst offenders of the 20th century in terms of his history with women. Are we going to take his work out of the galleries? At some point you have to ask yourself, is the art going to stand alone as something that needs to be seen?" Sulkowitz was reportedly "appalled" by the comments, asking, "are you only showing work by Harvey Weinstein?" The protest was described as a "performance" in the media,, and as "performative action" by the artist,

The Floating World

From March 10 to April 22, 2018, The Invisible Dog gallery in Brooklyn, New York hosted Sulkowicz' first gallery installation, a piece entitled The Floating World. Inspired by the culture of Japan during the Edo period, the piece consists of a series of glass orbs, suspended by ropes, containing objects of personal significance to Sulkowicz and members of their community.

See also

References

  1. Chan, Melissa (5 June 2015). "Columbia University anti-rape activist Emma Sulkowicz releases sex video as newest art piece". NEW YORK DAILY NEWS. Retrieved 8 August 2015.
  2. Kunter, Jenny (20 May 2015). "Columbia University president refuses graduation handshake with anti-rape activist Emma Sulkowicz". Salon. Retrieved 8 August 2015.
  3. For age, "Carry That Weight", Emma Sulkowicz interviewed by Roberta Smith, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, 14 December 2014, c. 48:50 mins.
  4. Tolentino, Jia (2018-02-05). "Is There a Smarter Way to Think About Sexual Assault on Campus?". The New Yorker. ISSN 0028-792X. Retrieved 2018-03-05.
  5. ^ Lux Alptraum, "There Is Life After Campus Infamy", in The New York Times, July 21, 2018
  6. Vanessa Grigoriadis, "Meet the College Women Who Are Starting a Revolution Against Campus Sexual Assault", New York Magazine, 21 September 2014.
  7. Roberta Smith, "In a Mattress, a Lever for Art and Political Protest", The New York Times, 21 September 2014.
  8. Lauren Gambino, "Emma Sulkowicz's This Is Not A Rape site taken down by cyberattack", The Guardian, 9 June 2015.
  9. Emma Bogler (May 16, 2014). "Frustrated by Columbia's inaction, student reports sexual assault to police". Columbia Spectator.

    Max Kutner, "The Anti-Mattress Protest", Newsweek, 28 April 2015.

  10. Smith 2014, c. 38:45 mins.
  11. Smith, Roberta (21 September 2014). "In a Mattress, a Lever for Art and Political Protest". The New York Times. Retrieved 2016-05-04.
  12. Van Syckle, Katie (4 September 2014). "The Columbia Student Carrying a Mattress Everywhere Says Reporters Are Triggering Rape Memories", New York Magazine.
  13. Smith, December 17, 2014, from c. 39:57 mins; for Watson Hall, Sulkowicz, September 2, 2014, from c. 2:00 mins.
  14. Duan, Noel (September 9, 2014). "Going From Class to Class With Emma Sulkowicz and Her Mattress", Elle.com; accessed May 29, 2016.
  15. Emily Bazelon (May 29, 2015). "Have We Learned Anything From the Columbia Rape Case?", The New York Times Magazine.
  16. Andy Battaglia (May 28, 2015). "Will Emma Sulkowicz's Protest Mattress Wind Up in a Museum?", New York.
  17. ^ Cait Munro (June 4, 2015). "Emma Sulkowicz Breaks New Ground With Troubling Video Performance", Artnet
  18. Teo Armus (June 5, 2015). "Sulkowicz films herself in a violent sex scene for newest art project", Columbia Daily Spectator.
  19. "Moving beyond 'Mattress Girl': Artist Emma Sulkowicz pushes the conversation forward". Los Angeles Times.
  20. "Life After Mattress Girl: Emma Sulkowicz Reclaims Her Identity". KCET. March 28, 2016.
  21. "Self Portrait – Dialogue With Emma Sulkowicz and an Inanimate Object". HuffPost. March 9, 2016.
  22. "Emma Sulkowicz Will Answer (Almost) Any Question At Her First Solo Gallery Show – The Frisky". The Frisky. February 16, 2016.
  23. Sopan, Deb; Jennifer, Robin (28 January 2018). "Chuck Close Is Accused of Harassment. Should His Artwork Carry an Asterisk?".
  24. ^ Cascone, Sarah (2 February 2018). "Artist Emma Sulkowicz Wore Asterisks—and Little Else—to Protest Chuck Close at the Met (and Picasso at MoMA)". Archived from the original on 3 July 2018.
  25. Pogrebin, Robin; Schuessler, Jennifer (28 January 2018). "Museums and a Performance Artist Grapple With Chuck Close's Work".
  26. Mahoney, Maggie. "Emma Sulkowicz: Life Post Mattress Performance". Archived from the original on 3 July 2018.
  27. "The Floating World by Emma Sulkowicz". Archived from the original on 17 April 2018.
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