Jacob Bunel (c.1558, Blois - 14 October 1614, Paris) was a French painter, associated with the Second School of Fontainebleau.
Biography
He came from a family of artists. His grandfather, Jean (or Jehan), and his father, François, were painters, as was his brother; also named François. He was born a Catholic, and originally named Jacques, but converted to Protestantism sometime in the early 1590s.
After being trained by his father, he left for Spain. There, from 1585 to 1588, he assisted Federico Zuccari and Pellegrino Tibaldi at the construction site for the cloister at the Escorial. When this was completed, he went to Rome to work in Zuccari's studio. At some point, he returned to Blois, where he painted portraits.
He moved to Tours in 1595, where he rented a house and studio and married Marguerite Bahuche, a Protestant. She was also a painter, as was her father, Antoine. In 1599, they moved to Paris, at the request of King Henry IV, in memory of his father, who had served as the King's painter and valet de chambre. He would be employed at the court until his death.
From 1600, he was engaged in painting decorations for the Palais des Tuileries. After 1603, he did similar work at the Louvre, in the "Petite Galerie", replacing Toussaint Dubreuil, who had recently died. Together with his wife, he decorated the aisles of the gallery with 28 portraits of previous Kings and Queens of France, beginning with Saint Louis, and filled the ceiling with mythological scenes. These were destroyed by a fire in 1661, but some preparatory drawings have survived.
From 1608 to 1610, on a commission from Queen Marie de' Medici, he created a painting for the high altar at the new Church of the Feuillants on the Rue du Faubourg-Saint-Honoré, depicting the Assumption of the Virgin. The painting was moved to Bordeaux in 1803, and destroyed by a fire in 1870, during the Franco-Prussian War. There is a story that says Bunel left the painting unfinished because, as a Protestant, he refused to paint the Virgin. It was supposedly finished many years later by Charles de La Fosse.
What is likely his last project took place from 1612 to 1614, when he was part of a group providing decorations for the Grand Cabinet of Marie de' Medici, who was then the Queen Mother, at the Louvre. Other artists participating in the project included Gabriel Honnet [fr], Guillaume Dumée [fr] and Ambroise Dubois. His decorations depicted scenes from Jerusalem Delivered by Torquato Tasso.
References
- Paul Lafond Réunion des sociétés savantes des départements salle de l'hémicycle de l'École nationale des beaux-arts, chapter XXXVI, "François et Jacob Bunel, peintres de Henri IV" (1898) Online
- L. Bosseboeuf, "Documents sur les arts en Blésois", in: Réunion des sociétés savantes des départements salle de l'hémicycle, à l'École nationale des beaux-arts, Typographie Plon, Nourrit et Cie (1909) Online
- Sylvie Béguin, "Pour Jacob Bunel", in: Claude Vignon et son temps, Proceedings of the international conference of the University of Tours, Klincksieck, 1998, pg.84
- Brief biography of Bahuche @ Siefar
- Henri Sauval, Histoire et recherches des antiquités de la ville de Paris, Chez Charles Moette et Jacques Chardon (1724) Online
Further reading
- Auguste Jal, "Bunel (Jacob) ?1558-1614", in: Dictionnaire critique de biographie et d'histoire, Henri Plon (1872) Online
- Michael Bryan, "Bunel, Jacques", in: Bryan's Dictionary of painters and engravers, biographical and critical, Robert Edmund Graves (1886 ed.) Online
- Jules Guiffrey, "Jacob Bunel, peintre et valet de chambre du roi", in: Artistes parisiens du XVIe et du XVIIe siècles, Imprimerie nationale (1915) Online
External links
- Base Joconde: Musée du Louvre: Attributed to Augustin Quesnel; a portrait believed to be Jacob Bunel (posthumous?), French Ministry of Culture. (in French)
- D'histoire et d'@rt : Revoir Jacob Bunel, by Sylvain Kerspern