This is an old revision of this page, as edited by Herschelkrustofsky (talk | contribs) at 00:49, 16 October 2004. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 00:49, 16 October 2004 by Herschelkrustofsky (talk | contribs)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)Greetings to Hyacinth -- I tinkered with your edit, reverting part of a sentence. I am going to be cautious about further edits, however, because I have done a fair amount of composing and my formulations about the process of composition may stray into the realm of Original Research. --Herschelkrustofsky 21:07, 15 Oct 2004 (UTC)
- Where else would comparisons by listeners be made? And why would those comparisons not apply to development. Hyacinth 21:47, 15 Oct 2004 (UTC)
- You are asking, where other than in the mind? Well, in the ears, I suppose; there is a bit of a controversy about whether music is primarily an experience of sensual beauty, in which case, Ravel and Rimsky-Korsakov would rank higher in the estimation of many than they presently do. There are both a sensual and a, shall we say, intellectual/spiritual aspect to the musical experience, and development belongs to the latter category. --Herschelkrustofsky 00:49, 16 Oct 2004 (UTC)