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Cowboys & Aliens
Teaser poster
Directed by	Jon Favreau
Screenplay by	Damon Lindelof Alex Kurtzman Roberto Orci
Story by	Mark Fergus Hawk Ostby Steve Oedekerk
Produced by	Steven Spielberg Ron Howard Brian Grazer Scott Mitchell Rosenberg Damon Lindelof Alex Kurtzman Roberto Orci
Starring	Daniel Craig Harrison Ford Olivia Wilde
Cinematography	Matthew Libatique
Edited by	Dan Lebental
Music by	Harry Gregson-Williams
Production company	DreamWorks Pictures
Distributed by	Universal Pictures (US) Touchstone Pictures (International)
Release date	July 29, 2011 (2011-07-29)
Country	Template:Film US
Language	English
Budget	$100 million

Cowboys & Aliens is an upcoming 2011 American science fiction Western film based on the 2006 graphic novel of the same name created by Scott Mitchell Rosenberg. Directed by Jon Favreau, the film stars Daniel Craig, Harrison Ford and Olivia Wilde. It is executive produced by Steven Spielberg and produced by Brian Grazer and Ron Howard.

Cowboys & Aliens will be released in the United States on July 29, 2011.

Plot

In 1873 Arizona, a loner named Jake Lonergan (Daniel Craig) awakens with no memory of his past and a mysterious shackle around his wrist. He enters the town of Absolution where he learns that he is a notorious criminal wanted by many people, including Colonel Dolarhyde (Harrison Ford), who rules the town with an iron fist. But Absolution soon faces an even greater threat when alien spaceships attack the town. While his shackle holds the key to defeating the aliens, Lonergan must ally with Dolarhyde and other former enemies to make a stand against them.

Cast

Daniel Craig as Jake Lonergan.
Harrison Ford as Colonel Woodrow Dolarhyde. Dolarhyde rules Absolution with an iron fist. Ford and Steven Spielberg did not want to have the character wear a cowboy hat because they were worried that it would remind audiences of the Indiana Jones films, which starred Ford and were directed by Spielberg. Ford described his character as a "grumpy old man."
Olivia Wilde as Ella. Jon Favreau called the character the key to the film.
Sam Rockwell as Doc, a bar owner. In the original script, Doc was described as a huge Mexican. Once Favreau and the writers learned that Rockwell was interested in the film, they reconceived and expanded the role.
Noah Ringer as Emmett.
Paul Dano as Percy Dolarhyde.
Clancy Brown as Meacham.
Keith Carradine as Sheriff Taggart.
Adam Beach as Nat Colorado, a half-Apache working for Dolarhyde.
Abigail Spencer as Alice, the former lover of Lonergan.
Ana de la Reguera as María.
Walton Goggins as Hunt.

Favreau is known for appearing in his films. However, he chose not to act in Cowboys & Aliens because a director cameo could break the tone of the film. He said: "I wanted the characters to be freaked out, but the audience to be laughing."

Production

Development

In 1997, Malibu Comics founder Scott Mitchell Rosenberg conceived the idea for Cowboys & Aliens as an ashcan and subsequently saw its potential in a film adaptation.

In May 1997, a bidding war for Cowboys & Aliens ensued between Walt Disney Pictures and 20th Century Fox, but Universal Pictures and DreamWorks partnered to purchase the film rights. Rosenberg formed Platinum Studios to help produce the film, and Steve Oedekerk was hired that same month to write, produce and direct Cowboys & Aliens with an estimated $3.5 million salary. He planned to start writing the screenplay after completing the script for Nutty Professor II: The Klumps but left because of his interest in a remake with Warner Bros. on The Incredible Mr. Limpet with Jim Carrey.

In October 2001, Chris Hauty had completed a rewrite for Cowboys & Aliens, but the option on the film rights for Universal Pictures and DreamWorks eventually expired.

In May 2004, the film rights were taken to Sony Pictures Entertainment, with Rosenberg also working with Escape Artists to finance Cowboys & Aliens. Thomas Dean Donnelly and Joshua Oppenheimer were hired to rewrite a script from Thompson Evans's rewrite.

In December 2006, with Cowboys & Aliens languishing in development hell, Rosenberg decided to publish the property in graphic novel format.

In June 2007, it was announced that Universal Pictures and DreamWorks would return to the project, with Ron Howard and Imagine Entertainment. Mark Fergus and Hawk Ostby worked on a new script, which was rewritten by producers Alex Kurtzman and Roberto Orci, who collaborated with Damon Lindelof. The writers struggled with the tone of Cowboys & Aliens. The screenplay originally had a broad, jokey tone before it was decided to take the approach seriously. "Imagine you're watching Unforgiven and then Aliens land," Orci explained. The aliens were loosely based on the Anunnaki gods of Babylonian religion, who have a distinct interest in gold.

In June 2008, Robert Downey, Jr. became attached to star. Jon Favreau had heard about Cowboys & Aliens several times. He said: "There's a really great version of a film called Cowboys & Aliens. There are a lot of really bad versions of a film called Cowboys & Aliens, too." While working on Iron Man 2, he got updates about Cowboys & Aliens from Downey, Jr., who hoped that the right tone for the film would be found. In September 2009, he circled to direct the film, eventually being named the film's director.

In January 2010, Downey, Jr. finally dropped out because of his commitment to Sherlock Holmes: A Game of Shadows and Daniel Craig replaced him to take the lead role of cowboy Jake Lonergan. Favreau cast Craig because the actor could play a "badass hero." The director stated: "Though Daniel Craig has never been a Western gunfighter, he has been James Bond. He has been the lead in crime dramas, like Layer Cake." "On the one hand, he's like this Jason Bourne type, a leading man who's also a lethal character, but on the other hand, he's also got a lot of humanity and vulnerability to him," he also said.

In February 2010, Olivia Wilde joined Craig in the film.

In April 2010, Favreau confirmed on Twitter that Harrison Ford would play in Cowboys & Aliens. He wrote: "Please stop asking if Harrison Ford is in Cowboys and Aliens. Okay? He is. Please don’t tell anybody." Talking about the casting of Ford, Favreau said: "We never thought want to come back to genre. To have him bring that pedigree, it's almost like when you cast John Wayne in a Western." Howard stated: "For years, I’ve thought the Western – as a genre – needed this guy. (...) Harrison has this persona that fits the Western. In a way he was a cowboy in Grafitti and Star Wars and when you see him on screen in this setting it just feels right." Orci explained: "We found out that he's been interested in doing a Western for a long time. He was skeptical about the genre blend, and agreed to a meeting. And it wasn't until he actually came in and saw the artwork, saw what the amazing production design team had done, saw the production design and what the aliens look like and what the ships look like. That's when he said, 'Ah, now I get it.' And that's when he agreed to join, when he came in and really saw the stuff on the walls."

In May 2010, Sam Rockwell joined the cast. Favreau had already worked with him in Iron Man 2.

In November 2010, it was confirmed that British film composer and Grammy Award nominee Harry Gregson-Williams would compose the score.

Filming

On June 30, 2010, principal photography for Cowboys & Aliens began at Albuquerque Studios in New Mexico. The film was also shot in Plaza Blanca in Rio Arriba County. The property was owned by the Dar al-Islam Mosque. In Plaza Blanca, there were beautiful white rocks and gorgeous landscapes, which explained why Cowboys & Aliens was not the first Western to be shot there. Among other Westerns filmed at this location were The Missing, 3:10 to Yuma, City Slickers, Young Guns and The Legend of the Lone Ranger. Sound stage work took place in Los Angeles, with additional location shooting at Randsburg, California. Filming finished on September 30.

Design and effects

Scott Chambliss was hired as the production designer based on his work on Star Trek, produced by Orci and Kurtzman. The visual effects were created by Industrial Light & Magic, represented by Roger Guyett as the visual effects supervisor.

Cowboys & Aliens will not be shown in 3-D. When approached with the idea by DreamWorks, Favreau was not interested, stating that Westerns should be shot only on film (as opposed to being shot digitally, which is required for modern 3D technology). "That would be like filming in black and white and colorizing it," he reasoned.

Story

Cowboys & Aliens is loosely based on the 2006 graphic novel of the same name created by Rosenberg. Orci explained: "The comic has the themes of enemies uniting to fight a common enemy and has the setting of that specific time period, so we kept the inspiration from all of that. In terms of the specifics of the story and who these characters are, we wanted the audience to be surprised and to not feel like they've already seen everything if they were fans of the comic. So, while the themes and the setting and many of the elements are a great inspiration, the story is completely adapted and translated for live action."

Science fiction Western

Cowboys & Aliens is a science fiction Western film. It blends the Western and science fiction genres: aliens invade the Old West, cowboys fight back.

Even if the film contained elements of science fiction, the director and the writers tried to keep the tone of a classic Western. Favreau explained: "We tried to maintain the tone of a Western (...) as the movie goes on, because it's very easy to just cut the string and then all of a sudden the action starts and you're in Independence Day." But he added: "You want the sci-fi to stand on its own, too. It's about finding the intersection of those two genres. If you do it right, it honors both, and it becomes interesting and clever and a reinvention of two things that people understand the conventions of (...)."

The fusion between the Western and science fiction genres leads to original situations. Whereas the invaders would be the pioneers and settlers in Western films, they are not the cowboys but the aliens and the cowboys are like Native Americans in Cowboys & Aliens. Favreau pointed out: "It is a bit of a flip, because the cowboys find themselves as the low-tech culture. And what’s also fun is it allows the cowboys and Native Americans to come together, which would be impossible had there not been a greater common enemy. It sets the Western up in a very classic way and then turns it on its ear."

Favreau emphasized that Cowboys & Aliens was not a comedy. He stated: "I think people’s first response on hearing the title, which is a play on words, is that it’s going to be a comedy. They’ve been disappointed in the past when people have played with the Western genre, and not stuck to what’s bad-ass about it. When they throw that out the window, and play a pastiche of it, they don’t feel like they’re getting what they want. What you want is the grizzled warrior on the parched plains, and you want to see this iconic figure, who almost magical emerges from mirage of the horizon." It explained why Favreau cast two actors (Craig and Ford) known more for action-adventure than for comedy. Talking about a shot of Craig riding a horse along a ravine and jumping onto an alien spaceship, the director mentioned: "It was something that echoes Indiana Jones chasing the truck in , and that was echoing stunts that were done in Stagecoach." He also wanted to make a dramatic and thrilling film. "Sometimes it’s fun to play things as thriller, sometimes verging on horror, like Alien or Aliens. We wanted to maintain that gravity," he said.

Favreau noted that Cowboys & Aliens focused on a specific aspect of the alien genre which mostly revolved around the films of the eighties. "And although we have quite a bit of CG – I like the way they told stories before – before you could show everything with CG. And it was a real unveiling of the creature, little by little, and using lighting and camera work and music to make it a very subjective experience. And so we tried to preserve that here," he pointed out.

Before the production of the film started, Steven Spielberg went over the script as well as the artwork, and educated the director and the writers on Western and science fiction. He screened The Searchers for them. Orci mentioned: " even did commentary in the theater with us. (...) He got a new print of The Searchers, and he took me and Jon and Alex and Damon to the Warner Brothers Theater. (...) Where's the horizon? Why do you think the horizon is there? What is the horizon's relationship to the actors mean about the scene? (...) and we're taking notes." Favreau revealed that Spielberg gave him an iPad loaded up with classic Westerns. "I definitely watched and went through all of the John Ford films I could get my hands on," he said. He also stated that Spielberg's films, including his science fiction classic Close Encounters of the Third Kind, were sources of inspiration.

Marketing

Cowboys & Aliens, which crosses genres with the American Western element of cowboys and the science fiction element of extraterrestrials, has an "inherently comic" title and premise. At the San Diego Comic-Con International in July of 2010, director Jon Favreau explained to audiences that he intended the film as a serious mix of the Western styles of Sergio Leone and John Ford and "really scary" science fiction like Alien and Predator. The first trailer for the film appeared in November of 2010, and The New York Times reported that film audiences found the premise comedic. Eddie Egan, the president of marketing at Universal Pictures, acknowledged the misconception and said, "The trailer is the first very public step in reconciling the tone of the movie with the more immediate effect of the title on its own." The studio anticipated a marketing campaign that would demonstrate that the film is "a tough-minded adventure" like Unforgiven by Clint Eastwood.

When Favreau appeared at Comic-Con, he was accompanied by the main cast members. Among them was Harrison Ford, who was making his first appearance at Comic-Con. Ford received a standing ovation from the convention's audiences.

In November 2010, several media were invited to visit Favreau in the editing bay of Cowboys & Aliens. Favreau showed them the teaser trailer and the first forty minutes of the film.

During the Super Bowl XLV on February 6, 2011, the studio aired a TV spot for Cowboys & Aliens. Hours before the American football game, Favreau used Twitter to link followers to the spot online. Entertainment Weekly reported, "It... roused the geek-hive fan base and stirred new speculation about his hybrid of classic Westerns and extraterrestrial-invasion thrillers."

In April of 2011, Favreau and Roberto Orci appeared at WonderCon in San Francisco, where they presented nine minutes of film footage and answered questions about the film. Favreau explained that marketing would show "only a brief glimpse of the aliens of the title" before the film is released. He explained the withholding of certain elements, "I think there are enough visionary people involved with this film that there is an understanding that there is a personality that the marketing campaign can take on as well as the film itself... I want to make sure that if the audience goes to see , there is going to be a lot of surprises in it that they haven’t seen in the marketing materials."

Platinum Studios licensed its Cowboys & Aliens graphic novel to Gameloft to produce a mobile video game. Scott Mitchell Rosenberg said: "Gameloft understood the opportunity of uniting the Cowboys and Indians to fight against the alien invasion and the cool gadgetry and combat play that it represents."

References

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Gilchrist, Todd (April 5, 2011). "'Cowboys and Aliens' Director Jon Favreau Breaks Down the Marketing of His Movie". Wall Street Journal. {{cite news}}: Check date values in: |date= (help)
"Gameloft Licenses Classic "Cowboys & Aliens" From Platinum Studios". PRNewswire.com. Retrieved 2011-05-23.

External links

v t e Jon Favreau
Filmography
Films directed	Made (2001) Elf (2003) Zathura: A Space Adventure (2005) Iron Man (2008) Iron Man 2 (2010) Cowboys & Aliens (2011) Chef (2014) The Jungle Book (2016) The Lion King (2019) The Mandalorian & Grogu (2026)
Films written only	Swingers (1996) Couples Retreat (2009)
TV series created	Dinner for Five (2001–2005) The Chef Show (2019–2020) The Mandalorian (2019–present) The Book of Boba Fett (2021–2022)
TV episodes directed	"Moving On (The Office)" "Pilot (About a Boy)" "Chapter 9: The Marshal"

v t e Steven Spielberg
Accolades Bibliography Filmography Unrealized projects
Films directed	Firelight (1964) Slipstream (1967) Amblin' (1968) Night Gallery (1969; segment "Eyes") Duel (1971) Something Evil (1972) Savage (1973) The Sugarland Express (1974) Jaws (1975) Close Encounters of the Third Kind (1977) 1941 (1979) Raiders of the Lost Ark (1981) E.T. the Extra-Terrestrial (1982) Twilight Zone: The Movie (1983) Indiana Jones and the Temple of Doom (1984) The Color Purple (1985) Empire of the Sun (1987) Indiana Jones and the Last Crusade (1989) Always (1989) Hook (1991) Jurassic Park (1993) Schindler's List (1993) The Lost World: Jurassic Park (1997) Amistad (1997) Saving Private Ryan (1998) A.I. Artificial Intelligence (2001) Minority Report (2002) Catch Me If You Can (2002) The Terminal (2004) War of the Worlds (2005) Munich (2005) Indiana Jones and the Kingdom of the Crystal Skull (2008) The Adventures of Tintin (2011) War Horse (2011) Lincoln (2012) Bridge of Spies (2015) The BFG (2016) The Post (2017) Ready Player One (2018) West Side Story (2021) The Fabelmans (2022)
Films written	Ace Eli and Rodger of the Skies (1973) Poltergeist (1982) The Goonies (1985)
Films produced	An American Tail: Fievel Goes West (1991) Memoirs of a Geisha (2005) Flags of Our Fathers (2006) Letters from Iwo Jima (2006) Super 8 (2011) The Hundred-Foot Journey (2014) Maestro (2023) The Color Purple (2023) Music by John Williams (2024) The Thursday Murder Club (2025) Hamnet (TBA)
Television	"L.A. 2017" (1971) Amazing Stories (1985–1987) High Incident (1996–1997) Invasion America (1998)
Video games	The Dig (1995) Steven Spielberg's Director's Chair (1996) Medal of Honor (1999) Medal of Honor: Allied Assault (2002) Boom Blox (2008) Boom Blox Bash Party (2009)
Family	Amy Irving (first wife) Kate Capshaw (second wife) Destry Spielberg (daughter) Sasha Spielberg (daughter) Arnold Spielberg (father) Anne Spielberg (sister)
Related	Amblin Partners Amblin Entertainment Amblin Television DreamWorks Television Amblimation DreamWorks Pictures DreamWorks Animation USC Shoah Foundation Institute for Visual History and Education Steven Spielberg Jewish Film Archive Sammy Fabelman Spielberg (2017) "Cannibal" (2022)

Template:Alex Kurtzman Roberto Orci

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