Revision as of 18:06, 4 August 2020 edit2604:2d80:8d8a:6700:2d23:a305:d76b:3aca (talk) →Critical reception: Fixed typoTags: Mobile edit Mobile web edit← Previous edit | Revision as of 19:45, 4 August 2020 edit undoBgkc4444 (talk | contribs)Extended confirmed users1,653 edits →Critical reception: Fan response not in source, updated RT average score, added reviewTag: Visual editNext edit → | ||
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== Critical reception == | == Critical reception == | ||
''Black Is King'' received unanimously positive reviews from critics |
''Black Is King'' received unanimously positive reviews from critics with praise for its visuals, direction, music, themes and cultural relevance.<ref>{{Cite web|title=Black Is King First Reviews: Queen Bey Drops A Masterpiece|url=https://editorial.rottentomatoes.com/article/black-is-king-first-reviews-queen-bey-drops-a-masterpiece/|access-date=2020-08-03|language=en-US}}</ref> On ] ] the film holds ] based on 42 reviews, with an average rating of 8.2/10. The website's critical consensus states: "Beyoncé is King."<ref>{{cite web|title=Black Is King (2020) |website= ] |url= https://www.rottentomatoes.com/m/black_is_king|language=en|access-date=August 3, 2020}}</ref> As of August 2020, ''Black Is King'' is the highest-rated Disney+ original program.<ref>{{Cite web|title=Best Disney Plus Shows and Original Movies (August 2020)|url=https://editorial.rottentomatoes.com/guide/disney-plus-shows-and-movies-ranked-by-tomatometer/|access-date=2020-08-03|language=en-US}}</ref> At ], which assigns a ] to reviews, the film has a weighted average score of 84 out of 100, based on 16 critics, indicating "universal acclaim".<ref>{{cite web|title=Black Is King Reviews |url= https://www.metacritic.com/movie/black-is-king |website= ] |access-date=August 3, 2020}}</ref> | ||
Writing for '']'', Anna Menta said that ''Black Is King'' is "an undeniably breathtaking, personal, and political work of art." Describing it as "a visual masterpiece" that is "almost overwhelming", Menta praised the "neverending progression of jaw-dropping landscapes" and the "instantly iconic" costumes, adding that "every frame, outfit, and dance move has meaning."<ref>{{Cite web|date=2020-07-31|title='Black Is King' Review: Beyoncé's Tribute to African Culture Is a Visual Masterpiece|url=https://decider.com/2020/07/31/black-is-king-beyonce-review-disney-plus/|access-date=2020-07-31|website=Decider|language=en-US}}</ref> In a review for the '']'', ] said the film is a "pageant of sight and sound honoring the Black diaspora, weaving a collection of vibrant, profound and defiantly creative scenarios".<ref>{{Cite web|last= |first= |date=2020-08-01|title=Review: Beyoncé's 'Black Is King' reimagines 'The Lion King' as abstract tribute to Black power, beauty and wisdom|url=https://www.latimes.com/entertainment-arts/tv/story/2020-07-31/beyonce-black-is-king-disney-plus-review|access-date=2020-08-01|website=Los Angeles Times|language=en-US}}</ref> Giselle Au-Nhien Nguyen of '']'' wrote that Beyoncé "stuns again with the spellbinding ''Black Is King''", which "takes the viewer on a dazzling, hyper-real ride through natural landscapes and space-age futures, while incorporating elements of black history and tradition." Nguyen added that the film transposes ''The Lion King'' "to a modern political context, turning the tale of Simba's journey towards selfhood into a bold statement about the power of black identity."<ref>{{Cite web|last=Nguyen|first=Giselle Au-Nhien|date=2020-07-31|title=Beyonce's Black Is King is a sumptuous visual feast|url=https://www.smh.com.au/culture/music/beyonce-s-black-is-king-is-a-sumptuous-visual-feast-20200731-p55hh8.html|access-date=2020-07-31|website=The Sydney Morning Herald|language=en}}</ref> | Writing for '']'', Anna Menta said that ''Black Is King'' is "an undeniably breathtaking, personal, and political work of art." Describing it as "a visual masterpiece" that is "almost overwhelming", Menta praised the "neverending progression of jaw-dropping landscapes" and the "instantly iconic" costumes, adding that "every frame, outfit, and dance move has meaning."<ref>{{Cite web|date=2020-07-31|title='Black Is King' Review: Beyoncé's Tribute to African Culture Is a Visual Masterpiece|url=https://decider.com/2020/07/31/black-is-king-beyonce-review-disney-plus/|access-date=2020-07-31|website=Decider|language=en-US}}</ref> In a review for the '']'', ] said the film is a "pageant of sight and sound honoring the Black diaspora, weaving a collection of vibrant, profound and defiantly creative scenarios".<ref>{{Cite web|last= |first= |date=2020-08-01|title=Review: Beyoncé's 'Black Is King' reimagines 'The Lion King' as abstract tribute to Black power, beauty and wisdom|url=https://www.latimes.com/entertainment-arts/tv/story/2020-07-31/beyonce-black-is-king-disney-plus-review|access-date=2020-08-01|website=Los Angeles Times|language=en-US}}</ref> Giselle Au-Nhien Nguyen of '']'' wrote that Beyoncé "stuns again with the spellbinding ''Black Is King''", which "takes the viewer on a dazzling, hyper-real ride through natural landscapes and space-age futures, while incorporating elements of black history and tradition." Nguyen added that the film transposes ''The Lion King'' "to a modern political context, turning the tale of Simba's journey towards selfhood into a bold statement about the power of black identity."<ref>{{Cite web|last=Nguyen|first=Giselle Au-Nhien|date=2020-07-31|title=Beyonce's Black Is King is a sumptuous visual feast|url=https://www.smh.com.au/culture/music/beyonce-s-black-is-king-is-a-sumptuous-visual-feast-20200731-p55hh8.html|access-date=2020-07-31|website=The Sydney Morning Herald|language=en}}</ref> | ||
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Odie Henderson of '']'' described ''Black Is King'' as an "inspirational piece of art" and "a jaw-dropping visual achievement" with "stunning visuals that permeate every frame arrive courtesy of a crew of spectacular cinematographers, each of whom brings a different yet cohesive look to the set pieces".<ref>{{Cite web|last=Henderson|first=Odie|title=Black Is King movie review & film summary (2020) {{!}} Roger Ebert|url=https://www.rogerebert.com/reviews/black-is-king-movie-review-2020|access-date=2020-08-02|website=https://www.rogerebert.com/|language=en}}</ref> Marianna Cerini, writing for '']'', also praised the visuals and themes of the film, calling it "a universe of phenomenal, larger-than-life looks and sets that are as powerful and artful as the cultural messages conveyed through the music."<ref>{{Cite web|last=CNN|first=Marianna Cerini|title='Black Is King': Beyoncé's visual album is a feast of fashion and symbolism|url=https://www.cnn.com/style/article/black-is-king-beyonce-fashion/index.html|access-date=2020-07-31|website=CNN|language=en}}</ref> David Smyth of the '']'' agreed, describing the film as a "sumptuous, breathtaking celebration of ancestry."<ref>{{Cite web|date=July 31, 2020|title=Beyoncé Black is King review: A sumptuous, breathtaking celebration of ancestry|url=https://www.standard.co.uk/go/london/music/beyonce-black-is-king-album-review-a4513231.html|access-date=July 31, 2020|website=]}}</ref> Writing for '']'', Jenessa Williams praised the "stirring iconography" and "impeccable" visuals, adding that "each shot is straight out of a modernist gallery, juicy pinks and oranges beaming against impossible sunsets and lush green landscapes."<ref>{{Cite web|date=2020-07-31|title=Beyoncé' – 'Black Is King' visual album: the NME review|url=https://www.nme.com/reviews/film-reviews/beyonce-black-is-king-review-2719195|access-date=2020-07-31|website=NME Music News, Reviews, Videos, Galleries, Tickets and Blogs {{!}} NME.COM|language=en-GB}}</ref> Chanté Joseph of '']'' declared ''Black Is King'' "a feast for the eyes, celebrating the beauty and richness of African cultures with emotion and power."<ref>{{Cite web|date=July 31, 2020|title=Black Is King review – Beyoncé’s love song to the black diaspora|url=https://www.theguardian.com/film/2020/jul/31/black-is-king-review-beyonce-disney-plus-lion-king|access-date=July 31, 2020|website=]}}</ref> | Odie Henderson of '']'' described ''Black Is King'' as an "inspirational piece of art" and "a jaw-dropping visual achievement" with "stunning visuals that permeate every frame arrive courtesy of a crew of spectacular cinematographers, each of whom brings a different yet cohesive look to the set pieces".<ref>{{Cite web|last=Henderson|first=Odie|title=Black Is King movie review & film summary (2020) {{!}} Roger Ebert|url=https://www.rogerebert.com/reviews/black-is-king-movie-review-2020|access-date=2020-08-02|website=https://www.rogerebert.com/|language=en}}</ref> Marianna Cerini, writing for '']'', also praised the visuals and themes of the film, calling it "a universe of phenomenal, larger-than-life looks and sets that are as powerful and artful as the cultural messages conveyed through the music."<ref>{{Cite web|last=CNN|first=Marianna Cerini|title='Black Is King': Beyoncé's visual album is a feast of fashion and symbolism|url=https://www.cnn.com/style/article/black-is-king-beyonce-fashion/index.html|access-date=2020-07-31|website=CNN|language=en}}</ref> David Smyth of the '']'' agreed, describing the film as a "sumptuous, breathtaking celebration of ancestry."<ref>{{Cite web|date=July 31, 2020|title=Beyoncé Black is King review: A sumptuous, breathtaking celebration of ancestry|url=https://www.standard.co.uk/go/london/music/beyonce-black-is-king-album-review-a4513231.html|access-date=July 31, 2020|website=]}}</ref> Writing for '']'', Jenessa Williams praised the "stirring iconography" and "impeccable" visuals, adding that "each shot is straight out of a modernist gallery, juicy pinks and oranges beaming against impossible sunsets and lush green landscapes."<ref>{{Cite web|date=2020-07-31|title=Beyoncé' – 'Black Is King' visual album: the NME review|url=https://www.nme.com/reviews/film-reviews/beyonce-black-is-king-review-2719195|access-date=2020-07-31|website=NME Music News, Reviews, Videos, Galleries, Tickets and Blogs {{!}} NME.COM|language=en-GB}}</ref> Chanté Joseph of '']'' declared ''Black Is King'' "a feast for the eyes, celebrating the beauty and richness of African cultures with emotion and power."<ref>{{Cite web|date=July 31, 2020|title=Black Is King review – Beyoncé’s love song to the black diaspora|url=https://www.theguardian.com/film/2020/jul/31/black-is-king-review-beyonce-disney-plus-lion-king|access-date=July 31, 2020|website=]}}</ref> | ||
Okla Jones of '']'' praised Beyoncé's direction, describing how "Beyoncé’s attention to detail is prevalent throughout the film’s nearly 90-minute duration, with each scene matching the emotional tone of the song that accompanies it".<ref>{{Cite web|date=2020-08-01|title=Beyoncé’s Black Is King Seeks to Change The Way We See Ourselves: Review|url=https://consequenceofsound.net/2020/08/film-review-beyonce-black-is-king/|access-date=2020-08-02|website=Consequence of Sound|language=en-US}}</ref> Janelle Okwodu of '']'' agreed, opining that "''Black Is King'' shows her at her most commanding", with Beyoncé's vision tying the work of her collaborators.<ref>{{Cite web|last=Okwodu|first=Janelle|title=Beyoncé’s ‘Black Is King’ Is the Afrocentric Fashion Moment We’ve Been Waiting For|url=https://www.vogue.com/slideshow/beyonce-black-is-king-fashion-message|access-date=2020-08-02|website=Vogue|language=en-us}}</ref> Steve Rose of '']'' stated that "Beyoncé is emerging as a major figure in cinema", adding that "it’s safe to say that Beyoncé is... one of the most significant film-makers" on the planet.<ref>{{Cite web|date=2020-08-03|title=Hold up: It's time to start taking Beyoncé's filmmaking seriously|url=http://www.theguardian.com/film/2020/aug/03/beyonce-film-making|access-date=2020-08-03|website=the Guardian|language=en}}</ref> Aidin Vaziri of the '']'' commented that the film "takes cues from the theatrical pacing of ]".<ref>{{Cite web|last=July 31|first=Aidin Vaziri|last2=August 1|first2=2020Updated:|last3=2020|last4=Am|first4=11:37|title=Review: Beyoncé’s ‘Black Is King’ on Disney Plus is an opulent celebration of the Black experience|url=https://datebook.sfchronicle.com/movies-tv/beyonces-black-is-king-on-disney-plus-a-celebration-of-the-black-experience|access-date=2020-08-02|website=Datebook {{!}} San Francisco Arts & Entertainment Guide|language=en-US}}</ref> ], fashion director and chief fashion critic of '']'', wrote that the "overwhelming" scenes and outfits are "dazzling, but also calculated", with "all of them exist to serve the vision of one woman; to elevate the imagery of Beyoncé". Friedman continued, explaining how this concentrates "all the power in her own hands, marking the garments into tools to reinforce her message", concluding that "this project and all its trappings position its auteur, as the voice-over says in the film, as the "divine archetype"."<ref name=":6">{{Cite news|last=Farago|first=Jason|last2=Friedman|first2=Vanessa|last3=Kourlas|first3=Gia|last4=Morris|first4=Wesley|last5=Pareles|first5=Jon|last6=Tillet|first6=Salamishah|date=2020-07-31|title=Beyoncé’s ‘Black Is King’: Let’s Discuss|language=en-US|work=The New York Times|url=https://www.nytimes.com/2020/07/31/arts/music/beyonce-black-is-king.html|access-date=2020-08-02|issn=0362-4331}}</ref> Allegra Frank of '']'' described how "Beyoncé shows us through the 85-minute powerhouse of an art film" that "Africa is no singular entity... Africa is the motherland of all shades of Blackness. And through these gorgeous frames, each one an art piece of its own, she says: "Everything the light touches is our kingdom.""<ref>{{Cite web|last=Frank|first=Allegra|date=2020-07-31|title=Black Is King is Beyoncé’s stunning ode to African glory|url=https://www.vox.com/2020/7/31/21349602/beyonce-black-is-king-visual-album-review-disney-plus|access-date=2020-08-02|website=Vox|language=en}}</ref> | Okla Jones of '']'' praised Beyoncé's direction, describing how "Beyoncé’s attention to detail is prevalent throughout the film’s nearly 90-minute duration, with each scene matching the emotional tone of the song that accompanies it".<ref>{{Cite web|date=2020-08-01|title=Beyoncé’s Black Is King Seeks to Change The Way We See Ourselves: Review|url=https://consequenceofsound.net/2020/08/film-review-beyonce-black-is-king/|access-date=2020-08-02|website=Consequence of Sound|language=en-US}}</ref> Janelle Okwodu of '']'' agreed, opining that "''Black Is King'' shows her at her most commanding", with Beyoncé's vision tying the work of her collaborators.<ref>{{Cite web|last=Okwodu|first=Janelle|title=Beyoncé’s ‘Black Is King’ Is the Afrocentric Fashion Moment We’ve Been Waiting For|url=https://www.vogue.com/slideshow/beyonce-black-is-king-fashion-message|access-date=2020-08-02|website=Vogue|language=en-us}}</ref> Steve Rose of '']'' stated that "Beyoncé is emerging as a major figure in cinema", adding that "it’s safe to say that Beyoncé is... one of the most significant film-makers" on the planet.<ref>{{Cite web|date=2020-08-03|title=Hold up: It's time to start taking Beyoncé's filmmaking seriously|url=http://www.theguardian.com/film/2020/aug/03/beyonce-film-making|access-date=2020-08-03|website=the Guardian|language=en}}</ref> Janell Hobson, writing for '']'', described how "Bey, as auteur, orchestrates the music, the videos, the fashions, the dances, and the multiple artists on her audiovisual project in a grand unifying vision".<ref>{{Cite web|title=Oshun Energy in Beyoncé’s "Black is King" - Ms. Magazine|url=https://msmagazine.com/2020/08/03/oshun-energy-in-beyonces-black-is-king/|access-date=2020-08-04|website=msmagazine.com}}</ref> Aidin Vaziri of the '']'' commented that the film "takes cues from the theatrical pacing of ]".<ref>{{Cite web|last=July 31|first=Aidin Vaziri|last2=August 1|first2=2020Updated:|last3=2020|last4=Am|first4=11:37|title=Review: Beyoncé’s ‘Black Is King’ on Disney Plus is an opulent celebration of the Black experience|url=https://datebook.sfchronicle.com/movies-tv/beyonces-black-is-king-on-disney-plus-a-celebration-of-the-black-experience|access-date=2020-08-02|website=Datebook {{!}} San Francisco Arts & Entertainment Guide|language=en-US}}</ref> ], fashion director and chief fashion critic of '']'', wrote that the "overwhelming" scenes and outfits are "dazzling, but also calculated", with "all of them exist to serve the vision of one woman; to elevate the imagery of Beyoncé". Friedman continued, explaining how this concentrates "all the power in her own hands, marking the garments into tools to reinforce her message", concluding that "this project and all its trappings position its auteur, as the voice-over says in the film, as the "divine archetype"."<ref name=":6">{{Cite news|last=Farago|first=Jason|last2=Friedman|first2=Vanessa|last3=Kourlas|first3=Gia|last4=Morris|first4=Wesley|last5=Pareles|first5=Jon|last6=Tillet|first6=Salamishah|date=2020-07-31|title=Beyoncé’s ‘Black Is King’: Let’s Discuss|language=en-US|work=The New York Times|url=https://www.nytimes.com/2020/07/31/arts/music/beyonce-black-is-king.html|access-date=2020-08-02|issn=0362-4331}}</ref> Allegra Frank of '']'' described how "Beyoncé shows us through the 85-minute powerhouse of an art film" that "Africa is no singular entity... Africa is the motherland of all shades of Blackness. And through these gorgeous frames, each one an art piece of its own, she says: "Everything the light touches is our kingdom.""<ref>{{Cite web|last=Frank|first=Allegra|date=2020-07-31|title=Black Is King is Beyoncé’s stunning ode to African glory|url=https://www.vox.com/2020/7/31/21349602/beyonce-black-is-king-visual-album-review-disney-plus|access-date=2020-08-02|website=Vox|language=en}}</ref> | ||
In a review for '']'', Jeremy Helligar |
In a review for '']'', Taylor Crumpton explained that Beyoncé "lifted the veil of white supremacist thought that has dehumanized the ]". Crumpton posited that to combat white supremacy, "a global Black identity is needed,... not only through political and community organizing, but in the spiritual sense"; using this belief, the film is Beyoncé's declamation to the African diaspora to "disinvest from established power dynamics" by undertaking "the internal journey to uncover an identity and heritage lost to them from centuries of enslavement".<ref>{{Cite web|last=Crumpton|first=Taylor|date=2020-08-04|title=Beyoncé, the African Diaspora, and the Baptism of ‘Black Is King’|url=https://www.theringer.com/movies/2020/8/4/21353713/beyonce-black-is-king-african-diaspora-orisa-oshun|access-date=2020-08-04|website=The Ringer|language=en}}</ref> Jeremy Helligar of '']'' agreed, writing that ''Black Is King'' "reminds us that Black lives didn’t begin in chains" and inspires young black people "to learn about the history of their race and the ways in which it has shaped the world".<ref>{{Cite web|last=Helligar|first=Jeremy|last2=Helligar|first2=Jeremy|date=2020-07-31|title=Beyoncé’s ‘Black Is King’: Visual Album Review|url=https://variety.com/2020/music/reviews/black-is-king-review-beyonce-1234722056/|access-date=2020-08-03|website=Variety|language=en}}</ref> Writing for '']'', Candace McDuffie called the film "an unforgettable visual experience", describing the film as holding "a mirror to the dynamic nature of Blackness—one for all the world to see. The result is truly remarkable." McDuffie added that the film "is exactly what we need right now... its meaning is much deeper than a simple retelling of a Disney movie."<ref>{{Cite web|last=McDuffie|first=Candace|title=Beyoncé’s 'Black Is King' Is Exactly What We Need Right Now|url=https://www.glamour.com/story/beyonce-black-is-king-review|access-date=2020-07-31|website=Glamour|language=en-us}}</ref> In a review for '']'', Amon Warmann described the film as "a bold and unique offering that's brimming with Black pride" and "a powerful reminder of what Black people can aspire to be."<ref>{{Cite web|date=2020-07-31|title=Black Is King|url=https://www.empireonline.com/movies/reviews/black-is-king/|access-date=2020-07-31|website=Empire|language=en}}</ref> In a review for '']'', Eric Deggans said that "there's a lot of profundity" in the dialogue of the film, adding that it is clear Beyoncé put a lot of thought into the project and how it can make a significant impact.<ref>{{Cite web|title=Review: Beyoncé's Visual Album, 'Black Is King'|url=https://www.npr.org/2020/08/01/898184587/review-beyonc-s-visual-album-black-is-king|access-date=2020-08-03|website=NPR.org|language=en}}</ref> | ||
Sukriti Wahi of ] ''Australia'' praised how the film includes non-black people of color who have experienced ], such as South Asian model Sheerah Ravindren, and how Beyoncé "put independent black designers from around the world front and centre".<ref>{{Cite web|last=Wahi|first=Sukriti|title=7 Takeaways From Beyoncé's Stunning New Visual Album 'Black Is King'|url=https://www.elle.com.au/culture/beyonce-black-is-king-explained-23833|access-date=2020-08-03|website=ELLE|language=en}}</ref> Cydney Henderson of '']'' wrote that the star of the film "is the raw, untapped talent from performers around the world showcasing their rich tradition and culture, history and lineage", with the film showcasing "the often overlooked ] genre", as well as "less mainstream superstars like ] and ] while employing popular African dances like the gbese, gwara and zanku."<ref>{{Cite web|last=Henderson|first=Cydney|title='Black is King': Beyoncé dedicates celebration of Black beauty, retelling of 'Lion King' to son|url=https://www.usatoday.com/story/entertainment/music/2020/07/31/black-king-beyonce-lion-king-jayz-blue-ivy-rumi-sir/5552517002/|access-date=2020-07-31|website=USA TODAY|language=en-US}}</ref> | |||
Dominic Patten of '']'' wrote that with ''Black Is King'', "you have a cultural dominance almost unknown nowadays", with the film being "the conformation of its creator and star as the cultural Queen of our time."<ref>{{Cite web|date=July 31, 2020|title=Beyoncé's 'Black Is King' Review: Queen Bey's Disney+ Visual Album Is Modern Mythology In Action|url=https://deadline.com/2020/07/beyonce-black-is-king-review-disney-lion-king-pharrell-williams-lupita-nyongo-naomi-campbell-bob-iger-streaming-1203000545/?utm_source=dlvr.it&utm_medium=twitter|access-date=July 31, 2020|website=]}}</ref> Writing for '']'', Hayley Maitland opined that Beyoncé is "shifting the zeitgeist" with ''Black Is King'', adding that "the project feels especially timely in light of recent devastating events and the resurgence of ]."<ref>{{Cite web|title=Beyoncé’s 'Black Is King' Has Arrived|url=https://www.vogue.co.uk/arts-and-lifestyle/article/beyonce-black-is-king|access-date=2020-07-31|website=British Vogue|language=en-GB}}</ref> Matt Donnelly of '']'' wrote that "Beyoncé is pushing the boundaries of what many have come to expect from the Disney machine" with ''Black Is King'' being "the boldest brand statement ever from Disney" and "the most direct confrontation of a timely societal discussion around racism that Disney Plus has seen."<ref name=":7" /><ref>{{cite tweet|user=MattDonnelly|author=Matt Donnelly|number=1288520657026703361|date=29 July 2020|title=#BlackIsKing is poised to possibly be the boldest brand statement ever from Disney. Industry insiders told me the new film from Beyonce signals that Disney Plus is willing to get "elastic" to win the streaming wars -- and stay in business with the Queen.}}</ref> | Dominic Patten of '']'' wrote that with ''Black Is King'', "you have a cultural dominance almost unknown nowadays", with the film being "the conformation of its creator and star as the cultural Queen of our time."<ref>{{Cite web|date=July 31, 2020|title=Beyoncé's 'Black Is King' Review: Queen Bey's Disney+ Visual Album Is Modern Mythology In Action|url=https://deadline.com/2020/07/beyonce-black-is-king-review-disney-lion-king-pharrell-williams-lupita-nyongo-naomi-campbell-bob-iger-streaming-1203000545/?utm_source=dlvr.it&utm_medium=twitter|access-date=July 31, 2020|website=]}}</ref> Writing for '']'', Hayley Maitland opined that Beyoncé is "shifting the zeitgeist" with ''Black Is King'', adding that "the project feels especially timely in light of recent devastating events and the resurgence of ]."<ref>{{Cite web|title=Beyoncé’s 'Black Is King' Has Arrived|url=https://www.vogue.co.uk/arts-and-lifestyle/article/beyonce-black-is-king|access-date=2020-07-31|website=British Vogue|language=en-GB}}</ref> Matt Donnelly of '']'' wrote that "Beyoncé is pushing the boundaries of what many have come to expect from the Disney machine" with ''Black Is King'' being "the boldest brand statement ever from Disney" and "the most direct confrontation of a timely societal discussion around racism that Disney Plus has seen."<ref name=":7" /><ref>{{cite tweet|user=MattDonnelly|author=Matt Donnelly|number=1288520657026703361|date=29 July 2020|title=#BlackIsKing is poised to possibly be the boldest brand statement ever from Disney. Industry insiders told me the new film from Beyonce signals that Disney Plus is willing to get "elastic" to win the streaming wars -- and stay in business with the Queen.}}</ref> |
Revision as of 19:45, 4 August 2020
2020 film and visual album by BeyoncéBlack Is King | |
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File:Black Is King Poster.jpegOfficial release poster | |
Directed by |
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Written by |
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Produced by |
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Starring |
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Cinematography |
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Edited by |
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Music by |
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Production company | Parkwood Entertainment |
Distributed by | Disney+ |
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Running time | 85 minutes |
Country | United States |
Language | English |
Black Is King is a 2020 American musical film and visual album directed, written and executive produced by American singer-songwriter Beyoncé. The film serves as a visual companion to the 2019 album The Lion King: The Gift, a tie-in album curated by Beyoncé for the 2019 remake of The Lion King.
Black Is King was released globally to stream on Disney+ on July 31, 2020, and was aired the following day across Sub-Saharan Africa on M-Net and Canal+ Afrique and across the Middle East and North Africa on OSN. The film received acclaim from critics, with praise for Beyoncé's direction, the cinematography, score, costume design, subject matter and cultural themes.
Premise
A young African king is cast out from his family into an unforgiving world. He subsequently undergoes a journey "through betrayal, love and self-identity" to reclaim his throne, utilizing the guidance of his ancestors and childhood love. The story is told through the voices of present-day black artists.
Cast
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{{col-break}} or {{col-2}} .. {{col-5}} |
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Can template handle the basic wiki markup {| | || |- |}
used to create tables? If not, special templates that produce these elements (such as {{(!}}, {{!}}, {{!!}}, {{!-}}, {{!)}})—or HTML tags (<table>...</table>
, <tr>...</tr>
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Background
On 19 July 2019, The Lion King (a photorealistic computer-animated remake of Disney's traditionally animated 1994 film of the same name) was theatrically released in the United States. The same day, an accompanying tie-in album titled The Lion King: The Gift was released by Parkwood Entertainment and Columbia Records. The Gift was curated and produced by Beyoncé, who described the album as "a love letter to Africa" and recounted her determination to find "the best talent from Africa, and not just use some of the sounds and my interpretation of it".
Beyoncé explained that she believes The Gift "is the first soundtrack where it becomes visual in your mind". Beyoncé added, "I wanted to put everyone on their own journey to link the storyline. Each song was written to reflect the film's storytelling that gives the listener a chance to imagine their own imagery, while listening to a new contemporary interpretation."
On June 19, 2020, Beyoncé released the single "Black Parade", in celebration of the Juneteenth holiday which commemorates the end of slavery in the United States. Raisa Bruner of Time called the song "a tour-de-force of references: to black history, to African traditions, to her own family and past" and described Beyoncé as "the queen of a generation providing guidance and assembling her listeners with black solidarity".
Production
Beyoncé called the film "my passion project that I have been filming, researching and editing day and night for the past year".
According to those who have worked on the film, Black Is King contains multiple chapters representing different localities, such as Nigeria and Ghana, with cast and crew of that nationality recruited to contribute and filming taking place in those countries.
Development
In July 2019, after the release of the music video for "Spirit", Beyoncé wanted to release more visuals for The Lion King: The Gift. At first, she intended to produce a video on a lower scale. However, her idea snowballed into a very large production, and she planned the concept of the film with co-director Kwasi Fordjour. Fordjour explained the excitement of the development, saying "Your adrenaline starts to rush and it becomes like, 'OK, what are we going to do, how are we going to do it, where do we start?' When you get into the space where you're so interested and enthralled with creating worlds and spaces, it becomes fun, and she makes it fun."
Beyoncé explained that the film was created to "celebrate the breadth and beauty of Black ancestry" and "to present elements of Black history and African tradition, with a modern twist and a universal message, and what it truly means to find your self-identity and build a legacy." To research for the film, Beyoncé described how she "spent a lot of time exploring and absorbing the lessons of past generations and the rich history of different African customs". The trailer shows Beyoncé reading from the 1971 book Black Gods and Kings, written by American art-historian Robert Farris Thompson to record the art history of the Yoruba people of southwestern Nigeria.
The film was written by Beyoncé, poet Yrsa Daley-Ward and writer Clover Hope. The script also incorporates poetry written by Somali-British poet Warsan Shire.
On June 10, 2020, it was reported that Beyoncé was securing a $100 million deal to work on three films for Disney, with a source telling The Sun "Beyoncé has become a major player for Disney and is the perfect fit for their brand".
Pre-production
The cast and crew for Black Is King were recruited to "represent diversity and connectivity", with Beyoncé wanting to feature "raw, new talent". Those recruited to direct segments of the film include Ghanaian-Dutch filmmaker and visual artist Emmanuel Adjei, who contributed to the narrative structure of the entire film, Ghanaian filmmaker and visual artist Blitz the Ambassador, Nigerian-British artist and director Jenn Nkiru, and South African visual artist Trevor Stuurman. Academy Award winner Hannah Beachler was recruited as one of the production designers.
The artists featured in The Gift (such as Yemi Alade, Shatta Wale, Burna Boy, Salatiel and Wizkid) were recruited for the film, as well as special guests such as Blue Ivy, Jay-Z and Kelly Rowland. The cast also features South African actors Nandi Madida and Warren Masemola, and Nigerian actor Papi Ojo, for whom Black Is King is his debut film performance.
Stylist Zerina Akers curated outfits from both global brands and young designers for the film, saying "To be able to give the same visibility as a large corporation is invaluable". Akers added that she "wanted to reference different cultures, traditions and tribes, but to have the freedom to create fantasy, for people to be able to escape into a new world". Beyoncé also borrowed some of her mother Tina Knowles-Lawson's art pieces for Black Is King, as revealed by Knowles-Lawson during a February 2020 interview with the Wall Street Journal.
Filming
Filming primarily took place in the latter half of 2019, in locations such as Nigeria, Ghana, Johannesburg, New York, Los Angeles, the Grand Canyon, London and Belgium.
Post-production
Post-production took place from December 2019 at Flawless Post. MeLo-X, Derek Dixie and James William Blades contributed to the score and sound design; MeLo-X described working on the film on Twitter, writing "Truly an amazing and eye opening journey. @Beyonce always pushes for greatness. This is nothing less".
Music
Main article: The Lion King: The GiftBlack Is King is based on the music of The Lion King: The Gift, with each song on the album receiving corresponding visuals in the film. An extended version of "Black Parade" was used for the film's credits.
The film's score was composed by James William Blades, MeLo-X and Derek Dixie, while Beyoncé and Derek Dixie acted as music directors. The score contains traditional African music from Smithsonian Folkways recordings.
On the film's release date, a deluxe edition of The Gift was released, including both the original and extended versions of "Black Parade" and a remix of "Find Your Way Back" by MeLo-X.
Release
Black Is King was released globally on July 31, 2020 on Disney+. As Disney+ is not available in Africa, a distribution deal was made with Central and West African television channel Canal+ Afrique and South African media conglomerate MultiChoice Group's channel M-Net to screen Black Is King across Sub-Saharan Africa on August 1, 2020. For the film's premiere, the MultiChoice Group will open M-Net for all DStv customers for about 2 hours on the rest of the packages except for the Premium package. As part of the deal, Black Is King was aired in countries such as South Africa, Nigeria, Ghana, Ethiopia, Namibia, Cameroon, Liberia, Burundi, Senegal, Togo, Somalia, Benin, Congo, Kenya, Ivory Coast, Zimbabwe, Malawi, Gabon and Cape Verde. Additionally, Emirati television network OSN screened Black Is King throughout the Middle East and North Africa region.
Marketing
On the night of June 27, 2020, a teaser trailer for Black Is King was posted on Beyoncé's website, the first official announcement of the film to the public. The teaser was then premiered on television a day later on June 28, to conclude the BET Awards after Beyoncé's acceptance speech for the BET Humanitarian Award. It was then subsequently released across various platforms by Beyoncé's entertainment and management company Parkwood Entertainment in association with Disney. Bob Iger, Executive Chairman of The Walt Disney Company, said he was "honored to be working with Beyoncé this" upon sharing the teaser on Twitter. The surprise release of the teaser caused "Twitter bonkers", according to USA Today, and it subsequently received praise from fans and critics alike for its imagery and symbolism.
An official trailer for Black Is King was released on July 19, 2020 by Beyoncé. Some of the members of the cast and crew were subsequently announced. The trailer was similarly praised by critics, with Jasmine Ting for Paper declaring the film " colorful cinematic masterpiece" with "out-of-this-world visuals" that mix "traditional cultural elements from the African continent" with "modern-day African-American culture".
Ben Sisario of The New York Times writes that the minimal marketing for Black Is King "reflects one of Beyoncé's great talents — stoking public conversation with her art, while explaining very little about it". Ohio State University associate professor Treva Lindsey adds that Beyoncé "is allowing her art to speak for itself" and "opening up space for robust conversations".
Critical reception
Black Is King received unanimously positive reviews from critics with praise for its visuals, direction, music, themes and cultural relevance. On review aggregator Rotten Tomatoes the film holds an approval rating of 100% based on 42 reviews, with an average rating of 8.2/10. The website's critical consensus states: "Beyoncé is King." As of August 2020, Black Is King is the highest-rated Disney+ original program. At Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 84 out of 100, based on 16 critics, indicating "universal acclaim".
Writing for Decider, Anna Menta said that Black Is King is "an undeniably breathtaking, personal, and political work of art." Describing it as "a visual masterpiece" that is "almost overwhelming", Menta praised the "neverending progression of jaw-dropping landscapes" and the "instantly iconic" costumes, adding that "every frame, outfit, and dance move has meaning." In a review for the Los Angeles Times, Lorraine Ali said the film is a "pageant of sight and sound honoring the Black diaspora, weaving a collection of vibrant, profound and defiantly creative scenarios". Giselle Au-Nhien Nguyen of The Sydney Morning Herald wrote that Beyoncé "stuns again with the spellbinding Black Is King", which "takes the viewer on a dazzling, hyper-real ride through natural landscapes and space-age futures, while incorporating elements of black history and tradition." Nguyen added that the film transposes The Lion King "to a modern political context, turning the tale of Simba's journey towards selfhood into a bold statement about the power of black identity."
Odie Henderson of RogerEbert.com described Black Is King as an "inspirational piece of art" and "a jaw-dropping visual achievement" with "stunning visuals that permeate every frame arrive courtesy of a crew of spectacular cinematographers, each of whom brings a different yet cohesive look to the set pieces". Marianna Cerini, writing for CNN, also praised the visuals and themes of the film, calling it "a universe of phenomenal, larger-than-life looks and sets that are as powerful and artful as the cultural messages conveyed through the music." David Smyth of the Evening Standard agreed, describing the film as a "sumptuous, breathtaking celebration of ancestry." Writing for NME, Jenessa Williams praised the "stirring iconography" and "impeccable" visuals, adding that "each shot is straight out of a modernist gallery, juicy pinks and oranges beaming against impossible sunsets and lush green landscapes." Chanté Joseph of The Guardian declared Black Is King "a feast for the eyes, celebrating the beauty and richness of African cultures with emotion and power."
Okla Jones of Consequence of Sound praised Beyoncé's direction, describing how "Beyoncé’s attention to detail is prevalent throughout the film’s nearly 90-minute duration, with each scene matching the emotional tone of the song that accompanies it". Janelle Okwodu of Vogue agreed, opining that "Black Is King shows her at her most commanding", with Beyoncé's vision tying the work of her collaborators. Steve Rose of The Guardian stated that "Beyoncé is emerging as a major figure in cinema", adding that "it’s safe to say that Beyoncé is... one of the most significant film-makers" on the planet. Janell Hobson, writing for Ms., described how "Bey, as auteur, orchestrates the music, the videos, the fashions, the dances, and the multiple artists on her audiovisual project in a grand unifying vision". Aidin Vaziri of the San Francisco Chronicle commented that the film "takes cues from the theatrical pacing of Beyoncé’s tour performances". Vanessa Friedman, fashion director and chief fashion critic of The New York Times, wrote that the "overwhelming" scenes and outfits are "dazzling, but also calculated", with "all of them exist to serve the vision of one woman; to elevate the imagery of Beyoncé". Friedman continued, explaining how this concentrates "all the power in her own hands, marking the garments into tools to reinforce her message", concluding that "this project and all its trappings position its auteur, as the voice-over says in the film, as the "divine archetype"." Allegra Frank of Vox described how "Beyoncé shows us through the 85-minute powerhouse of an art film" that "Africa is no singular entity... Africa is the motherland of all shades of Blackness. And through these gorgeous frames, each one an art piece of its own, she says: "Everything the light touches is our kingdom.""
In a review for The Ringer, Taylor Crumpton explained that Beyoncé "lifted the veil of white supremacist thought that has dehumanized the African Diaspora". Crumpton posited that to combat white supremacy, "a global Black identity is needed,... not only through political and community organizing, but in the spiritual sense"; using this belief, the film is Beyoncé's declamation to the African diaspora to "disinvest from established power dynamics" by undertaking "the internal journey to uncover an identity and heritage lost to them from centuries of enslavement". Jeremy Helligar of Variety agreed, writing that Black Is King "reminds us that Black lives didn’t begin in chains" and inspires young black people "to learn about the history of their race and the ways in which it has shaped the world". Writing for Glamour, Candace McDuffie called the film "an unforgettable visual experience", describing the film as holding "a mirror to the dynamic nature of Blackness—one for all the world to see. The result is truly remarkable." McDuffie added that the film "is exactly what we need right now... its meaning is much deeper than a simple retelling of a Disney movie." In a review for Empire, Amon Warmann described the film as "a bold and unique offering that's brimming with Black pride" and "a powerful reminder of what Black people can aspire to be." In a review for NPR, Eric Deggans said that "there's a lot of profundity" in the dialogue of the film, adding that it is clear Beyoncé put a lot of thought into the project and how it can make a significant impact.
Sukriti Wahi of Elle Australia praised how the film includes non-black people of color who have experienced colorism, such as South Asian model Sheerah Ravindren, and how Beyoncé "put independent black designers from around the world front and centre". Cydney Henderson of USA Today wrote that the star of the film "is the raw, untapped talent from performers around the world showcasing their rich tradition and culture, history and lineage", with the film showcasing "the often overlooked Afrobeats genre", as well as "less mainstream superstars like Wizkid and Shatta Wale while employing popular African dances like the gbese, gwara and zanku."
Dominic Patten of Deadline wrote that with Black Is King, "you have a cultural dominance almost unknown nowadays", with the film being "the conformation of its creator and star as the cultural Queen of our time." Writing for Vogue, Hayley Maitland opined that Beyoncé is "shifting the zeitgeist" with Black Is King, adding that "the project feels especially timely in light of recent devastating events and the resurgence of Black Lives Matter." Matt Donnelly of Variety wrote that "Beyoncé is pushing the boundaries of what many have come to expect from the Disney machine" with Black Is King being "the boldest brand statement ever from Disney" and "the most direct confrontation of a timely societal discussion around racism that Disney Plus has seen."
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- @MeLoXTRA (1 July 2020). "#blackisking I worked on the music score & sound design for this film. Truly an amazing and eye opening journey. @Beyonce always pushes for greatness. This is nothing less. I put alot of downloads and energy into my compositions. Can't wait for yall to experience this" (Tweet) – via Twitter.
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: External link in
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{{cite web}}
:|last=
has generic name (help) - "Beyoncé Black is King review: A sumptuous, breathtaking celebration of ancestry". Evening Standard. July 31, 2020. Retrieved July 31, 2020.
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:|last3=
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- Matt Donnelly (29 July 2020). "#BlackIsKing is poised to possibly be the boldest brand statement ever from Disney. Industry insiders told me the new film from Beyonce signals that Disney Plus is willing to get "elastic" to win the streaming wars -- and stay in business with the Queen" (Tweet) – via Twitter.
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Music |
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- 2020 films
- Beyoncé
- Disney+ original films
- Films directed by Beyoncé
- 2020 drama films
- English-language films
- 2020s musical films
- 2020s musical drama films
- American films
- American musical films
- American musical drama films
- American musical fantasy films
- Films based on adaptations
- Films based on multiple works
- Films based on musicals
- Walt Disney Pictures films
- Films set in Africa
- Films about race and ethnicity
- The Lion King
- African-American films
- African-American musical films