Article snapshot taken from[REDACTED] with creative commons attribution-sharealike license.
Give it a read and then ask your questions in the chat.
We can research this topic together.
You can help expand this article with text translated from the corresponding article in Spanish. (December 2019) Click for important translation instructions.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Misplaced Pages article at ]; see its history for attribution.
You may also add the template {{Translated|es|Francisco Collantes}} to the talk page.
Collantes was born in Madrid but sought influence from Jusepe de Ribera and the Neapolitan School. He was also influenced by 16th century Venetian painters and was renowned for his landscapes and biblical scenes.
His works included The Burning Bush (c. 1634) which is now at the Louvre, Agar and Ishmael which is now at the Museum of Art, Rhode Island School of Design, in Providence, and The Vision of Ezekiel, Saint Arnulph and The Fall of Troy (about 1634), all three now at the Museo del Prado in Madrid.
References
Collantes at Web Gallery of Art. Retrieved Nov. 22, 2007.
Bibliography
Angulo Íñiguez, Diego, y Pérez Sánchez, Alfonso E. Pintura madrileña del segundo tercio del siglo XVII, 1983, Madrid: Instituto Diego Velázquez, CSIC, ISBN84-00-05635-3
