Francisco Durrio de Madrón, known as Paco Durrio (22 May 1868, Valladolid - 30 August 1940, Paris) was a Spanish sculptor, ceramicist and goldsmith; of French descent. He worked in the Art Nouveau and Symbolist styles.
Life and work
His father was a basket maker from France and the family name was originally "Durrieu". He received his initial training in Bilbao, then went to Madrid in 1881, where he trained with the sculptor, Justo de Gandarias [es]. In 1888, he moved to Paris; joining a group of artists centered around Paul Gauguin and, from 1893 to 1895, sharing a studio with him. During this time, he was largely involved with ceramics.
His first solo exhibit took place in 1896 and, in 1900, he participated in a major Modernist exhibition in Bilbao. In 1901, he moved into a studio in Montmartre, which was taken over by Pablo Picasso in 1904. That year, he built his own home nearby and installed a huge ceramic kiln. He would live there until 1939. He helped Picasso create his first ceramic works in 1905.
After 1905, he began work on a memorial to the composer, Juan Crisóstomo de Arriaga but, rather than portraying the composer himself, he chose to depict the muse, Melpomene, playing a lyre. As a result, the statue was not erected until almost thirty years later, in 1933. Overall, the most positive criticism was reserved for his ceramics. He was also a devoted art collector; acquiring numerous works by his contemporaries, including a large number by Gauguin.
He died poor and almost forgotten in a Paris hospital. In 1945, after the war, a major retrospective was held at the Salon d’Automne and a large selection of his jewelry went on display at the Victoria and Albert Museum in London. In 2013, the Museo de Bellas Artes de Bilbao held another retrospective that included pieces from his art collection.
References
- The Collection: Francisco Durrio @ Museo de Bellas Artes de Bilbao
- ^ Paco: El mejor amigo de otros artistas Archived 2014-09-03 at the Wayback Machine @ Modernismo98y14
- Julio González, collection du Musée national d'art moderne, (Brigitte Léal, Ed.) Éditions Musée National d'Art Moderne, 2007, ISBN 978-2-84426-323-0
- Gauguin, Paul (1893–1894), L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, retrieved 2024-11-17
- Gauguin, Paul (1886–1887), Breton Bather, retrieved 2024-11-17
- Gauguin, Paul (1894–1903), Seated Tahitian Youth, retrieved 2024-11-17
- Gauguin, Paul (1887–1897), Two Tahitian Women in a Landscape, retrieved 2024-11-17
- Gauguin, Paul (1884–1903), The Yellow Christ (recto), Female Bather Wading through a Brook, retrieved 2024-11-17
Further reading
- Kosme de Barañano, Tomás Llorens: Francisco Durrio y Julio González. Orfebrería en el cambio de siglo (Colecciones del MNCARS). Museo Nacional Centro de Arte Reina Sofía, Madrid 1997, ISBN 84-8026-077-7
- Maria Amezaga Massalleras: Paco Durrio: viviendo en París (Bilbainos Recuperados series). Muelle De Uribitarte Editores, Bilbao 2013, ISBN 978-84-939946-6-2
- Javier González de Durana, Miriam Alzuri, María Amezaga: Francisco Durrio (1868–1940). Sobre las huellas de Gauguin, Exhibition catalog. Museo de Bellas Artes de Bilbao, Bilbao 2013, ISBN 978-84-96763-43-2
External links
- More works by Durrio @ Euskadi
- More works by Durrio @ ArtNet